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Papers of Serge Prokofiev, [1915]-1936, mainly comprising private and business correspondence relating to the performance and publication of Prokofiev's compositions. Much of the collection consists of personal correspondence concerning his working relationship with other artists including conductors Albert Coates, Sir Henry Wood, Sergei Koussevitsky, Hermann Scherchen, and Ernest Ansermet; soloists Joseph Szigeti, Pablo Casals, Robert Soëtans and Fyodor Shalyapin; composers Igor Stravinsky, Nikolai Miaskovsky, Maurice Ravel and practically all French composers of the 1920s and 30s; theatre directors Vsevolod Meyerhold and Alexander Tairov; the Director of the Ballets Russes, Serge Diaghilev; poets and writers such as Konstantin Balmont and Vladimir Maiakovsky; and chess grandmaster José Capablanca. The papers also include financial material such as bills and accounts, legal papers and correspondence concerning concerts in the USA, France, Italy, Spain, England, the Soviet Union and Germany; and the publication and copyright of Prokofiev's work. Individuals and companies with which Prokofiev dealt in these matters included musical societies such as the Aeolian Company in the USA, Concerts Populaires de Bruxelles, and Concerts Pasdeloup in Paris; music publishers such as Breitkopf and Härtel in Leipzig, Russicher Musikverlag in Berlin and Edition Russe de Musique in Paris; and Soviet music publishing and arts authorities including the State Publishing House, the Moscow and Leningrad conservatories, and the Direction of State Theatres. There is also correspondence regarding the composition of ballets and operas, notably The Love for Three Oranges, Chout, the Fiery Angel and Le Pas d'Acier. The remainder of the collection consists of diaries, personal notes and press cuttings relating to Prokofiev's work.