Showing 7 results

Papers of Anthony Blunt, 1700-1983, comprising papers relating to Nicolas Poussin, notably files relating to his paintings, drawings and engravings, arranged by subject categories and containing notes, correspondence, articles, sales catalogues and illustrations (photographs, colour transparencies, slides, photocopies, prints, lithographs, engravings) of the named picture, details of the picture, variant versions (usually copies after), and in many cases, plates printed for the Poussin catalogue raisonné, 1824-[1983]; notes and illustrations relating to comparative material relevant to Poussin, including sculpture, 1700-1972; works by the circle of Poussin, [1938-1983]; drawings by the Poussin 'school', [1966-1977]; copies of letters by Poussin, and related notes, including photographs of letters from the Bibliothèque Nationale, Paris, [1964-1967]; notes, transcripts and letters relating to sales of works; correspondence with colleagues relating to Poussin's paintings and drawings, [1940-1982], notably Denis Mahon, 1960-1962, Walter Friedlander, 1944-1966, Erwin Panofsky, 1960-1961; notebooks, [1962-1965] and loose notes relating to Poussin; correspondence with Elizabeth Mackenzie (Lady Margaret Hall, Oxford), 1962-1982; offprints of various authors relating to Poussin; miscellaneous material relating to Poussin, [1940-1982], including a photocopy of his will;
papers relating to French art, notably notes, photographs and articles relating to French paintings, sculpture and architecture of the 16th-19th centuries, [1938-1977]; typescripts, note and correspondence relating to Chantelou's diary, [1980-1983]; papers, articles and illustrations relating to a publication by Ronald Cohen concerning the Le Nain Brothers, [1982]; articles relating to the Louvre, [1978];
papers relating to Italian art, notably notes, illustrations and articles relating to Italian Baroque architecture and sculpture, [1953-1982]; Borromini, [1956-1980]; Pietro da Cortona, [1966-1982]; notes, plans, photographs and papers relating to buildings and sculpture in Naples [1954-1981]; notes relating to Palermo, [1967]; typescripts, photographs, notes, correspondence and reviews relating to Blunt's A Guide to Baroque Rome;
articles by Blunt concerning the Royal Collection, 1972, and colonial architecture; plans, photographs, notes and review relating to a catalogue of Waddesdon Manor, [1974-1982]; correspondence, 1970-1983, largely concerning paintings and publications; articles by various authors, 1975-1982; offprints by Blunt, [1932-1982]; newspaper cuttings, 1929-1983; correspondence with publishers, 1972-1983; photographs, correspondence and articles relating to Blunt's personal collection, [1960-1982]; personal papers, [1932-1978], including appointment diaries, 1972-1978; papers from Blunt's school and university days, 1919-1930, including notes, articles, school and university magazines; papers relating to a trip to Russia, comprising notes on paintings, drawings and architecture,1935, two guidebooks, 1931, 1934.

Papers of Thomas Sherrer Ross Boase, [1930]-1972, comprising notes and drafts for lectures and essays by Boase, 1963-1972 and undated, including maps and photographs, sketches of buildings, notes on people and places; typescript articles and lectures etc, undated; correspondence, 1938-1939, largely with David Wallace, but also including a letter from Dame Freya Stark; photographs and negatives, mostly taken by David John Wallace, of sites of archaelogical interest of the Crusader period, largely located in Greece and Turkey, but also in Cyprus, Albania, Italy and Yugoslavia, undated [1930s]; photographs and postcards of sculptures, general views, architecture and illuminations, mainly located in Great Britain, Greece and the Middle East (many used as the illustrations to Boase's various books on the Crusader kingdoms and the art and architecture of the period), undated; printed maps and leaflets of the Middle East, Italy and Serbia, 1942-1970, both historical and contemporary; miscellaneous publications and printed matter, 1954-1972.

Papers of Hans Andreas Hammelmann, comprising working files, compiled [1950]-1969, arranged by artist, containing photographs of pictures, correspondence and articles, for the artists: David Allan, Peter Angelles, P Angier, William Austin, Antonio Baratti, Francis Barlow, Bernard Baron, Francesco Bartolozzi, Basire, Baumgarten, Anthony Benoist, Benoit, Thomas Bewick, George Bickham, Nicholas Blakey, François Boitard, Louis Philippe Boitard, Jacob Bonneau, F Boucher, Bowyer, Edward Francesco Burney, Charles Catton Jnr, Louis Cheron, J B Cipriani, B Cole, William Cole, John Collins, Collyer, Bartholomew Dandridge, Delacroix, John Devoto, Claude Dubosc, John Ellis, Paul Fourdrinier, Alexandre-Evariste Fragonard, Jean Honoré Fragonard, Fuseli (son), Henry Fuseli, John Gilpin, Sawrey Gilpin, Joseph Goupy, Hubert Gravelot, Simon Gribelin, Moses Griffith, Simon Grignion, Joseph Grisoni, Louis Du Guernier, Sir William Hamilton, Jonas Hanway, Francis Hayman, Joseph Highmore, William Hogarth, James Hulett, Walter Jackson, William Kent, Elisha Kirkall, Knapton, Marcellus Laroon, Philippe Jacques de Loutherbourg, Thomas Major, J Marchant, Mercier, Conrad Metz, John Hamilton Mortimer, George Michael Moser, Johann Sebastian Muller, John Nixon, Pietro Antonio Novelli, Piazetta, John Pine, Arthur Pond, Ravenet, William Wynne Ryland, Paul Sandby, T Sandby, G Scotin, Robert Smirke, Stendhal, Thomas Stothard, John Sturt, Tardieu, Isaac Taylor, Sir James Thornhill, John Tinney, John Vanderbank, Van der Gucht family, Vivares, Samuel Wale, Anthony Walker, Antoine Watteau, John Webber, Richard Westall, George M Woodward, John Wootton, Thomas Worlidge;
photographs, photocopies and notes relating to eighteenth century book illustrations, compiled [1950]-1969; correspondence relating to specific artists and general matters, some with photographs and articles, 1950-1969, notably from the National Gallery of Scotland, 1950, Professor Lawrence Gowing, 1953, National Gallery of Ireland, 1969, Ashmolean Museum, 1959, 1966, British Museum, 1966, Bibliotheca Nacional, Madrid, 1968, Nottingham Museum and Art Gallery, 1951, Courtauld Institute, Witt Library, 1952, Bodleian Library, 1952, Royal Library, Windsor, 1967, Ruskin Galleries, Isle of Wight, 1967, Lewis Walpole Library, Connecticut, 1969;
papers of T S R Boase, 1953-[1974], comprising printed articles, exhibition catalogues, correspondence and two card indices, one of eighteenth century artists and illustrators, and one of authors; original prints and autographs, 1740, 1780 and undated, notably six prints of paintings in Vauxhall Gardens by Francis Hayman; three letters with autographs, 1795-1931; miscellaneous items, [1950s-1960s], including card indices on eighteenth century illustrated books and literature, cuttings from catalogues, photographs of Hammelmann 's friends/family, Victorian book illustrations; general articles and publications, 1864-1969, some by Hammelmann.

Papers of Lord Lee of Fareham, [1878-1954], notably papers relating to Lee's book Letters that Remain, including proofs for letters intended for the book, including from Lloyd-George, 1917, 1920; photographs of individuals for the book;

invitations to events and programmes, [1920s-1930s]; papers relating to speeches, [1915-1930s], comprising notes and texts, including speeches as Minister of Agriculture and Fisheries, [1919-1921]; for exhibition opening at Christie's, 1932; press cuttings and Parliamentary reports relating to speeches, printed copies of speeches, [1909-1936], including 'The Need for National Service', 1915, 'The War and After', 1918, 'Lessons of the War', 1936;

original and copy letters, [1894-1946] includingfrom Neville and Mrs Chamberlain, Stanley Baldwin, Ramsay MacDonald, [1920s-1930s]; Winston and Clementine Churchill, 1945; Micheal Balcon, Kenneth Clark, Osbert Sitwell, [1939-1946], Nancy Astor, A J Balfour, Joseph Duveen, relating to the National Gallery and Courtauld Institute, David and Frances Lloyd-George, Field-Marshall Lord Haig, Rudyard Kipling, Ramsay MacDonald; Graham Sutherland, relating to a painting, 1940;
papers relating to Lee's military career, including reference from Lieutenant Colonel Gerald Kitson, 1897; letter concerning Lee, 1898; letter of introduction to Commanding Officers, 1899; letters of authority as Colonel, 1914; army pass, 1914; requisition for petrol and tyres, 1914; permit, 1915; agenda for artillery conference, 1916;
letters relating to Lee's appointment as Chairman of the Radium Commission, 1929, and copy Charter of Incorporation for the Commission; Declaration of Trust between Lord and Lady Lee and the Massey Foundation, 1940;
personal papers, [1878-1945], including passport, 1889; birth certificate, [1868], anecdotes, jokes, press cuttings, printed books and articles, journal, 1889; correspondence and leases of White Lodge, Richmond Park, 1928-1932; letter from Lloyd-George informing Lee of his viscountcy, 1922; letters of condolence to various people and obituaries, [1940s]; correspondence regarding Lee's will, 1945; obituary of Lord Lee, [1947];
papers relating to Chequers, 1917-1953, including abstract of Chequers Estate Act, 1917; articles, guide, 1921, press cuttings, 1920s; correspondence relating to Chequers, including the library, Chequers Trust, silver dessert service presented by Lee, 1938; cartoons by Sir Mark Sykes [of Chequers], [1917];
correspondence concerning pictures and silver, including sale, purchase, restoration work, and some photographs, [1922-1940], including with the Metropolitan Museum of Art, 1927-1928, British Museum, Victoria and Albert Museum, private dealers;
correspondence with Theodore Roosevelt, 1897-1918, and Edith Roosevelt, 1912-1945, including an album of selected letters, 1898-1906, including one labelled by Lee 'possibly Roosevelt's first letter as President', 1901; correspondence with Ethel Derby, [daughter of Roosevelt], [1917-1951];
photographs, [1890-1946], including of the Roosevelt family, the Lees, film stars taken during the Lees' visit to Hollywood, [1930s];

correspondence regarding the establishment of the Conway Hall, London, 1930-1931; correspondence with Thomas Sherrer Ross Boase; papers of Professor W G Constable; papers relating to the Lee Bequest; Harding Collection; Home House Trust; Wilkinson Bequest; MacColl, Panofsky, Ostrer and Samuel Courtauld correspondence; Pilgrim Trust grant for Corpus of English Medieval Paintings; Scientific Department; Summer course; Lee gift to Hart House; draft scheme for the establishment of art history teaching in UK; insurance papers; press cuttings, 1930-1934; speeches relating to the opening of the Courtauld gallery.

Papers of Philip Wilson Steer, 1836-1962, comprising personal ephemera, 1860-1917, including his birth certificate, 1860; art examination certificates, 1880-1881; permit book for sketching at Dover, 1917; photographs, 1864-1930s and undated, including Steer at various ages and family members;
original pictures by Steer, comprising charcoal drawing of pollarded stump and wall, undated; monochrome watercolour, 1877; monochrome over pencil drawing of Christ healing the sick / raising Lazarus, undated (described as an early work);
papers relating to dealers, notably lists and statements of accounts for pictures sold, by Barbizon House, 1927, undated, by Goupil Galleries, 1909-1937, by Charles A Jackson, 1919-1926, and by David Sassoon & Co, 1927; lists, comprising list of dates of places where Steer worked from 1884, undated, and list of pigments used by Steer, [1970];
letters, comprising correspondence from or to Steer or his parents, 1836-1942, including relating to Steer's Order of Merit, 1931, letters to his family whilst abroad, 1876, 1882-3; letters relating to Steer's memorial, 1942-1943; letters to Dorothea Hamilton concerning the gift of a Steer watercolour as a wedding present to Princess Elizabeth, 1947, and deposit of material to the British Museum, 1945-1946; letters concerning publications relating to Steer, 1942-1962, Steer's estate 1942-1944; lists of subscibers to the Steer Memorial and addresses given at Steer's memorial service and the unveiling of the memorial slab, 1942-1943; articles by Steer on Impressionism in Art, 1891, and by Dugald Sutherland MacColl, 1939; newspaper and magazine cuttings, 1906-1948, including Steer's obituary and will, 1942, 1944, Steer exhibitions, 1943-1945, reviews of publications relating to Steer, 1944, 1945; sales catalogues containing items (furniture, porcelain, pictures, watercolours, books and silver plate) sold from Steer's estate after his death, 1942; miscellaneous papers including invitation to Steer's Memorial exhibition, 1943, booklet for D S Macoll's memorial service, 1949; list of documents given to the Courtauld by Dorothea Hamilton, undated.

Papers of Percy Moore Turner, 1905-1952, comprising folders relating to various artists and works of art including John Sell Cotman, John Berney Crome, Honoré Daumier Edgar Degas, Eugène Delacroix, Peter De Wint, Thomas Gainsborough, Francisco de Goya, Rembrandt Harmenszoon van Rijn, Varin and Diego Velazquez, and museums including the Louvre, Paris; catalogues of pictures at Staunton Harold, 1922; an exhibition by Richard Parkes Bonington, 1937; Percy Moore Turner's collection of engravings, etchings, lithographs and other prints, 1951; correspondence relating to gift of pictures to the Louvre, 1947-1948, and P M Turner's estate, 1951-1952; photographs of paintings, undated, from the British Museum, Castle Museum, Norwich, National Gallery, Royal Albert Memorial Museum, Exeter, and the Tate Gallery; newpaper cuttings, 1925-1950, including some relating to the Courtauld.

Papers of Johannes Wilde, 1916-1995, comprising files of working papers including notes, (manuscript and typescript), sketches, correspondence, photographs, lectures and slidelists, 1916-1965. Wilde meticulously wrote out the text of his lectures each time he gave them, making it possible to trace the evolution of ideas from the earlier to the later versions of the same piece.

Working papers relating to Michelangelo, 1922-1965, (the largest section of material in the collection) including general life and work, specific works including the Sistine Chapel, the Pieta, Cartonetti, 'Christ before Pilate'; his relationship with other artists, including Leonardo, Vasari, Raphael, Sebastiano; his drawings, including notes for a short survey of drawings, lectures, and a summary catalogue; his work in Florence, notably the façade of the Church of San Lorenzo, including correspondence with James S Ackerman concerning his book, The Architecture of Michelangelo (A Zwemmer, London, 1961), the Medici chapel and tombs, including lecture of Michelangelo's designs for the tombs, the Sagrestia Nuova, including draft chapter of its history, various works in the Palazzo Vecchio, the Hall of the Great Council, the Sala del Consiglio Grande, 'the Battle of Cascina', 'Victory', 'Leda', including correspondence concerning the publication of an essay, 1957; the Papal Tombs in Rome, the Marcus Aurelius statue in the Piazza del Campidoglio, Rome, the Sistine Chapel, Rome, the 'Battle of Angiare'; note and transcripts of Michelangelo's letters [now at the British Museum and Oxford]; notes on Michelangelo's drawing methods and early drawings;
list and notes of Wilde's new students [1948], catalogue entries for the catalogue of drawings at Windsor Castle, 1953;

notes relating to other artists, 1949-1962, notably Giotto, Leonardo da Vinci, Vasari, Masaccio, Pierino da Vinci, Raphael, Giovanni Bellini, Mantegna, Corregio, Parmagianino, Daniele da Volterra, Sebastiano del Piombo, Marcello Venusti, Giorgione, Antonello, Jacopo de' Barbari, Giovanni de Busi Cariani, Domenico Fetti, Jacometto, Domenico Mancini, Jacopo Palma Vecchio, Tiepolo, Tintoretto, Titian, Dutch/ Flemish painting, including Wilde's MA thesis on Rembrandt, 1916; notes on the collection of Archduke Leopold Wilhelm known as the Theatrum Pictorium, teaching notes, miscellaneous articles and notes including Henry VIII monument, landscape painting, Vasari, Fontanellato;

travel journals, 1921-1957, including notes relating to Modena, Uffizi, Rome, and exhibitions;
correspondence, 1937-1970, including letters to Wilde thanking him for the gift of his British Museum catalogue; correspondence with Paola Barocchi, 1962-1963; Kenneth Clark, 1959-1964; James A Crabtree, 1964, relating to a Michelangelo drawing; Brigadier Roy Frank Johnson, 1954, relating to portraits owned by him and Count Antoine Seilern; Arthur Ewart Popham, 1941-1949, covering production of of the catalogue of Italian Drawings at Windsor castle; private matters, and including some of the travel permits Wilde required during the war; Count Seilern, 1964, 1970; Hugh Squire, 1960, relating to a drawing in his collection;
miscellaneous items including photographs of Wilde and colleagues, [1920s-1930s]; Johannes and Julia Wilde, [1960s]; one of Wilde's parties, undated; copies of speeches given by Wilde on his 60th, 65th and 70th birthdays and by Anthony Blunt at a party, 1961; copy of Peter Kidson's lecture 'The Recent Transformation of Art History', 1995; copies of the editorial and obituary of Wilde, from The Burlington Magazine.