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Papers of 'The Museum Of ...' temporary museum project. The collection holds material from four of the five "museums" that together formed The Museum Of. These are: The Museum of Collectors, The Museum of Me, The Museum of Emotions and The Museum of the River Thames. The collection holds no records for The Museum of the Unknown.

The Museum of Collectors (Nov 1998 - Mar 1999): The Museum of Collectors looked at who collects, what people collect and why? It housed a display of forty-two local people's collections, everything from rejection letters and snow domes to snails and monsters. The collections were displayed in consultation with the collectors by an interdisciplinary team. The records held in the collection include: Glassine pockets containing items collected by visitors to the museum, photos and text relating to collectors exhibiting at the museum and advertising material.

The Museum of Me (May 1999 - Oct 1999): The Museum of Me combined art works that looked at the self with a chance for visitors to experience, record and display aspects of themselves as they travelled around the space. Responding to input from artists, poets, performers, psychologists, designers and anthropologists, each visitor was given the opportunity to contribute to the making of The Museum Of Me by creating their own personal museum exhibits during their visit. The records held in the collection include: Tin Cans containing items belonging to visitors, miniature glass bottles each containing a written "secret", large glass bottles containing multiple "secrets", a range of labels on which visitors wrote down various aspects of themselves and their experiences, black and white portrait photographs and a selection of emphemera including a promotional t-shirt and several diaries containing handwritten comments by visitors filled in about days that were important to them.

The Museum of Emotions (Feb 2000 - Jun 2000): The Museum of Emotions asked the question where and how do we express our emotions? Ten artists were commissioned to evoke different emotions through creating a series of interactive environments. An ephemeral experience created by light, sound and installation explored how much feeling is lost, found and expressed in the context of the museum. Records for this collection include: plastic bottles each labelled with a visitor's response to the question "What makes you cry?", a large hardback book containing visitors comments on the theme of love and a number of advertising leaflets.

The Museum of The River Thames (March 2001 - July 2001): The Museum of The River Thames focused on the River Thames as the largest public space in London. Creating a journey from the Bargehouse to the river and back again The Museum of the River Thames reflected on the experiences of those people and places, that told a story of their environment and personal relationship with the river. The Museum included collaboration with: The London Rivers Authority, The Thames Explorer Trust, The Millennium Bridge Trust, Platform and The Museum of London. The collections includes: Origami Boats made by visitors to the Museum, drawings and comments on possible uses for the space if the River Thames did not exist and a variety of objects found in the river.

The final series is entitled "Marketing and Administration" and this includes advertising material relating to all five of the "museums" and a press pack that sets out the aims and intentions of the project, detailing the nature of each "museum" and setting out how the projects developed and progressed.

Records of Cy Grant reflecting his career containing rich material for research themes around multi-ethnic minority arts on a national basis, an iconic career which saw stardom and fame across the world and across ethnic divides, wartime narratives, discourse on Black African Caribbean roots, culture and race relations.

Records consist of correspondence, notes, photographs and audio-visual material. Includes Cy Grant's records relating to his service as navigator in the Second World War, records of Drum Arts Centre Limited, records of Concord Festival Trust; his acting career including theatre and film posters and programmes, correspondence with agents and producers and fan mail; writing career including published books and draft manuscripts, campaigning, spirituality and health and personal papers including copy items from 1910.

Highlights in the collection include Cy Grant's Royal Air Force log book; fan-mail, studio and film stills photographs, and audio-visual material documenting Cy Grant's fame from his acting and singing, 1950s-1970s; minutes and papers of the Drum Arts Centre Limited London, 1970s documenting the establishment of a national centre for the arts of Black people and related Black Theatre Workshop; minutes and printed material documenting the Concord Festival Trust for which Cy Grant was Director overseeing 22 multicultural ethic arts festivals across Britain over four years between 1981-1985. Cy Grant's life is documented in his memoir 'Blackness and the Dreaming Soul' published in 2007 and his original drafts are contained in the collection alongside other writings.

ACKNOWLEDGEMENTS: The collection was catalogued as part of a project funded by Heritage Lottery Fund titled 'Navigating the Dreams of an Icon: Remembering Cy Grant Through His Archive'. £79,800 was awarded by the Heritage Lottery Fund to the Cy Grant Trust. The Trust, London Metropolitan Archives and Windrush Foundation formed a partnership in 2015 to oversee the archive project which ran from April 2016-May 2017 including an exhibition, website and education pack as well as a series of events including a Finale on 18 February 2017 at London Metropolitan Archives.

Records of the Barbican Committee, Corporation of London, 1954-1998, including papers relating to the development and building of the Barbican complex, speeches, reports, committee papers, brochures, newsletters and concert programmes. Please note that access to some of the reports is restricted.

Records of the Museum of London, 1976-1993, including copies of "Flower of Cities All", the report of the Board of Governors of Museum of London; financial accounts; annual reports; guidebooks, brochures and exhibition catalogues.

The collection is made up of papers belonging to the second headmaster of the school W.V. Wallace and his wife who also taught at the school. The papers include correspondence with the parents, a visitors book, exercise books and other material produced by the students, school newsletters and magazine, as well as papers and letters relating to the closure of the school in 1986. There is also a significant amount of photographs from the 1960s onwards showing various school events such as sports days, concerts, plays and other events.

Papers of Adolf Frankl, 1975-1990, relate to an art exhibition of Adolf Frankl's works and consist of correspondence, opening addresses, newspaper reviews and catalogues.

The collection contains the administrative papers of the Barbican Arts Group Trust including policy documents; minutes of meetings; financial records; property records; and artists' details. In addition, the collection includes a range of visual material showing artists and their work as well as printed publicity material for exhibitions. The Trust's outreach work is represented through a number of school packs and booklets.

Records of the Metropolitan Tower Construction Company, comprising minutes of General Meetings and minutes of Board Meetings.

A series of photographs taken of the Morgan Crucible buildings in Battersea prior to and during their demolition in 1978-1979. The photographs were mostly taken by Frederick Shaw. Also includes a framed photograph showing the staff members of Morgan Crucible's Work Council in 1949.

Papers of Guildhall Art Gallery, comprising account of several pictures presented to the Corporation by John Boydell, alderman, 1793 and register of works of art, listing paintings, drawings and sculptures, presented donated or deposited at Guildhall, begun 1906, retrospective to 1660, and continued to 1953.

Papers of Reichskommissar für die besetzten Niederländischen gebiete, 1942, comprise a copy of a letter from the Reichskommissar für die besetzten Niederländischen Gebiete to Dr Lammers concerning acquisition of paintings at a low price in Holland.

Records of Earls Court Grounds Limited, comprising minutes of Board and General Meetings.

Governor's Meeting minute books, 1885-1937; Education Committee minute books, 1896-1935; Finance Committee minute books, 1915-1936; Works Committee minute books, 1896-1930; minute book of the Association of Principals of London County Council Technical Institutes and Schools of Art, 1919-1926; correspondence, 1931-1932; financial records including ledgers, salary books, cash books and contributions books, 1894-1934; pupil reports and successes, 1897-1908; register for homework marks, 1936-1937; library book registers, 1927-1934; prospectuses, 1896-1940; student guide book, 1932-1933 and cuttings books, 1897-1943.

Consists of records of the administrative, legal, curatorial and educational functions of the Royal Architectural Museum (RAM). Includes minute books of the Museum's committees and sub-committees, 1851-1904, and subscription lists, 1889-1902. Also comprises of legal documentation regarding the Museum's incorporation, 1888-1893; correspondence relating to royal patronage, 1869-1901; correspondence and documentation relating to the winding up of the RAM and the vesting of its property in the Architectural Association (AA), 1901-1903; correspondence, legal opinions and documentation regarding the sale of the RAM building to the National Lending Library for the Blind, 1915-1916, and property leases, agreements and insurance for the RAM premises and collections, 1869-1913. Curatorial records are also held, including correspondence relating to acquisitions, 1914; published textual and photographic material, including a catalogue and descriptive guides promoting the Museum's collections, 1855-1884; correspondence and listings dealing with the dispersal of the RAM collections to the Victoria and Albert Museum and Exeter Cathedral, 1915-1921. The educational function of the RAM is also recorded in the minutes of the Westminster School of Art (WSA) committee, 1875-1901, together with printed material, including prospectuses, [c.1851]-1852, advertising and promoting the associated School for Art Workmen. In addition, correspondence relating to the WSA's relationship with the Department of Science and Art is held, 1888-1889.