Showing 19 results

Sketch of the eclipse of the sun, 1820; handwritten "explanation of plate"; sketches including grain worms, root worms, dust brands of wheat; title jacket for "Prospectus Operis Botanici" by Joseph Plenck (1788); short note describing Bauer's sketch of 2 December 1829.

Papers created by Alfred Claude Bromhead during his time in Russia, 1916-1917, and a varied collection of miscellany compiled by him, with items dating from 1510 to the 1930s. These include a contemporary illustration of the funeral procession of Anne of Cleves in 1557 and a collection of engravings of the life of the Virgin by Alberto Durer from 1510. There are also volumes of sketches of London and letters and newspaper cuttings, the subjects of which include the history of London, criminology and The Gentlemen's Magazine.

Letter from Sir Edward Henry Busk of Heath End, Checkendon, Oxfordshire to R A Rye. Asking for the name and address of a photographer to reproduce his portrait painted by [John Singer] Sargent, 'as many friends are asking me for a reproduction'.

Autograph, with signature.

The collection is divided into four main groups: The first group contains papers relating to William Clift's work as conservator of the Hunterian Museum. This is the largest of the four groups and contains a number of sub divisions such as explanation and display of specimens, expanding the collections, administration of the museum, and correspondence. This group also contains the transcripts made by Clift and others of the Hunterian manuscripts. The second group contains work carried out by William Clift as an illustrator for publications. The third group contains a small amount of personal material that is in the collection. The fourth group contains transcripts and copies of manuscript material by William Clift that is held in other repositories such as the Natural History Museum.

Papers of Sir Astley Paston Cooper (1788-1841) comprising lecture notes written by Cooper as well as those by unidentified individuals; notes on cases both by Cooper himself, and those sent to Cooper by patients and colleagues; other notes and experiments carried out by Cooper; illustrations and drawings, mostly of cases and specimens; catalogues and lists of preparations; and letters and personal material.

Portrait of Lilian de Lissa, first principal of Gipsy Hill Teacher Training College, by artist Gilbert Spencer. The painting was commissioned by the college as a present for Miss de Lissa and presented to her in a ceremony in October 1953. The portrait has been held by Gipsy Hill Teacher Training College prior to passing to Kingston Polytechnic and Kingston University.

Letter from William Ewart Gladstone of Hawarden, North Wales to Sir Joshua Walmsley, 29 Oct 1868. Replying to his request for a portrait of Gladstone. 'I am haunted by the belief that I am under a prior engagement'.

Autograph, with signature.

Papers of Dr Negley Harte relating to the history of the University of London, c1950-1986, comprising material collected for Dr Negley Harte's book, The University of London 1836-1986 - an illustrated history (Althlone Press, 1986). Including copies of some illustrations.

Papers collected by Ron Heisler, including: records and minutes books of the Harrovian Juvenile Oddfellows Society / Loyal Pride of Harrow Lodge recording membership, payments, degrees of membership and other information (1828-1958); scrapbooks relating to the life and career of civil servant Sir William Robert Fraser, including scrapbook of cuttings relating to the erection of a statue of Charles I in London and a scrapbook containing letters and ephemera on his career in the civil service (1898-1946); miscellaneous manuscript material collected by Ron Heisler, including minute books of Hackney Co-operative Party, Staines Co-operative Party and Homerton and South Hackney Claimant Union, a scrapbook of articles written by William Durrant Cooper and other items (1847-1981); photographs and photograph albums, including photographs of unemployment protests during the 1930s, images from the Spanish Civil War and albums kept by communists Molly and Bill Smith (1936-1953); miscellaneous cartoons and illustrations regarding political and social themes (1792-1883); posters, calendars and framed items regarding social and political themes, or produced by political organisations, including promotional posters for performances at the Unity Theatre, London (1898-2003).

2 postcards from George Jacob Holyoake of Eastern Lodge, Brighton to Edwin Ashworth, Todmorden Hall, Yorkshire, West Riding. (1) On the subject of portraits, 1 Feb [1897]. (2) 'Thank you for your pleasant birthday note. I have pleasant memories of Todmorden', 16 Apr 1901.

Both letters are autograph, with signatures.

Letter from James Jardine of Hanover Street, [Edinburgh] to Robert Stephenson, Esq, civil engineer of Baxter Place, [Edinburgh], 25 Jun 1825. Replying to a note from Stephenson, agreeing to meet at 10 o'clock on Monday at Stockbridge on Lord Moray's ground; reminding Stephenson to give notices to the agents, and have the plan with the levels marked, ready to be inspected on the spot.

Autograph, with signature.

Letter from Peter Mackenzie of Glasgow to Joseph Hume, 8 Jan 1834. Returning the 'Major's portrait'. Sends Hume volumes [2 and 3] of the Reformers' Gazette.

Papers of Max Lock, 1936-1988, produced and collected by Max Lock and the Max Lock Group, relate to Lock's career as a planner and architect and to wider issues in planning, particularly after World War Two, and comprise working papers (including survey papers) and finished material.

They include correspondence; notes and card indexes; photographs (some aerial), slides, drawings, maps and plans; Bills, Acts, white papers and other official publications; books, articles, reports and other publications (some annotated); typescripts; press cuttings; and conference papers. The bulk of the material dates from the 1940s to the early 1970s. Material relating to Lock's career and projects within the UK includes papers on his time as a Watford councillor and his architectural practice in the 1930s, including a timber house he designed at Stanmore, Middlesex; Hull, 1939-1957, including conflicts between Lock and his superiors; Scalby, 1940-1941; Middlesborough, 1943-1970; Hartlepool, 1946-1970; Portsmouth, 1948-1973; Salisbury, 1949-1969; Sutton Coldfield, 1950-1967; Bedford, 1950-1971; Sevenoaks, 1954-1965; Aberdare, 1957-1959; Stratford (West Ham), 1957-1962; Hackney and Shoreditch, 1960-1971; Woodley, 1962-1969; Oldham, 1962-1971; Covent Garden, 1963-1971; Battle, 1964; Brentford and Chiswick, 1964-1970; Torbay, 1968-1969; Dunstable, 1968-1972; Greater London Development Plan Inquiry, 1969-1971, and other material on GLC planning and transport; Beverley, 1969-1972. Material on projects and visits overseas includes papers on Scandinavia, 1937-1939, 1946-1949; India, Pakistan and Ceylon, 1946-1955; the Netherlands, including the Town Planning Institute Tour (1946), 1946-1957; the Americas, including Brazil, the West Indies and the USA, 1952-1969; Italy, 1952-1970; the Middle East, including Iraq and Jordan, 1954-1958; Australia, 1959-1960; Aden, 1960-1961; Kuwait, 1961; Nigeria, including Kaduna and Maiduguri, 1962-1975.

The collection includes a large volume of accumulated material, 1944-1987, largely printed material by other authors, including other planners, planning bodies and architects, some from architectural and planning journals and from the national and regional press, on planning and related issues both in the UK and overseas, such as planning law and procedures; central and local government and administration; public inquiries; housing; historic buildings; urban development; industry and retail; transport infrastructure, including roads and ports; traffic, noise, and the environment; social and economic issues including employment, labour, and social class; population levels and density; public amenities and utilities; land use and open space; and statistical data. Some papers relate to the affairs, including legal and financial matters, of the Max Lock Group; the architectural work of Max Lock and Partners; premises in Victoria Square, London; and the Max Lock Group Nigeria. Papers of or concerning Lock himself include his notebooks and other papers reflecting the development of his ideas; papers relating to publications and broadcasts; papers relating to professional bodies, including the TPI, RIBA, TCPA and UDAG; personal correspondence; photographs of him and his friends; papers on music and architecture, including lecture notes; articles about Lock, and his obituary in the Independent, 3 May 1988.

Items belonging to Iris Murdoch presented by Audi Bayley. These items were from Iris Murdoch's former home in Charlbury Road and include letters written by Iris Murdoch to Borys and Audi Villers [later Audi Bayley], a planning notebook for Jackson's Dilemma, and a range of objects. Includes:

1) Large bust of Iris Murdoch mounted on marble

2) Iris Murdoch's teddy bear 'Jimbo'

3) Painting by Iris Murdoch 1941

4) Tapestry by Iris Murdoch of fish with the initials IM and JB

5) Gold edged bowl

6) 5 stones and 9 Asian religious figurines / icons from Murdoch's writing desk

7) Letters from Iris Murdoch to Audi Bayley and her first husband Boris Villiers

8) Green box containing brooch- appears to be enamelled George IV shilling from 1820s

9) 4 replica medieval icons mounted on wood

10) Framed photographs from Iris Murdoch's study of Murdoch as a child and Murdoch's parents

11) 3 Canadian stone figurines depicting an owl, a penguin and a seal

12) 2 stone figurines of a cow and a lion, with painted and gilded details

13) 11 dress necklaces worn by Murdoch and kept in her study

14) A notebook with planning notes by Murdoch for the novel 'Jackson's Dilemma'

Papers of John Urpeth Rastrick, 1811-1847, comprising a miscellany of correspondence (including drafts of copies of outgoing letters), with notes, engineering drawings and some financial papers (costings, receipts and invoices). Many of the notes and calculations are written in Rastrick's private cipher. Major correspondents include the London shipping iron merchants Henckell and Du Buisson; most of the letters were dispatched to or from London or the industrial areas of South Wales and the West Midlands.

Letter from P K Seaman of HMS Wolverine, docked at St Helena, to his father, 1 Jun 1851. '... I have already told you that we have caught 3 slavers ...'.

Autograph, with signature. 4 sketches of vessels captured by the Wolverine are pasted to the second leaf of the letter.

A sketchbook by Stanley Spencer, c 1919-1924 with one loose sketch of Gilbert Spencer by Stanley Spencer, c 1906-1908.

The Sketchbook contains 37 pages with sketches on front and back of pages, 4 loose sheets and 2 torn pages. Most sketches are made in pencil. However, 12 sketches are finished in pencil and wash, and 1 sketch in pencil and oil.

The sketchbook spans Spencer's time spent with the Slessers in Bourne End from late 1919-1920, with Muirhead Bone and his wife at Petersfield in 1921 and his stay with Henry Lamb in Poole, Dorset in April 1923 where he produced designs for what would later become the Sandham Memorial Chapel at Burghclere. The sketchbook is significant in that it includes initial ideas for a number of post-First World War religious works, including some Tate-owned paintings, notably 'Christ Carrying the Cross', 1920, 'The Robing of Christ and the Disrobing of Christ', 1922, and 'The Resurrection, Cookham', 1924-26. It also includes a number of designs (many in pencil and wash) for Sandham Memorial Chapel at Burghclare which are amongst some of the earliest sketches that Spencer created for this commission.

The loose sketch of Spencer's brother, Gilbert Spencer, is a pre-Slade School sketch of c 1906-1908 of his magnum opus.

Letter from Thomas Telford of Inverness to Rev John Warren, Dean of Bangor, [Caernarfonshire], 23 Sep 1811. Concerning a possible road to pass through Bangor, and giving instructions for the surveyor.

Autograph, with signature.

The following items are filed with the letter: (a) an engraving of Thomas Telford (1832); (b) engravings of Menai Bridge, the Vale of Llangollen and Conway, by W Radclyffe (undated); (c) a list of Telford's achievements, set out as if for a memorial plaque [produced after Telford's death in 1834].

A sketchbook of William Waller, son of Augustus Desiré Waller, containing pen and ink drawings of rural scenes in Derbyshire.