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The archive spans the years 1982-2007 and comprises: administrative papers, including correspondence, 1982-2004; documentation of A and A-organised events and conferences, 1982-2007; minutes of meetings, 1982-2000; accounts, 1994-2003; membership lists, 1980s-1990s; and documentation of A and A funding bids, 1983-2004. Printed matter includes a complete run (to issue 60) of the Art and Architecture Journal (1984-2006), and a range of other A and A publications and ephemera (postcards, fliers), many of which were designed by Pentagram Design. There is also a set of posters used to advertise the lecture series. The collection is augmented by a range of peripheral material published by other sympathetic bodies, including the Public Art Forum and the Landscape and Arts Network.

Papers of activist and historian Noreen Branson (1910-2003), including: wartime correspondence between Noreen and husband Clive Branson regarding miscellaneous and personal topics, 1941-1943; photographs of artwork and paintings by Clive Branson, n.d.; miscellaneous papers, press cuttings and correspondence regarding Clive Branson's death in 1944 and papers concerning Branson's art career, 1941-1944; typescript Communist Party of Great Britain papers of various classes and publications, possibly compiled by Noreen Branson, c1945; handwritten notes on books, pamphlets and conferences, possibly by Branson or Emile Burns, c1945 -1950; press cuttings regarding the stock exchange and the economy, 1967.

Letter from George Chalmers of the Office for Trade, Whitehall to T Cadell, Esq, publisher, 17 Feb 1821. Referring to Chalmers's work Caledonia.

Autograph, with signature.

Kenneth Clark was Keeper of the Ashmolean and Director of the National Gallery, a writer, lecturer and broadcaster, and a collector and patron. This collection consists mainly of the professional papers relating to his work as an art historian and writer, but includes material relating to his work as a public servant, an administrator and in other roles during the Second World War. It contains correspondence, subject files, writings, source material, photographs, press cuttings and printed ephemera.

Portrait of Lilian de Lissa, first principal of Gipsy Hill Teacher Training College, by artist Gilbert Spencer. The painting was commissioned by the college as a present for Miss de Lissa and presented to her in a ceremony in October 1953. The portrait has been held by Gipsy Hill Teacher Training College prior to passing to Kingston Polytechnic and Kingston University.

Draft conference papers and publications on the art connoisseur and author, Richard Ford (1796-1858).

Correspondence between Henry Hucks Gibbs and Edward Lucas Jenks Ridsdale (Chief Assayer of the Royal Mint), on bimetallism (i.e. the use of a monetary standard based on both silver and gold), 1876-1884. Including a letter from E Koch to Gibbs, thanking him for permission to translate a pamphlet on bimetallism into German.

Letter from Edward Hawkins to James Dodsley Cuff, [Jul-Aug] 1841. On numismatical matters.

Autograph, with signature. Marked as received on 3 Aug 1841.

Manuscript volume containing papers relating to William Wood and the minting of halfpence and farthings for Ireland comprising transcripts of a report of the Committee of the Privy Council of 24 Jul 1724 and the ensuing Order in Council of 6 Aug 1724, both relating to Wood's Irish coinage, with a copy of 'Mr Wood's Proposals'.

Items belonging to Iris Murdoch presented by Audi Bayley. These items were from Iris Murdoch's former home in Charlbury Road and include letters written by Iris Murdoch to Borys and Audi Villers [later Audi Bayley], a planning notebook for Jackson's Dilemma, and a range of objects. Includes:

1) Large bust of Iris Murdoch mounted on marble

2) Iris Murdoch's teddy bear 'Jimbo'

3) Painting by Iris Murdoch 1941

4) Tapestry by Iris Murdoch of fish with the initials IM and JB

5) Gold edged bowl

6) 5 stones and 9 Asian religious figurines / icons from Murdoch's writing desk

7) Letters from Iris Murdoch to Audi Bayley and her first husband Boris Villiers

8) Green box containing brooch- appears to be enamelled George IV shilling from 1820s

9) 4 replica medieval icons mounted on wood

10) Framed photographs from Iris Murdoch's study of Murdoch as a child and Murdoch's parents

11) 3 Canadian stone figurines depicting an owl, a penguin and a seal

12) 2 stone figurines of a cow and a lion, with painted and gilded details

13) 11 dress necklaces worn by Murdoch and kept in her study

14) A notebook with planning notes by Murdoch for the novel 'Jackson's Dilemma'

This collection consists of correspondence, notes and writings, artwork, photographs, press cuttings, exhibition material, printed material, personal documentation, financial documentiation, and ephemeral items relating to Cecil and Elisabeth Collins.

The photographs in this collection cover areas of Peri's work between 1920 and 1966. They include images of his early constructivist work, bronze figurines, cement sculptures and pictures of the artist at work. The drawings and sketches are mainly of people in a variety of simple poses, but are all undated. The correspondence refers to possible commissions for the London County Council, 1958 and an exhibition of his work at St. Pancras Public Library, 1963.

(1) Letter from Randall Carline Swingler of the Left Review, 2 Parton Street, London to Thomas Sturge Moore, c1938. Asking him to contribute an article to the Left Review. Sturge Moore's draft reply appears on the reverse.

(2) Letter from Randall CarlineSwingler of the Left Review to Thomas Sturge Moore, c1938. Enclosing the final proof [missing] of Sturge Moore's article Fashions in art and literature.The article appeared in the April 1938 issue.

(3)Letter from John Edgell Rickword of the Communist Party of Great Britain, Hampstead Branch, 47 South Hill Park to Thomas Sturge Moore, 15 Feb 1938. Asking him to chair a lecture.

Letter from Sir Charles Wood, Chancellor of the Exchequer, of Hickleton, [near Doncaster] to an unspecified recipient, 19 Oct 1849. 'Dear Sir, It is unlucky that the D.G. [i.e. Dei Gratia (by the grace of God)] was left out [from the inscription on the new florin (2 shilling) coin] - people attach more importance to such matters now a days. Yours truly C. Wood'.

Autograph, with signature.