Affichage de 102 résultats

Papers of Philip Webb, 1882-1907, comprising correspondence concerning building restorations in Italy and the Society for the Protection of Ancient Buildings (SPAB), 1882; correspondence with Giacomo Boni, 1885-1907, (some of Webb's letters to Boni are photocopies), notably concerning Boni's excavations in Venice, including the Piazza di San Marco, restorations to the Ducal Palace, work on the Forum, Society for the Protection of Ancient Buildings (SPAB), sanitation and drainage in Venice, the abbey of Casamari, Orvieto, Bari, personal details, such as their health, Boni's marriage and travels, particularly around Italy and his visits to England, discussions of contemporaries, notably William Morris, Italian architecture, monuments, pictures, buildings, artists, sculptors, archaeology, Boni's lectures; letters from George Wardle, [1887]-1906, notably concerning architecture and reports on buildings for the Society for the Protection of Ancient Buildings (SPAB) including Ipswich, Orford Church, Dorchester, Oxfordshire, Sandwich, Chichester, Bosham, Sussex, proofs for publication, papers on Pisano, Parengo, work on the 'Holy Graal', personal details, such as health, lodgings and travels; reports on the restoration of Bosham Church, Sussex, 1899, Dorchester Church, Oxfordshire, 1899, Grey Friars Chapel, Chichester.

Papers of Thomas Sherrer Ross Boase, [1930]-1972, comprising notes and drafts for lectures and essays by Boase, 1963-1972 and undated, including maps and photographs, sketches of buildings, notes on people and places; typescript articles and lectures etc, undated; correspondence, 1938-1939, largely with David Wallace, but also including a letter from Dame Freya Stark; photographs and negatives, mostly taken by David John Wallace, of sites of archaelogical interest of the Crusader period, largely located in Greece and Turkey, but also in Cyprus, Albania, Italy and Yugoslavia, undated [1930s]; photographs and postcards of sculptures, general views, architecture and illuminations, mainly located in Great Britain, Greece and the Middle East (many used as the illustrations to Boase's various books on the Crusader kingdoms and the art and architecture of the period), undated; printed maps and leaflets of the Middle East, Italy and Serbia, 1942-1970, both historical and contemporary; miscellaneous publications and printed matter, 1954-1972.

Collection of photographs of public sculptures including statues, reliefs, fountains and murals in locations including schools, housing estates and old people's homes.

Collection of papers of and relating to Samuel Palmer, 1829-1944, comprising note to George Richmond concerning works seen in London, 1872; typescript copies of letters to various correspondents, 1870-1880, relating to the printing of his plates, advice on choosing prints; letters from John Linnell (Palmer's father-in-law), concerning retouching a picture, 1829, invitation to visit, 1858; letter relating to Samuel Palmer's financial affairs, 1845; correspondence between Alfred Herbert Palmer and Martin Hardie (some copies), [1922-1930], concerning selling A H Palmer's collection of his father's works and Linnell's papers; correspondence and notes of Geoffrey Grigson, including with Martin Hardie, 1922-1923, concerning A H Palmer's collection of his father's drawings; with the owner of a Palmer work, 1944; memoirs of Isabelle Linnell, relating to her grandfather John Linnell and Samuel Palmer compiled by Geoffrey Grigson, undated; correspondence between Isabelle Linnell and A H Palmer; copy of painting notes by Samuel Palmer, [1844]; catalogues of exhibitions of Samuel Palmer's work, 1927, 1928; article by Grigson on Samuel Palmer, 1941; sale catalogues of works by George Richmond, 1897.

Papers of Sir Joseph Austen Chamberlain, 1931-1938, relate to his time as Chairman of the Court of Governors and member of the Board of Management of the School of Tropical Medicine, and the aftermath of his death. Correspondence regards Chamberlain's role on the Court of Governors and Board of Management; information on donations and subscriptions; correspondence with his family after his death and on the commissioning of a portrait of him after his death; a note on his relationship with the School and letters to the Chairman of the Chadwick Trust.

Alfred Wolmark was a painter whose range included figurative, landscape and graphic art. The papers and sketches in this collection reflect the various areas and influences in his life and work. The collection includes sketches, transcripts of his lectures, a diary, examples of posters and programmes designed by him, lists of his works, and correspondence with friends, associates and possible sitters.

Watercolours and sketches of the North West Frontier Province, India, 1909-1913, by an unknown artist. Views of Himalayan landscapes, forts and outposts including the Landi Kotal Camp, Khargali [Kargil] Heights, Michni Kandao Post, Kabul River, Fort Jamrud, Khyber Pass, Suru fort and Matanni; views of towns, streets and bridges including Sumbal, Bihara, Sopor and the Mar Canal in Srinagar; views of ruins including Takht (Takht-i-Bahi) from the Dal Lake and the Sun Temple, Martand; and landscapes including the Swat River from the Landakai Ridge and the Lower Tochi Valley.

They consist of eleven log books, the first of which was written by Osborn as a Mate, with the rest by him as Master. Ranging between 1853 to 1875, they span the majority of Osborn's career at sea. As well as containing the standard information one would expect, ( bearings, weather details, journal entries, etc), the logs also contain nearly 100 drawings and sketches in ink, pencil and watercolour of various ships, coastline profiles, sea-birds, etc.

Visitors' book and list of titles (with Russian titles translated) exhibited at National Book League exhibition entitled "Art books from the Soviet Union", 1978

66 Ear, Nose and Throat pathology illustrations, in pencil, ink and watercolour, by Dr John Stewart Mackintosh, c 1899-1900.

Papers of Mary Edith Durham, comprise water-colours, drawings and photographs from the Balkans, [1900-1912], many of the pictures are annotated, the paintings and drawings are signed M.E. Durham, 1900 and 17 water-colours, 4 black and white drawings and 2 photographs are mounted. Images depicted include Monastery churches at Deèani and Ipek, 'Moslem' peasants at Podgorica and market places at Cetinje and Cattaro.

Archives of the Hayward Gallery (HG) comprising:

Files relating to the HG policy and administration, 1994-2003; files relating to HG exhibitions, 1987-2003; files relating to the Arts Council Collection exhibitions and National Touring Exhibitions, 1994-2003;

printed exhibition leaflets, 1987-2003; printed posters advertising HG exhibitions and National Touring Exhibitions, 1968-2003;

printed private view invitation cards for Arts Council exhibitions (ACGB-1994) (including HG and National Touring Exhibitions), 1968-2003;
printed guides to HG Exhibitions, 1979-2003; printed catalogues for Arts Council Collection Exhibitions, 1950-2003; printed catalogues for HG and National Touring Exhibitions (including some from CEMA) 1942-2003;

HG press releases, 1978-2003; press cuttings relating to exhibitions and the Gallery, 1968-2003;
photographs of Hayward exhibition installations, 1968-2003; and National Touring Exhibitions including the Arts Council Collection, 1975-2003.

A sketchbook by Stanley Spencer, c 1919-1924 with one loose sketch of Gilbert Spencer by Stanley Spencer, c 1906-1908.

The Sketchbook contains 37 pages with sketches on front and back of pages, 4 loose sheets and 2 torn pages. Most sketches are made in pencil. However, 12 sketches are finished in pencil and wash, and 1 sketch in pencil and oil.

The sketchbook spans Spencer's time spent with the Slessers in Bourne End from late 1919-1920, with Muirhead Bone and his wife at Petersfield in 1921 and his stay with Henry Lamb in Poole, Dorset in April 1923 where he produced designs for what would later become the Sandham Memorial Chapel at Burghclere. The sketchbook is significant in that it includes initial ideas for a number of post-First World War religious works, including some Tate-owned paintings, notably 'Christ Carrying the Cross', 1920, 'The Robing of Christ and the Disrobing of Christ', 1922, and 'The Resurrection, Cookham', 1924-26. It also includes a number of designs (many in pencil and wash) for Sandham Memorial Chapel at Burghclare which are amongst some of the earliest sketches that Spencer created for this commission.

The loose sketch of Spencer's brother, Gilbert Spencer, is a pre-Slade School sketch of c 1906-1908 of his magnum opus.

Letter from William Ewart Gladstone of Hawarden, North Wales to Sir Joshua Walmsley, 29 Oct 1868. Replying to his request for a portrait of Gladstone. 'I am haunted by the belief that I am under a prior engagement'.

Autograph, with signature.

Thirty three paintings dating from c1500-1820 with accompanying contextual records. The subject of the paintings ranges from cathedral and church interiors, Rembrandt's father, Venice, biblical scenes including building the Tower of Babel, the Adoration of the Magi and the Madonna and Child, landscapes, ships, portraits, still lifes, flowers, battle scenes and domestic interiors. The mediums used include oil on canvas, oil on copper and oil on panel. The collection includes one triptych, one alter panel and all other paintings are framed wall paintings.

Thirteen photographs of Iris Murdoch at various points of her life, dating from the 1930s until the 1970s. These photographs were collected by Peter Conradi while researching his biography Iris Murdoch: A Life (2001).

Papers of and relating to Evelyn Underhill, 1874-1997 and undated, comprising personal correspondence of and concerning Underhill, 1888-1969 and undated, the correspondents including Baron Friedrich von Hugel (three letters, 1911-1916), Underhill's husband Hubert Stuart Moore (117 letters from Underhill to Moore, 1890-1912 and undated, and 30 letters from Moore to Underhill, 1898-1906 and undated), Rabindranath Tagore (typed transcripts of 10 letters from Underhill to Tagore, 1913-1914), and members of the Underhill family, the subjects ranging from Catholicism, travels in Italy, Switzerland and France, publications and lectures, spiritual matters and advice, mysticism, health, and World War Two; correspondence, 1907-[1954], with various publishers concerning Underhill's publications (some posthumous) and broadcasts, including copyright, costs, sales and royalties; manuscripts and typescripts containing proposed holiday itineraries and recording Underhill's impressions while travelling in Italy, Switzerland and France, 1898-1899, 1901-1907; poetry, 1917-1923 and undated, including some work which was published; a speech at King's College London on being elected a Fellow, 1927; an article on 'The Fountain of Life: an iconographical study', published in 1910; material relating to spiritual development, 1921-1939, mainly under the guidance of Baron Friedrich Von Hugel and including transcripts of his letters, 1921-1924, and other items on spiritual advice, confessions, goals and progress; papers relating to retreats and religious writings, 1924-1932 and undated, including notebooks and texts of addresses; printed material by and concerning Underhill, 1926-1941, 1990, including some of her publications; press cuttings, 1891-1949, mainly reviews of Underhill's work but also including early published pieces; sketchbooks and drawings, 1892-1911 and undated, including sketches and watercolours of marine scenes in Britain, ecclesiastical subjects, and Italian and French architecture; photographs, c1925-c1930s and undated, including a photograph and negatives of Underhill (one at Pleshey), a portrait of Baron Von Hugel, marine views, and views of French and Italian castles and towns; material relating to the Underhill family, 1874-1940, including the marriage certificate of Evelyn Underhill's parents, 1874, a family tree, c1891, a copy of Evelyn Underhill's will, 1940, and details of books in Dr Williams's Library, London, which originated from Underhill's library; obituaries of and articles about Underhill, 1941-1997, including theses, bibliographies, memoirs, biographical material and reflections on her work; newsletters of the Evelyn Underhill Association, 1992-1997.

Papers of R P Smith comprising artworks including a sketch book containing pencil sketches and watercolours, (some incomplete) including images of the pleasure boat of the Rajah of Jehore; humorous cartoon; Knockholt House, Knockholt, Kent; Hobson's Bay, Victoria; Sir Walter Scott's Memorial, Edinburgh; Stirling Castle; Rumbling Bridge, Dunkeld; Loch Lomond; hand-coloured maps of the Western Hemisphere signed Percy Smith, Enfield, 1865; and Denmark, signed by Robert Percy Smith, Jun 1864;
loose watercolours depicting a woman in peasant costume; cottage and pond in winter, ship on the rocks, [1869];
Royal Medico-Psychological Association Presidential Medal, 1904-1905. `

Masterpieces of Hogarth Scrapbook, c 1800-1950, contains cuttings of a majority of Hogarth's paintings and drawings.

Papers of John Masefield, 1907-1971. Manuscripts 951 and 952 contain photographs of Masefield, Mrs Ethel Stockdale Ross, theatre productions and HMS Conway (?). B/W and colour photographs and negatives. Manuscript 953 contains watercolours and one ink drawing by Masefield. Manuscript 966 contains a watercolour, 'The Dalgoner', 1920s.

Letter from Thomas Telford of Inverness to Rev John Warren, Dean of Bangor, [Caernarfonshire], 23 Sep 1811. Concerning a possible road to pass through Bangor, and giving instructions for the surveyor.

Autograph, with signature.

The following items are filed with the letter: (a) an engraving of Thomas Telford (1832); (b) engravings of Menai Bridge, the Vale of Llangollen and Conway, by W Radclyffe (undated); (c) a list of Telford's achievements, set out as if for a memorial plaque [produced after Telford's death in 1834].

Transcript of a work entitled 'Traitté ou sont enseignées toutes les manières de piendre en mignature, avec plusiers exemples des plus excellens peintres de ce siècle', 1746, comprising an account of the different styles of various miniature painters of that era, notably Louis du Guernier, Jean Eckman, Louis van de Bruggen, Jean Petitot, as well as paintings by Sir Anthony Van Dyck, Claude Vignon and Charles Lebrun.

Scientific and other papers sent to the Royal Society, presented at meetings of Fellows, or commissioned by the Society. They form a complementary series to the Early Letters, both of which were superseded by the Letters and Papers. Many of these items, referred to as the 'Guard Books', are duplicated in the Register Book of the Society. The classification is a simplified form of the 'Philosophical Transactions' abridgment by John Lowthorp. This arrangement was completed in 1741 by Thomas Birch. The majority of the papers in these volumes are manuscript, but a few printed documents occur throughout the series. Some of the papers are earlier in date than the grant on 15 July 1662 of the First Charter to the Society. The Committee of Trades seems to have been associated with the earlier meetings of those philosophers who subsequently became Fellows, and produced a number of practical papers, some of which were written in 1639 and which are mostly found in Volume 3(i). There are still earlier documents, mostly in Volume 25, which may have been included in the gift, in 1667, of the Arundel Library.

Diaries and notebooks of Col Corrie Hudson illustrated with watercolours recording his career in the Indian Medical Service, and his travels and observations, chiefly in North India and Kashmir, also in the Far East, Europe, Iran and the Gulf, 1899-1943 and photographs comprising: diary in India, China, Japan, Korea, Somaliland, Balkans, Muscat and Persia, 30 Mar 1899-29 Dec 1913; diary in Bombay, France, Kashmir and North India, 30 Dec 1913-1 May 1921; diary in India and the Persian Gulf, 2 May 1921-22 Dec 1932; diary in Egypt, Palestine, Turkey, Cyprus, Greece, Rhodes, Cornwall and Scilly Isles, 22 Dec 1932-3 Nov 1943; notebook containing watercolours of landscapes and maps and notes on the Himalayas and Kashmir; notebook of watercolours of birds in India and the UK together with some notes and anatomical drawings and photographs of Hudson, 1900-1927.

Notebooks of Emilia Noel, comprising 57 travel journals, 1892-1937, together with a manuscript volume of 'Indian Notes' and two small notebooks with named specimens of seaweeds and British mosses. Journals are quarto manuscript or typescript with many small watercolours, photographs, picture postcards, etc, within the text - they cover Noel's travels throughout the world.

Papers of M A Chambers, 1912-1913, comprise 'The lure of the Caucasus': sketches in prose and paint of travels under the old regime.

Papers of Bouverie F Clark, 1882, comprise a report on a visit to Easter Island and to Sala-y-Gomez Island, June 1882, in HMS SAPPHO, with a watercolour sketch, by Captain F P Doughty, of images on the slopes of Mount Topaz, Easter Island.

Correspondence and papers, 1882-1939, relating to the pictures in the Royal Holloway College Picture Collection, notably copyright and reproduction, conservation, loans to exhibitions, provenance, and valuations. Picture Gallery Visitors Books, 1936-1977. Sale and Exhibition catalogues, 1881-1968, namely those including pictures from the Royal Holloway College collection. Articles relating to pictures in the Royal Holloway College Collection, 1864-1971.

Papers relating to the Devis family of artists, [1781]-1954, comprising items from the Tupper family papers, notably a Devis, Malham and Marris family tree, [1820]-1850, biographical details of family members, [1835]-1854; information collected by Sydney Herbert Pavière relating to the Devis family from various sources, including details of Devis and Marris family members from parish and civic records, correspondence with the Royal Academy of Arts about the family, [1950], photographs of original documents signed by members of the family, [1781-1785]; correspondence to Sydney Herbert Pavière concerning lectures about the family, and possible purchase of Devis pictures, [1950-1954], notably from Sir William Forster and the Rt Hon Lord Biddulph; extract and cuttings from printed material concerning the family, 1937, 1952.

Research material, manuscripts, and publications of Joshua James Foster, 1880-1935, notably exhibition catalogues, 1880-1881, 1908, 1912; catalogues of miniatures owned by Sir H Stafford Northcote, [1902], and the Duke of Buccleugh (John Charles Montagu-Douglas-Scott) at the Victoria and Albert Museum, 1916-1917; proofs of articles for The Antiquary, [1884]-1889, and other publications, 1899, 1909-1918, with related letters to Foster from Viscount Cobham (Charles George Lyttelton), Earl of Gosford, (Archibald Brabazon Sparrow Acheson), Sir William Hesketh Lever, M H (Marion Harry) Spielmann, Lord Weardale (Philip James Stanhope); transcripts of published articles relating to Richard Crosse, artist, post 1910; published works annotated by Foster, 1916-1917; notes and an article on miniatures in private collections, 1912-[1916]; newspaper cuttings relating to Wessex Worthies, 1921; printed articles written by Foster, relating to miniatures and Giles Hussey, artist, 1923;
correspondence, notably relating to research projects, 1895-1917, including letter relating to the publication of British Miniature Painters, 1898, correspondence concerning the Buccleuch Miniatures, 1916, and a letter from Sir Robert Witt, 1917;
miscellaneous material collected by Foster's children, 1925-1932, notably sales catalogues featuring miniatures, 1925-1932; newspaper cuttings, 1925-1929; sales catalogue including books sold from Foster's library, 1935.

Papers of Philip Wilson Steer, 1836-1962, comprising personal ephemera, 1860-1917, including his birth certificate, 1860; art examination certificates, 1880-1881; permit book for sketching at Dover, 1917; photographs, 1864-1930s and undated, including Steer at various ages and family members;
original pictures by Steer, comprising charcoal drawing of pollarded stump and wall, undated; monochrome watercolour, 1877; monochrome over pencil drawing of Christ healing the sick / raising Lazarus, undated (described as an early work);
papers relating to dealers, notably lists and statements of accounts for pictures sold, by Barbizon House, 1927, undated, by Goupil Galleries, 1909-1937, by Charles A Jackson, 1919-1926, and by David Sassoon & Co, 1927; lists, comprising list of dates of places where Steer worked from 1884, undated, and list of pigments used by Steer, [1970];
letters, comprising correspondence from or to Steer or his parents, 1836-1942, including relating to Steer's Order of Merit, 1931, letters to his family whilst abroad, 1876, 1882-3; letters relating to Steer's memorial, 1942-1943; letters to Dorothea Hamilton concerning the gift of a Steer watercolour as a wedding present to Princess Elizabeth, 1947, and deposit of material to the British Museum, 1945-1946; letters concerning publications relating to Steer, 1942-1962, Steer's estate 1942-1944; lists of subscibers to the Steer Memorial and addresses given at Steer's memorial service and the unveiling of the memorial slab, 1942-1943; articles by Steer on Impressionism in Art, 1891, and by Dugald Sutherland MacColl, 1939; newspaper and magazine cuttings, 1906-1948, including Steer's obituary and will, 1942, 1944, Steer exhibitions, 1943-1945, reviews of publications relating to Steer, 1944, 1945; sales catalogues containing items (furniture, porcelain, pictures, watercolours, books and silver plate) sold from Steer's estate after his death, 1942; miscellaneous papers including invitation to Steer's Memorial exhibition, 1943, booklet for D S Macoll's memorial service, 1949; list of documents given to the Courtauld by Dorothea Hamilton, undated.

Photographs and pictures of the Royal College of Obstetricians and Gynaecologists, 1633-2001. The majority of photographs depict the membership and social history of the College and include presidential portraits and photographs of Fellows and Members, prominent obstetricians and gynaecologists, visitors to the College, meetings and study groups. There is also a class of photographs of College buildings. Donated and deposited material also includes photographs and slides of clinical disorders and specimens.

Records comprise portraits, pictures and other memorabilia relating to William Blair-Bell, 1920-1996; presidential portraits, 1927-1995; portraits of Fellows, 1935-1991; photographs of Honorary Fellows, 1921-1997; photographs of annual dinners, 1931-1954, 1998; photographs of admission ceremonies, 1931-1992; College buildings, 1930-1991; Royal visits, 1931-1990; Council and officers, 1934-1992; photographs of meetings, members and artefacts of the Gynaecological Visiting Society, 1911-1973; British congresses of obstetrics and gynaecology, 1933-1999; photographs of overseas groups and other photographs relating to the profession overseas, 1935-1997; RCOG study groups and educational courses, 1979-1995; photographs and paintings donated to the College by Professor Preston Maxwell, 1898-1935; presentations, awards and lectures, 1949-1995; Strachan collection of portraits of eminent medical men, c1693-c1847; ceremonial and related paraphernalia and artefacts and gifts to the College, 1931-1992; miscellaneous photographs relating to the history of the College and of obstetrics and gynaecology, 1929-1999; decorative pictures, 1633-1957; photographs of pathological subjects transferred from the College Museum, 1950s-1978; photographs and drawings presented to the College by Professor John Chassar Moir, 1932-1957; photographs of eminent medical men collected by Sir Anthony Alment, transferred from the College Library, 1921; photographs and memorabilia relating to Sir Norman Jeffcoate, 1946-1975;

undated portrait photographs of eminent medical persons; Donald Whatley Roy photographs donated to the College Archives by A D Roy, 1903-1935;

collection of miscellaneous photographs transferred from the College Library, undated.

Records of the Worshipful Company of Painter Stainers. Court minutes begin in 1623, freedom admission registers in 1658 and apprentice binding books in 1660. The records were compiled between 1623 and 1973, but they include deeds from 1423. Collection also includes financial records and records of charitable payments.

IMPORTANT INFORMATION REGARDING ACCESS: These records are stored at the Guildhall Library site rather than the LMA Clerkenwell site. Researchers wishing to access these records should do so at the Guildhall Library Rare Books table. The Library is open Monday to Saturday, 9:30 to 16:45. Researchers will need to have an Archives History Card or a Library Readers Card. An archivist will be available at Guildhall Library on Thursday mornings to answer any queries.

Typescript edited and unedited versions of memoirs of Lt Col John Alfred Codrington, [1947] entitled 'Gathering moss', 1898-1944, including account of service with British Mission Allied Armies of the Orient, Smyrna, Turkey, 1920, and as British Liaison Officer to French forces in Syria, 1926-1929. Photographs and papers, including notebook with manuscript notes on Regimental history of the Coldstream Guards, military training and preparations for deployment to France, 1917, eight watercolour paintings of churches in French towns, 1918, and photograph of Gen Sir George Wentworth Alexander Higginson at the unveiling of the Guards Memorial, St James's Park, London, 1926.

Papers relating to British produced propaganda for the Indian Army, produced to counter Japanese propaganda aimed to entice Indian Army personnel to desert and fight for the Japanese led Indian National Army, India and Burma, 1943-1945, including correspondence, memoranda, personal papers and propaganda material, 1939-1946. Also, scrapbook album of watercolours, sketches, photographs, menus, invitations and autographs, created 1901-1903 by Beryl White (1877-1954) relating to her life in Sikkim, northern India.

Records of Camberwell College of Arts, comprising minutes of the Joint Advisory Sub-Committee, 1898-1938; reports of the Joint Advisory Printing Advisory Committee minutes, 1965-1973; minutes of meetings of the Governors, 1980-1981;Sub-Committee, 1917-1949; attendance books, 1898-1951; agenda books, 1906, 1913-1915;

correspondence from London County Council Higher Education Sub-Committee concerning their decision on reports of the Joint Advisory Sub-Committee, 1921-1924;

Secretary's account book, 1899-1901; accounts, including for the Sketch Club, 'Cambians' student association, students' union, exhibitions and examination expenses, 1930-1945; register of staff, [1898-1939]; papers relating to teaching staff, 1914-1962, including correspondence concerning appointments, memorandums; register of students, 1898-1900;

minutes of meeting concerning the extension of the school, 1901, estimates for building alterations, 1903; address on the opening of the school extension, 1904; programme and press cuttings for opening of the new building, 1913; papers relating to the sculpture building extension, 1950-1954, including building plan, 1950; notes and minutes of site meeting, 1950; builders' estimates, 1951; programme for the opening of the new School for Sculpture, correspondence concerning the ceremony, text of speech and list of guests, 1953; press cuttings, 1953;

papers relating to a school war memorial, 1919-1923; correspondence relating to gifts to the school, 1935-1954, including portraits, furniture, books and journals, equipment; plans, notes and invitations relating to exhibitions of students work at the South London Art Gallery, 1913-1914, 1928-1932;

papers relating to Diploma of Art and Design at Camberwell, [1960]-1963; copy instrument of government of the London Institute, [1985]; correspondence and papers concerning proposed changes to Higher Education, 1977, including statement from Camberwell opposed to the changes;

prospectuses, 1898-2002; exhibition catalogues and degree show catalogues, 1989-2002;

press cuttings relating to the school, 1924-1937; students' exhibitions and work of students and staff, 1960-1967; private view cards of staff and students, [1980s-2002]; photographs, 1970s, of students and staff working at Camberwell;

copies of 1st and 2nd editions of the Cambian, 1928, 1930, printed by the School Press containing examples of student work;

ephemera relating to Camberwell School, art and the Camberwell area, 1950s-2002, including press cuttings and programmes for events; typed notes on the history of the School, 1990s.

copies of the London Technical Education Gazette, 1900-1903; London County Council Technical Education Board minutes, 1904; London County Council circulars, 1931-1932.

Papers of Edward Bawden comprising correspondence, and scrapbooks, 1920s-1980s.

Papers of Elizabeth Scott-Moore, comprising correspondence, working papers, scrapbooks and photographs, 1920s-1990s.

Items belonging to Iris Murdoch presented by Audi Bayley. These items were from Iris Murdoch's former home in Charlbury Road and include letters written by Iris Murdoch to Borys and Audi Villers [later Audi Bayley], a planning notebook for Jackson's Dilemma, and a range of objects. Includes:

1) Large bust of Iris Murdoch mounted on marble

2) Iris Murdoch's teddy bear 'Jimbo'

3) Painting by Iris Murdoch 1941

4) Tapestry by Iris Murdoch of fish with the initials IM and JB

5) Gold edged bowl

6) 5 stones and 9 Asian religious figurines / icons from Murdoch's writing desk

7) Letters from Iris Murdoch to Audi Bayley and her first husband Boris Villiers

8) Green box containing brooch- appears to be enamelled George IV shilling from 1820s

9) 4 replica medieval icons mounted on wood

10) Framed photographs from Iris Murdoch's study of Murdoch as a child and Murdoch's parents

11) 3 Canadian stone figurines depicting an owl, a penguin and a seal

12) 2 stone figurines of a cow and a lion, with painted and gilded details

13) 11 dress necklaces worn by Murdoch and kept in her study

14) A notebook with planning notes by Murdoch for the novel 'Jackson's Dilemma'

Records comprising:

papers of Frances Mary Buss including scrapbook of articles, notes, anecdotes, pamphlets, [1886 1881; Queen's College Teaching Certificate 1848-1849; sketch of family tree; volume containing copies of Girton Songs, [1890]; letters to and from FMB, [1870s], and letters from friends, colleagues and former pupils, including Dorothea Beale, Emily Davies, Jane Storrar, Annie Ridley, Sara Burstall, Elizabeth Garrett Anderson, Maria Gray, Anne J Clough and David Laing;

letters out copybook of Alfred J Buss, 1882-1889, 1897-1906 (2 vols); letters to AJB, [1870s];

illustrated journals of Septimus Buss, 1860-1875 (3 vols), continued in 1935 by Francis Fleetwood Buss; watercolour;

scrap book of Jane Buss, including photographs, illustrations, printed drawings etc, 1878-1894;

papers and art work of Robert William Buss including scrapbook of prints of engravings of titled 'Illustrations of University Life', 1842; volume of sketches, drawings and etchings by RW Buss (owned by Mary Caron Buss, 1914); sketchbook (undated); 'RWB extemporary compositions and sketches' (1845) - related to a sketching club, containing works by various members of the club; 5 portraits by R W Buss, in pen and ink; pastel portrait of FMB as an infant; and two oil paintings; file of papers, 1859-1909; photos, 1850s; designs and prints;

Buss family papers including volume of press cuttings, relating to the death of Frances Mary Buss, 1894; scrapbook compiled by F F Buss, 1854-1922; Frank Fleetwood Buss chronicle of the Buss family, (undated); List of persons named Fleetwood who have served in the naval and military forces, compiled by Robert Woodward Buss, 1920 (privately printed); The family of Fleetwood of Calwich co. Stafford with a pedigree, by RWB, London, 1908; The ancestry of William Fleetwood..., 1926; papers relating to the Fleetwood family history, 1908-1926 (13 printed booklets); letters photos, family memorabilia, notes on family tree, printed papers, 1860s- 1980; photographs of FMB and family members including Mary Caroline Buss, and Mary Caron Buss; and sketches and watercolours, [1870s-1920s].

Records of the Whitechapel Art Gallery (WG) and its predecessor, comprising:

minutes of the Gallery Trustees 1898-1976; Gallery Trustees, Finance and Fundraising committees, 1976-1981; Gallery Trustees, Finance and Building committees, 1981-1986; Gallery Trustees and Finance committees 1987-1988; Trustees, Finance and Joint Trustees committees, 1988-1996; Finance Subcommittee 1950-1951, 1966-1971; Development Trust Planning Group, 1981-1983; and Foundation Trustees, 1984-1995; as well as Development Trust Scheme files, 1978-1982; Gallery Trustees correspondence 1949-1981; Foundation Trustees correspondence, 1981-1989;

annual reports and accounts 1901-present;

early records of the Gallery including files relating to the establishment of the Gallery 1893-1901; correspondence of Gallery Directors and Secretary's 1901-1947; financial records and treasurer's correspondence, 1902-1947; and exhibition files 1901-1947;

Gallery Directors' papers including administrative and correspondence files of Hugh Scrutton, 1947-1953; Bryan Robertson, 1952-1969; Mark Glazebrook, 1964-1973; Jennie Stein (acting Director), 1971-1974; Jasia Reichardt, 1974-1976; Nicholas Serota, 1978-1987;

exhibition files 1947-1990 files, arranged chronologically by year date of exhibition, including correspondence and papers relating to exhibition arrangements such as loan of artworks, sales, valuations, catalogues, private views, and installation;

printed publicity materials including catalogues of Whitechapel Fine Art Exhibitions, 1882-1886; catalogues of Whitechapel Art Gallery exhibitions, 1901-1965-present;

printed posters relating to individual exhibitions, 1956-2002;

press cuttings relating to reviews and listings of WG exhibitions, and some general cuttings about the gallery and the London art scene, 1897-1922, 1952-2002;

guard books containing ephemera - relating to each exhibition, 1949-2002;

records of the Whitechapel Art Gallery Society including correspondence and papers concerning subscriptions 1947-1988; and cash books 1948-1978;

photographs of exhibitions and artists works 1948-1998; photographs and illustrations of the Gallery and its exhibitions, 1901-1939; photographs of the Gallery building, staff and the local area, 1890-1915, 1951, [1972]-1998; contact sheets and negatives of exhibitions and the gallery, 1966-1995;

Gallery visitors books 1949-1965;

Financial records including cashbooks, wages books and exhibition accounts, 1899-1971;

Letter from Sir Stanley Spencer of 3 Vale Hotel Studios, Hampstead, London to Thomas Sturge Moore, 26 Apr 1926. 'Here at last is the monograph of my works ... The much wanted or unwanted explanation of my pictures will be found in the book of words, so there will be no more trouble now, all is clear at last ... I am doing a big picture of the resurrection ... (18ft x 9ft) and it is going to take years to paint and I love painting it so I am enjoying myself ...'.

Autograph, with signature.

Notes, working papers and correspondence of the art historian Otto Kurz, c 1930-1975. Topics covered include: the Baroque, notably the painters Guido Reni, Carracci; faked art; critical edition of Marco Polo's 'Description of the World'; Christian manuscripts; 'Die Legende vom Künstler' (Historiography); astrological manuscripts; Eastern astrology; cultural history of material goods; costume and Jewish Art.

PLEASE NOTE: THIS COLLECTION IS NOW HELD BY THE EAST SUSSEX RECORD OFFICE

Papers and designs of Peggy Angus, comprising: Business papers and reference material including correspondence, Angus trade cards, Carter tile catalogues, sketch books and photographs of tiles, painted murals and wallpapers in situ. Printed ephemera, comprising cards (postcards, cigarette cards, greetings, advertising cards); booklets (programmes, guidebooks, exhibition catalogues, leaflets, maps); loose papers (handbills, cuttings, calendars, bookplates, posters). Design examples by Angus and others, including oil paintings, prints, collages; wallpapers and wallpaper samples; tiles and floor designs.

Collection of watercolour paintings and sketches by John Bristowe and his family including two volumes of watercolours by John S Bristowe, 1886-1895, including images of St Mary's Abbey, York; Studland Bay; Corfe Castle; Matterhorn; Vienna; Craig-y-care; Harlow Mill River Stort; North Wales; (some with loose pages and incomplete); sketch book containing pencil sketches, 1889-1897, including images of Welsh landscapes, Lake Geneva, Bradfield, and Norway; and loose paintings of Bradfield College, Staverton Bridge, Amalfi 1895, Capri, [Loen Nourn] Norway, and various other images; also contains nine watercolour paintings attributed to the daughter of John Bristowe.

Records comprise correspondence and notes relating to the College armorial bearings, 1908-1980, the College flag, 1938-1945 (MA); correspondence relating to photographs of Imperial College and members, 1910-1953 (MN); papers and correspondence relating to paintings and portraits of Rectors, Chairmen, Prince Consort, 1954-1987 (MP).

Papers of Evelyn Margaret Shaxson comprising manuscript volume of lecture notes, with diagrams on Anatomy and Physiology, Mar-Apr 1925, also including loose copies of examination question papers, 1925; notebook containing water colour paintings of flowers, each named with a note where seen [1920s].

Small mounted oil painting by Thomas Creswick, of a steam train passing Leighton Buzzard on the London and Birmingham Railway line. A note on the reverse suggests that the work was painted in 1837.

Papers of Sir Hugh Mallinson Rigby, 1904-1927, comprising cases notes, correspondence, watercolour illustrations and photographs relating to patients with gall bladder diseases, 1910-1926; case notes, correspondence and illustrations relating to patients with arterial surgery and arterio-venous aneurism, 1915-1924; and case notes, correspondence, illustrations, photographs, radiographs and X-rays of various medical cases, mostly from the London Hospital, 1904-1927.

Papers of John Bell, late 18th century- early 19th century, comprising a watercolour painting by Bell, of the Dutch Vice Admiral Rutzius, who was mortally wounded in the Battle of Camperdown in Oct 1797; a reproduction of the watercolour which was made for Gordon Gordon-Taylor in 1951, for an article in the British Journal of Surgery; and annnotated pencil drawings of the bones of the skull.