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Items related to musical theatre collected by scholar and musician Alan Poulton. Includes programmes, books, research and other items relating to the work of Stephen Sondheim, and other items relating more widely to the world of musical theatre including journals, books and recordings.

First editions of some of Iris Murdoch's novels, and other rare texts- 13 volumes in total. Consists of:

KUAS25/1 Limited edition playscript for The One Alone (Colophon Press, 1995)

KUAS25/2 Copy of A Year of Birds poems by Iris Murdoch, engravings by Reynolds Stone (Compton Press, 1978)

KUAS25/3 Unrevised proof copy of The Time of the Angels (Viking Press, 1966)

KUAS25/4 Copies of Sartre; Romantic Rationalist by Iris Murdoch (Bowes and Borwes, 1953)

KUAS25/5 Playscript of The Italian Girl: A Play,/i> by Iris Murdoch and James Saunders (Samuel French, 1968)

KUAS25/6 Unrevised proof copy of The Italin Girl the novel (Viking Press, 1964)

KUAS25/7 Reprint of Existentialists and Mystics by Iris Murdoch (Delos Press, 1993)

KUAS25/8 Programme for the play The Black Prince adapted by Iris Murdoch's from her novel The Black Prince (1973)

KUAS25/9 First edition of Iris Murdoch's first novel, Under the Net (London, Chatto and Windus 1954). With original dust jacket.

KUAS25/10 First edition of Iris Murdoch's novel, The Sandcastle (London, Chatto and Windus 1957). With original dust jacket.

KUAS25/11 First edition of Iris Murdoch's novel, The Good Apprentice (London, Chatto and Windus - The Hogarth Press 1985). With original dust jacket.

KUAS25/12 First edition of Iris Murdoch's novel, The Book and the Brotherhood, (London, Chatto and Windus 1987). With original dust jacket.

KUAS25/13 First edition of Iris Murdoch's novel, The Message to the Planet, (London, Chatto and Windus 1989). With original dust jacket.

The Grieve collection comprises: 655 original scene designs (and 3 folders of slides), including panoramas and perspective 'cut-outs' in watercolours and wash by members of the Grieve family, covering performances of various revival productions of Shakespeare plays, along with works by Isaac Pocock, M.R.Lacy, Thomas Otway, Michael Costa, Samuel Beazley, Douglas Jerrold, G.Meyerbeer, Charles A.Somerset, Edward Fitzball, Rossini and others, staged at the Theatre Royal (Drury Lane), the Theatre Royal (Covent Garden) and Her Majesty's Theatre, 1813-1857.

2 letters written to Florence Farr/Emery. (1) From Sir Arthur Wing Pinero, 2 Aug 1892. Requesting a photograph of Farr. (2) From [Elizabeth] Robins, 26 Oct [1890s]. Agreeing terms for a permformance by Farr's.

Both letters are autograph, with signatures.

25 letters, mainly written to Florence Farr/Emery, 1891-1911. Correspondents include: William Archer, J M Barrie, Annie Besant, Edward Carpenter, Arnold Dolmetsch, Richard Le Gallienne, John William Mackail, Edward Martyn, George Robert Stow Mead, Gilbert Aimé Murray, Sir W M Flinders Petrie, Sir Arthur Wing Pinero, the Princess Royal (HRH Princess Louise, Duchess of Fife), Charles Ricketts, Robert Baldwin Ross, Charles Haslewood Shannon, George Bernard Shaw, Arthur Symons, John Todhunter, Sir Herbert Beerbohm Tree, W B Yeats.

All letters are autograph, with signatures. Many of the letters relate to plays, theatrical performances and drama criticism; other topics covered include theosophy, Indian religion and Egyptology.

Letter from Oliver Elton of Woodstock Road, Oxford to G F Troup Horne, 11 Apr 1933. 'I quite see the difficulty of playing the Hind under the circumstances'.

Autograph, with signature.