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Manuscript copies of one-act plays written by William Poel, newspaper clippings relating to a production of Samson Agonistes and a copy of "Monthly Letters" on performing Shakespeare, collected and published.

Records of the Waldorf Theatre Syndicate Limited, comprising trust deeds and other legal documents, 1905-1910.

Declaration of Trust, 1775, by (2) in (1) who have purchased on behalf of (2) from David Garrick of the Adelphi, Esq., and Willoughby Lacy, otherwise Morris, of Lincoln's Inn Fields, Esq., (administrator of Will of James Lacy, late of St. George Hanover Square) the rent or sum of £4 for every day or night when any theatrical performance publicly takes place at the Theatre Royal, Drury Lane, and also the privilege for 40 persons to be present, free of charge, at such performance, which rent and privilege had been granted to David Garrick and James Lacy on 24th March, 1762 by Honourable Francis Russell, Marquis of Tavistock.

(1) George Garrick of St. Mary le Strand, Esq., Albany Wallis of Norfolk Street, St. Clement Danes, gent.

(2) Thomas Allan of Berners Street, St. Marylebone, Esq.,
Benjamin Aguilar of London Street, City of London, Esq.,
Thomas Leigh Bennett of Soho Square, Esq.,
Edward Barwell of Abingdon Street, Esq.,
Owen Salisbury Bracton of Soho Square, Esq.,
Richard Brown of Golden Square, Esq.,
Anthony Chamier of the War Office, Esq.,
Thomas Coutts of St. Martin in the Fields, Esq.,
Peter Castlefranc of Pall Mall, Esq.,
Monkhouse Davison of Fenchurch Street, London, Esq.,
Robert Darell of Winchester Street, London, Esq.,
Dame Elizabeth Glynn of Whitehall, widow,
Thomas Glynn of Whitehall, Esq.,
John Gazley of Northumberland Street, Esq.,
Rice James of Berners Street, St. Marylebone, Esq.,
Henry Jones of Frith Street, St. Ann Soho, Esq.,
Henry Kendall of Lincoln's Inn Fields, Esq.,
Robert Ladbroke of City of London, Esq.,
Isaac Moses Levy of Lincoln's Inn Fields, Esq.,
Nicholas Lethmere of St. James', Westminster, Esq.,
Joseph Martin of Downing Street, Esq.,
Nathaniel Newnham of Botolph Lane, London, Esq.,
Thomas Nash of Morriss Causeway, Surrey, Esq.,
Thomas Newnham of Hatton Street, Esq.,
Richard Russell of Bermondsey Street, Surrey, Esq.,
Mary Spencer of Newman Street, spinster,
Benjamin Smith of Oxford Street, Esq.,
Isaac Scria of Tokenhouse Yard, London, Esq.,
Elizabeth Turner of Bedford Street, spinster,
Henry Williams of Berwick Street, Esq.,
George Wyatt of Fleet Street, London, Esq.

Assignment of a rent of two shillings each night of performance at the Theatre Royal, Drury Lane and free privilege for 21 years, between Richard Brinsley Sheridan, Thomas Linley and James Ford; and Anna Maria Ford.

The Roy Waters Theatre Collection is a privately created collection of theatrical material amassed as a result of forty years of collecting by Roy Waters. The collection primarily comprises of theatrical ephemera, though it also includes the personal papers of Roy Waters, documenting both his career as teacher and later as a school inspector, and his collecting habits and cultural interests.

The nature of the material is diverse, with the printed ephemera including a sizeable collection of programmes from the 19th to the 21st century, collectable items such as cigarette cards, press cuttings collected for their relevance to named individuals and events and photographs reflecting a range of formats including postcards, cartes de visite and cabinet photographs. Toy theatre and juvenile drama are well represented with loose character and scene sheets, tinsel prints and twentieth century stage and script packs forming part of the collection. In addition, the prints series, although primarily consisting of portrait and scene prints of theatrical individuals, also includes a range of topographic and general entertainment prints. Artefacts and commemorative ornaments comprise a series, as do sound recordings relating to the specialisms of the collection in particular productions and well known individuals.

The theatrical ephemera, although initially collected with a broad interest in the theatre in mind, does reflect the specific areas of interest which developed as the collection grew; discreet collections of material relate to specific individuals or events, for instance Noel Coward and Oscar Wilde.

The collection also contains hundreds of individual autograph letters dating from the 18th to the 20th century representing the variety of professions involved in the performing arts, including letters from George Arliss, Sir James Barrie, Phineas Taylor Barnum, Charles Dickens and a sick note for J.S.Grimaldi [Joseph Samuel Grimaldi]. In addition, there are a small number of original art works relating to the theatre.

This collection is divided into two sections. Section one contains material on capital punishment and the death penalty, against which Hewitt campaigned. Section two covers material concerned with obscene publications and other forms of media, including censorship, Obscene Publications Acts and other allied topics. The papers contain many printed examples of C H Rolph's articles and materials by organisation such as the Howard League for Penal Reform and the National League for the Abolition of the Death Penalty. Infamous legal cases such as the obscenity trials in the 1960s relating to 'Oz' magazine and Hubert Selby's novel 'Last Exit to Brooklyn' are discussed.

The collection contains administrative papers relating to Company contracts and internal and external correspondence; financial papers relating to budgets and funding, miscellaneous personal papers of the Company's director, Jonathan Holloway; production records including scripts, technical notes, rehearsal and production notes and directions, stage directions, information on casts, and tour and venue information; audiovisual recordings of productions; promotional, marketing and educational-outreach material; press-cuttings and reviews, photographs of named and un-named actors and productions; publications inspiring Red Shift productions; a study of the Company's production of 'The Love Child'; and an untitled script.

Records of the organisation known variously as the Polytechnic Sports Club, the The Institute of the Polytechnic Sports and Social Clubs, and The Polytechnic Sports Club Committee, as well as records of the Polytechnic's Men's and Women's Council, and Joint Council.

This collection includes all records relating to the organisation of sports and social activities by members of the Polytechnic except for records of the individual clubs themselves, which are catalogued as separate collections. However it does include correspondence with the clubs by the Secretary and Committees. This collection also includes papers relating to the award of Polytechnic-wide medals and trophies, including the Elsie Hoare Trophy, Studd Trophy and Ditchman Trophy.

Copies of the papers of Maria Nermi-Egounoff, opera singer, 1938-1990, including Nermi-Egounoff's cv, replete with press cuttings of reviews of her work; short biographies of British residents of Hungarian extraction who were anti-Semitic; newspaper articles and biographical notes.

Papers and books belonging to the theatre critic Sheridan Morley (1941-2007). Includes correspondence, records relating to his various productions, volumes of press coverings covering his reviews, research notes and transcripts of some of his publications, photographs, records relating to his father Robert Morley and Grandmother Gladys Cooper, records relating to Noel Coward, theatre memorabilia and ephemera and objects.

Working papers of the university administrator and scholar Anne Marie Meyer, c 1940-1990, on topics including: Dance; Costume; Opera; Ballet and Aby Warburg, art historian.

Original correspondence between the Polizeipräsident of Berlin and the KBDJ concerning all the activities of the organisation, eg. theatrical performances, engagement of the actors, venues etc, 1933-1935; forbidden Jewish texts including essays, lectures, poems, play scripts, short stories, anecdotes etc; general file containing programs pamphlets, correspondence between KBDJ and Staatskommisar, also Jüdischer Kulturbund, Berlin, 1938-1939; Kulturbund correspondence with groups, members, lawyers, Nazi authorities (Blank and Hinkel), reports and 3 copies of the Monatsblätter, 1933-1935; JKB Orts and Landesgruppe (except Berlin): mainly correspondence, pamphlets, programmes and other documents of the organisation in the different cities viz: Hamburg, Breslau, Frankfurt, Leipzig, Dresden, Hildesheim, Kassel, Bayern, Erfurt, Königsberg, Mecklenburg-Lübeck, Oberschlesien, Ost-Westfalen, Rhein-Ruhr, Schwarzwald, Stettin, Wien.

Diary of actor John Pritt Harley, 1858.

Records of Cy Grant reflecting his career containing rich material for research themes around multi-ethnic minority arts on a national basis, an iconic career which saw stardom and fame across the world and across ethnic divides, wartime narratives, discourse on Black African Caribbean roots, culture and race relations.

Records consist of correspondence, notes, photographs and audio-visual material. Includes Cy Grant's records relating to his service as navigator in the Second World War, records of Drum Arts Centre Limited, records of Concord Festival Trust; his acting career including theatre and film posters and programmes, correspondence with agents and producers and fan mail; writing career including published books and draft manuscripts, campaigning, spirituality and health and personal papers including copy items from 1910.

Highlights in the collection include Cy Grant's Royal Air Force log book; fan-mail, studio and film stills photographs, and audio-visual material documenting Cy Grant's fame from his acting and singing, 1950s-1970s; minutes and papers of the Drum Arts Centre Limited London, 1970s documenting the establishment of a national centre for the arts of Black people and related Black Theatre Workshop; minutes and printed material documenting the Concord Festival Trust for which Cy Grant was Director overseeing 22 multicultural ethic arts festivals across Britain over four years between 1981-1985. Cy Grant's life is documented in his memoir 'Blackness and the Dreaming Soul' published in 2007 and his original drafts are contained in the collection alongside other writings.

ACKNOWLEDGEMENTS: The collection was catalogued as part of a project funded by Heritage Lottery Fund titled 'Navigating the Dreams of an Icon: Remembering Cy Grant Through His Archive'. £79,800 was awarded by the Heritage Lottery Fund to the Cy Grant Trust. The Trust, London Metropolitan Archives and Windrush Foundation formed a partnership in 2015 to oversee the archive project which ran from April 2016-May 2017 including an exhibition, website and education pack as well as a series of events including a Finale on 18 February 2017 at London Metropolitan Archives.

Scrapbook relating to the Enfield Amateur Operatic and Dramatic Society, including theatrical programmes, playbills and newspaper cuttings of reviews for performances by both the Society and other operatic and theatrical societies.

Programme of Ealing Theatre for performances by Mr. Herbert Sleath's Company of "What happened to Jones" by George H. Broadhurst, preceded by the Comedietta "A Morning Call", with note of forthcoming performances and many advertisements, 1900.

Papers of Vincenzo Bellini, comprise a manuscript musical score, excerpt from the opera 'Beatrice di Tenda' (1833) by Vincenzo Bellini; copy, in unidentified hand, entitled 'Romanza, Ah! non pensar, nell' Opera Beatrice di Tenda'.

Records of the Barbican Committee, Corporation of London, 1954-1998, including papers relating to the development and building of the Barbican complex, speeches, reports, committee papers, brochures, newsletters and concert programmes. Please note that access to some of the reports is restricted.

Papers concerning American theatre and opera scrapbooks, 1875-1892, comprise to scrapbooks containing programmes of plays, concerts and operas performed in the USA, with particular reference to New York and the Metropolitan Opera House, from 1875 to 1892. MS1088/2 includes postcards of members of singers performing in the Metropolitan Opera 1890 to 1891 season, posing in some of their operatic roles. The volumes contained two loose inserts, which have now become MS1088/3 and MS1088/4.