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Primarily comprises of botanical specimens in the form of pressed flowers and plants accompanied by manuscript descriptions giving the date and location at which the specimen was collected, with biblical, historical and personal context sometimes provided. References are made to 'quarantine quarters' in Malta, and going 'on shore with our guns' in Egypt, indicating that the author may have been working for the Royal Navy.

Locations visited by the author of the journal include:

Egypt (January-March 1846), including a scrap of papyrus found in the 'catacombs of Sioul', a parrot feather and fabric from 'a child mummy', Luxor (13 February), Cairo (28 February 1846); Palestine and Israel (March), including Rafah (18 March), Gaza (19 March), Jerusalem (23-28 March, 30-31 March 1846), Bethlehem (28 March 1846); Bethany (31 March 1846); Jordan (1 April 1846); Bethel (2 April 1846); Ephraim (2 April 1846); Schechem (2 April 1846); Sychar (3 April 1846); Samaria (4 April 1846); Nazareth (4-6 April 1846); Mount Fabor (7 April 1846); Cana of Galilee (7 April 1846); Mount Carmel (8 April 1846); Caipha (9 April 1846); St Jean de Acre (9 April 1846); Tyre (10 April 1846); Sidon (11 April 1846); Beyrout [Beirut] (16 April 1846); Malta (27 April 1846).

Thirty two slides of Danubian lands, including views of Vienna, Austria, Budapest, Hungary and Belgrade, Yugoslavia and some maps. Also contained are 15 slides on the Second World War including Greek troops, the Cretan Campaign and Egyptian troops in training, c. 1939-1945

Extracts from a Hungarian publication Magarorszag Földrajza [Geography of Hungary], translated into English

Album of photographs of buildings and activities of Soviet co-operatives, including activities in childrens' homes and photographs of statistical diagrams about the Central Association of Co-operative Associations of the USSR, 1932.

Photographs from an exhibition The 100th anniversary of the Bulgarian Theater, with list of captions

Photograph probably of a Balkan (Bosnian or Serbian) legal document , [c 1500-1700]

Photographs of Russian icons intended to give "a picture of the development of ancient Russian icon painting" with an introduction signed by Anisionov and brief descriptions of each photograph. Inserted in the album are notes on an exhibition "Russia: her soul through the ages in life and art", 18 November 1929.