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Programmes, press cuttings, articles and transcripts relating to the composer Anthony Milner, used by James Siddons in his Anthony Milner: a Bio-Bibliography (Westport, CT, 1989), comprising scrap books of reviews of Milner's music and articles by or on Milner, 1951-1960; press cuttings relating to Milner's liturgical compositions in regard to the introduction of English in the Roman Catholic liturgy, and Milner's views of the translation of the order of mass into English, 1964-1970; music programmes (with some reviews) of concerts featuring Milner's works, 1958-1985; reviews and press cuttings of Milner's work and performances, c1958-1979; brief biographical notes on Milner, and schedules and itineraries of his lecture tours of Canada and USA, 1964-1985; transcript of 'Anthony Milner on his 50th birthday', a talk on 'Music weekly', BBC Radio 3, by Hugh Wood, 11 May 1975; 'Anthony Milner - a comment on his work' typescript article by Stephen Dodgson (MS 5866). Three published articles by Milner, with covering to Sir Keith Falkner, on the problem of the vernacular in the Roman Catholic liturgy, 'Music in a vernacular Catholic liturgy' paper read to the Royal Musical Association, 4 Jan 1965; 'The instruction on sacred music', Worship vol 41 no 6 Jun-Jul 1967; 'Music and liturgy', The Month, 1965-1966 (MS 6995)

Papers of Stephen Moore, 1926-1961, including correspondence on the establishment of the Worcestershire Association of Music Societies, including letters from prospective patrons Sir Hugh Allen, Carice Elgar Blake, Sir Edward Elgar, Sir W H Hadow, Sir Hamilton Harty; correspondence regarding Moore's donation of percussion instruments to the Royal College of Music, 1948; newspaper cuttings and order of service for the unveiling and dedication of the memorial to Elgar in Westminster Abbey, 1 Jun 1972.

Records of the National Training School for Music, 1873-1882, comprising minutes of the Committee of Management, 1873-1882, including proposed charter of the School, concert programmes, accounts, and correspondence; register of scholars, 1876-1882 (indexed).

Personal notebook of member of the Palmer family, listing details (artists, conductors and composers) of musical works performed under the auspices of the Royal College of Music Patron's Fund, 1919-1939.

Letters to Adelaide Parker, Bruno d'Arba and Joan McLeod, 1910-1959, including letters and postcards to Adelaide Parker regarding her performances from, Joseph Bonnet, Basil Harwood, Wanda Landowska, C Hubert H Parry, Ethel Smyth, Ralph Vaughan Williams, Charles-Marie Widor; letters to Bruno d'Arba from Francis Jackson; letters to Joan d'Arba from George W Russell (`AE'); letters to Joan Mcleod in relation to submission of her poetry for publication, including 8 from Walter de la Mare; letter from W B Yeats on setting of his poetry to music, undated.

Papers of Sir Charles Hubert Hastings Parry, comprising:
Manuscripts of Parry's lectures on various musical subjects at the Royal College of Music, the Royal Institution, Oxford, Birmingham and Leeds, c1891-c1915 (MS 4305-4338, 4811-4812).
15 letters from Parry to Charles Stuart-Wortley, 1876-1907, the earlier letters relating mainly to social matters and containing advice from Parry on points of composition, the later letters relating to the business of the Council of the RCM (Stuart-Wortley was a member of the Council), particularly to appointments of staff and finances (MS 4764).
'History essays', rough examination notes on student's work, undated (MS 6937).
Letter from Parry to [R S] Thatcher, regarding a setting for ['Arthur'], 1910 (MS 6967).
Correspondence with Robert Bridges, 1895, concerning 'Invocation to Music' (MS 7278).
Manuscript draft of Parry's address as Director of the RCM, Jan 1901 (MS 7279).
DMus citations for Elgar and Glazunov [1907] and papers concerning RCM Patron's Fund [1904-1905], (MS 7280).
Correspondence with J F Bridge concerning 'I was glad', 1901-1902 (MS 7281).
Papers and correspondence with Kegan Paul Trench Trubner & Co. concerning Parry's book The art of music, 1896-1911 (MS 7282).
Correspondence with James Murray, editor of the Oxford English Dictionary, 1902, regarding musical information for the dictionary (MS 7283).
4 letters from Hugh P Allen (mostly undated), including letters relating to Parry's election as an honorary member of the Cambridge University Musical Society, and to Parry's election to the Music Board of the RCM (MS 7284).
Correspondence between RCM, Repton School and Novello, publishers, concerning Repton School's use of a hymn tune from Parry's Judith, 1924 (MS 7285).
Miscellaneous drafts, letters and papers, 1898-1931, including various copies of Parry's letters as Director of the RCM, mainly in regard to honours, and correspondence with A P Watt, literary agent, 1916, regarding setting of Rudyard Kipling's poem 'For all we have and are' to music by Parry (MS 7286).
Letters concerning wills, properties and other legal matters, 1907-1924 (MS 7287).
Agreement with Pitman to print The aims and limits of musical education (MS 7288).

Papers of Dora M Powell mainly relating to the music of Sir Edward Elgar, particularly his Variations on an original theme ('Enigma Variations'), Opus 36 and Dora Powell's book Edward Elgar: memories of a variation (Oxford University Press, London, 1937 and subsequent editions, revised 1994), comprising correspondence, 1934-1960, including correspondence of her husband Richard Crofts Powell relating to the Enigma theme, and particularly his article 'Elgar's "Enigma"', Music and Letters 15 (1934), the correspondence also includes letters from those connected personally or musically with Elgar such as Sir Percy Clarke Hull and Arthur Troyte Griffith; printed music (some signed by Elgar), 1892-1907; draft articles, talks and notes by Dora Powell relating to Elgar; programmes for concerts of Elgar's music, 1908-1959; autograph manuscripts of Elgar's 'The Shepherd song' and 'Rondel' (Opus 16); cuttings relating to Elgar, including reviews of Powell's book, 1910-1944; programme of the Elgar memorial concert, 3 Jun 1934; My friends pictured within: subjects of the Enigma Variations as portrayed in contemporary photographs and Elgars MS (Novello and Co, London).

Records of the Council of the Royal College of Music, 1894-1990, including floor plans of College c1894; plans of Concert Hall organ by Harrison and Harrison, 1958; Concert Hall (existing), 1960; extensions to the college, 1962; floor plans of College (existing), 1963; lifts, kitchen, squash court [proposed but never built], fire alarms and emergency lighting, electrical installations, 1961-1985; Opera School and Students' Recreation Room, 1970-1973; additional vault Practice Rooms, 1972; alterations to the Parry Theatre, 1973; Opera School staircase, 1979; Dining Room, 1982-1983; Library, 1984; Britten Opera Theatre, 1984-1986; Concert Hall refurbishment, 1990.

Records of the Bursar of the Royal College of Music, including copy of Order in Council for passing Charter of the RCM with related papers, 1883; licences from Commissioners for the 1851 Exhibition for building at RCM, 1905-1976, including copy of original lease of 1891; accounts of donations, 1882-1896; register of subscribers, 1922-1946; RCM General Regulations and Annual Report, 1883-1884; contracts of Directors of the RCM on appointment, 1918-1984; annexes to Council papers (reports Director from RCM departments), 1888-1994; papers relating to conversion of examination room into Parry Opera Theatre, 1919-1923; papers, plans, photographs and correspondence relating to building extensions, 1962-1963; New Building Appeal (1969) papers, 1968-1970; papers relating to purchase of 6-8 Evelyn Gardens from the Royal Society of Musicians, for conversion into student accommodation (Robert Mayer Hall), 1968-1979; report by Norman and Dawbarn on condition of 1894 RCM building interior, 1972; building consultants' meetings minutes, 1982-1983; papers and reports on Opera Theatre, 1984-1988; papers on completion of Library works, 1984; specification for refurbishment of Concert Hall, 1993; Departmental reports to Council and Patron's and Palmer Fund, 1980-1989; Administrative Staff insurance papers, 1936-1979; RCM pensions trust deeds, 1962-1987; Prince Consort Foundation trust deeds, 1983-1999, and accounts, 1982-1994; George Donaldson Gift of instruments trust deeds, 1894; papers relating to the Museum of Instruments, 1968-1970, 1973-1980; lists of RCM stringed instruments, 1943-1993; Patron's Fund trust deeds, 1903-1912; John Astor Fund trust deeds, 1935; agreements between RCM and Royal Academy of Music in regard to development of the Associated Board, 1896-1920; Department of Education and Science, correspondence and accounts, 1973-1986; graduation ceremony programmes, 1995; miscellaneous papers on investments and pensions, 1962-1975, 1980-1985.

Records of the Council of the Royal College of Music, 1873-1995, including minute books, 1883-1978; agendas of Council, Corporation and sub-committees, 1887-1966, 1978-1979; attendance records of Council, Corporation and Committees, 1885-1958; Annual Reports of the RCM, 1884-1990; Executive and Finance Committee minutes, 1883-1991; financial statements of account, 1887-1974; reports to the Corporation and balance sheets, 1884-1991; RCM Ladies and Visiting Committee minutes, 1885-1887; RCM Building Committee minutes, 1888-1894, 1981-1986; Canteen sub-committee minutes, 1982-1983; RCM Institutional Reviews and Strategic Plans, 1994-1995; Financial regulations and terms of reference for Committees, 1993; RCM submission in response to the Gowrie Report, proposing a merger with the Royal Academy of Music, 1990; Bristol Scholarship minutes, 1882-1937; minutes, financial papers and reports of the Patron's Fund and Ernest Palmer Fund for Opera Study, 1903-1989; Patron's and Ernest Palmer Fund Committee minutes, 1977-1988; events book (including National Training School for Music), 1873-1913.

Records of the Director of the Royal College of Music RCM), 1884-1990, including minutes of the Board of Professors, 1894-1993; reports of annual examinations, 1884-1908; Certificate of Proficiency examinations minute book (recording exam regulations and marks awarded), 1886-1899; correspondence to Sir George Grove, Director of the RCM, from the Office of the Prince of Wales, 1884-1888, with material relating to the building of the RCM funded by Samson Fox and opened in 1894; correspondence from Sir Ernest Palmer in regard to aim of the Palmer Fund for Opera Study, 1924; RCM Emergency Concerts Society: correspondence, notices and programmes, 1939; curricula of the Graduate of the Royal Schools of Music (GRSM), 1961-1979.

Records of the Finance Office of the Royal College of Music, 1880-1988, including account ledgers, 1882-1977; nominal ledgers, 1977-1985; accounts of students' fees, 1949-1975; unpaid student fees, 1940-1966; examination fees, 1936-1977; cash books, 1882-1963; petty cash books, 1930-1987; Director's Fund cash books, 1882-1958; capital account stock certificates and accounts, 1880-1975; RCM Revenue Accounts and balance sheets, 1924-1977; Revenue Account cash books, 1882-1963; RCM Union members' cash book (with names of members and dates of subscription) and accounts, 1905-1935; opera equipment account books, 1926-1934; Parry Room account books, 1922-1977; staff pension ledger and cash books, 1924-1975; payments cash books, 1968-1977; temporary disbursements cash books, 1940-1966; transfer account books, 1925-1965; Miscellaneous Trust Fund Account papers, 1928-1975; Air Raid Staff Cover Insurance policies, 1918, 1962; Building and Maintenance Fund cash book, 1922-1975; Special Purposes Fund ledger, 1924-1939; National Relief Fund ledger, 1920-1932; Subscribers' Register ledger, 1952-1973; 'establishment and guide' books (recording names of staff, positions, pay), 1884-1938; Professors' tuition fees books, 1884-1946; Graduate of the Royal Schools of Music (GRSM) cash book and ledger, 1930-1942; New Building and Development Fund Appeal accounts, 1969-1976; liabilities ledger, 1896-1928; general accounts , 1984-1985; student fees accounts, 1979-1988; professors' payroll and related papers, 1983-1986; administration payroll and related papers, 1958-1988; Junior Department bursaries correspondence, 1974-1981; investment account papers, 1980-1987; Prince Consort Foundation, Trustees' cash book, 1981-1983.

Records of the Junior Department of the Royal College of Music, 1897-1976, comprising register of student applications for Junior Dept, 1897-1944; register of Junior Dept students, 1897-1921; student fees journals (gives personal and academic records of students), 1961-1976; student fees ledger, 1970-1976.

Records of the Registrar of the Royal College of Music, 1883-1977, comprising registers of scholars, 1883-1944; registers of students, 1883-1977; registers of student studies, recording students' courses and names of their teachers, 1921-1976; register of teachers' training courses, 1926-1937; register of Scholarship applications, 1935-1957; registers of student applications, 1883-1960; register of Graduates of the Royal Schools of Music (GRSM) students, 1940-1945; papers relating to weekly teaching hours by professors, 1950-1961; examination requirements for Associateship of RCM, 1918-1942.

Records of the Vice Director of the Royal College of Music, 1959-1984, comprising minutes of the Keyboard Faculty, 1981-1984; Singing Faculty, 1982-1984; Wind Faculty, 1982-1984; Strings Faculty, 1982-1984; Theory and Composition Faculty, 1981-1984; Associated Board, 1984; general correspondence relating to the Associated Board of the Royal Schools of Music, 1974-1982; minutes of the correspondence relating to the Finance Committee of the Associated Board, 1978-1980; papers relating to the degree of Bachelor of Music, comprising degree results, 1959-1979, and general notices and past examination papers, 1973-1979; entrance and scholarship examinations, 1977-1982; Graduate of the Royal Schools of Music (GRSM) results, 1959-1979; papers relating to the upgrading of the GRSM by the RCM and the Royal Academy of Music, 1975-1979; papers relating to the Junior Department: appeal and jubilee, 1977-1979, and Bursary Committee, 1980-1988; papers relating to Douglas Craig and Jack Forsyth in regard to the Opera School 1978-1980; Orchestral Board papers, 1976-1981; papers relating to the Students' Association, 1976-1983; Exhibitions, 1966-1984; scholarships, 1962-1984; graduation, 1974-1984; professors, 1979-1984; Department of Education and Science, 1977-1984.

Annual reports of the Sacred Harmonic Society, 1832-1878.

Letters (6) to Charles Santley, 1882-1894, including invitation to participate in the Duke of Edinburgh's concert in aid of funds for the Royal College of Music (with Santley's draft letter of declining), Apr 1882; invitation from George Grove for Santley to teach male vocalists at the RCM, Aug 1882; from Arthur Sullivan, requesting a score, Nov 1885; from W S Gilbert, advising that Santley's son be appraised by Sullivan rather than himself in regard to a part at the Savoy Theatre, London, Feb 1894. The collection also includes a contract for John Benje at the Theatre Royal, Covent Garden, London, Apr 1842.

Papers of Marion Margaret Scott, 1910-1952, mainly comprising correspondence and papers, 1932-1952, relating to Scott's research on the music of Joseph Haydn, particularly in regard to Haydn's string quartets, and his associations with England, including manuscripts and typescripts of articles on Hadyn by Scott, with three chapters of an unfinished book on Haydn; manuscripts of Scott's edition of Haydn's Quartet Opus 1; correspondence and cuttings regarding research of the musicologist Professor Adolf Sandberger on Haydn's music, 1932-1933; other papers, including manuscripts of vocal and instrumental compositions by Scott; a small amount of other personal and business correspondence, including correspondence relating to the Society of Women Musicians; correspondence with Fanny Davies, pianist, 1927-1931; correspondence relating to the financial affairs and estate of Davies, 1932-1936; two letters from Ivor Gurney [1922-1924], with manuscript and typescript article on Gurney, and correspondence related to her editions of Gurney's songs, including correspondence with the Gurney family, 1949-1951; volume of manuscript poetry by Scott, undated; manuscripts and typescripts of programme notes and articles on London concerts, 1923-1939; manuscripts and typsescripts of unpublished articles and lectures including 'Beethoven today', 'William Hurlstone' and 'Benjamin Britten and Peter Grimes', undated; typescripts of lectures delivered to the Women's Institute, including 'The evolution of English music', 'Musical form - its basis and evolution', 'Musical form, expression and design' and 'Folk songs of four races', 1910; press cuttings on Scott, 1931-1944; autograph book of Fanny Davies at Leipzig and Frankfurt, Germany, including signatures of Salomon Jadassohn, Carl Reinecke and Clara Schumann, 1881-1884; notebook of Sir John Stainer entitled 'The mode of synagogue music' by J Singer, undated.

Papers of Harold Watkins Shaw, 1950s-1991, including manuscript notes, notebooks, typescripts and associated research material relating to Shaw's articles, particularly in regard to the music and life of George Frideric Handel and Handel's Messiah; offprints of Shaw's articles from various journals; printed orchestral parts of Shaw's edition of Handel's Messiah (1965) with minor manuscript corrections; Shaw's manuscript edition of Handel's Theodora (1984); research papers for a series of articles by Shaw on John Blow, with offprints; manuscript editions by Shaw of works by John Blow, including Awake, awake my lyre!, the orchestral Te Deum and Jubilate in D, Ode on St Cecilia's Day 1691, Evening service, other odes and Latin pieces; research papers for his The Succession of Organists of the Chapel Royal and the Cathedrals of England and Wales from c.1538 (Clarendon Press, Oxford, 1991), mostly comprising autobiographical details (name, birthdates and appointments as organist) of organists then living, together with a few biographical memoirs compiled by relatives of organists recently deceased; correspondence with the deans, provosts and chapter clerks of Anglican cathedrals of modern foundation (formerly parish churches) in connection with lists of their organists; files of correspondence and research papers on organists of ancient cathedrals, and related correspondence with Oxford University Press, librarians and cathedral and college authorities for permission to publish.

Papers of Muriel Smith, 1915-1968, comprising letters and postcards from performers and speakers to the Lewes Music Club, including Jelly d'Aranyi (3), Fanny Davies (8), Robina Friskin, Léon Gossens, Marjorie Hayward, Myra Hess, Frank Howes (4), Norman Notley (2), Arnold Trowell, Steuart Wilson.

Papers of the Society of Women Musicians (SWM), 1911-1972, including annual reports, 1914-1972; minutes, 1967-1973; book of members elected and resigning, 1920-1960; fixture cards, 1915-1971; memorandum and articles of association, 1930; programmes and handbills of concerts, recitals and lectures organised by the SWM, 1912-1972; notices to members, 1911-1972; programmes of Ivimey Concerts, 1966-1971; papers relating to the foundation of the society in 1911, its constitution and initial membership, comprising correspondence, minutes, notes; correspondence on engagement of women with professional orchestras, 1920, 1928-1929; correspondence with speakers for lectures, 1933-1971; correspondence relating to BBC women's conference, 1936; correspondence with the Associated Board of the Royal Schools of Music regarding the appointment of women examiners,1937-1956; various correspondence relating to the SWM presidency, membership, SWM library accessions, celebrations of SWM golden jubilee, 1961 and diamond jubilee 1971; news cuttings on the deaths of K Dorothy Fox, 1934, Marion Margaret Scott, 1953, and Katharine Emily Eggar, 1961, with related correspondence; printed material including The Music Student: special number devoted to the subject of women's work in music, May 1918; pamphlet of meeting in commemoration of Marion Margaret Scott, Jun 1954; press cuttings books relating to women musicians and the SWM, 1892-1964; correspondence relating to the dissolution of the SWM and donation of its records to the Royal College of Music, 1973-1974.

Autograph book of Sir Charles Villiers Stanford, early 19th century-c1918 (predominantly 1880s-1890s), mostly comprising short letters addressed to Stanford on musical or personal matters, with a few poems and fragments of manuscript music. The collection also includes a few autographs only, and some fragments not contemporary with Stanford. Correspondents include: Emma Albani; Albert Edward, Prince of Wales; Matthew Arnold; Arthur Balfour; W Sterndale Bennett; Edward W Benson, Archbishop of Canterbury; Arrigo Boito; Hans von Bronsart; J Brahms; Robert Bridges; John Bright MP; Robert Browning; Max Bruch; Alfred Bruneau; John Burns; Joseph Chamberlain; D M Crack; K Crowe; Anton Dvorak; George Eliot; G J Elwey; Franco Faccio; Robert Franz; Alexander Glazunov; John Glover; Arabella Goddard; Jenny Lind-Goldschmidt; Otto Goldschmidt; Edward Grieg; Madge Kendel Grimstone; Eugen Gura; H Rider Haggard; Charles Hallé; Ferdinand Heller; F Halévy; J L Hatton; Henry Irving; Jean Ingelow; Joseph Joachim; Friedrich Kiel; Charles Kingsley; Rudyard Kipling; Marie Krebs; Lord Leighton; Franz Liszt; Henry Longfellow; Felix Mendelssohn Bartholdy; G Macfarren; A C Mackenzie; Herbert Mackinnon; Norma Mare; Hubert Parry; Adelina Patti; Guido Papini; Alfred Piatti; Maria Piccolomini; Giacomo Puccini; Carl Reinecke; Brinley Richards; Hans Richter; Earl Roberts of Kandahar and Pretoria; Carl Rosa; Christina Rossetti; Dante Gabriel Rossetti; Anton Rubenstein; Camille Saint Saens; Prosper Sainton; Charles Santley; Clara Schumann; Robert Schumann; J Palgrave Simpson; Camillo Sivori; Robert Louis Stevenson; Richard Strauss; Arthur Sullivan; Lawrence Alma-Tadema; D Tagliafino; Sigismond Thalberg; Tom Taylor; John Tenniel; Alfred Tennyson; Ellen Terry; P Tchaikovsky; Giuseppe Verdi; Pauline Viardot; Richard Wagner; Walt Whitman; Charles Marie Widor; August Wilhelmj; W G Wills; H F Wilson; Edmund Yates.

Letters and cards to Joan Stocker, comprising a reference from W H Reed, 8 Feb 1935; 4 letters and Christmas cards from W H Reed, 1938-1941; order of Service, 'In Memoriam Dr. William Henry Reed', 18 Jul 1942; reference from S P Waddington, 5 Feb 1935; letter from Charles Thornton Lofthouse, 18 Jan 1937; typed circular letter with autograph signature from Sir Hugh Allen, Jul 1933; Diploma exam papers 1 and 2: Joint Graduate Course of the Royal Academy of Music and Royal College of Music, Jul 1935.

12 letters from E Somerville Tattersall to 'Audrey' concerning the young violinist Yehudi Menuhin, 1932-1939.

Notebook of Jack Meredith Tatton in relation to singing studies at the Royal College of Music, 1926.

Autograph album of H F Thornton and his daughter Mrs Elsie Holliwell, featuring signatures of musicians, 1904-1971, including Hamish MacCunn, August Manns, Walter Parratt, Serge Rachmaninoff, Edna Thornton, Henry J Wood; correspondence of Elsie Holliwell relating to her gift of the book to the Royal College of Music, 1974.

Papers of Henry Thring, 1st Baron Thring, relating to the establishment and constitution of the Royal College of Music (RCM), 1877-1883, mostly comprising correspondence of Thring (mainly his office copies) and members of the Committee of Management of the National Training School for Music, Prince Christian's Executive Committee of the Royal and National College of Music and the Council of the RCM, particularly in regard to the drafting and granting of the royal charter to the RCM, with manuscript and printed drafts of the charter of the RCM and regulations of the RCM. The papers also include a small quantity of material relating to Thring's RCM Building's Sub Committee to report on the heating, ventilation and drainage of the new RCM building, 1889; the minute of condolence of the Council of the RCM on the death of Lord Thring, 14 Mar 1907; correspondence relating to the donation of the Thring papers to the RCM, 1951.

Papers of or relating to Giovanni Battista Viotti, 1798-1905, comprising a manuscript autobiography 'since his entry into the world until 6 Mar 1798'; manuscript by Viotti on the origin of the 'Rans des vaches', the Swiss mountain melody sung or played to summon cows, recording his own experience of hearing it in Switzerland, undated; holograph will of Viotti, 13 Dec 1822; 5 manuscript letters from Viotti to Caroline Chinnery, Baron de la Ferté, Monsieur Cailheux, Madame Simon, and Monsieur Choron, 1798-1822; 9 letters from Adolphus Frederick, Duke of Cambridge (1774-1850), on musical matters, c1813-1817; letter from George Canning to Mrs Chinnery, on the death of George Chinnery, 31 Oct 1825; letter from Samuel Rogers, poet, [to the Chinnery family], undated; portraits, sketches and prints of Viotti and the Chinnery family; article by E van der Straeten on Viotti, from the journal Die Music, 1902; various letters, 1885-1901 to Edward Heron-Allen on the provenance and content of his collection of Viotti material.

Papers of or relating to the Wessex Philharmonic Orchestra and its conductor Reginald Goodall, mainly comprising correspondence with composers, singers, musicians, orchestral managers, agents and artists, relating to the foundation of the orchestra, performances of the orchestra during World War Two, the hiring and dismissal of musicians, the arranging of concerts, discussion of programmes (including music by Britten, Elgar, Poulenc, Rubbra, Sibelius, Vaughan Williams, Walton and many others), payments and disbursements made, arrangements for accommodating visiting soloists and conductors etc, mainly addressed to Maisie Aldrich, with a large number of letters from Goodall, and others including Adrian Boult, Harriet Cohen, H C Colles, George Dyson, Anatol Fistoulari (about Anna Mahler), Beatrice Harrison, Arnold Haskell, Julius Isserlis, Gordon Jacob, Eileen Joyce, Kathleen Long, Reginald Morley, Albert Sammons, Malcolm Sargent, Kendall Taylor, Ralph Vaughan Williams.

Papers of John Whitridge Wilson in the preparation of Hymns for Church and School (Novello & Co, London, 1964), including typescripts of the verses; manuscript copies of the tunes; source material for words and music of hymns of 1949 edition of the Public School Hymn Book; correspondence between Novello & Co and the Headmasters' Conference on the publication of the 1949 edition, 1946-1949, 1954; correspondence mainly with other committee members of the of the Headmasters' Conference and Novello & Co, 1960-1965, regarding publication of volume, including J H Alden, Leonard J Blake, John Gardner, W H Harris, Craig Sellar Lang, Derek R Wigram; typescript of 'The public school hymn book, 1949 and 1959' by John Wilson, for The Hymn Society Bulletin 89, Spring 1960; `Hymns for Church and School' by the Bishop of Whitby, Conference, Sep 1963; press reviews; notebooks on selection and editing of individual hymns; notes by Wilson on five hymns for Hymns for Church and School (Novello & Co, London, 1964) by Herbert Howells with biographical notes on the authors of the texts, Walter Russel Bowie, Timothy Rees and Charles Wesley (MS 6246), with music manuscripts of the hymns in Howells' hand and photocopies of the hymns as published (one hymn unpublished). Correspondence with Methodist authorities relating to the publication of Hymns and Songs edited by Wilson, including copy of Wilson's A short companion to 'Hymns and Songs', 1968-1970; correspondence and minutes of the Methodist Hymnody Sub-Committee relating to the publication and content of hymnals, 1970-1976; Papers of the Hymn Society of America, journals 1962-1980.