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As at Jan 2009, The Women's Library held approximately 1050 posters in the Museum Collection, with c 100 posters identified in the archives.

The earliest posters held result from suffrage activities and can be divided into three main groups; advertisements for meetings and events, illustrated propaganda posters arguing why women should get the vote, and thirdly newspaper bills bearing suffrage related headlines, used to promote paper sales.

All other posters are arranged by subject and date from the 1970s to the present day. The collection represents a mixture of women's campaigning, campaigning by organisations to promote gender equality, and posters produced to advertise women-focused events and publications. There are a small number of posters that portray women's issues and campaign work internationally. The work of The Equal Opportunities Commission in England and Ireland is particularly well represented as a result of a large donation of their obsolete posters during the 1990s. Also well represented with almost 80 posters is the work of See Red Women's Workshop, a women's liberation screen-printing collective (1974-1984).

As at Jan 2009, The Women's Library held approximately 1,144 postcards in the Museum Collection, with 211 postcards identified in the archives.

The earliest postcards held result from suffrage campaigning and include: documentary photographs of suffrage activities and events, and portraits of activists produced by the Women's Social and Political Union, the Women's Freedom League, and illustrated propaganda cards produced by the Artists' Suffrage League and the Suffrage Atelier. The collection also includes a significant number of anti-suffrage comic cards produced by commercial printers. There is a range of cards illustrating the campaigns for women's enfranchisement in Holland, Sweden, France and USA amongst other countries. Women's contribution to the First World War is documented in a number of postcards that represent the Scottish Women's Hospitals and other hospitals.

In addition, the collection contains contemporary postcards dating from the late 1970s to the present day. It includes a selection of satirical cartoons concerned with female characteristics and roles, a range of cards produced by women's organisations and campaign groups, particularly peace groups, cards representing campaigning on issues internationally.

Most postcards in the collection are blank on the reverse side. There are a number, such as those sent by women on the suffrage caravan tours and during the First World War, which were sent and the text may be useful for research.