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The Royal Society Library and Museum; 'Libri desiderate' library request book with minutes of the Library Committee from undated to 1932.

Catalogue of the Royal Society Museum, possibly seventeenth or early eighteenth century.

The archive consists of personal papers mainly relating to training and work as a medical social worker (hospital almoner) 1920s-1950s, and correspondence relating to historical family documents and her aunt Rose Squire. It includes correspondence, a London School of Economics Social Work exam paper (1927), lecture notes on the subject of health and hospital social work, and two photographs of Rose Squire.

Two works by Hugh Edwin Strickland bound in a single volume: "On the evidence of the former existence of Struthious birds distinct from the Dodo, in the islands near Mauritius", 1844 and "List of Unfigured Species of Birds, the type-specimens of which exist in the India House or in the Museum of the Zoological Society", 1853.

Papers of 'The Museum Of ...' temporary museum project. The collection holds material from four of the five "museums" that together formed The Museum Of. These are: The Museum of Collectors, The Museum of Me, The Museum of Emotions and The Museum of the River Thames. The collection holds no records for The Museum of the Unknown.

The Museum of Collectors (Nov 1998 - Mar 1999): The Museum of Collectors looked at who collects, what people collect and why? It housed a display of forty-two local people's collections, everything from rejection letters and snow domes to snails and monsters. The collections were displayed in consultation with the collectors by an interdisciplinary team. The records held in the collection include: Glassine pockets containing items collected by visitors to the museum, photos and text relating to collectors exhibiting at the museum and advertising material.

The Museum of Me (May 1999 - Oct 1999): The Museum of Me combined art works that looked at the self with a chance for visitors to experience, record and display aspects of themselves as they travelled around the space. Responding to input from artists, poets, performers, psychologists, designers and anthropologists, each visitor was given the opportunity to contribute to the making of The Museum Of Me by creating their own personal museum exhibits during their visit. The records held in the collection include: Tin Cans containing items belonging to visitors, miniature glass bottles each containing a written "secret", large glass bottles containing multiple "secrets", a range of labels on which visitors wrote down various aspects of themselves and their experiences, black and white portrait photographs and a selection of emphemera including a promotional t-shirt and several diaries containing handwritten comments by visitors filled in about days that were important to them.

The Museum of Emotions (Feb 2000 - Jun 2000): The Museum of Emotions asked the question where and how do we express our emotions? Ten artists were commissioned to evoke different emotions through creating a series of interactive environments. An ephemeral experience created by light, sound and installation explored how much feeling is lost, found and expressed in the context of the museum. Records for this collection include: plastic bottles each labelled with a visitor's response to the question "What makes you cry?", a large hardback book containing visitors comments on the theme of love and a number of advertising leaflets.

The Museum of The River Thames (March 2001 - July 2001): The Museum of The River Thames focused on the River Thames as the largest public space in London. Creating a journey from the Bargehouse to the river and back again The Museum of the River Thames reflected on the experiences of those people and places, that told a story of their environment and personal relationship with the river. The Museum included collaboration with: The London Rivers Authority, The Thames Explorer Trust, The Millennium Bridge Trust, Platform and The Museum of London. The collections includes: Origami Boats made by visitors to the Museum, drawings and comments on possible uses for the space if the River Thames did not exist and a variety of objects found in the river.

The final series is entitled "Marketing and Administration" and this includes advertising material relating to all five of the "museums" and a press pack that sets out the aims and intentions of the project, detailing the nature of each "museum" and setting out how the projects developed and progressed.

Papers, 1942-1976 (some undated), of Dr K Bryn Thomas, comprising his files and notebooks on the history of anaesthesia, including drugs, techniques, and eminent practitioners, containing offprints, cuttings and copies from publications on anaesthesia, including periodicals, monographs, catalogues of medical equipment, and obituaries of anaesthetists, also including typescripts, copy photographs and diagrams, notes, and miscellaneous correspondence of K Bryn Thomas on the subject, the original sources dating from the 1840s to the 1940s, including pictures of eminent anaesthetists and anaesthetic apparatus; file on the King Collection, 1968-1976, containing miscellaneous letters on the history of anaesthesia, copies of photographs and diagrams of anaesthetic apparatus and eminent anaesthetists, and copies (from originals dating from between 1862 and 1967) of articles, including professional matters and obituaries of anaesthetists, and catalogues of medical apparatus; files containing correspondence and papers, 1969-1971, on Thomas's article on the King Collection for the journal Anaesthesia, including a typescript inventory of the collection; files containing correspondence and related papers, largely dating from 1974, concerning production of Thomas's The development of anaesthetic apparatus, including acknowledgements for reproduction of illustrations, and typescript index; file containing typescript and printed papers, including some catalogues, on collections of anaesthetic apparatus at St Thomas's Hospital and the Royal College of Surgeons, London, the Royal Victoria Infirmary, Belfast, and in Australia; file of papers relating to the history of anaesthesia including material accumulated by Sir Robert Macintosh which passed to K Bryn Thomas, relating particularly to John Snow and Joseph Clover, and including articles, typescripts, notes, photographs of apparatus, and copies of earlier sources, dating from the 1840s to the 1910s, including letters and papers of eminent anaesthetists, also including a few miscellaneous letters, 1939-1949, addressed to Sir Robert Macintosh, and a letter from Sir Robert Macintosh to K Bryn Thomas, 1975, relating to The development of anaesthetic apparatus.

Correspondence of the Tring (natural history) Museum, 1890-1955.

Papers of the Wellcome Historical Medical Museum, 1874-[1984], comprising reports, correspondence, administration records, staff files, inventories, diaries, registers, notebooks, financial records, details of exhibitions and events, visitors books, photographs, publications, presscuttings, and papers relating to Henry Solomon Wellcome's personal life including arrangements for his funeral.

Card index to material generated by or for Wellcome Historical Medical Museum staff held in Western manuscripts sequence. Formerly one alphabetical sequence of card, the index was rearranged during the cataloguing of that material and now forms 5 discrete blocks.

Papers of the Wellcome Museum of Medical Science, 1923-1983, comprising publications and the unpublished annual reports of the Wellcome Museum of Medical Science.

Experimental notes, working papers, correspondence and lecture summaries compiled by Charles Wheatstone, 1836-1875, and photographs collected by him in that period. Notably including papers relating to the development and testing of the telegraph, [1836-1960]; descriptions of experiments and test results concerning the measurement of electromotive forces and electrical potential, [1840-1875]; experimental observations on the nature of magnetism, electricity and thermodynamics, including electromagnet design, batteries and dynamos, [1834-1855]; working papers relating to optics including experiments into refraction, colouration of compounds and polarisation, [1850-1875]; drafts of lectures on sound and musical instruments prepared by Wheatstone, [1832-1837]; material relating to the management of the Wheatstone collection of scientific instruments and library, 1890-1992; biographical material relating to the life of Wheatstone, the invention of the telegraph and Wheatstone's musical instrument manufacturing business, with unrelated newspapers, 1757-1975; stereoscopic photographs and glass negatives taken by Roger Fenton, Samuel Buckle, Jules Duboscq and others, featuring landscapes, still lifes, panoramic scenes of cities including Paris and Moscow and the interior and exterior of the Crystal Palace, Hyde Park, Sydenham, 1851, and especially the Exposition Universelle, Paris, 1855, [1850-1901]; artefacts on loan from Department of Physics, King's College London, including telegraph apparatus, a nail fiddle and other prototype musical instruments, [1834-1875]; exhibition of scientific and musical instruments, [1834-1875].

Papers, 1934-1987, created and accumulated by Dr David J Wilkinson and relating to A Charles King, comprising correspondence and other papers, 1982-1987, on King, including biographical information on his education, army service with the London Rifle Brigade in World War One, and career as an anaesthetic instrument maker; earlier correspondence relating to the King Collection at the Association of Anaesthetists, 1963-1964; copies of articles on King, 1934-1987, and typescript inventory of the collection; King's bookplate, undated, and envelope of his business, 1934.