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Diaries and sketch books of Robert Wood, James Dawkins, John Bouverie and Giovanni Battista Borra of a tour of the Levant, 1750-1751, comprising:
Transcript (8 volumes) of the diaries of the archaeologist, James Dawkins, 5 May 1750-8 June 1751, describing the tour from Naples, Italy to Porto Leone, via Smyrna [Izmir], Sardis, Thyatira [Akhisar], Pergamum [Bergama], Sinus Eleaticus, Constantinople [Istanbul], Boursa, Cyzicus [Belkis], Troy, Tenedos, Phocaea [Foça], Teos [Sigacik], Ephesus, Magnesia ad Meander, Laodicea, Hierapolis [Pamukkale], Antioch, Mytilene [Mitilíni], Lesbos, Scio [Chíos, Nísos], Neomene, Samos, Mylassa, Halicarnassus [Bodrum], Cos [Kos], Cnidus Nova, Rhodes [Ródhos], Alexandria [Al-Iskandariyah], Cairo, The Pyramids, Acre [Akko], Mount Carmel [Har Hakarmel], Nazareth, Capernaum [Kefar Nahum], Tiberias [Teverya], Jerusalem, Bethlehem, Rama, Sidon [Sayda], Beirut, Damascus, Baalbek [Balabakk], Tripoli, Delos [Dhílos], Athens, Marathon, Thermopylae, Chalcis [Khalkís], Thebes, Delphi [Dhelfoi] and Megara.
Diary (1 volume) of John Bouverie, 25 May-8 June 1750, 25 July-3 Aug 1750, and 7 Sep 1750, covering the tour from Smyrna to Meander, as described above.
Papers of Robert Wood, comprising diaries (3 volumes), 25 May-19 Aug, 22 Sep - 8 Oct 1750, 16 May-1 June 1751; pocket books (2 volumes), containing copies of inscriptions made during the tour, including Athens, Baalbek, Palmyra, and other sites in Turkey, Greece and Egypt; extracts (made by Wood's daughter) from his tour manuscripts, including some that are not in the collection; manuscript A universal history by Wood, almost certainly pre-dating the tour; notebook, containing extracts from Wood's journals from his 1742-1743 visit to the Levant, itineraries from his 1745 visit to Italy, preparatory plans for the 1750-1751 tour and notes on Homer; notebook conntaining copy of an extended letter from Wood to James Dawkins, [c1755], Remarks on Homer's plan of Troy, in effect an early draft of his Essay on the Original Genius of Homer [see printed books below].
Sketch books of Giovanni Battista Borra, containing ink and pencil sketches made on the tour, mainly of architectural details, but also including landscapes, of Naples and Mount Vesuvius, Palmyra and Damascus.
Printed books: Robert Wood: An Essay on the Original Genius and Writings of Homer, London, H Hughs for T Payne and P Emsley, 1775, including engravings after Borra of ruins near Troy, and a map of Troas; The ruins of Palmyra and Baalbek, London, W Pickering, 1827 and Les ruines de Palmyre, autrement dite Tedmor au desert, Paris, Firmin Didot, 1819; Homer: Operum omnium quae exstant. Tomus prior sive Ilias Grece et Latine.Juxta editionem emendatissimam et accuratissimam Samuelis Clarke Amsterdam, J Wetstenium, 1743 [Wood's interleaved copy, containing notes and transcripts of inscriptions]; l'Abbe Barthelemy Reflexions sur l'alphabet et sur la langue dont on se servot autrefois a Palmyre, Paris, 1754; Giacomo Barozzi [Il Vignola] Regola delli cinque ordini d'architecttura, Rome, [1620].

Papers of Johannes Wilde, 1916-1995, comprising files of working papers including notes, (manuscript and typescript), sketches, correspondence, photographs, lectures and slidelists, 1916-1965. Wilde meticulously wrote out the text of his lectures each time he gave them, making it possible to trace the evolution of ideas from the earlier to the later versions of the same piece.

Working papers relating to Michelangelo, 1922-1965, (the largest section of material in the collection) including general life and work, specific works including the Sistine Chapel, the Pieta, Cartonetti, 'Christ before Pilate'; his relationship with other artists, including Leonardo, Vasari, Raphael, Sebastiano; his drawings, including notes for a short survey of drawings, lectures, and a summary catalogue; his work in Florence, notably the façade of the Church of San Lorenzo, including correspondence with James S Ackerman concerning his book, The Architecture of Michelangelo (A Zwemmer, London, 1961), the Medici chapel and tombs, including lecture of Michelangelo's designs for the tombs, the Sagrestia Nuova, including draft chapter of its history, various works in the Palazzo Vecchio, the Hall of the Great Council, the Sala del Consiglio Grande, 'the Battle of Cascina', 'Victory', 'Leda', including correspondence concerning the publication of an essay, 1957; the Papal Tombs in Rome, the Marcus Aurelius statue in the Piazza del Campidoglio, Rome, the Sistine Chapel, Rome, the 'Battle of Angiare'; note and transcripts of Michelangelo's letters [now at the British Museum and Oxford]; notes on Michelangelo's drawing methods and early drawings;
list and notes of Wilde's new students [1948], catalogue entries for the catalogue of drawings at Windsor Castle, 1953;

notes relating to other artists, 1949-1962, notably Giotto, Leonardo da Vinci, Vasari, Masaccio, Pierino da Vinci, Raphael, Giovanni Bellini, Mantegna, Corregio, Parmagianino, Daniele da Volterra, Sebastiano del Piombo, Marcello Venusti, Giorgione, Antonello, Jacopo de' Barbari, Giovanni de Busi Cariani, Domenico Fetti, Jacometto, Domenico Mancini, Jacopo Palma Vecchio, Tiepolo, Tintoretto, Titian, Dutch/ Flemish painting, including Wilde's MA thesis on Rembrandt, 1916; notes on the collection of Archduke Leopold Wilhelm known as the Theatrum Pictorium, teaching notes, miscellaneous articles and notes including Henry VIII monument, landscape painting, Vasari, Fontanellato;

travel journals, 1921-1957, including notes relating to Modena, Uffizi, Rome, and exhibitions;
correspondence, 1937-1970, including letters to Wilde thanking him for the gift of his British Museum catalogue; correspondence with Paola Barocchi, 1962-1963; Kenneth Clark, 1959-1964; James A Crabtree, 1964, relating to a Michelangelo drawing; Brigadier Roy Frank Johnson, 1954, relating to portraits owned by him and Count Antoine Seilern; Arthur Ewart Popham, 1941-1949, covering production of of the catalogue of Italian Drawings at Windsor castle; private matters, and including some of the travel permits Wilde required during the war; Count Seilern, 1964, 1970; Hugh Squire, 1960, relating to a drawing in his collection;
miscellaneous items including photographs of Wilde and colleagues, [1920s-1930s]; Johannes and Julia Wilde, [1960s]; one of Wilde's parties, undated; copies of speeches given by Wilde on his 60th, 65th and 70th birthdays and by Anthony Blunt at a party, 1961; copy of Peter Kidson's lecture 'The Recent Transformation of Art History', 1995; copies of the editorial and obituary of Wilde, from The Burlington Magazine.

Papers and correspondence, 1929-1975 and undated, of Julia Frances Strachey, including diaries, notebooks, manuscripts and typescripts, 1929-1975 and undated; letters to Julia, 1924-1956 and undated, the writers including Dora Carrington; letters to Stephen Tomlin and Julia, 1923-1930 and undated, the writers including Lytton Strachey; correspondence between Stephen Tomlin and Julia, 1930-1931; correspondence between Julia and Lawrence Gowing, 1939-1971 and undated, and other letters to Julia, 1952-1967 and undated; personalia, including a copy of a divorce certificate, 1967, a will, 1971, a business diary, 1971, an appointment diary, 1974, passports, and an undated address book; postcards and photographs, largely undated, mainly miscellaneous works of art but also including Lytton and Oliver Strachey, Dora Carrington, and Stephen Tomlin; a scrapbook, 1932-1971, mainly comprising press cuttings including reviews of Strachey's novels, with a few miscellaneous letters inserted.

Papers of the writer Sir Richard Rees, c1920-1970 and undated.

Manuscripts and typescripts for Rees' published and unpublished work include material for an unpublished book of essays; a typescript of his unpublished novel; unpublished shorter pieces, including lectures on literary and cultural subjects, among them George Orwell and Simone Weil.

Miscellaneous personal papers and writings, 1926-1960s, include notes on dreams; travel notes on the USA, 1929; a Russian diary, 1935; papers relating to the Spanish Civil War; typescript papers of the International Commission for War Refugees, 1941-1944, and other correspondence and papers on its work; papers relating to Rees' service in World War Two; correspondence concerning Rees' membership of the committee of the Pilgrim Trust; papers relating to sales of Rees' books; printed papers, comprising various articles and book reviews relating to Rees' interests.

Correspondence, c1920-1970, comprises items to Rees and carbon copies or drafts of his letters, the correspondents including prominent literary and other public figures, for example David Astor, Vanessa Bell, Joseph Conrad, Victor Gollancz, Frieda Lawrence, Iris Murdoch, Sonia Orwell, Sir Herbert Read, Hugh Trevor-Roper, A L Rowse, John Sparrow, Stephen Spender, R H Tawney, and many others, and including letters relating to George Orwell, J Middleton Murry, R H Tawney, and Simone Weil; correspondence with his literary agents A D Peters and with publishers, on his publications and broadcasts; letters to the press; personal papers, including c100 letters from Rees to his mother, c1938-c1942, other family letters, and snapshots; correspondence with J Middleton Murry and his wife, 1936-1937, relating to personal matters leading to Rees' resignation from the Adelphi, and other papers relating to the Adelphi, 1935-1936.

Other material includes a notebook including typescript reviews and letters to editors; memoranda of agreements with publishers for books, articles, etc, 1954-1969; press cuttings on various political, literary, artistic, and other subjects, including reviews of some works by Rees; typescript diary of a visit to Italy, 1959.

Rees' papers on George Orwell, 1949-1963, relating to his role as literary executor include correspondence and papers, some relating to Orwell's death, adopted son Richard, and proposed posthumous publications, and including material relating to his wife Sonia; papers on the George Orwell Archive Trust; typescript transcripts of poems Orwell contributed to the Adelphi, 1933-1936; two book reviews by Orwell, 1943-1944.

Rees' papers on Simone Weil largely comprise translations, typescripts and proofs for Rees' publications on Weil. There are also some writings by Weil; a photograph of her, 1942; letters to Rees from Weil's mother and brother, André, and other correspondence on Weil, 1958-1970; press cuttings on Rees' publications on Weil.

Rees' papers on R H Tawney, relating to his role as literary executor, include correspondence and papers of Tawney; Rees' correspondence on Tawney, largely dating from 1960-1970; correspondence and papers relating to the sale of Tawney's belongings and his will, with other personal documents relating to Tawney and his wife; correspondence relating to the disposal of Tawney's collection of books on economic history, 1952. The correspondents include a number of prominent literary and other public figures.

The later deposit comprises a typescript on Orwell and a typescript and corrected proofs on Murry.

Sir Henry Head's papers, 1891-1909, consist of his casebooks of patients with Herpes Zoster, with sketches and photographs, chiefly from Head's work at the London Hospital, 1891-1909, and his casebooks of patients with various diseases, with sketches and charts, from his work at the City of London Hospital for Diseases of the Heart and Lungs, Victoria Park, 1894.

Papers of Anthony Blunt, 1700-1983, comprising papers relating to Nicolas Poussin, notably files relating to his paintings, drawings and engravings, arranged by subject categories and containing notes, correspondence, articles, sales catalogues and illustrations (photographs, colour transparencies, slides, photocopies, prints, lithographs, engravings) of the named picture, details of the picture, variant versions (usually copies after), and in many cases, plates printed for the Poussin catalogue raisonné, 1824-[1983]; notes and illustrations relating to comparative material relevant to Poussin, including sculpture, 1700-1972; works by the circle of Poussin, [1938-1983]; drawings by the Poussin 'school', [1966-1977]; copies of letters by Poussin, and related notes, including photographs of letters from the Bibliothèque Nationale, Paris, [1964-1967]; notes, transcripts and letters relating to sales of works; correspondence with colleagues relating to Poussin's paintings and drawings, [1940-1982], notably Denis Mahon, 1960-1962, Walter Friedlander, 1944-1966, Erwin Panofsky, 1960-1961; notebooks, [1962-1965] and loose notes relating to Poussin; correspondence with Elizabeth Mackenzie (Lady Margaret Hall, Oxford), 1962-1982; offprints of various authors relating to Poussin; miscellaneous material relating to Poussin, [1940-1982], including a photocopy of his will;
papers relating to French art, notably notes, photographs and articles relating to French paintings, sculpture and architecture of the 16th-19th centuries, [1938-1977]; typescripts, note and correspondence relating to Chantelou's diary, [1980-1983]; papers, articles and illustrations relating to a publication by Ronald Cohen concerning the Le Nain Brothers, [1982]; articles relating to the Louvre, [1978];
papers relating to Italian art, notably notes, illustrations and articles relating to Italian Baroque architecture and sculpture, [1953-1982]; Borromini, [1956-1980]; Pietro da Cortona, [1966-1982]; notes, plans, photographs and papers relating to buildings and sculpture in Naples [1954-1981]; notes relating to Palermo, [1967]; typescripts, photographs, notes, correspondence and reviews relating to Blunt's A Guide to Baroque Rome;
articles by Blunt concerning the Royal Collection, 1972, and colonial architecture; plans, photographs, notes and review relating to a catalogue of Waddesdon Manor, [1974-1982]; correspondence, 1970-1983, largely concerning paintings and publications; articles by various authors, 1975-1982; offprints by Blunt, [1932-1982]; newspaper cuttings, 1929-1983; correspondence with publishers, 1972-1983; photographs, correspondence and articles relating to Blunt's personal collection, [1960-1982]; personal papers, [1932-1978], including appointment diaries, 1972-1978; papers from Blunt's school and university days, 1919-1930, including notes, articles, school and university magazines; papers relating to a trip to Russia, comprising notes on paintings, drawings and architecture,1935, two guidebooks, 1931, 1934.

The correspondence, papers and diaries of Sir Charles Blagden. Blagden's papers are interesting on several levels, generally for his close contact with European men of learning, and his relationship with Sir Joseph Banks. Blagden's professional researches are represented by medical notes in the boxed sequence. These are grouped with papers on other subject interests, including linguistics, e.g. a draft Tahitian-English dictionary, compiled from conversations with Omai, whom Blagden inoculated after Omai's voyage to England with James Cook. Blagden's interest in antiquities and travel is documented by diary entries, as is his intercourse with fellow scientists, particularly those associated with the founding of the Royal Institution.

Diaries and notebooks of James Theodore and Mabel Virginia Anna Bent, 1883-1898, comprising:
Mabel Bent's diaries of visits to the Greek Islands, 1883-1884; Greece and Egypt, 1885; Constantinople [Istanbul] and the Greek Islands, 1886; Greece, 1887; Turkey and Russia, 1888; India and Persia [Iran], 1889 (3 volumes); Cilicia, Turkey, 1890; Central Africa (Mashonaland), 1891 (2 volumes); Hadramout, 1893-1895 (3 volumes); Suez, Kourbat and Athens, 1895-1896; Socotra, Yemen, 1896-1897; Greece and Egypt, 1898;
Theodore Bent's diary of visits to Hadramout, Yemen, 1893-94; Muscat, Dec 1894; Socotra, Yemen, Dec 1896-Mar 1897; notebook, containing Greek inscriptions, 1888; notebook on language in Socotra [1896-1897].

Papers of Henry Clark Barlow, comprising papers relating to his Dante studies, both published and unpublished work, including manuscripts and notes for unfinished essays and lectures, titled manuscript notebooks, titled manuscripts, notes from codices and other sources, printed matter, and papers relating to the festivals of Dante; papers relating to his other studies, including a few items on geology and theology, and many sketches relating to the history of art, to architecture and to topography; personal papers, including Barlow's diaries and journals in which he wrote his observations on the architecture, art, geology, history and people of the places he visited, travel notes, and correspondence devoted almost entirely to Dante matters; acquired papers, including photographs, pictures, books, maps, plans, printed matter and ephemera.