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Papers, mainly relating to the publication of Corn and Poppies (E. Matthews, London, 1890), comprising letters, 1890-1901, to Cosmo Monkhouse from various discussing his poetry, notably William Blackwood, publisher and editor of Blackwood's Magazine, Edward Onslow Ford, Edmund Gosse, Hugh Stewart, Alfred Monkhouse, John Trivett Nettleship, L Solon, Richard Garnett, Alice Boyd, J M Davies, James Brander Matthews, E J Smilie, James Rustin, George Chester, M Eliot Hodgkin, S H Boughton, Walter Ashley, B Jowett, M J Linton, Edmund C Steadman, H D Cobban, J Foxhunter, George H Ellwanger, Rt Hon Anthony John Mundella, President of the Board of Trade, Alsager Hay Hill, Gertrude Vores, Agnes Elton, Violet (Vernon Lee) Paget, Euterpe Fraies, Alfred Earl, and William Sharp (pseudonym of Fiona Macleod); two signed illustrations for Corn and Poppies by William Strang, [1890]; a manuscript poem by Monkhouse about the Swan Inn at Littleworth, 22 May 1893. Biographical material for Monkhouse, including a typed copy of Sydney Lee's memoir, first published in the Athenaeum, 27 Jul 1901; a photocopy of an article by Edmund Gosse entitled 'Cosmo Monkhouse as an art critic', Art Journal, 1902; notes concerning the donation of the collection to Bedford College Library, [1964-1965].

The collection consists of member lists and registers; correspondence, notes and publications relating to the building of the new theatre; financial papers relating to loans; financial papers concerning various productions; legal papers relating to the lease of land; applications to the Arts Council of Great Britain and the Greater London Council for funding, including annual reports and accounts; papers and publicity material relating to productions; scripts; programmes and posters for plays; material concerned with the Women's festival of June 1986; publications about fringe theatres and the East End of London; photographs of productions and cast; press cuttings.

The collection consists of minutes of management meetings, 1974 - 1994; membership lists; internal correspondence; external correspondence concerning the reactions of the public to the productions; correspondence regarding funding; copies of scripts written by members of the company and outside authors; audition notes and CVs; correspondence and accounts relating to tour arrangements; tour reports; posters and programmes for productions; photographs, video cassettes and loose film reel of productions; promotional material; newspaper cuttings relating to specific productions and Gay Sweatshop in general; theses based on Gay theatre.