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The archive consists of papers and publicity material relating to the Commonwealth Countries League, personal correspondence and publicity for the Women's Freedom League and the establishment of the Mermaid Theatre.

Three files of material relating to the work of musical theatre composer David Heneker, presented by Stewart Nicholls. Includes:

1) Publicity material for 'The Biograph Girl' including press articles and reviews, posters and programmes

2) File of original and copies of David Heneker’s handwritten music for songs from ‘The Biograph Girl’

3) File of original and copies of David Heneker’s handwritten music for songs from ‘Peg’, with some published music and typed lyrics.

The David Heneker Archive contains the working papers of musical theatre composer David Heneker, who wrote or contributed to several well known musicals incluing 'Half a Sixpence' and 'Charlie Girl'. The Archive contains materials relating to each of the shows David Heneker worked on including drafts of songs and scripts, musicals scores, correspondence and publicity. There is also material relating to his work as a songwriter in the 1930s and 1940s (including the Second World War), and his work for films and advertising. There are also materials relating to shows and films that David Heneker worked on that never reached the final production stage.

Notebook containing various writings on chants and chanting compiled by Rev Arthur du Boulay Hill, comprising manuscript paper by Hill on chanting, 6pp; printed article 'Congregational singing in church' by Dr A Madely Richardson, read at Beckenham, 14 Jul 1906; manuscript notes by Hill on `Observations on chanting' by the composer Robert Lucas Pearsall (1795-1856), probably taken from the transcription by William Barclay Squire, musicologist (1855-1927) published in Sammelbände der Internationalen Musik-Geselleschaft, 8, 1906-1907; brief biographical details on Hill.

Papers concerning the career of performance artist Ian Hinchliffe (1942-2010), primarily comprising of promotional material and photographs capturing performances by Hinchliffe and his collaborators. Includes promotional material relating to Hinchliffe's performance group, the Matchbox Purveyors, founded in 1971.

T
he material covers both Hinchliffe's early to mid career in the 1970s and 1980s, with the focus predominantly on work undertaken under the Matchbox Purveyors, to his later work, concentrating on durational performances with regular collaborators such as Tony Green, Hugh Metcalfe and David Crawforth.

Also contains a smaller volume of material relating to the planning and execution of Hinchliffe's work, including pages from a notebook of illustrated performance plans, annotated scripts, correspondence, and contracts. There is also a small amount of personal material, such as photographs of Hinchliffe as a baby, and illustrated diaries of his fishing trips.

Papers of Alfred James Hipkins, comprising notebooks and scrapbooks compiled with the help of his daughter Edith, proofs, manuscripts, publications and some letters dealing with Hipkins' interest in musical matters particularly pitch and the history of instruments, [1862-1901].

Papers of Richard Hoggart, 1976-1988, mainly comprising correspondence files relating to his work with organisations including the British Association of Former UN Civil Servants, 1978-1982; the Broadcasting Research Unit, 1981-1983; the proposed Broadcast Resource Centre, 1979; the Campaign for Press Freedom, 1979-1984; the Channel 4 Group, 1978-1984; a proposed Research and Study Centre on Communications and Society, 1976-1983; the Education, Science and Arts Select Committee, 1984; the European Economic Community (EEC), 1976-1982, regarding its cultural and educational policy; the European Museum of the Year Award, 1978-1984; the Calouste Gulbenkian Foundation's Enquiry into the Economic Situation of the Visual Artist, [1976-1985]; the National Centre for Orchestral Studies, [1978-1988]; the National Theatre Inquiry, 1978; the New Statesman, 1977-1981; UNESCO Communication Advisory Committee, [1976-1980]; the Royal Society of Arts, 1977-1980; the Advisory Council for Adult and Continuing Education, 1977-1983; and the Arts Council of Great Britain, 1977-1984, including the Drama Panel, the Opera and Dance Working Group, and the Working Party on Photography.

Musical score for the principle theme from the incidental music for John Masfield's Melloney Hotspur (William Heinemann, London, 1922), with an accompanying letter sent by John Hotchkiss to Rev L.H. Clench of Sheringham, 1952.

Papers of Herbert Howells, 1899-1978, including notes, manuscript drafts and typescripts of BBC talks and broadcasts (box B), including 'Music and the ordinary listener' (1937), 'Music and everyday life' (1938), 'The Three Choirs Festival in Elgar's time' (1960), tributes to Malcom Sargent (1965) and Sir William Harris (1973); manuscript notes for Royal College of Music (RCM) and University of London lectures (boxes C and D), 1940s-1950s, including talks on his work Sine Nomine (1922), Ivor Gurney (c1939), Hubert Parry (1968), Ralph Vaughan Williams (1972); notes and transcripts for his speeches to various organisations including the Incorporated Society of Musicians (1953), Worshipful Company of Musicians (1957), Royal College of Organists (1959); book of poetry copied on first anniversary of the death of his son Michael Howells, 1936; cuttings of articles by Howells in newspapers and journals, and by others on Howells' music and performances (boxes E and H); papers relating to the Sir James Caird Travelling Scholarships, and notebooks containing Howell's adjudications with draft reports (box F); appointment diaries, 1955,1956 and 1973, address books of Herbert and Dorothy Howells, and printed concert programmes with notes written by Howells (box G), RCM student essays on Howells' music; letters received by Howells from over 260 correspondents, 1915-1978, with particular accumulations from Charles Bathurst Viscount Bledisloe, Sir Arthur and Trudy Bliss, Sir Adrian Boult, Robert Thurston Dart, Sybil Eaton, Gerald and Joy Finzi, Harry Plunket Greene, Walter de la Mare, Sir Hubert Parry, William Rothenstein, Marion Scott, Ralph Vaughan Williams, and others including Sir John Barbirolli, Arnold Bax, Nadia Boulanger, Benjamin Britten, Neville Cardus, Aaron Copland, Sir Henry Walford Davies, Thomas Frederick Dunhill, Keith Falkner, Guido Gatti, Edward Health, Gustav Holst, Joseph Horovitz, Zoltán Kodály, Cecil Day-Lewis, Yehudi Menuhin, Peter Pears, Edmund Rubbra, Harold Watkins Shaw, Sir Charles Villiers Stanford, Sybil Thorndike and Michael Tippett; correspondence relating to his medical condition (1917), with Oxford colleges, with publishers and commissioning bodies, on his Cambridge Doctorate; photocopies of letters from Howells to 30 correspondents, including those already mentioned and to the Carnegie UK Trust; family correspondence (box A).

Correspondence of Frank Howes, 1925-1951, comprising letter from Charles Sanford Terry (to H C Colles), enclosing Terry's edition of Coffee and Cupid (The Coffee Cantata): an Operetta by Johann Sebastian Bach (London, 1925); correspondence with Ernest Irving regarding Ralph Vaughan Williams' score for the film Scott of the Antarctic, and with Edward Joseph Dent on Gluck's Orfeo, and John Church's A Divine Hymn.

The collection represents the contacts through two centuries of a group of men and women of high distinction ramifying through the medical, legal and literary worlds. It forms a not unimportant fund of minor historical material, comprising more than a thousand letters from nearly five hundred writers.

The autograph letters are mounted in 10 large volumes: -

1. Letterbook of John Arbuthnot (1667-1735). The most interesting letters are those of Pope and Swift and their circle written in 1714 when the Queen's death involved the destruction of their political hopes. Letterbook of William Hunter (1719-1783). It includes letters from Tobias Smollett the novelist, from Dr. Johnson thanking Hunter for presenting his book to the King, and from Edward Gibbon 'proposing himself the pleasure of attending some of Dr. Hunter's Anatomical lectures.'

2. Hunter and Baillie family letters and reminiscences, including the letters written by John to William Hunter from active service in 1761-62; poems by Sophia Baillie, Jenner family letters.

   3. Letters to Matthew Baillie from the Royal Princesses. Letters of the Bentham family, including three from Jeremy Bentham. Autograph letter collection includes letters from Thomas Carlyle and Charles Dickens. 1735 - 1845

3. Denman family collection; autographs collections of Lady Bell and Dr. William Whewell; letters of John Baron, Edward Jenner's biographer; fragment of unpublished music by Mozart; letters from Joanna Baillie's friends including c.1782-1877

4. Letters to Joanna Baillie includes letters from Sir Walter Scott and Maria Edgeworth. Various dates

5. William Hunter's diplomas, and letters to him, Hunter family documents, and notes on family history compiled by Joanna and Matthew Baillie. Locks of hair and christening caps worn by Hunter family. Various dates

6. Matthew Baillie's letters to William Hunter includes material relating to treatment of George III and to his wife Sophia (Denman) and his diplomas. C. 1783-1823

7. Matthew Baillie's professional correspondence including notes on illness of George III and on labour of Princess Charlotte. Letter to Helen Hunter Baillie from George Peachy re Matthew Baillie's notebooks (1923). 1783-1923

8. Joanna Baillie's letters and papers relating to her plays, sale of her works, mss. of two stories and a comedy, letters from Mrs Sigourney, Henry Siddons, Anne Hunter, Mary Somerville; Agnes Baillie's reminiscences, prescriptions by Matthew Baillie

9. Princess Mary's letters to Baillie concerning the illness of Princess Amelia, Anne Hunter's autograph poems, libretto of Haydn's Creation; account of death of Princess Charlotte.

   The Hunter Baillie collection comprises also a number of manuscript books, the oldest of which is a commonplace book of the early eighteenth century, giving details of family history of the Hunters. Matthew Baillie's notebooks include: -

Journal of a tour in Europe in 1788 and A short memoir of my life, 1818. 'Some brief observations from my own experience upon a considerable number of diseases', in two volumes. n.d. With these are his casebooks, fee-books and other professional notes, including details of his attendance on King George III. Baillie records that his total annual fees mounted from £121 in 1792 to £9,995 in 1815.

Three letters of thanks and greetings from Joseph Joachim to Anne Isabella Ritchie (1895, 1902 and undated); programme for concert of the Joachim Quartet, St James's Hall, London, 1 May 1903.

Material relating to the work of performance artist, tattooist and piercer, Jon John. Primarily comprises of artefacts in the form of clothing, props and artwork used in or generated by his performance pieces, with photographs and some contextual information such as sketches.

Contains material relating to the following performance events:

• Love to Love (2010)
• The Limit to Your Love (2011)
• ErosThanatos (2011)
• You Never Love Only Once (2011)
• Kataragama (2013)
• For You to Stare at Your Own Blood (2013)
• The 2 of Us - work in progress (2013)
• The 2 of Us (2014), including two oversized blood on canvas/silk artworks
• Love on Me - work in progress (2016)
• Love on Me (2017)
• Mole performance (2017)
• Unrealized Performances (2013-2017)

Also contains material from:

• Photoshoots (2011-2017)
• "St. Sebastian" merchandise - shirt (2017)

Collection of material relating to the dramatist Henry Arthur Jones (1851-1929), collected by M.H.Spielmann, including: Five letters from Henry Arthur Jones to the Morning Post newspaper concerning the reconstruction of the theatre (1919); correspondence with James Stanley Little (1922-1929); correspondence between Jones and M.H.Spielmann (1919-1929); correspondence between Doris Thorne (nee Arthur Jones) and M.H.Spielmann (1929-1939); publications and proofs of works by H.A.Jones (1897-1921); press cuttings concerning miscellaneous topics connected to H.A.Jones, including reviews of books and plays and cuttings concerning his disputes with George Bernard Shaw and H.G.Wells (1887-1950).

Minutes of Trustees' Meetings and related papers, 1919-1949; Treasurer's balance sheets, 1936-1938; Trust accounts, 1939-1940 and 1952-1962; receipts and payments, 1947-1948; cash book, 1898-1904; Treasurer's cash book, 1900-1912; Trustees Treasurer's account book, 1945-1964, including Paddington Circuit, Willesden Circuit and Kilburn and Hampstead Circuit; Trustees Treasurer's statements, cash accounts and other documents, 1923-1937; minutes of Kensal Rise organ trust, 1900-1907; scheme for debt clearing on organ and school building, 1907-1908; papers regarding organ reconstruction and other repairs to the Church, 1947-1960; trust papers, accounts, receipts and correspondence, 1923-1937; correspondence, 1945-1951; minutes of the Manse Trust, 1920-1958; correspondence, accounts, and other papers relating to the Manse trustees, 1922 and 1950-1957; minutes of Leaders' Meetings, 1900-1909; minutes of Leaders' Meetings and minutes of Annual Society Meetings, 1910-1936 and 1947-1965; minutes of Teachers' Meetings, 1894-1906; minutes of Finance Committee, 1935-1941; Class book, 1897-1899.

Papers of and relating to Sidney Keyes, 1920s-1943, comprising correspondence relating to an exhibition of his work at Dartford Grammar School; press cuttings and reviews of his work;

letters of condolence on Keyes' death, including from Vita Sackville-West, [1943]; letters by Keyes, 1931, 1941-1943; examination certificates, including from Queen's College, Oxford; letters relating to Keyes' manuscripts; bills and financial papers; papers relating to the War Graves Commission; memorial service, [1943]; letters from Keyes to Michael Meyer, John Heath-Stubbs and Herbert Read; manuscripts of poems and plays, [1930s-1942]; loose typescripts; notebooks containing essays written whilst at Tonbridge School including some poetry; folder of work returned by the Royal Airforce;

reminiscences of Sidney Keyes by Alistair Dennis Goodwin; letters from Keyes to J D Fage, 1938-1942; photographs, manuscripts and notebooks of Keyes, [1930s]; photocopies of papers of Keyes from the British Library, including letters to Milein Cosman, 1941-1942;

photographs of Sidney Keyes, including portraits and groups whilst in the army, [1942-1943]; in plays, 1938; his gravestone; as a child and at Dartford Grammar School, 1920s; books of poetry by Keyes; books, magazines and periodicals of poetry by other poets.

Papers relating to Peter Kien, 1943-1995, including original and copies of manuscripts and transcriptions of Kien's writings, personal documentation and sketches; publicity material relating to the performance of the Der Kaiser von Atlantis oder der Tod dankt ab, for which Peter Kien wrote a libretto; articles about his life and work and transcript of Petra Kiener's radio programme 'Peter Kien nicht vergessen'.

John Bishop King's personal papers, and diaries: MS. 7157 contains 2 items which reflect King's interest in phrenology and graphology, whilst diaries by him and his wife are held as MSS.7630-7632.

Their diaries combine to cover, with one short break, a period from King's leaving England to their marriage and on for two years until their departure, presumably temporary, to the Andaman Islands. J.B. King's diary, MS.7630, primarily records details of his patients, the personal entries chiefly relate to voyages undertaken. Joanna King's diary, MS.7631, records household and social events in some detail. MS.7632 comprises loose papers previously kept in MSS.7630-7631, mainly newspaper advertisements.

Records relating to the School of Music at Kingston University dating 1998-2010. Includes posters, programmes and leaflets for Kingston University Music Concerts; school of music staff and student handbooks from early 2000s; programmes for graduation ceremonies; and other general documents relating to the history of Kingston University.

(1) Lease and (2) Release, 19-20 Mar 1770, between Mary Lewis and Jacob Kirkman, concerning land in Walton-upon-Thames.
(3) Presentment, 1771, by Jacob Kirkman against Robert Falkener, for counterfeiting Kirkman's name on harpsichords sold by Falkener.

Papers of Charles Herbert Kitson, comprising notebook containing manuscript notes on lecture on instrumentation, including orchestration and harmony, and lecture on extensions of principles of chord formation and chord progression, undated; scrapbook of cuttings, postcards and manuscript reminiscences by Kitson on the Sinn Fein rising in Dublin, Ireland, Easter, 1916, as viewed from his home at 9 Mount Street Crescent, Dublin, mainly comprising daily entries of events by Kitson, 24 Apr-2 May 1916, and cuttings from The Irish Times.

Original correspondence between the Polizeipräsident of Berlin and the KBDJ concerning all the activities of the organisation, eg. theatrical performances, engagement of the actors, venues etc, 1933-1935; forbidden Jewish texts including essays, lectures, poems, play scripts, short stories, anecdotes etc; general file containing programs pamphlets, correspondence between KBDJ and Staatskommisar, also Jüdischer Kulturbund, Berlin, 1938-1939; Kulturbund correspondence with groups, members, lawyers, Nazi authorities (Blank and Hinkel), reports and 3 copies of the Monatsblätter, 1933-1935; JKB Orts and Landesgruppe (except Berlin): mainly correspondence, pamphlets, programmes and other documents of the organisation in the different cities viz: Hamburg, Breslau, Frankfurt, Leipzig, Dresden, Hildesheim, Kassel, Bayern, Erfurt, Königsberg, Mecklenburg-Lübeck, Oberschlesien, Ost-Westfalen, Rhein-Ruhr, Schwarzwald, Stettin, Wien.

Papers of Basil Lam, comprising typescripts and photocopies of BBC radio talks, 1963-1979, mostly relating to the music of Johann Sebastian Bach and George Frideric Handel, and including transcripts of his BBC Radio 3 series 'Plainsong and the rise of European music', 1978-1979; with press cuttings and concert programmes; typescripts, carbon copies and photocopies of concert programme and record sleeve notes by Lam, with concert programmes, mainly relating to performances of early and baroque music (particularly the works of Bach, Handel and Claudio Monteverdi), and including some BBC radio talks, articles for The Listener, and Promenade Concerts series programme notes, 1962-1981; cuttings (mostly Radio Times), relating to programmes featuring or of interest to Lam, and related programmes and handbills, including programmes for concerts by the Basil Lam Sonata Ensemble, 1946-1954; correspondence of Stroma Sutherland, Lam's executor, on publication of an article by Lam from material left unfinished at his death, on the 'Kyrie' from the B Minor Mass by J S Bach, 1985-1989; edition of The Listener containing `The ascendancy of plainsong', article by Lam, 15 Dec 1977; index to radio talks and programme/record sleeve notes.

Correspondence of Constant Lambert (personal and business in relation to music), 1930-1950; papers relating to a proposed biography of Constant Lambert by Angus Morrison, comprising unfinished drafts for the book and related correspondence from Angus Morrison, Dora Foss, Edward Sackville-West, J McKay Martin, Maurice Lambert, Kit Lambert, George G Harrap & Co, 1953-1955; notes on Constant Lambert by Angus Morrison; letters from friends, acquaintances and musical organisations about Constant Lambert, principally to Angus Morrison in response to Morrison's requests in the national press for information on Lambert, 1954-1955; miscellaneous biographical notes, sketches and articles on Constant Lambert (articles etc), 1929-1951; Constant Lambert: various verses and poetry.

Notebook of Liz Karger (née Rosenberg) on lectures made by Wanda Landowska, 1929-1930, including notes on performance of various keyboard pieces by Johann Sebastian Bach, George Frideric Handel, and Wolfgang Amadeus Mozart.

Papers of Valley Lasker, 1917-1981, mainly comprising correspondence and papers relating to the works of Gustav Holst, including note from Holst to Lasker on arrangement of his 'At the Boar's Head' for piano, 1924; letter from Holst, recommending Lasker as teacher of music, 1929; postcard from Adrian Cedric Boult [1922]; undated letter from John Masefield, replying to telegram from Bishop of Chichester; manuscript and typescript of talk by Lasker on Holst's 'The Planets' for the BBC Third Programme, 1951; correspondence relating to the Whitsun festivals established by Holst at Thaxted in 'Gustav Holst' by Revd Jack ,Putterill, Making Music, 1975; Chrissemas Day in the morning, piano solo by Holst (H165), autographed by Holst, 1927; correspondence relating to performance of the Holiday Singers for Lasker's 80th birthday, 1965; programmes of concerts featuring Lasker, including student concerts at Morley College, directed by Holst, 1917-1922, Society of Women Musicians, 1934, and Mrs F G Joseph's Orchestra, conducted by Lasker, 1930-1937, prizegiving at St Paul's Girls' School, 1932, tribute concert to Holst, 1951, with a few related reviews; correspondence on personal and musical matters to Lasker from Grace Hoskyns, 1929-1931;printed choral music, including works by Holst, most with signature of Holst.

Letter from V Le Roy of 8g, Boulevard Halesherbes VIII to an unknown recipient, 23 Jun 1945. Concerning documents relating to Georges Bizet's father's family.

Musical scrapbook of Jenny Lind, 1847, containing manuscript transcriptions of six songs in German, with signatures and dedications of Luigi Lablache, Sigismond Thalberg, Arthur Saint-Léon and Fanny Cerito, London, Aug 1847; three account sheets relating to Lind's financial affairs, 1870-1871, including accounts, 1847-1848; statement of condolence from Royal College of Music on the death of Otto Goldschmidt, 16 Mar 1907; letter from Gill Bevan, Jenny Lind's grand-daughter, to Sir Ernest Bullock on provenance of the volume, 13 Jul 1959.

Manuscript volume containing a verse play, a prose history, and several songs concerning the Escalade of Geneva undertaken by Duke Charles Emmanuel of Savoy on the 12 Dec 1602.
The play is entitled 'L'Escalade de Genève, Tragi Comèdie Representée pour la prémière fois' 12 Dec 1603. The history is called 'Histoire De la Miraculeuse Délivrance envoyée de Dieu à la Ville de Genève' 12 Dec 1602. The songs, or 'Chansons de L'Escalade', are in French (Savoyard dialect - 4 songs) and English (1 song entitled 'On the Twelfth of December with wicked intent'. The airs of the songs are often given, e.g. 'Sur l'air de la Vendange'. The index to the first lines of the songs is dated 22 Oct 1765.
The front cover of the leather binding is stamped in gold 'Gedeon Macaire Fils MDCCLXIV'.

Papers of Charles Thornton Lofthouse, 1950s-1970s, comprising correspondence and associated material relating to his role as a music examiner; research papers and related correspondence for lectures and courses, mostly relating to 17th and 18th century music and the harpsichord repertoire; research papers for his Commentaries and Notes on Bach's Two- and Three-Part Inventions (London, 1956); programmes and cuttings of recitals by Lofthouse or in which he participated; music scores annotated by Lofthouse.

Records of the London County Association of Church Bell Ringers, including general committee minutes, Northern District Committee minutes and Southern District Committee minutes; Southern District financial accounts; peal books; steepleage books; annual reports; dinner menus and programmes; photograph and article about the history of the Association.

London County Council register of tramway track lengths, recording description and lengths of route, street length, track length and remarks, such as "conversion to trolleybus", "abandoned" and so on, [1912-1952], with enclosures: photocopy of map of tramways in the London County Council area, revised to 1931; and diagrams of track lengths in Leyton and Hammersmith.

Records relate to the organisation and running of LIFT festivals and other events from 1981-2001 and include material about the companies that performed, planning documents, directors' notebooks, technical and artistic documents, and research and marketing material. Records exist here that also show the history of the company since its inception and include board papers and funding documents. The photograph and video series includes promotional material from companies and documentation of festival events, and spans 1981-2001, as does the audio collection which mainly includes recordings of LIFT talks and discussions. There are also some objects in the collection that are related to LIFT events. A large collection of international festival programmes also spans 1981-2001 and print material such as programmes, flyers, and posters exists for this period also.

Correspondence and papers of Margaret Macintyre, 1889-1902, comprising 30 letters from various admirers and acquaintances including Fitzroy Gardner, H Rider Haggard, Sims Reeves, Giulio Ricordi, Arthur Shadwell, Sir Arthur Sullivan, Ellen Terry, (Francesco) Paolo Tosti, Charles H Wade, Cosima Wagner, Siegfried Wagner; correspondence with Adolf von Gross, Bayreuth Festival, regarding her appearance as Sieglinde, 1895; contracts for appearances at Covent Garden, 1889, 1892, 1897; passes for Royal Opera Company performance at Windsor Castle, 24 May 1895; undated cutting from Il Trovatore on Macintyre's performance as Elisabeth in Tannhauser.

Papers of Eliza Millard MacLoghlin, 1905-1928, comprising a collection of typescript poems by MacLoghlin, titled Sir, What are these? and dedicated to "My Niece, Aileen Millard"; 10 manuscripts of music written by W G Cook, for songs based on MacLoghlin's poetry, c 1927-1928; and 4 cards and letters, c 1905.

Signatures of the committee and members of The Madrigal Society, 1831.

The archive consists of a typescript autobiography (about 350 pages, unbound, on 'flimsy' paper).

Scrapbook kept by George Marsh, with notes on a wide variety of subjects and many newspaper cuttings inserted, 18th century.

Papers of John Masefield, 1907-1971. Manuscripts 951 and 952 contain photographs of Masefield, Mrs Ethel Stockdale Ross, theatre productions and HMS Conway (?). B/W and colour photographs and negatives. Manuscript 953 contains watercolours and one ink drawing by Masefield. Manuscript 966 contains a watercolour, 'The Dalgoner', 1920s.

Papers of Betty Matthews, 1907-1997 (predominantly 1960-1997), including correspondence, research notes, printed articles, booklets and pamphlets mainly relating to organs and organists, particularly English church organs, and including papers relating to Matthews' research topics, including 18th century concert life in South West England; the organs of Exeter Cathedral, Norwich Cathedral, Buckingham Palace, Eaton Hall (Cheshire), Lulworth Castle, Bath Assembly Rooms, Barnstaple Parish Church, and St James Church, Poole; organ building families, including the Lefflers, the Corfes, the Loosemores, the Gosses, the Harrises and the Dallams; organs built by John Avery, Bernard 'Father' Smith, and Thomas Swarbrick; John Skelton Bumpus and his library; Thomas Norris (1742-1790), organist; Kirckman harpsichords; the research, publication and distribution of Matthews' articles, including 'Mendelssohn and the organ of Crosby Hall' (Musical Times, 1973); 'Samuel Sebastian Wesley, 1810-1876: a centenary memoir' (Kenneth Mummery, 1976); 'Winslade of Winchester' (Musical Times, 1978); 'William Parke and the Royal Society of Musicians' (Musical Times, 1988); 'The Lincoln family' (The Organ, 1989); 'James Hook and his family' (Musical Times, 1990).

Papers of Max Lock, 1936-1988, produced and collected by Max Lock and the Max Lock Group, relate to Lock's career as a planner and architect and to wider issues in planning, particularly after World War Two, and comprise working papers (including survey papers) and finished material.

They include correspondence; notes and card indexes; photographs (some aerial), slides, drawings, maps and plans; Bills, Acts, white papers and other official publications; books, articles, reports and other publications (some annotated); typescripts; press cuttings; and conference papers. The bulk of the material dates from the 1940s to the early 1970s. Material relating to Lock's career and projects within the UK includes papers on his time as a Watford councillor and his architectural practice in the 1930s, including a timber house he designed at Stanmore, Middlesex; Hull, 1939-1957, including conflicts between Lock and his superiors; Scalby, 1940-1941; Middlesborough, 1943-1970; Hartlepool, 1946-1970; Portsmouth, 1948-1973; Salisbury, 1949-1969; Sutton Coldfield, 1950-1967; Bedford, 1950-1971; Sevenoaks, 1954-1965; Aberdare, 1957-1959; Stratford (West Ham), 1957-1962; Hackney and Shoreditch, 1960-1971; Woodley, 1962-1969; Oldham, 1962-1971; Covent Garden, 1963-1971; Battle, 1964; Brentford and Chiswick, 1964-1970; Torbay, 1968-1969; Dunstable, 1968-1972; Greater London Development Plan Inquiry, 1969-1971, and other material on GLC planning and transport; Beverley, 1969-1972. Material on projects and visits overseas includes papers on Scandinavia, 1937-1939, 1946-1949; India, Pakistan and Ceylon, 1946-1955; the Netherlands, including the Town Planning Institute Tour (1946), 1946-1957; the Americas, including Brazil, the West Indies and the USA, 1952-1969; Italy, 1952-1970; the Middle East, including Iraq and Jordan, 1954-1958; Australia, 1959-1960; Aden, 1960-1961; Kuwait, 1961; Nigeria, including Kaduna and Maiduguri, 1962-1975.

The collection includes a large volume of accumulated material, 1944-1987, largely printed material by other authors, including other planners, planning bodies and architects, some from architectural and planning journals and from the national and regional press, on planning and related issues both in the UK and overseas, such as planning law and procedures; central and local government and administration; public inquiries; housing; historic buildings; urban development; industry and retail; transport infrastructure, including roads and ports; traffic, noise, and the environment; social and economic issues including employment, labour, and social class; population levels and density; public amenities and utilities; land use and open space; and statistical data. Some papers relate to the affairs, including legal and financial matters, of the Max Lock Group; the architectural work of Max Lock and Partners; premises in Victoria Square, London; and the Max Lock Group Nigeria. Papers of or concerning Lock himself include his notebooks and other papers reflecting the development of his ideas; papers relating to publications and broadcasts; papers relating to professional bodies, including the TPI, RIBA, TCPA and UDAG; personal correspondence; photographs of him and his friends; papers on music and architecture, including lecture notes; articles about Lock, and his obituary in the Independent, 3 May 1988.

Leaf from a choirbook dating from the 14th century.

Preaching plans and directories for Methodist circuits including the Ealing and Acton Circuit, 1978; Enfield Circuit, 1975-1976; Finchley and Hendon Circuit, 1973; Finsbury Park Circuit, 1969; Finsbury Park and Southgate Circuit, 1977-1978; Harlesden Circuit, 1973; Harrow Circuit, 1978; Highgate Circuit, 1977-1979; Teddington Circuit, 1977-1978 and Wembley and Golders Green Circuit, 1977-1978.

Working papers of the university administrator and scholar Anne Marie Meyer, c 1940-1990, on topics including: Dance; Costume; Opera; Ballet and Aby Warburg, art historian.

Letters (10) and papers of or relating to Giacomo Meyerbeer, including to Giovanni Ricordi, 29 Jun 1824; to Leopold Ganz, 17 May 1847; to Jean-Antoine-Just Géraldy, c1850; to Annette Le Brun, ?before 1854; to James Steuart Bowes, ?1854; to C L Gruneisen, [14 Apr 1860]. With two testimonials for Leopold Ganz, 1845.

Minute books, peal books, annual reports and newsletters of the Middlesex County Association; leaflets and minutes of the Middlesex Association of Change Ringers and minutes, attendance books, financial accounts and administrative papers of the South and West District, including some papers of Percy Venn; and minutes and financial accounts of the North and East District.

Programmes, press cuttings, articles and transcripts relating to the composer Anthony Milner, used by James Siddons in his Anthony Milner: a Bio-Bibliography (Westport, CT, 1989), comprising scrap books of reviews of Milner's music and articles by or on Milner, 1951-1960; press cuttings relating to Milner's liturgical compositions in regard to the introduction of English in the Roman Catholic liturgy, and Milner's views of the translation of the order of mass into English, 1964-1970; music programmes (with some reviews) of concerts featuring Milner's works, 1958-1985; reviews and press cuttings of Milner's work and performances, c1958-1979; brief biographical notes on Milner, and schedules and itineraries of his lecture tours of Canada and USA, 1964-1985; transcript of 'Anthony Milner on his 50th birthday', a talk on 'Music weekly', BBC Radio 3, by Hugh Wood, 11 May 1975; 'Anthony Milner - a comment on his work' typescript article by Stephen Dodgson (MS 5866). Three published articles by Milner, with covering to Sir Keith Falkner, on the problem of the vernacular in the Roman Catholic liturgy, 'Music in a vernacular Catholic liturgy' paper read to the Royal Musical Association, 4 Jan 1965; 'The instruction on sacred music', Worship vol 41 no 6 Jun-Jul 1967; 'Music and liturgy', The Month, 1965-1966 (MS 6995)

Papers of Stephen Moore, 1926-1961, including correspondence on the establishment of the Worcestershire Association of Music Societies, including letters from prospective patrons Sir Hugh Allen, Carice Elgar Blake, Sir Edward Elgar, Sir W H Hadow, Sir Hamilton Harty; correspondence regarding Moore's donation of percussion instruments to the Royal College of Music, 1948; newspaper cuttings and order of service for the unveiling and dedication of the memorial to Elgar in Westminster Abbey, 1 Jun 1972.

Letters from Sir Robert Moray to his friend Alexander Bruce, Earl of Kincardine, also known as 'The Kincardine Papers'. Bruce was sick of the ague in Bremen for part of this time, and the letters were written to alleviate the tedium of of Bruce's illness, hence ranging over topics which might not otherwise have been the subjects of correspondence. They include accounts of chemical experiments in his laboratory, his interest in magnetism, medicine in all its aspects, horticulture, fuel, whale fishing, its risks and profits, coal mining, water wheels and tide mills, stone quarrying and the various qualities of different stones, the pumping works needed for undersea coal mines at Bruce's home at Culross in Fifeshire, even to the trees whose wood was best for pipelines, and the diameter of the bore best suited to the purpose. Familiarity is shown with mathematical and surveying instruments, with music, and all sorts of mechanical devices and especially clocks and watches, more particularly the taking out of a patent in respect of a clock for use at sea for finding longitude. Bruce is advised on the choice of books over a wide range of subjects. Moray includes anecdotes to amuse his ailing correspondent; he describes his quiet life and is enthusiastic about many of his chemical experiments. Notable at the end of the letters Moray added what he described as his Masonic signature - a pentagram which also occurs in his crest.

Papers of the Morgan family, 1891-1963, comprising papers, reports, photographs, music and other personal memorabilia of Robert Orlando Morgan, R.G.S.M., Professor of the Guildhall School of Music and Drama 1887-1951, of his second son, Cyril Douglas Morgan, Principal Clerk to the Chamberlain of London 1946-1958 and of his son, M.D. Morgan, the depositor of these documents.