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Architects drawings and notes relating to work in Battersea: sketches and specifications for work in St Saviour's Church Hall, Battersea Park Road, 1962 and St Mary's church, Battersea, 1937-1951.

Papers of William Cheselden, 1749-c 1990, comprising a deed of sale for the copyright of Anatomy of the Human Body by William Cheselden, to the publishers, Charles Hitch and Robert Dodsley for £200, dated 8 Apr 1749; two receipts for shares, dated 19 Oct 1771 by W Woodfall, for one 16th share in Cheselden's Anatomy to Mr Dodsley, and dated 22 Oct - 25 Nov 1778 by the trustees of Mr William Nicoll, also for one 16th share of Cheselden's Anatomy to James Dodsley; and photographs of the original drawings for Cheselden's Osteographia, 1733. The drawings for the vignettes in the Osteographia were by Jacobus Schijnvoet of Amsterdam, and the drawings for the plates were by Gerard van der Gucht. The photographs are mounted on card and numbered on the back.

Material collected by Arthur Ebenezer Cooke, 1886-1936, mainly concerning trade unions of lithographic artists, designers, engravers and process workers, notably reports and official bulletins of the International Federation of Lithographers, Printers and Similar Trades, and the International Secretariat of Lithographic and Allied Trades, 1906-1927; papers relating to the Joint Industrial Council of the Printing and Allied Trades of Great Britain and Ireland, 1921-1935, including notes by Cooke, constitution and rules, and reports on education and health problems relating to the trade; records of the National Joint Industrial Council for the Process Engraving Industry, 1920-1935, notably minutes of meetings; reports and documents of meetings of the Non-Manual Workers Advisory Council of the Trades Union Congress General Council, 1932-1936; papers of the National Federation of Professional Workers, 1930-1935, notably material relating to social insurance; records of the Printing and Kindred Trades Federation, 1906-1935, including bulletins, annual reports, conference papers, and papers of the Executive Committee; rules of the Amalgamated Society of Lithographic Artists, Designers, Writers, Draughtsmen, and Copperplate and Wood Engravers, 1889-1932; material relating to the Amalgamated Society of Lithographic Artists, Designers, Engravers and Process Workers (later the Society of Lithographic Artists, Designers, Engravers and Process Workers), 1886-1935, including rules, annual reports, the quarterly society newspaper, documents relating to the development of the Society, 1886-1914, minutes of the Executive Council and the Executive Committee meetings, 1919-1935, minutes of Executive Joint Committee meetings, 1926-1936, material relating to the wages of lithographic workers, 1919-1936, papers concerning unemployment and unemployment levies, 1913-1935, and correspondence, 1911-1935, mainly to and from Cooke, on subjects including the organisation of the Society, affiliation with the Labour Party, the Trades Union Congress, and the wage levels and working conditions of its members; papers of the London Branch of the Society of Lithographic Artists, Designers, Engravers and Process Workers, 1912-1934, mainly comprising correspondence, minutes and reports; memoranda of agreements between printing societies, 1916-1936, mainly relating to amalgamations of various societies and national wage levels for the printing profession; copies of The Process Journal, 1930-1935; material collated by Cooke, 1907-1909, relating to the Labour Party, the Independent Labour Party, and trade unionism in Bristol; a typescript copy of Cooke's memoirs covering the years 1862 to 1935.

Papers of Ebenezer Cooke, mainly printed, including published articles and papers on the teaching of art and design; ephemera concerning Cooke's involvement with the International Art Congress for the Development of Drawing and Art Teaching and the Education Society; notes taken at lectures, including on physiology, 1869, and on a course of lectures given by James Sully on 'Art and Vision' in 1880; report book [possibly belonging to Ben M Jones of the Diocesan Training College, Chester] with criticisms of lessons given by various teachers, including on their use of illustrative drawings, 1900-1901; papers relating to the London County Council Report of the Conference on the Teaching of Drawing in Elementary and Secondary Schools and Training Colleges, 1907-1909. The collection also includes timed drawings done by elementary school pupils at Station Road Girls' School, Highbury, London in 1897, other examples of art work done by children, and a small amount of correspondence.

Records of Cowell, Drewett and Wheatley, architects, 1889-1912. The records are plans and drawings of alterations and additions to the following churches: Holy Trinity, Chelsea; Saint Augustine's, Kilburn; and Saint Peter, Ealing.

Records of Cowell, Drewitt and Wheatley, architects, comprising ground plan of Saint Peter, Ealing, and drawing of brass altar cross from the same church, 1912.

Records of architects Cubitt Nichols, Sons and Chuter, comprising plans and drawings of shops and offices, mainly on Glasshouse Street, Brewer Street and Air Street, 1902-1918.

Papers of Mary Edith Durham, comprise water-colours, drawings and photographs from the Balkans, [1900-1912], many of the pictures are annotated, the paintings and drawings are signed M.E. Durham, 1900 and 17 water-colours, 4 black and white drawings and 2 photographs are mounted. Images depicted include Monastery churches at Deèani and Ipek, 'Moslem' peasants at Podgorica and market places at Cetinje and Cattaro.

The core of the archive constitutes the material that remained with E.H. Shepard following his donation of drawings and sketches to the Victoria and Albert Museum and the British Cartoon Archive: personal, business, and fan correspondence; personal and family papers; personal ephemera; copies of books he wrote or illustrated; appointment diaries; sketchbooks; photographs; pencil, ink, and watercolour drawings; oil paintings; manuscript material; press cuttings, sales catalogues, and magazines.

In addition, material accumulated by the University of Surrey relating to E.H. Shepard has been catalogued as part of this collection. This accumulated material includes later editions of works illustrated or written by Shepard; books and reference material about Shepard; some photographs of locations specific to Shepard's life; and artwork by Shepard donated by third parties.

Records of Fowler and Sutton, architects, 1899-1935. The records are plans, elevations, drawings and photographs of several churches, vicarages and parochial halls in South London that the firm worked on, including:

• Proposed new church and hall, Saint Faith, Sunray Avenue, Herne Hill, Camberwell
• Parochial hall of Saint Giles Camberwell in Brunswick Grove
• Parochial hall of Saint Paul, Herne Hill, Camberwell
• Church of the Epiphany, Stockwell, Lambeth
• Church, parochial hall, etc. of Saint Hilda Crofton Park, Lewisham
• Vicarage and parochial hall of Saint Mark, Clarendon Rise, Lewisham
• Church of Saint John, Larcom Street, Walworth, Southwark
• Sunday school and Church club of Saint Stephen, Villa Street, Walworth, Southwark
• Proposed new church of Saint John the Divine, Garratt Lane, Earlsfield, Wandsworth
• Church of Saint Paul Furzedown, Wandsworth
• Parochial hall of Saint Paul Furzedown
• Vicarage of Saint Paul Furzedown
• Church of Saint Nicholas Plumstead, Woolwich
• Parochial hall of Saint Nicholas Plumstead
• Vicarage of Saint Nicholas Plumstead
• Parochial hall of Saint James, Moore Park, Fulham

Records of Hodgson Fowler, architects, 1892-1920. The records consist of plans of the following London churches: Saint Barnabas, Dulwich; All Saints, Newington; All Saints, Notting Hill and Saint Columb, Notting Hill. Where these firms were responsible for the initial building or for extensive alterations, a full ground plan and elevation of the church is given.

Archives of the Hayward Gallery (HG) comprising:

Files relating to the HG policy and administration, 1994-2003; files relating to HG exhibitions, 1987-2003; files relating to the Arts Council Collection exhibitions and National Touring Exhibitions, 1994-2003;

printed exhibition leaflets, 1987-2003; printed posters advertising HG exhibitions and National Touring Exhibitions, 1968-2003;

printed private view invitation cards for Arts Council exhibitions (ACGB-1994) (including HG and National Touring Exhibitions), 1968-2003;
printed guides to HG Exhibitions, 1979-2003; printed catalogues for Arts Council Collection Exhibitions, 1950-2003; printed catalogues for HG and National Touring Exhibitions (including some from CEMA) 1942-2003;

HG press releases, 1978-2003; press cuttings relating to exhibitions and the Gallery, 1968-2003;
photographs of Hayward exhibition installations, 1968-2003; and National Touring Exhibitions including the Arts Council Collection, 1975-2003.

Architectural sketch and notebooks of Richard Kelsey, architect, containing annotated designs for, and sketches of, houses, theatres, prisons, bridges and sewers; plans and elevations of existing buildings by other architects, ancient and modern; drawings of medieval funeral effigies; extracts from writers on architecture and history; accounts for work done for customers; estimates; accounts for materials and workmen employed; and miscellaneous unrelated memoranda.

This collection consists of architectural drawings (on paper) of Kneller Hall, Twickenham, by George Mair, 1844-1848. The drawings of both First and Second Series bear the signatures: 'J.P. Kay Shuttleworth' and 'John Kelk'. In addition to the signatures all the drawings bear, in Kay-Shuttleworth's hand and following his signature, a date: 'Feb. 8. 1848' in the case of the First Series, and 'June 17 1848' in the case of Second Series. All the drawings bear, near Mair's inscription, the number 51/1844, which is perhaps his commission number or 'job number'. Moreover, all the drawings bear a circular stencilled stamp reading '1861 R.E. Office London' enclosing a number (either 6, 7, or 12).

Drawings in the First Series are all scaled 1 inch to 10 ft. They are all signed; 'Geo. Mair, architect, 18 Charlotte Street, Bedford Sq, London'. Most have original legends which contain clear indication that they relate to proposed alterations to an existing building. Drawings include: basement plan; ground plan; first floor plan; second floor plan; plan of roofs; entrance elevation; back elevation and side elevation.

Drawings of the Second Series show a very substantially altered building as compared with that depicted in the First Series. They are all signed: 'Geo. Mair, archt., May 1848'. Drawings include: plan of footing and drains; basement plan; ground plan; first floor plan; second floor plan; plan of roofs; north elevation; east elevation; west elevation showing additional buildings over the offices; transverse section C-D on plans and longitudinal section A-B.

Consists of records of the administrative, legal, curatorial and educational functions of the Royal Architectural Museum (RAM). Includes minute books of the Museum's committees and sub-committees, 1851-1904, and subscription lists, 1889-1902. Also comprises of legal documentation regarding the Museum's incorporation, 1888-1893; correspondence relating to royal patronage, 1869-1901; correspondence and documentation relating to the winding up of the RAM and the vesting of its property in the Architectural Association (AA), 1901-1903; correspondence, legal opinions and documentation regarding the sale of the RAM building to the National Lending Library for the Blind, 1915-1916, and property leases, agreements and insurance for the RAM premises and collections, 1869-1913. Curatorial records are also held, including correspondence relating to acquisitions, 1914; published textual and photographic material, including a catalogue and descriptive guides promoting the Museum's collections, 1855-1884; correspondence and listings dealing with the dispersal of the RAM collections to the Victoria and Albert Museum and Exeter Cathedral, 1915-1921. The educational function of the RAM is also recorded in the minutes of the Westminster School of Art (WSA) committee, 1875-1901, together with printed material, including prospectuses, [c.1851]-1852, advertising and promoting the associated School for Art Workmen. In addition, correspondence relating to the WSA's relationship with the Department of Science and Art is held, 1888-1889.

Papers of James Alfred Yates. A large part of the material consists of documents and notes gathered by Ruby Yates, in preparation for the article published in the Mariner's Mirror. The article, "From wooden walls to dreadnaughts in a lifetime" was based on Yates' "Memories" and other manuscripts, which his daughter, Ruby, found amongst his papers. The papers include autobiographical material, notebooks, transcripts of talks, correspondence, certificates, ephemera and printed books.