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SLV/13 contains four holograph letters written by Ralph Waldo Emerson to his publisher John Chapman. SLV/105/13 is a first edition of Poems by Ralph Waldo Emerson including a manuscript copy of the poem Concord Monument, 1844-1867.

Records of CHARD, 1913; the Tennis Club, 1889-1914; the Browning Society, 1890-1907; Hockey Club, 1890-1904; the Shakespeare Society, 1908-1945; the Lambeth Association, 1891-1939; the Science Discussion Society, 1892-1936; the Sharp Practice Society, 1896-1906; The Christian Union (later Student Christian Movement), 1900-1936; the Swimming Club, 1899-1938; the Boat Club, 1905-1944; the Fencing Club, [1935]; the Ping Pong Club, [1936]; the '47 Society, 1957; the Poetry Society, 1963-1964; and the Savoy Opera Society, 1970-1971.

Papers of Eliza Millard MacLoghlin, 1905-1928, comprising a collection of typescript poems by MacLoghlin, titled Sir, What are these? and dedicated to "My Niece, Aileen Millard"; 10 manuscripts of music written by W G Cook, for songs based on MacLoghlin's poetry, c 1927-1928; and 4 cards and letters, c 1905.

Papers of Charles John Bond, 1883-1939, comprising correspondence with various people, including Lord Joseph Lister, Victor Horsely, Sir Wilfred Grenfell, Stephen Paget, Frank Penrose, Dr Theodore Woods (Bishop of Peterborough), Sir Arthur Keith, Lord Moynihan, Dr William Mayo, Sir Thomas Barlow, Wilfred Trotter, Sir Oliver Lodge, Dr F Gowland Hopkins, Professor G Grey-Turner, Walter Fletcher, Sir Robert Jones, and Dr Whittingham (Bishop of St Edmundsbury and Ipswich), 1883-1939; papers on medical subjects and scientific experiments; notes on topics including immortality, youth and age, and the mind; biographical information; poetry; and a grace.

Papers of William Clift, 1802-1817, comprising a volume titled Scrappiana or Extracts various, containing notes, poetry, thoughts and maxims, and extracts from publications including Erasmus Darwin's Zoonomia.

Papers of Henry Victor Martin, c 1842-1873, comprising a scrapbook containing songs, poems, short plays, and letters written by Martin. Also including photographs, covers of published works, an epitaph and a plan of the Bois de Boulogne.

Miscellaneous papers, 1915-1973, of Mabel Shaw, including her correspondence (1930-1973) and circular letters; personal papers; prayer texts and poems; reports, including Decenial Report on the Women's and Girl's Work in Mbereshi (1930-1940); and miscellaneous photographs from Mbereshi.

Papers, c1910-1983, of Abraham Nahum Stencl, relating to his life and work and to modern Yiddish literature, and comprising papers relating to his life, 1934-1978, including letters received from his family, photographs, press cuttings relating to his life and work, and personal documents; manuscript and printed writings, 1930-1980, in verse and prose, including some autobiographical and works on literature; papers, 1918-1983, largely dating from the 1940s and after, relating to Loshn un Lebn and the Friends of Yiddish circle, other friends and acquaintances, Jewish organisations, and Stencl's involvement in literary events, comprising letters received and other papers, including works by other authors, of over 200 correspondents, some of them annotated by Stencl; ephemera, c1910-1982, accumulated by Stencl, including postcards, membership cards, receipts, tickets, greeting cards, circulars, advertisements, and flyers.

Papers, 1950s-1980s, of Professor David W Arnott on West African languages, comprising papers, including notes and questionnaires, from his study leave (1955-1956) spent travelling from Nigeria through Niger, Dahomey (Benin), Upper Volta (Burkina Faso), French Sudan (Mali), Senegal and Gambia to Guinea and Sierra Leone; copies (photocopied and photographic) of manuscripts; translations and transcriptions; transcriptions of language recordings; seminar and conference papers; teaching material; offprints of articles by Arnott; typescripts or corrected proofs of articles; and reviews of books by other authors. The papers relate largely to Nigeria but also to Benin, Burkina Faso, Cameroon, Gambia, Guinea, Mali, Niger and Senegal, relating mainly to Fulfulde, Fula and Fulani (language of the Fulani people of West Africa), and also to Tiv and to Hausa poetry and songs. The subjects include literature, including poetry (religious and non-religious), oral literature and folklore, proverbial lore, Islamic influences on African literary cultures, grammar, including morphology, verbal and nominal systems, nouns, vocabulary, and the distribution of dialects.

Papers relating to Kurt Schwitters, [1919-1993], comprising catalogues of exhibitions of Schwitters' work, largely in Britain and Germany, 1961-1986; invitations to exhibitions, 1963, 1985; pamphlets concerning Schwitters, 1948-1986; press cuttings relating to Schwitters and his work, 1985-1999; recording of Schwitters reading his poem 'An Anna Blume' and 'Die Sonatein Urlauten', 1943; Lord's Gallery exhibition catalogue, 1958; Private view invitations, Lord's Gallery Exhibition, 1958;
coloured getochromes by Schwitters, including from exhibitions, 1919-[1980]; photographs of Schwitters' work from exhibitions in Europe, 1944-1963, including from Lord's Gallery exhibition, 1958;
invoices, letters and price lists relating to exhibitions, 1958-1960; correspondence with Abbot Hall Art Gallery and Museum concerning Schwitters' work, 1993.

Photocopies of four folders of correspondence relating to the disputes between Ian Hamilton Finlay and Fulcrum Press and with Coracle Press. In 1974 Ian Hamilton Finlay quarrelled with the Fulcrum Press over their First Edition of his 'The dancers inherit the party', which Finlay did not consider to be a true first edition. During 1976 the relationship between Finlay and Simon Cutts who was then running the Coracle Press and Gallery became strained with Finlay claiming that Coracle Press owed him money for his Wild Hawthorn Press publications which he had supplied to them for sale in their bookshop. He successfully sued them in Lambeth County Court. Part of the dispute also centred on articles and comments made by Ian Gardner in the publication 'Blue Tunnel'.

Papers relating to his life and career, 1924-1971, principally comprising papers relating to his work as British Ambassador to Jordan, 1956-1959, including newspaper cuttings concerning the termination of the Anglo-Jordan treaty of 1948, 1956-1959, and correspondence relating to the stationing of British troops in Jordan, 1958; papers relating to his work as Governor, Commander-in-Chief and High Commissioner, Aden, 1960-1963, dated 1960-1970, including his official reports to the Foreign Office on his visits to the Protectorate states, 1960-1962, his correspondence with King Hussein of Jordan, 1960-1962, newspaper cuttings relating to the merging of Aden with the South Arabian Federation of Arab Emirates, 1960-1963; correspondence concerning British policy towards the South Arabian Federation, particularly the withdrawal of British troops from Aden, 1964-1970; his official report to the Foreign Office concerning the trials in Madrid of opponents of the Franco regime, 1950; notes, cuttings and correspondence concerning Britain's policy towards Japan, 1931-1941, and the signing of the Japanese Peace Treaty, 1951, dated 1971-1975; notes on Australian personalities and contacts written for Sir Morrice James, Johnston's successor as High Commissioner of Australia, 1971; drafts,typescripts, correspondence and reviews of published memoirs The view from Steamer Point (Collins, London, 1964), Mo and other originals (Hamilton, London, 1971) and The brink of Jordan (Hamilton, London, 1972); notes and fragments of unpublished memoirs, dated 1936-1985, mainly relating to his service in the Foreign Office, 1936-1939, Japan, 1939-1942, and Australia, 1965-1971. Photographs,[1938]-1971, principally comprising official photographs relating to his service in Jordan, Aden and Australia. Papers relating to published and unpublished poetry and translations, principally comprising drafts of For Leagros and other poems (Basil Blackwell, Oxford, 1940), Towards Mozambique and other poems (Cresset Press, London, 1947), Estuary in Scotland (privately published, 1974), Poems and Journeys (Bodley Head, London, 1979), Rivers and fireworks (Bodley Head, London, 1980), Talk about the last poet (Bodley Head, London, 1981), Choiseul and Talleyrand (Bodley Head, London, 1982), The Irish lights (Bodley Head, London, 1983) and translations of Turgenev, Pushkin and Lermontov.

Papers of Tom Wintringham and his second wife Katherine 'Kitty' Wintringham (née Bowler), 1891-1982. Papers of Tom Wintringham relating to the Home Guard include correspondence, articles, radio broadcasts, press cuttings, photograph, report, lecture transcripts and training exercises. Papers relating to the Common Wealth Party including correspondence, photographs, minutes, publications, papers on Common Wealth Party policy, formation, resignations, libel charges, election campaigns and conferences. Other papers relating to Tom Wintringham including papers from his time at Balliol College, Oxford, 1918-1920; Wintringham's visit to Moscow, 1920; various inventions by Wintringham, 1929-1949; the Communist Party, 1933-1944; British economic crisis, 1947, and obituaries and biographical articles. Wintringham's correspondence includes his school days, First World War, prison, Spanish Civil War, Home Guard, Common Wealth Party and general personal and professional correspondence; Kitty's correspondence includes Spanish Civil War, the Common Wealth Party and general personal and professional correspondence. Photographs notably cover the Spanish Civil War, Home Guard, Common Wealth Party, Tom and Kitty Wintringham, their children, friends and family. Writings by Wintringham include draft and published articles (chiefly for the Picture Post, the Tribune, the Daily Herald and the Daily Mirror), drafts of published and unpublished books, scripts, reviews, notes, short stories and essays. Draft articles by Kitty. Poems by Wintringham and others on topics including World War One and the Spanish Civil War, 1910-1950 and printed material, 1923-1950.

Notebooks of Alexander Kinloch Forbes, historian of Gujarat, containing notes on Gujarati history, legends and customs, pedigrees, descriptions of historical monuments and translations of inscriptions, compiled from 1849 onwards. The volumes are the remains of a larger body of research materials gathered by Forbes, from which he compiled Râs Mâlâ, Hindu annals of Western India with particular reference to Gujarat (1856). They contain however much additional matter, and indeed Forbes continued to add to them after publication of that work.

Scrapbook kept by George Marsh, with notes on a wide variety of subjects and many newspaper cuttings inserted, 18th century.

Papers of Frederick Gordon Spear, 1908-1980. These papers fall naturally into several distinct groups; items pertaining to his radiological research conducted in Cambridge at the Strangeways Laboratory, materials about the Strangeways Laboratory as an institution, presumably accumulated during his many years as deputy director, papers relating to his connections with other bodies associated with radiology, such as the Hospital Physicists Association and the British Institute of Radiology, of which he was president in 1961, publications and unpublished papers by him, and also some publications by others on subjects related to the work he was doing.

A very small amount of material, not classifiable under these headings, has been put together in a 'Personal' section.

While Spear originally studied tropical medicine, and spent some time at the Baptist Mission Hospital at Yakusu in the Belgian Congo in the early 1920s this aspect of his career is not represented in these papers.

Received along with Spear's papers were a number of notebooks formerly belonging to his first wife Ada Louisa Sowerby, which she kept during her nurse and midwifery training in London in the later 1920s.

Original correspondence between the Polizeipräsident of Berlin and the KBDJ concerning all the activities of the organisation, eg. theatrical performances, engagement of the actors, venues etc, 1933-1935; forbidden Jewish texts including essays, lectures, poems, play scripts, short stories, anecdotes etc; general file containing programs pamphlets, correspondence between KBDJ and Staatskommisar, also Jüdischer Kulturbund, Berlin, 1938-1939; Kulturbund correspondence with groups, members, lawyers, Nazi authorities (Blank and Hinkel), reports and 3 copies of the Monatsblätter, 1933-1935; JKB Orts and Landesgruppe (except Berlin): mainly correspondence, pamphlets, programmes and other documents of the organisation in the different cities viz: Hamburg, Breslau, Frankfurt, Leipzig, Dresden, Hildesheim, Kassel, Bayern, Erfurt, Königsberg, Mecklenburg-Lübeck, Oberschlesien, Ost-Westfalen, Rhein-Ruhr, Schwarzwald, Stettin, Wien.

16 letters with envelopes plus contract letters from Iris Murdoch to the publisher Rolando Pieracinni, regarding his publication of the book 'Something Special' featuring Murdoch's poems.

The collection contains letters and some papers of Hannah More, 'Rhapsody on Friendship' by More, 1774; letter to Cadell (publisher), 1793; letter to Messers Cadell and Davies, 1799; Rev Jarrett, 1801; Mrs Bright, 1801; John S Harford, 1807; to Mr Bird (representative of Cadell and Davies), 1807; to unnamed man, 1807; Miss Topping, 1807; Mrs Hoare, 1808; John S Harford Jr, 1811; Miss Scott, 1812 (fragment); Mr Z MacAuley, 1818; to Rev Thomas Biddulph, 1818; poem addressed to Master John MacGregor, 1825; to Dr Carrick, 1825; Mrs Balgin, 1827; series of letters between 1827 and 1833 to: unnamed man, Miss Roberts, John Harford Jr, Dr Lovell, and two unnamed men; letter from Rev Henry Thompson to Mr Hall regarding a visit to More's home at Barley Wood.

Papers of Marion Margaret Scott, 1910-1952, mainly comprising correspondence and papers, 1932-1952, relating to Scott's research on the music of Joseph Haydn, particularly in regard to Haydn's string quartets, and his associations with England, including manuscripts and typescripts of articles on Hadyn by Scott, with three chapters of an unfinished book on Haydn; manuscripts of Scott's edition of Haydn's Quartet Opus 1; correspondence and cuttings regarding research of the musicologist Professor Adolf Sandberger on Haydn's music, 1932-1933; other papers, including manuscripts of vocal and instrumental compositions by Scott; a small amount of other personal and business correspondence, including correspondence relating to the Society of Women Musicians; correspondence with Fanny Davies, pianist, 1927-1931; correspondence relating to the financial affairs and estate of Davies, 1932-1936; two letters from Ivor Gurney [1922-1924], with manuscript and typescript article on Gurney, and correspondence related to her editions of Gurney's songs, including correspondence with the Gurney family, 1949-1951; volume of manuscript poetry by Scott, undated; manuscripts and typescripts of programme notes and articles on London concerts, 1923-1939; manuscripts and typsescripts of unpublished articles and lectures including 'Beethoven today', 'William Hurlstone' and 'Benjamin Britten and Peter Grimes', undated; typescripts of lectures delivered to the Women's Institute, including 'The evolution of English music', 'Musical form - its basis and evolution', 'Musical form, expression and design' and 'Folk songs of four races', 1910; press cuttings on Scott, 1931-1944; autograph book of Fanny Davies at Leipzig and Frankfurt, Germany, including signatures of Salomon Jadassohn, Carl Reinecke and Clara Schumann, 1881-1884; notebook of Sir John Stainer entitled 'The mode of synagogue music' by J Singer, undated.

Papers of Joseph Langland, undated, comprise copies of his poems about Buchenwald and Hiroshima entitled 'Buchenwald near Weimar'; 'The Lotus Song'; 'A Hiroshima Lullaby' and a copy of an entry from Who's Who in America.

'Discorso sopr' un preservativo di pestilenza spiegato nell' infrascritto sonetto', by Modesto Brunelli: two copies.

'Recueil de divers secrets rares et éprouvés concernant la Chymie, l'Alchymie, la Médecine, la Philosophie Hermétique, le tout tiré des plus célèbres Médecins et Artistes de l'Europe. Traduit du latin et de l'italien par G.G., Interprète juré des langues orientales', with other extracts and receipts from alchemical and medical authors. The third volume contains 37 full-page symbolic alchemical water-colour drawings with 68 figures (pp. 304-369): there are two symbolic diagrams in red and black on p. 190 and illustrations of alchemical apparatus on pp. 419, 430, 547. These three MSS. have been tentatively dated c 1765, as on the fly-leaf of Vol. II is an inscription: '1762. 16 aout. Tome 2ème'. Below this is the date 1785, but by the script, they seem to have been written consecutively within a few years.

Botanices Institutiones juxta Turnefortii methodum: two volumes of notes of lectures by Pietro Moliterni, given at Naples University, 1738-1739.

Notes taken by students of lectures including those by Caietano Petrone, Naples, some family notes and poetry, [1766-1777].

Papers on alchemy by Albert Poisson, including correspondence, translations, essays, notes on chemistry, John Dee, the occult, extracts from books on alchemy, 1885-1904.

Photographs and correspondence relating to the career and life of journalist Jean Soward, including photographs from her time as fashion journalist with the News Chronicle in Paris, studio portraits, photographs of Vernon Bartlett in Spain during the Civil War and miscelleaneous correpondence, including letters from Vernon Bartlett MP (to whom she was secretary), typescript of short story 'Extravaganza' and typescript poetry (1946-1952).

Handwitten notebook, entitled 'Manuscript of various pieces of poetry and prose by A Wise Man of the East' containing religious and other poetry composed by George Butler, with notes on the inspirations and subjects for many of the poems, with photocopy of notebook (c200pp) (May 1850 - September 1883).

Correspondence and papers of Jethro and Alice Bithell, 1919-1962, comprising:
Correspondence and papers of Jethro Bithell:
Three note books [in Dutch];
Correspondence, 1935-1962: correspondents include August and Hannah Closs, Rudolf Majut, William Rose, L W Forster, Walter Cohen, Alexander Gillies, L A Willoughby and R Pick;
Papers on the poems of Max Hermann-Neisse (1886-1941), 1919-1942;
Papers on the works of Ernst Bertram, 1928-1952;

Correspondence and papers of Alice Emily Bithell (née Eastlake):
Personal papers including school and university certificates, 1908-1937 and correspondence with Rudolf and Käthe Majut, 1949-1962.

Manuscript volume, dated 1456, comprising miscellaneous texts:
Von Den Vier Letzen Dingen, or Quatuor Novissima (on the Four Last Things);
poem on death, in Latin and German;
Lehre Aristoteles An Konig Alexander (lesson by Aristotle to King Alexander);
Isidorus;
untitled, beginning: Up eynre anderre stat van/ der gewaire oitmodichgeit ... ;
Klage Des Crucifixus (lament of the Crucifix), verse in German and Latin;
Tafel Des Christlichen Glaubens (table of Christian beliefs);
Gedicht Auf Die Ritterschaft Jesu (poem on the knighthood of Jesus);
three short rhymes in German and Latin;
Messiasbuch (Messiah book).

Gebetbuch (Book of Prayers), c1521, including prayers to the Virgin (one in verse) and to St Catherine. Preceded by a calendar, including tables for the Golden Number and a table of signs of the zodiac.

Undated holograph poem by Einar Benediktsson, 'Ódáinsaevi'.

Papers of Rudyard Kipling, c1888-1943, comprising letters from Edward Burne-Jones to Kipling, [c1888-1897]; Kipling to Sir John and Lady Bland-Sutton, [1917-1934]; letters from and to Lord Webb-Johnson, Winston Churchill and Franklin D Roosevelt concerning two unpublished poems poems by Kipling, 1943; text of the two unpublished poems, 'The Burden of Jerusalem' and 'A Chapter of Proverbs'.

Correspondence, [1940-1989], about his texts, mainly in regard to the work of William Wordsworth and John Bunyan, including one photocopy of a letter from Professor Clive Staples Lewis about Bunyan, 1963; proofs, offprints and typescript texts, reflecting Sharrock's own literary work (including poems), and literary criticism including Spiritual autobiography in the pilgrim's progress, Keats and the young lovers, preface for Classic English short stories 1989; copy of a booklet by Sharrock The chemist and the poet: Sir Humphry Davy and the preface to lyrical ballads (Reprinted from Notes and Records of the Royal Society of London, vol 17, no 1, May 1962).

Records of the magazine Adam International Review and its editor, Miron Grindea, 1941-1995, and associated papers dating back to c1903, consisting of a wide range of material dealing with aspects of British and European cultural activity, particularly since the 1930s, and relating to art, literature, music, literary criticism, and the history of ideas. The archive includes the Adam International Review, issues 152-499 (wanting 186, 210-211, 218, 224-228, 331-54), 1941, 1946-1988, and indexes; microfilm copies of nos 13-14, 65, 148-149, 151, and issues dating from 1936 and 1938; and published copies of Christopher Fry, 'Genius, Talent and Failure: the Brontes' (The Adam Lecture 1986); Yehudi Menuhin, 'Tolerance' (The Adam Lecture 1987); Frances Stern, 'A Concordance to Proust' (Adam Books, 1987); 'Miron Grindea 1909-1995: a Celebration'. Unpublished papers of the Review were created by or relate to many prominent writers, artists and musicians of the 20th century including Natalie Clifford Barney, Samuel Beckett, Max Beerbohm, Nicolas Bentley, Isaiah Berlin, Edmund Blunden, Agatha Christie, Jean Cocteau, Ivy Compton Burnett, Cyril Connolly, Benedetto Croce, Cecil Day-Lewis, Lawrence Durrell, T S Eliot, George Enescu, E M Forster, Christopher Fry, William Golding, Duncan Grant, Robert Graves, Graham Greene, L P Hartley, Storm Jameson, Augustus John, Arthur Koestler, F R Leavis, Rose Macaulay, Compton Mackenzie, Thomas Mann, Katherine Mansfield, Walter de la Mare, John Masefield, Somerset Maugham, Yehudi Menuhin, Arthur Miller, Henry Miller, Joan Miro, Henry Moore, Iris Murdoch, Pablo Picasso, Anthony Powell, J B Priestley, Marcel Proust, Herbert Read, Jean Rhys, Ralph Richardson, Vita Sackville-West, Jean Paul Sartre, Siegfried Sassoon, Ronald Searle, George Bernard Shaw, Georges Simenon, the Sitwell family, C P Snow, Stephen Spender, Frances Stern, August Strindberg, Dylan Thomas, Arnold Wesker, Angus Wilson, Stefan Zweig, and others. Other material relates to the management of the magazine and includes editorial material (notes, proofs, preparatory research material, and correspondence required for production of an issue) and papers relating to circulation. The material is varied in form and comprises correspondence, manuscripts, typescripts, proofs with author's and editor's corrections and printed documents, including poems, stories, and criticism, both published and rejected for publication; photographs; original drawings and illustrations; news cuttings and other ephemera such as programmes for events; tape recordings including the Adam lectures, 1985-1987; and interview transcripts.

The archive includes the papers, correspondence, diaries and manuscripts, recordings, research material and publications of Professor Eric Mottram and spans the period 1928-1995. Covering his own creative work and academic publications, it also reflects his wide-ranging cultural investigations in the field of twentieth century American and English literature, film, music, art, theatre and popular and material culture. A major series of files about named authors and poets covers figures as diverse as Robert Creeley, Robert Duncan, Allen Ginsberg, Michael McClure, Charles Olson, Ezra Pound, Jerome Rothenberg, Muriel Rukeyser, William Burroughs, Basil Bunting, Bob Cobbing, Roy Fisher, Bill Griffiths and Tom Raworth. Also of particular importance are a series of original tape recordings, mainly made by Mottram, of poets reading their work. Linked to this material is a rich series of little press publications and little magazines. The two chief aspects of Mottram's own work are reflected in his artist notebooks and essays. The former run from 1979-1988 and contain draft poems, notes on a whole range of research topics, with inserts of postcards, press-cuttings, photographs, cartoons, artworks and postage stamps to create a rich wallet of collage effects. The essay series, including published and unpublished material and supporting notes, reflects his wide-ranging contribution over nearly half a century to the teaching of American and English literature. Major groupings within the archive are as follows: personal papers including appointment diaries, 1951-1995, and correspondence with Ted and Joan Wilentz, 1963-1994; papers reflecting Mottram's own poetry including notebooks, and manuscripts, 1956-1995; papers reflecting his publications including reviews and collaborations, 1952-1988; editorial papers notably for The Poetry Review; correspondence with and/or papers relating to twentieth century creative writers, 1928-1998; little press publications, 1954-1998;little magazines, 1942-1998; papers relating to academic teaching, research and administration, [1952]-1994; Mottram's essay texts and associated material, 1947-1995; promotional material for literary events and from publishers, 1945-1958; artworks and posters, 1953-1994; photographs by Mottram, 1950-1995; and recorded material notably including original recordings of poets from both sides of theAtlantic reading their material, 1950-1998.

Papers of Henry Clark Barlow, comprising papers relating to his Dante studies, both published and unpublished work, including manuscripts and notes for unfinished essays and lectures, titled manuscript notebooks, titled manuscripts, notes from codices and other sources, printed matter, and papers relating to the festivals of Dante; papers relating to his other studies, including a few items on geology and theology, and many sketches relating to the history of art, to architecture and to topography; personal papers, including Barlow's diaries and journals in which he wrote his observations on the architecture, art, geology, history and people of the places he visited, travel notes, and correspondence devoted almost entirely to Dante matters; acquired papers, including photographs, pictures, books, maps, plans, printed matter and ephemera.

Correspondence and poems. Includes a letter from W. P. Ker, Quain Professor of English Language and Literature at University College London from 1889 to 1922.

Research and lecture notes, drafts, library request slips and three unidentified tins of film used and compiled by Nowottny in her work on Shakespeare's sonnets and other poetry, including a typescript copy of her MA thesis (1947-1959).

Broadside ballad, sold at the time of the coronation of King George VI, printed and published by The Raven Press, Middlesex (1937).

Comprising photocopies of seven letters to Warwick Gould from H.P.R.Finberg regarding the latter's translation of W.B.Yeats' 'Axel' (July 1971 - February 1972); Photocopy of H.P.R.Finberg's obituary in The Times with a correction letter by Warwick Gould regarding the obituary (November 1974).

Handwritten research notes, offprints and publications compiled by Constance Mary Pott for her publications and many articles on the Bacon-Shakespeare authorship debate and Francis Bacon in general, including notes on emblems from natural history and other areas in Bacon and Shakespeare's works, along with correspondence with other Baconians, including Sir Edwin Durning-Lawrence and James Cary, and records of the Bacon Society (1679-1949).

Manuscript of a William Wordsworth sonnet entitled On a portrait of the Duke of Wellington on the Field of Waterloo, by Haydon, suggested by Haydon's 'Picture of the Duke of Wellington upon the field of Waterloo, twenty years after the battle' (painted for St. George's Hall, Liverpool.) It comprises 14 lines of verse, with some alterations in the text.
A note on the page reads 'Composed while ascending Helvellyn. Monday August 31st 1840. Wm Wordsworth. Private at present'. The manuscript appears to be in the hand of Mary Wordsworth.

Manuscript Commonplace Book of English poetry and prose, dating from the 19th century, containing the second half of a long poem on early biblical history 'continued from the book in white forrel', and other items. Inserted is a folded leaf containing two poems, one dated 1834, by W. C. Yonge, who may have been the compiler of the volume.

Two holograph manuscripts, 1830-1. The first is a six verse poem written for The Metropolitan. The second is a draft of an article, 'Notices of the Life of Lord Byron by Mr Moore, and remarks on those notices by Lady Byron', published without significant alteration in The New Monthly Magazine and Literary Journal, Vol. 28 (1830), pp. 33.

Incomplete manuscript article on Thomas Lovell Beddoes containing '...a short review of the...works of Beddoes [other than Death's Jest Book] together with a selection from some of their finest passages'. It was written, by an author unknown, as a supplement to Thomas Forbes Kelsall's article on Beddoes in the Fortnightly Review of 1872, Vol 18, pp.51-75. Although intended for the same journal it appears not to have been published either there or elsewhere.

Manuscript volume, originally used as a stock book for haberdashery, belonging to John Clark [of Bridgewater, Somerset], containing lists of hosiery, thread, pins, ribbons, laces, tapes, bobbins, blankets, flannel and other cloths, furs, tippets, muffs, capes, silk cloaks, cambric handkerchiefs, pasteboard, paper and umbrellas, 1832-1837. Many pages have had pasted on to them newspaper cuttings and illustrations from popular magazines, [1838-1852], including plans for the new parish church of Paddington, 1840. From folio 18, the volume has interspersed on previously blank pages a draft continuation by Clark of Byron's Don Juan (i.e. cantos xvii-xxiv), described by the author as 'rough copy - incorrect' (each leaf being cancelled presumably as the fair copy was made) and signed by himself as 'completed 1842 September 1, at X a.m. clk. struck, & flute playing in the street'.. There are also some notes on Byron's original poem, his life and literary style accompanying the continuation, which date from later in the 1840s. The vellum cover is inscribed 'John Clark's first copy of his poem'.

Letter from Tom Turner of Shawlands, Bank Crest, Baildon, Yorkshire to [Thomas] Sturge Moore, 20 Dec 1943. Covering note accompanying a copy of a book of poems by Lionel Johnson, as 'a little reminder of the 1890's'. Autograph, with signature.

Holograph poem writeen by Ebenezer Elliott entitled 'William Cobbett. By the author of Corn Law Rhymes', and dated 23 Jun 1835. In addition there is a letter written from Sheffield by Elliott to Samuel Carter Hall at 4 Piccadilly, London, offering him the poem for publication: 'The poem I now send you is very unworthy of the Amulet, and infinitely so of the subject. But I have done my very best, as I always do...'.
This poem, inspired by the burial of Cobbett (he had died on 18 June 1835), was first published in The New Monthly Magazine, Vol 44 (1835), and reprinted (with the addition of a final verse) as 'Elegy on William Cobbett' in The Poetical Works of Ebenezer Elliott, the Corn-Law Rhymer (1840). A portrait of the poet is enclosed.

Commonplace book, written in the early 19th century, containing copies of poems by various authors, including Mrs. R. Wilmot, the Reverend John Chetwood, and Eward Wilmot. The poems include 'To Miss Wilmot, now Mrs. Bradford, on her arrival from Russia' by F.S.I. (p.135), and 'Prologue written for the opening of the Lyceum at Madras 1782, spoken by Major Maule, by Eyles Irwin, Esq.' (p.245). A few poems are dated, 1782, 1788, 1802-1816.