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Two notebooks containing notes and newspaper cuttings concerning Purdon's production of As You like It, 1949 and Macbeth in 1951.

A contract to publish music from the opera Macbeth, 1847.

Theatrical columns of "The Referee", 1903-1909, and "The Curtain", 1922-1933; notebooks with lists of plays Morley acted in, c1904-1964; notebooks on plays seen, 1955-1966; articles by Morley, c1925-1965; London play diaries, 1932-1964; "Historical and Descriptive Accounts of Theatres of London" by Edward Wedlake Brayley, 1833; correspondence regarding publication of a manuscript by Morley, 1984-1986; scrapbook of productions in Canada, 1947-1950; minutes of Everyman Theatre Guild Limited, 1929-1931; autobiographical drafts and correspondence, 1913-1972; typescript plays by Alexander Ostrovsky, Nella Nagra, Etienne Rey, Alfred Savoir, August Strindberg, Franz Werfel, Herman Voaden, Astrid Arygll, Alice Gerstenberg, Sacha Guitry, Bjornson, Karen Bramson, Henri Gheon (undated).

The papers of Garrick Club comprise one volume containing playbills for the Theatre Royal, Covent Garden between 28 September 1825 and 23 June 1826 with occasional notices of cast changes.

A manuscript fair copy of the opera Gabriella Di Vergy, c 1825-1845, with passages written in the hand of the composer, Gaetano Donizetti.

Papers relating to the Athletics Union, comprising correspondence concerning the purchase and equipping of College sports grounds, 1919-1934, and an accounts book, 1937-1944; correspondence of the Sports Club, 1912 and 1942; minutes of the Architectural Society, 1894-1919; programmes and posters relating to the Bedford Light Opera Group, [1960-1970]; copies of Bots Up, the magazine of the Botany Department, 1972-1974; copy of Bio-Log, the magazine of the Biological Society (and successor to Bots Up), 1977; copies of Ho, the magazine of the Psychology Department, 1972-1974; minutes and member lists of the Geological Society, 1910-1944.

The Roy Waters Theatre Collection is a privately created collection of theatrical material amassed as a result of forty years of collecting by Roy Waters. The collection primarily comprises of theatrical ephemera, though it also includes the personal papers of Roy Waters, documenting both his career as teacher and later as a school inspector, and his collecting habits and cultural interests.

The nature of the material is diverse, with the printed ephemera including a sizeable collection of programmes from the 19th to the 21st century, collectable items such as cigarette cards, press cuttings collected for their relevance to named individuals and events and photographs reflecting a range of formats including postcards, cartes de visite and cabinet photographs. Toy theatre and juvenile drama are well represented with loose character and scene sheets, tinsel prints and twentieth century stage and script packs forming part of the collection. In addition, the prints series, although primarily consisting of portrait and scene prints of theatrical individuals, also includes a range of topographic and general entertainment prints. Artefacts and commemorative ornaments comprise a series, as do sound recordings relating to the specialisms of the collection in particular productions and well known individuals.

The theatrical ephemera, although initially collected with a broad interest in the theatre in mind, does reflect the specific areas of interest which developed as the collection grew; discreet collections of material relate to specific individuals or events, for instance Noel Coward and Oscar Wilde.

The collection also contains hundreds of individual autograph letters dating from the 18th to the 20th century representing the variety of professions involved in the performing arts, including letters from George Arliss, Sir James Barrie, Phineas Taylor Barnum, Charles Dickens and a sick note for J.S.Grimaldi [Joseph Samuel Grimaldi]. In addition, there are a small number of original art works relating to the theatre.

Programme of Ealing Theatre for performances by Mr. Herbert Sleath's Company of "What happened to Jones" by George H. Broadhurst, preceded by the Comedietta "A Morning Call", with note of forthcoming performances and many advertisements, 1900.

Manuscript copies of one-act plays written by William Poel, newspaper clippings relating to a production of Samson Agonistes and a copy of "Monthly Letters" on performing Shakespeare, collected and published.

Records of the Waldorf Theatre Syndicate Limited, comprising trust deeds and other legal documents, 1905-1910.

Assignment of a rent of two shillings each night of performance at the Theatre Royal, Drury Lane and free privilege for 21 years, between Richard Brinsley Sheridan, Thomas Linley and James Ford; and Anna Maria Ford.

The David Heneker Archive contains the working papers of musical theatre composer David Heneker, who wrote or contributed to several well known musicals incluing 'Half a Sixpence' and 'Charlie Girl'. The Archive contains materials relating to each of the shows David Heneker worked on including drafts of songs and scripts, musicals scores, correspondence and publicity. There is also material relating to his work as a songwriter in the 1930s and 1940s (including the Second World War), and his work for films and advertising. There are also materials relating to shows and films that David Heneker worked on that never reached the final production stage.

Papers of Serge Prokofiev, [1915]-1936, mainly comprising private and business correspondence relating to the performance and publication of Prokofiev's compositions. Much of the collection consists of personal correspondence concerning his working relationship with other artists including conductors Albert Coates, Sir Henry Wood, Sergei Koussevitsky, Hermann Scherchen, and Ernest Ansermet; soloists Joseph Szigeti, Pablo Casals, Robert Soëtans and Fyodor Shalyapin; composers Igor Stravinsky, Nikolai Miaskovsky, Maurice Ravel and practically all French composers of the 1920s and 30s; theatre directors Vsevolod Meyerhold and Alexander Tairov; the Director of the Ballets Russes, Serge Diaghilev; poets and writers such as Konstantin Balmont and Vladimir Maiakovsky; and chess grandmaster José Capablanca. The papers also include financial material such as bills and accounts, legal papers and correspondence concerning concerts in the USA, France, Italy, Spain, England, the Soviet Union and Germany; and the publication and copyright of Prokofiev's work. Individuals and companies with which Prokofiev dealt in these matters included musical societies such as the Aeolian Company in the USA, Concerts Populaires de Bruxelles, and Concerts Pasdeloup in Paris; music publishers such as Breitkopf and Härtel in Leipzig, Russicher Musikverlag in Berlin and Edition Russe de Musique in Paris; and Soviet music publishing and arts authorities including the State Publishing House, the Moscow and Leningrad conservatories, and the Direction of State Theatres. There is also correspondence regarding the composition of ballets and operas, notably The Love for Three Oranges, Chout, the Fiery Angel and Le Pas d'Acier. The remainder of the collection consists of diaries, personal notes and press cuttings relating to Prokofiev's work.

Papers of Thomas Frederick Dunhill, comprising personal and business correspondence, 1912-1944 (mainly 1931-1940), including correspondence relating to performances of the comic opera Tantivy Towers by Dunhill and Alan P Herbert; notebooks of lectures by Dunhill, including 'British music of today', lecture for the Royal Albert Institute 11 Mar 1913, 'Sir Hubert Parry' to the British Music Society 8 Mar 1922, and 'The importance of the British composers of the later 19th century' to the Society of Women Musicians, 7 Jul 1922; musical notebooks; lists of Dunhill's compositions; manuscripts of articles and talks by Dunhill, including 'The chamber music of Anton Dvorak', and `English comic opera'; correspondence with the BBC regarding talks by Dunhill, including a version of Dunhill's Tantivy Towers for broadcast, 1937, 1941, 1945; correspondence regarding finances of the Musicians' Benevolent Fund, 1937-1938; correspondence with B W Smith and F J Whitmarsh on their proposed operetta 'Something in the city', 1937-1939s; cuttings of articles by or on Dunhill, 1915-1938; programmes featuring Dunhill's music; obituaries, 1946.

Musical scrapbook of Jenny Lind, 1847, containing manuscript transcriptions of six songs in German, with signatures and dedications of Luigi Lablache, Sigismond Thalberg, Arthur Saint-Léon and Fanny Cerito, London, Aug 1847; three account sheets relating to Lind's financial affairs, 1870-1871, including accounts, 1847-1848; statement of condolence from Royal College of Music on the death of Otto Goldschmidt, 16 Mar 1907; letter from Gill Bevan, Jenny Lind's grand-daughter, to Sir Ernest Bullock on provenance of the volume, 13 Jul 1959.

Correspondence and papers of Margaret Macintyre, 1889-1902, comprising 30 letters from various admirers and acquaintances including Fitzroy Gardner, H Rider Haggard, Sims Reeves, Giulio Ricordi, Arthur Shadwell, Sir Arthur Sullivan, Ellen Terry, (Francesco) Paolo Tosti, Charles H Wade, Cosima Wagner, Siegfried Wagner; correspondence with Adolf von Gross, Bayreuth Festival, regarding her appearance as Sieglinde, 1895; contracts for appearances at Covent Garden, 1889, 1892, 1897; passes for Royal Opera Company performance at Windsor Castle, 24 May 1895; undated cutting from Il Trovatore on Macintyre's performance as Elisabeth in Tannhauser.

The diaries and personal papers of George Francis Jack Bergmann, dated 1919-1981, notably comprise a set of typescript transcripts of diaries which document in detail Bergmann's experiences in the Foreign Legion and in prison. They also provide a full report on the infamous trial of French officers and guards at Hadjerat M'Guil. In addition there are newsletters, bulletins and correspondence, 1919-1981, which reflect Bergmann's interest in, and membership of, a Jewish student organisation, 'Kartellverband jüdischer Studenten'.

Copies of the papers of Maria Nermi-Egounoff, opera singer, 1938-1990, including Nermi-Egounoff's cv, replete with press cuttings of reviews of her work; short biographies of British residents of Hungarian extraction who were anti-Semitic; newspaper articles and biographical notes.

Papers and books belonging to the theatre critic Sheridan Morley (1941-2007). Includes correspondence, records relating to his various productions, volumes of press coverings covering his reviews, research notes and transcripts of some of his publications, photographs, records relating to his father Robert Morley and Grandmother Gladys Cooper, records relating to Noel Coward, theatre memorabilia and ephemera and objects.

The archive consists of papers and publicity material relating to the Commonwealth Countries League, personal correspondence and publicity for the Women's Freedom League and the establishment of the Mermaid Theatre.

Letters from Cecil Scott Forester of Longton Avenue, London, SE26, to G F Troup Horne, 3 Dec 1932 - 4 Jul 1933. Mainly relating to Forester's play 'U97' which Troup Horne produced at Birkbeck College in February 1933.

All letters autograph, with signatures.

(1) Postcard from Thomas James Wise of Heath Drive, Hampstead, London to [Stewart Marsh] Ellis of Kent Gardens, Kew, Surrey, 18 Sep 1931. 'I should like to be identified as a descendant of the Wises who published some of the Shakespeare Quartos!'.
(2) Letter from Mrs Frances Louise Wise of Heath Drive, Hampstead, London to [Stewart Marsh] Ellis of Kent Gardens, Kew, Surrey, 31 Aug 1932. Arranging a meeting at the theatre. 'Tom is still improving, he hobbled into the library yesterday ...'. Autograph, with signature.

Manuscript operetta in several hands, perhaps including that of the author, Patrick Robertson, entitled 'La festa d'overgroghi, operetta seria comica, in due atti...parole inglesi-italiane dal Signor Coccalicchi. Rappresentata nella Casa Skenea, Edinburgo, Marzio 1832', and containing instructions to the printer. The manuscript is bound with a printed copy of Nugae Legales (according to the half-title only), containing the printed operetta and some other items. The printed version is fuller than the manuscript, and the leaves are laid down to the size of the manuscript leaves.

The Grieve collection comprises: 655 original scene designs (and 3 folders of slides), including panoramas and perspective 'cut-outs' in watercolours and wash by members of the Grieve family, covering performances of various revival productions of Shakespeare plays, along with works by Isaac Pocock, M.R.Lacy, Thomas Otway, Michael Costa, Samuel Beazley, Douglas Jerrold, G.Meyerbeer, Charles A.Somerset, Edward Fitzball, Rossini and others, staged at the Theatre Royal (Drury Lane), the Theatre Royal (Covent Garden) and Her Majesty's Theatre, 1813-1857.

Papers of Vincenzo Bellini, comprise a manuscript musical score, excerpt from the opera 'Beatrice di Tenda' (1833) by Vincenzo Bellini; copy, in unidentified hand, entitled 'Romanza, Ah! non pensar, nell' Opera Beatrice di Tenda'.

Photographs from an exhibition The 100th anniversary of the Bulgarian Theater, with list of captions

Papers of Professor Reginald Pepys Winnington-Ingram, [1922-1995] including research papers relating to Studies in Aeschylus (Cambridge University Press, 1983) comprising manuscript and typescript drafts and notes by Winnington-Ingram including on the Erines in the Oresteia, the Seven against Thebes and Prometheus Bound; off-prints of articles; correspondence with other classicists including his students John Lavery and Michael Evans. Working notes, draft articles, off-prints and correspondence on the following themes: the works of Euripedes, notably Bacchae, Heracles, Hippolytus and Electra; the works of Proclus, the works of Pindar and the works of Sophocles notably Oedipus Tyrannus, Ajax, The Trachiniae, Electra, and Philoctetes. General correspondence, 1939-1990. Papers relating to Plato including notes for Winnington-Ingram's inaugural lecture at King's College London 'The Unity of Plato's Phaedrus'. Draft lecture notes, including for 'Swan's Hellenic Cruises', 1973, lectures on Aristophanes and lectures on Greek drama for a lecture tour of USA and New Zealand. Teaching notes on Thucydides and the development of Greek prose. Unpublished articles on subjects including 'Revenge, justice and tragedy', 'The staging of the Peace of Aristophanes' and 'Greek stage conventions and their ancient critics.' Notebook containing notes on pupils and on Greek palaeography. Scrapbook containing press cuttings of reviews of Winnington-Ingram's publications, 1936-1949. Correspondence with Edward O. Symonds, a close personal friend of Winnington-Ingram, 1922-1949. Press cuttings of reviews by Winnington-Ingram.

Business papers of George Bernard Shaw, 1872-1950, mainly comprising correspondence, royalty details, contracts, copyright notices and other financial material, including papers relating to the performance of Shaw's plays in the UK and abroad by professional and amateur companies, 1896-1950; material concerning Shaw's dealings with literary agents, publishers, translators and various regulatory bodies, 1899-1950; printed blank contracts regulating the production and performance of Shaw's work in the UK and abroad, 1900-[1950]; correspondence, contracts, statements of royalties and other papers relating to the translation, publication and performance of Shaw's plays in countries other than the UK, 1907-1950; correspondence and bills of Messrs Leighton-Straker, bookbinders, 1911-1949, and Messrs R & R Clarke, printers, 1908-1949, including details of texts, numbers ordered and cost per unit; papers relating to dealings with Constable and Company Ltd, publishers, [1919]-1950; material relating to dealings with Messrs Brentano, US publishers, 1889-1946, notably royalty statements, accounts of sales, copyright agreements, and other material related to the publication of Shaw's plays and literary works in the USA; correspondence between Shaw and Paul Reynolds, his literary agent in the USA, 1907-1922, including details of payments made to Shaw for various articles, the serialisation of his plays in magazines, and copyright details; correspondence and papers concerning Shaw's dealings with literary agents in other European countries, [1903-1949], notably relating to the translation, publication and performance of his works; papers relating to litigation about copyright in the USA, 1927-1950; material relating to legal actions brought by Shaw against various unauthorised central European productions and publications, 1906-1910; correspondence relating to the adaptation and filming of Shaw's plays, 1913-[1950], including material concerning the development of the British and Irish film industries and the funding, marketing and distribution of films; correspondence concerning broadcasting rights, 1949-1950, mainly of Shaw's talks and adaptations of his plays; papers relating to the translation of Shaw's works, 1904-1949, into Russian, Czech, French, German and Polish; correspondence, receipts and contracts relating to Shaw's personal finances, 1872-1950, including details of his insurance policies and investments, property, income tax in the UK and USA, bank statements, royalty payments, and the disposal of the estate of Charlotte Shaw; papers relating to property owned by Shaw in Ireland and at Shaw's Corner, 1920-1949; material concerning dealings with J N Mason and Co, solicitors, 1891-1948, including the post-nuptial agreement made between Shaw and his wife; bills and letters relating to the purchase and hire of motor cars, 1900-1950; engagement diaries, 1877-1950; personal and domestic bills and receipts, 1872-1950, including hotel bills collected by Shaw during tours of the UK and Europe; notebooks and ledgers containing records of royalty payments, 1898-1950; copies of letters from Charlotte Shaw, 1899-1936, including letters to Alys Russell and Blanche Patch, with photographs of Charlotte's family and friends; material given to the Library by users of the Shaw papers, 1961-1970, notably copies of The California Shavian, 1961-1962.

The collection consists of member lists and registers; correspondence, notes and publications relating to the building of the new theatre; financial papers relating to loans; financial papers concerning various productions; legal papers relating to the lease of land; applications to the Arts Council of Great Britain and the Greater London Council for funding, including annual reports and accounts; papers and publicity material relating to productions; scripts; programmes and posters for plays; material concerned with the Women's festival of June 1986; publications about fringe theatres and the East End of London; photographs of productions and cast; press cuttings.

Records of the organisation known variously as the Polytechnic Sports Club, the The Institute of the Polytechnic Sports and Social Clubs, and The Polytechnic Sports Club Committee, as well as records of the Polytechnic's Men's and Women's Council, and Joint Council.

This collection includes all records relating to the organisation of sports and social activities by members of the Polytechnic except for records of the individual clubs themselves, which are catalogued as separate collections. However it does include correspondence with the clubs by the Secretary and Committees. This collection also includes papers relating to the award of Polytechnic-wide medals and trophies, including the Elsie Hoare Trophy, Studd Trophy and Ditchman Trophy.

Eight autographed letters by Jerrold ([1843-1856]), play bills including for "Rent Day" and "Mrs Caudle", 1845. Research files, correspondence relating to Professor Michael Slater's book Douglas Jerrold : 1803-1857 [London : Duckworth, 2002]. Includes a card index of Jerrold's plays, research file on the play "Black-Eyed Susan". "Douglas Jerrold's Weekly Newspaper", 1847 January-August.

Papers of and relating to Sidney Keyes, 1920s-1943, comprising correspondence relating to an exhibition of his work at Dartford Grammar School; press cuttings and reviews of his work;

letters of condolence on Keyes' death, including from Vita Sackville-West, [1943]; letters by Keyes, 1931, 1941-1943; examination certificates, including from Queen's College, Oxford; letters relating to Keyes' manuscripts; bills and financial papers; papers relating to the War Graves Commission; memorial service, [1943]; letters from Keyes to Michael Meyer, John Heath-Stubbs and Herbert Read; manuscripts of poems and plays, [1930s-1942]; loose typescripts; notebooks containing essays written whilst at Tonbridge School including some poetry; folder of work returned by the Royal Airforce;

reminiscences of Sidney Keyes by Alistair Dennis Goodwin; letters from Keyes to J D Fage, 1938-1942; photographs, manuscripts and notebooks of Keyes, [1930s]; photocopies of papers of Keyes from the British Library, including letters to Milein Cosman, 1941-1942;

photographs of Sidney Keyes, including portraits and groups whilst in the army, [1942-1943]; in plays, 1938; his gravestone; as a child and at Dartford Grammar School, 1920s; books of poetry by Keyes; books, magazines and periodicals of poetry by other poets.

This archive contains the personal papers of Betty Willingale (1927-2021).
The archive spans much of her early work at BBC Script Unit, through to projects for Carnival Productions for ITV and also Midsomer Murders, for ITV. It also contains awards, photographs and memorabilia relating to her work in television.