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Sheet music book containing 'Sonata by Signor Vento', presumably Mattia Vento, written in manuscript for voice and accompaniment by an unknown writer; also containing a printed page of musical terms, a manuscript poem and a sketch of a country house. Undated [18th century].

Papers of and relating to Evelyn Underhill, 1874-1997 and undated, comprising personal correspondence of and concerning Underhill, 1888-1969 and undated, the correspondents including Baron Friedrich von Hugel (three letters, 1911-1916), Underhill's husband Hubert Stuart Moore (117 letters from Underhill to Moore, 1890-1912 and undated, and 30 letters from Moore to Underhill, 1898-1906 and undated), Rabindranath Tagore (typed transcripts of 10 letters from Underhill to Tagore, 1913-1914), and members of the Underhill family, the subjects ranging from Catholicism, travels in Italy, Switzerland and France, publications and lectures, spiritual matters and advice, mysticism, health, and World War Two; correspondence, 1907-[1954], with various publishers concerning Underhill's publications (some posthumous) and broadcasts, including copyright, costs, sales and royalties; manuscripts and typescripts containing proposed holiday itineraries and recording Underhill's impressions while travelling in Italy, Switzerland and France, 1898-1899, 1901-1907; poetry, 1917-1923 and undated, including some work which was published; a speech at King's College London on being elected a Fellow, 1927; an article on 'The Fountain of Life: an iconographical study', published in 1910; material relating to spiritual development, 1921-1939, mainly under the guidance of Baron Friedrich Von Hugel and including transcripts of his letters, 1921-1924, and other items on spiritual advice, confessions, goals and progress; papers relating to retreats and religious writings, 1924-1932 and undated, including notebooks and texts of addresses; printed material by and concerning Underhill, 1926-1941, 1990, including some of her publications; press cuttings, 1891-1949, mainly reviews of Underhill's work but also including early published pieces; sketchbooks and drawings, 1892-1911 and undated, including sketches and watercolours of marine scenes in Britain, ecclesiastical subjects, and Italian and French architecture; photographs, c1925-c1930s and undated, including a photograph and negatives of Underhill (one at Pleshey), a portrait of Baron Von Hugel, marine views, and views of French and Italian castles and towns; material relating to the Underhill family, 1874-1940, including the marriage certificate of Evelyn Underhill's parents, 1874, a family tree, c1891, a copy of Evelyn Underhill's will, 1940, and details of books in Dr Williams's Library, London, which originated from Underhill's library; obituaries of and articles about Underhill, 1941-1997, including theses, bibliographies, memoirs, biographical material and reflections on her work; newsletters of the Evelyn Underhill Association, 1992-1997.

The collection consists of two mounted pencil sketches of nesting birds and a moth presented to Herwald Ramsbotham, Parliamentary Secretary, Board of Education, by the Governors, Staff and Students of Chelsea Polytechnic at the opening of building extensions to the Modern Art and Biology classrooms at Chelsea Polytechnic, 4 November 1932.

Papers of Alexander Van Millingen on history, architecture and archaeology, c1870s-c1900s (mostly undated), relating mainly to Constantinople and Byzantium but also to Biblical history, Greek and Roman history, history of philosophy and religion, early church history, and history of art, and including manuscript notes (some in notebooks), manuscript and typescript drafts, news cuttings, sketches, transcriptions and rubbings of inscriptions, and a few items of personal material, notably financial accounts and address books; photographs (some labelled as unpublished), plate proofs and sketches of buildings and monuments, and reproductions of inscriptions, including the walls of Constantinople and churches including Saint Eirene, Theodore, Theodosia, Sergios and Bacchos, Peter and Mark, Andrew in Krisis, Ioannes in Troullos, Christos in Chora, and Pantokrator (some items are endorsed with notes); photograph album of people and places in France, Germany, Italy, Austria, England, Montenegro, India, Tunis and Malta, 1889-1895 (where dated); plans of buildings, comprising the Egyptian obelisk in the Hippodrome, Constantinople, and the churches Saint Mary Mouchliotissa, Thekla, Mary Panachrantos, Peter and Mark, Mary Diaconissa, Theodosia, Saviour Pantepoptes, Theodore Thetiro, Mary Pammakaristos, John the Baptist of the Studion, the Church of the Myrelaion, the Monastir Mesjedi, the Refectory of the Monastery of Manuel, the Bogdan Serai, the Sanjakdar Mesjedi, and the Balaban Aga Mesjedi.

A pencil sketch of Sir Israel Gollancz, Professor of English at King's College, by Dorothy Parker, and annotated 'Golly', a student nickname for the Professor, [1918-1921].

Charcoal sketches of capitols and other sculpted architectural details, 1843.

The papers of Professor Sir Gavin Rylands De Beer comprise notebooks, typescript lecture texts and photographs, [1917-1947]; notably including four manuscript notebooks containing summaries of lectures attended by De Beer when he was an undergraduate and fellow at Oxford, consisting of notes on rudimentary embryology and zoology with sketches and bibliographies, [1917-1938]; proofs and fair copies of the text of De Beer's anniversary lecture as President of the Linnean Society on animal posture and morphology with photographs and drawings, [1947]; transparencies used in a talk on evolution, [1947]; microscopy photographs of the embryonic development of monotremes and marsupials and, at the cellular level, of the salamander, [1945-1972]; photographs and plaster casts of the brain case and other parts of a fossilised specimen of the bird-like Archaeopteryx, [1950-1960]; photographs of cross sections through a mature tree showing growth rings, [1950-1960].

Published books, 1936-1949, written or illustrated by Fougasse, mainly comprising books of cartoons and war propaganda posters used during World War Two, 1939-1945: You have been warned: a complete guide to the road with W D H McCullough (Methuen & Co, 8th edition, London, 1936); Drawing the line somewhere (Methuen & Co, London, 1937); Stop or go: a diary for 1939 (Methuen & Co, London, 1938); ...and the Gatepost (Chatto & Windus, London, 1940); The changing face of Britain (Methuen & Co, 3rd edition, London, 1941); Aces made easy with W D H McCullough (Methuen & Co, 3rd edition, London, 1941); The Little Less...and how much it is with Guy Reed (HMSO, London, 1941); The luck of the draw (Methuen & Co, 5th edition, London, 1942); Running commentary (Methuen & Co, 2nd edition, London, 1942); Sorry-no rubber (Methuen & Co, London, 1942); Just a few lines verses by Arthur W Bird, drawings by Fougasse (Methuen & Co, 2nd edition, London, 1944); Home circle (Methuen & Co, London, 1945); A school of purposes: a selection of Fougasse posters, 1939-1945 (Methuen & Co, London, 1946); You and me (Methuen & Co, London, 1948); Question-mark: a journey round the world by Donald McCullough, illustrated by Fougasse (Paul Elek, London, 1949).

Letter to The Times, with covering letter, in reply to an article by the paper's dramatic critic, Arthur Bingham Walkley, concerning Expressionism, 1924.

Records of the magazine Adam International Review and its editor, Miron Grindea, 1941-1995, and associated papers dating back to c1903, consisting of a wide range of material dealing with aspects of British and European cultural activity, particularly since the 1930s, and relating to art, literature, music, literary criticism, and the history of ideas. The archive includes the Adam International Review, issues 152-499 (wanting 186, 210-211, 218, 224-228, 331-54), 1941, 1946-1988, and indexes; microfilm copies of nos 13-14, 65, 148-149, 151, and issues dating from 1936 and 1938; and published copies of Christopher Fry, 'Genius, Talent and Failure: the Brontes' (The Adam Lecture 1986); Yehudi Menuhin, 'Tolerance' (The Adam Lecture 1987); Frances Stern, 'A Concordance to Proust' (Adam Books, 1987); 'Miron Grindea 1909-1995: a Celebration'. Unpublished papers of the Review were created by or relate to many prominent writers, artists and musicians of the 20th century including Natalie Clifford Barney, Samuel Beckett, Max Beerbohm, Nicolas Bentley, Isaiah Berlin, Edmund Blunden, Agatha Christie, Jean Cocteau, Ivy Compton Burnett, Cyril Connolly, Benedetto Croce, Cecil Day-Lewis, Lawrence Durrell, T S Eliot, George Enescu, E M Forster, Christopher Fry, William Golding, Duncan Grant, Robert Graves, Graham Greene, L P Hartley, Storm Jameson, Augustus John, Arthur Koestler, F R Leavis, Rose Macaulay, Compton Mackenzie, Thomas Mann, Katherine Mansfield, Walter de la Mare, John Masefield, Somerset Maugham, Yehudi Menuhin, Arthur Miller, Henry Miller, Joan Miro, Henry Moore, Iris Murdoch, Pablo Picasso, Anthony Powell, J B Priestley, Marcel Proust, Herbert Read, Jean Rhys, Ralph Richardson, Vita Sackville-West, Jean Paul Sartre, Siegfried Sassoon, Ronald Searle, George Bernard Shaw, Georges Simenon, the Sitwell family, C P Snow, Stephen Spender, Frances Stern, August Strindberg, Dylan Thomas, Arnold Wesker, Angus Wilson, Stefan Zweig, and others. Other material relates to the management of the magazine and includes editorial material (notes, proofs, preparatory research material, and correspondence required for production of an issue) and papers relating to circulation. The material is varied in form and comprises correspondence, manuscripts, typescripts, proofs with author's and editor's corrections and printed documents, including poems, stories, and criticism, both published and rejected for publication; photographs; original drawings and illustrations; news cuttings and other ephemera such as programmes for events; tape recordings including the Adam lectures, 1985-1987; and interview transcripts.