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Papers of Alexander Van Millingen on history, architecture and archaeology, c1870s-c1900s (mostly undated), relating mainly to Constantinople and Byzantium but also to Biblical history, Greek and Roman history, history of philosophy and religion, early church history, and history of art, and including manuscript notes (some in notebooks), manuscript and typescript drafts, news cuttings, sketches, transcriptions and rubbings of inscriptions, and a few items of personal material, notably financial accounts and address books; photographs (some labelled as unpublished), plate proofs and sketches of buildings and monuments, and reproductions of inscriptions, including the walls of Constantinople and churches including Saint Eirene, Theodore, Theodosia, Sergios and Bacchos, Peter and Mark, Andrew in Krisis, Ioannes in Troullos, Christos in Chora, and Pantokrator (some items are endorsed with notes); photograph album of people and places in France, Germany, Italy, Austria, England, Montenegro, India, Tunis and Malta, 1889-1895 (where dated); plans of buildings, comprising the Egyptian obelisk in the Hippodrome, Constantinople, and the churches Saint Mary Mouchliotissa, Thekla, Mary Panachrantos, Peter and Mark, Mary Diaconissa, Theodosia, Saviour Pantepoptes, Theodore Thetiro, Mary Pammakaristos, John the Baptist of the Studion, the Church of the Myrelaion, the Monastir Mesjedi, the Refectory of the Monastery of Manuel, the Bogdan Serai, the Sanjakdar Mesjedi, and the Balaban Aga Mesjedi.

Papers of John Robert Hilton 1934-1941, comprising:
correspondence and papers on his appointment as Director of Antiquities, Cyprus, 1934 and his dismissal in 1935; correspondence with Sir George Hill, Director, British Museum, 1935; press cuttings and printed reports on the Cyprus Committee and the Department of Antiquities, 1935-1941; personal correspondence, 1934-1935; photographs of Cypriot antiquities, colleagues and family, 1934-1935; unpublished memoir A Camel Load of Woad

South-Western Polytechnic, Chelsea Polytechnic, Chelsea College of Science and Technology, and Chelsea College Serial Publications, 1904-1983. This class of material comprises College magazine and journal periodicals, and provides a snapshot of the academic and social life of students and staff from the early phase of the Polytechnic until shortly before the merger with King's in 1985, and includes the South Western Polytechnic Journal, 1904-1906; The Magazine of the Chelsea Polytechnic, 1929-1939; Chelsea College of Science and Technology Gazette, 1962-1969; The Bell, the magazine of the Chelsea Pharmacy Association, 1953-1968; and New Leaf, the Humanities Society journal, 1973-1982.

Chelsea College of Science and Technology and Chelsea College Department of the Humanities student and other records, 1958-1983. This class of material contains some student information on BSc and visiting BA undergraduate and DCC (Diploma of Chelsea College) students, 1967-1983. BSc and DCC information typically includes name, course work including aggregate marks, percentage marks, letter grading, honour points, degree, class and comments. The remainder of the collection comprises correspondence, accounts and financial data, timetables and printed programmes and handouts. This includes general correspondence on the administration of the College, with the Registry and notably concerning resource allocation, 1958-1983; correspondence with other College departments, 1958-1978; staff correspondence, 1968-1983; selective summary of Senate minutes, 1967-1981; accounts books, 1961-1982; finance yearly estimates, 1959-1983; administrative proposals and submissions relating to the strategic development of the College, 1959-1982; Humanities' Annual Reports, 1958-1982; examination question papers and related correspondence, 1969-1983; handouts describing the course content of the Diploma in Modern Social and Cultural Studies, 1969-1982, and visiting undergraduate BA programmes, 1975-1982; syllabuses and notices of liberal and arts events, 1958-1981.

The collection comprises manuscript notebooks on architecture and antiquarianism, correspondence and printed obituaries of Carter, 1700-1818, notably including a folder of loose manuscript notes relating to merchant ships on the Baltic route, papers on Latin verbs and translation, bill of expenses and proposals for improvements to the catalogue of the Harleian Collection, now housed in the British Library, 1700-1818; manuscript notes compiled during Carter's childhood on the importance of virtue, and commonplaces derived from the writings of King Charles I and King Charles II of England, among others, [1762]; folio day book by Carter describing chapel ornamentation, the role of the antiquarian and the architectural content of scenes from plays by William Shakespeare, including Richard III, 1771; autobiographical notebooks by Carter describing his architectural tours, with sketches and drawings, 1774-1778; sketch book with observations of landmarks such as Durham Cathedral, 1791-1803; correspondence with Leathes on Carter's health problems, his estate and collection of drawings and papers, [1799-1818]; printed obituaries and memorials of Carter published in Gentleman's magazine, 1817-1818; Sotheby's sale catalogue of the Carter collection, [1817-1818].

Records of the magazine Adam International Review and its editor, Miron Grindea, 1941-1995, and associated papers dating back to c1903, consisting of a wide range of material dealing with aspects of British and European cultural activity, particularly since the 1930s, and relating to art, literature, music, literary criticism, and the history of ideas. The archive includes the Adam International Review, issues 152-499 (wanting 186, 210-211, 218, 224-228, 331-54), 1941, 1946-1988, and indexes; microfilm copies of nos 13-14, 65, 148-149, 151, and issues dating from 1936 and 1938; and published copies of Christopher Fry, 'Genius, Talent and Failure: the Brontes' (The Adam Lecture 1986); Yehudi Menuhin, 'Tolerance' (The Adam Lecture 1987); Frances Stern, 'A Concordance to Proust' (Adam Books, 1987); 'Miron Grindea 1909-1995: a Celebration'. Unpublished papers of the Review were created by or relate to many prominent writers, artists and musicians of the 20th century including Natalie Clifford Barney, Samuel Beckett, Max Beerbohm, Nicolas Bentley, Isaiah Berlin, Edmund Blunden, Agatha Christie, Jean Cocteau, Ivy Compton Burnett, Cyril Connolly, Benedetto Croce, Cecil Day-Lewis, Lawrence Durrell, T S Eliot, George Enescu, E M Forster, Christopher Fry, William Golding, Duncan Grant, Robert Graves, Graham Greene, L P Hartley, Storm Jameson, Augustus John, Arthur Koestler, F R Leavis, Rose Macaulay, Compton Mackenzie, Thomas Mann, Katherine Mansfield, Walter de la Mare, John Masefield, Somerset Maugham, Yehudi Menuhin, Arthur Miller, Henry Miller, Joan Miro, Henry Moore, Iris Murdoch, Pablo Picasso, Anthony Powell, J B Priestley, Marcel Proust, Herbert Read, Jean Rhys, Ralph Richardson, Vita Sackville-West, Jean Paul Sartre, Siegfried Sassoon, Ronald Searle, George Bernard Shaw, Georges Simenon, the Sitwell family, C P Snow, Stephen Spender, Frances Stern, August Strindberg, Dylan Thomas, Arnold Wesker, Angus Wilson, Stefan Zweig, and others. Other material relates to the management of the magazine and includes editorial material (notes, proofs, preparatory research material, and correspondence required for production of an issue) and papers relating to circulation. The material is varied in form and comprises correspondence, manuscripts, typescripts, proofs with author's and editor's corrections and printed documents, including poems, stories, and criticism, both published and rejected for publication; photographs; original drawings and illustrations; news cuttings and other ephemera such as programmes for events; tape recordings including the Adam lectures, 1985-1987; and interview transcripts.