Affichage de 102 résultats

Letter from Jean Ingelow of 15 Holland Park, [London] to Mr Strahan [publisher], [c1860-1897]. 'I hope ... that none of the chapters [of one of her books] copied by hand will be printed at all till after my return when I hope to correct them myself. I leave the whole matter of the American payment to you ...'.

Autograph with signature.

Letters, notes and poems from George Rostrevor Hamilton to Thomas Sturge Moore and his wife Marie, 1932-1934. Topics covered include Hamilton's poems and other books, about which he solicits Sturge Moore's opinions.

All items are autograph or typescript, with signatures.

Letter from P Crewe of Aston, [Birmingham] to an unnamed clergyman 16 Sep 1699. 'I thnk God and Sr W A for my fie, and you for joyning us togather: excuse a trifle sent you on the occasion as thus - The unrepented yeare is past, / The parsons gloves are sent att last: / What Witam had, att Oxford are / On that account another paire. / On ye other side is ye originall and ye cause of this mean rime.' The writer tells the story of Mr Hodges, the Parson of Wytham, near Oxford, who had asked couples that he married to send him a pair of gloves if they had never regretted their marriage during its first year; he received only one pair in 40 years. Including short verses in Latin and English reportedly written by Hodges.

Autograph, with signature.

Letter from Frederic Herbert Trench of Villa Viviani, Settignano, Florence, Italy to T Sturge Moore, 7 May 1923. Offering him the loan of his Italian villa; mentions works of Moore's that he is reading. 'I am trying to write a few more plays and poems'. Autograph, with signature.

2 letters from Dorothy Pound of Albergo Italia and Lido Rapallo, Italy to [J H P] Pafford, Goldsmiths' Librarian of University of London Library. (1) Explaining in a reply to a letter from Pafford to her husband, Ezra Pound, asking him to autograph one of his books for the library, Ezra 'is not here at the moment - I never trouble him for autographs ...', 16 February 1965. (2) Covering note enclosing a photograph of Ezra Pound, endorsed in Dorothy's hand '1958 (in Italy)', 4 Mar 1965.

Both letters are autograph, with signatures.

Letter from Thomas Longman of 39 Paternoster Row, London to [Augustus De Morgan], 20 Apr 1860. Thanking him for information 'about the poem by Lord Macaulay on the London University'.

Autograph, with signature.

Manuscript volume containing a metrical chronicle composed by the Chandos Herald in French verse, commemorating the life and feats of arms of Edward the Black Prince, [1385]. The poem is a valuable authority for certain events of the Hundred Years War, and gives a brief description of Edward III's French campaign of 1346, culminating in the Battle of Crecy, and followed by the Battle of Calais, with some details of the plot for the recovery of the latter at the end of 1349. Next comes a very detailed description of the Battle of Poitiers (1356), and an eyewitness account of the Spanish Campaign of the Black Prince on behalf of Don Pedro (Peter) of Castile, culminating in the Battle of Nejera (1367). A brief overview is given of the end of the Black Prince's government in Gascony, and of the war which led to the loss of almost all the possessions gained at Brétigny, followed by a comprehensive account of the last years of the Prince's life. After the poem, the author also gives a list of the chief officers of the Black Prince in Aquitaine, and copy of the epitaph on his tomb in Canterbury Cathedral.

The manuscript contains a full-page miniature illuminated in gold and colours, which is divided into two compartments. The upper compartment contains a representation of the Three Persons of the Holy Trinity; God the Father is here portrayed in a blue robe on a background of gold. He is seated on a throne and holds in His extended arms a crucifix, above which a dove is introduced to symbolise the Holy Ghost. In the lower compartment the Black Prince is depicted kneeling in adoration on a red cushion. His hands are joined in prayer, and his special devotion to the Holy Trinity is indicated by a scroll proceeding from his mouth bearing the words 'Et hec tres unum sunt' (1 John v.7). The Prince is clad in armour, covered by a tight-fitting leather jupon without sleeves, finished along the bottom edge with a border of escallops, and emblazoned with the arms of England and France. He wears a sword and dagger, golden elbow and knee cops, and golden spurs. On each side of the kneeling Prince, standing in a golden socket, is a large ostrich feather in silver, his personal badge assumed after the Battle of Crecy, with the motto 'Ich dene' on a scroll below. The text of the poem commences on the next page with a large illuminated initial O, containing the Royal Arms emblazoned, and this leaf is surrounded by a border of strap work and flowers in gold and colours. There are also a number of small initial letters in gold on a coloured background.

Articles and books, 1972-1977, written by various authors on the life and work of Herbert Feis.

The collection contains a typescript diary of his life and work, particularly of his time spent in the New Hebrides (Vanuatu) from 1907. Also includes letters and photographs.

Papers of Frances Kahn, 1992-1995, comprising poems and related papers.

Musical score for the principle theme from the incidental music for John Masfield's Melloney Hotspur (William Heinemann, London, 1922), with an accompanying letter sent by John Hotchkiss to Rev L.H. Clench of Sheringham, 1952.

Papers of Katharine Longley, 1812-1993, comprising research notebooks; correspondence files; material associated with the Wickham and Ternan families; photocopies of manuscript material; photocopies from periodicals; a copy of The Charles Dickens Birthday Book; material on The Mystery of Edwin Drood; typescript of A Singular Light; typescript of A Pardoner's Tale; typescripts of Charles Dickens: Towards the Truth; typescript essays; printed books; and photographs and negatives.

Papers concerning American theatre and opera scrapbooks, 1875-1892, comprise to scrapbooks containing programmes of plays, concerts and operas performed in the USA, with particular reference to New York and the Metropolitan Opera House, from 1875 to 1892. MS1088/2 includes postcards of members of singers performing in the Metropolitan Opera 1890 to 1891 season, posing in some of their operatic roles. The volumes contained two loose inserts, which have now become MS1088/3 and MS1088/4.

Two documents from 1792 containing biographical and critical notes on the poet William Drummond. The first document is the work of Thomas Park, while the second is in a different hand with Park's notes in the margin.

A 64-line elegiac poem composed on the occasion of the death of Frederick Cornwallis, Baron Cornwallis of Eye, in January 1661/2. His virtues are recorded:
'... (though there bee
Twixt vulgar Spirits, and Nobilitie
A kind of Antipathie) yet will I
Appeale unto themselves [the Commons] what courtesie
They found in him: what affabilitie,
Humilitie, and sweetness, w[i]th rare parts,
Which (ev'n against their wills) had won their hearts.'
There is a reference to Prester John, and allusion is made to the office Cornwallis had held as Treasurer of the Household to Charles II:
'The King of Kings now meaning to confer
An higher title, made thee Treasurer
In Heaven's great Court, where thou had'st laid up store
Of never fading Treasure [long?] before.'
At the end runs a Latin inscription: 'Ita raptim flevit ex animo R.Wolverton. Eayensis sudor volgorum ex Icenis M.D.'

A book of manuscript poems, composed by John Phillips from 1825 to 1863, lists of honours conferred on him, 1825-1860, lists of lecture engagements 1824-1860 and a manuscript entitled the incidents in the life of John Phillips, 1800-1860.

A forgery of a sixteen-line song composed in March 1791 by Robert Burns. It is written and signed in imitation of Burn's hand, c1888-1892.

Album with leaves of various colours containing poetry, chiefly of a religious nature, hymns and moral aphorisms; a few printed items have been inserted. The volume includes works by Isaac Watts, William Cowper, John Newton, Maria Abdy and James Montgomery, and shares with the last a Sheffield connection. One leaf bears the name 'Reginald Follett Codrington Hedgeland'. Compiled c1841-1846.

"Vida del M.R.P. Fr. Manuel de San Joseph (vulgo el Duende de Madrid), Carmelita descalzo de la provincia de Navarra". Includes copy of "Copia de la carta que escrivio a su general el P. Fr. Manuel....en Madrid a 17 de Marzo de 1737".

Holograph manuscripts, 1880-1884. SL V 31 is John Lord Cobham. SL V 32 is The Voyage of Maeldune. SL V 33 is Early Spring and SL V 34 is an edition of Tennyson's Works.

Holograph manuscripts, 1816-1875. SL V 6 is Byron's Childe Harold's Pilgrimage, Canto III copied by Mary Godwin with correspondence regarding the custodial history of Godwin's manuscript. SL V 7 is Don Juan, third canto. SL V 8 is Don Juan, tenth, eleventh and twelfth cantos. SL V 9 is Don Juan, seventeenth canto.

Holograph manuscripts of Powys' novels. SL V 76 is Dialogue on Genesis, 1906. SL V 77 is Mark Only, 1922. SL V 78 is The Dewpond, 1928 and SL V 79 is The House with the Echo, 1928.

A manuscript of Fireflies (Georgian Parodies), 1920 by Siegfried Sassoon.

SLV/13 contains four holograph letters written by Ralph Waldo Emerson to his publisher John Chapman. SLV/105/13 is a first edition of Poems by Ralph Waldo Emerson including a manuscript copy of the poem Concord Monument, 1844-1867.

Research and lecture notes, drafts, library request slips and three unidentified tins of film used and compiled by Nowottny in her work on Shakespeare's sonnets and other poetry, including a typescript copy of her MA thesis (1947-1959).

Broadside ballad, sold at the time of the coronation of King George VI, printed and published by The Raven Press, Middlesex (1937).

Comprising photocopies of seven letters to Warwick Gould from H.P.R.Finberg regarding the latter's translation of W.B.Yeats' 'Axel' (July 1971 - February 1972); Photocopy of H.P.R.Finberg's obituary in The Times with a correction letter by Warwick Gould regarding the obituary (November 1974).

Handwritten research notes, offprints and publications compiled by Constance Mary Pott for her publications and many articles on the Bacon-Shakespeare authorship debate and Francis Bacon in general, including notes on emblems from natural history and other areas in Bacon and Shakespeare's works, along with correspondence with other Baconians, including Sir Edwin Durning-Lawrence and James Cary, and records of the Bacon Society (1679-1949).

Manuscript volume containing [a transcript of] a history of the House of Brandenburg, [1760], entitled 'Suite des mémoires de Brandenbourg composés par le Roy [Frederick II, King of Prussia] et imprimés à Potsdam 1751 en peu d'Examplaires', and mainly devoted to the life of Frederick William I, King of Prussia. A manuscript note below the title states that 'the contents of this Manuscript will be found printed in the Mémoires pour servir à l'Histoire de [la] Maison de Brandenburg, par Frederic II, Roi de Prusse (Berlin, 1767, volume II, p 67-176)'.

A journal kept by William Hoskins from 1 December 1655 to 13 November 1667.

Manuscript of a William Wordsworth sonnet entitled On a portrait of the Duke of Wellington on the Field of Waterloo, by Haydon, suggested by Haydon's 'Picture of the Duke of Wellington upon the field of Waterloo, twenty years after the battle' (painted for St. George's Hall, Liverpool.) It comprises 14 lines of verse, with some alterations in the text.
A note on the page reads 'Composed while ascending Helvellyn. Monday August 31st 1840. Wm Wordsworth. Private at present'. The manuscript appears to be in the hand of Mary Wordsworth.

Manuscript Commonplace Book of English poetry and prose, dating from the 19th century, containing the second half of a long poem on early biblical history 'continued from the book in white forrel', and other items. Inserted is a folded leaf containing two poems, one dated 1834, by W. C. Yonge, who may have been the compiler of the volume.

Two holograph manuscripts, 1830-1. The first is a six verse poem written for The Metropolitan. The second is a draft of an article, 'Notices of the Life of Lord Byron by Mr Moore, and remarks on those notices by Lady Byron', published without significant alteration in The New Monthly Magazine and Literary Journal, Vol. 28 (1830), pp. 33.

Incomplete manuscript article on Thomas Lovell Beddoes containing '...a short review of the...works of Beddoes [other than Death's Jest Book] together with a selection from some of their finest passages'. It was written, by an author unknown, as a supplement to Thomas Forbes Kelsall's article on Beddoes in the Fortnightly Review of 1872, Vol 18, pp.51-75. Although intended for the same journal it appears not to have been published either there or elsewhere.

Manuscript volume, originally used as a stock book for haberdashery, belonging to John Clark [of Bridgewater, Somerset], containing lists of hosiery, thread, pins, ribbons, laces, tapes, bobbins, blankets, flannel and other cloths, furs, tippets, muffs, capes, silk cloaks, cambric handkerchiefs, pasteboard, paper and umbrellas, 1832-1837. Many pages have had pasted on to them newspaper cuttings and illustrations from popular magazines, [1838-1852], including plans for the new parish church of Paddington, 1840. From folio 18, the volume has interspersed on previously blank pages a draft continuation by Clark of Byron's Don Juan (i.e. cantos xvii-xxiv), described by the author as 'rough copy - incorrect' (each leaf being cancelled presumably as the fair copy was made) and signed by himself as 'completed 1842 September 1, at X a.m. clk. struck, & flute playing in the street'.. There are also some notes on Byron's original poem, his life and literary style accompanying the continuation, which date from later in the 1840s. The vellum cover is inscribed 'John Clark's first copy of his poem'.

Letter from George Rose of Old Palace Green to John Baker Holroyd, 1st Earl of Sheffield, 11 May 1814. Covering letter accompanying a printed copy of a speech delivered by Rose in the House of Commons on 5 May 1814, in favour of the status quo with respect to Corn Laws. He states: 'I am for a full and fair protecting price to the grower'.

Autograph, with signature.

Letter from H Jones of 54 Dorset Street, Fleet Street, London to Colonel [Charles Richard] Fox, 24 Jun 1841. Covering letter (written on behalf of the Property Tax Association) to a printed copy of Joshua Scholefield's speech, (made in the House of Commons on 23 Mar 1841) proposing that a property tax be substituted for the existing customs and excise taxes. Jones forecasts that the proposed property tax 'is likely to become a populat topic at the [forthcoming] elections' and expresses the hope that Fox would be elected MP for Tower Hamlets.

Autograph, with signature.

2 letters from John Gale Jones of 5 Wilsted Street, Somers Town, [London] to unknown recipients, 1828. (1) Covering letter to a copy of Jones's Oration on the late George Washington (1825). 'Should you deem it worthy of any little token of your esteem for the memory of that exalted character ... it will be gratefully acknowledged', 25 Apr 1828. (2) Acknowledging 'the liberal present of a sovereign', 28 Apr 1828.

Both letters are autograph, with signatures.

Letter from Tom Turner of Shawlands, Bank Crest, Baildon, Yorkshire to [Thomas] Sturge Moore, 20 Dec 1943. Covering note accompanying a copy of a book of poems by Lionel Johnson, as 'a little reminder of the 1890's'. Autograph, with signature.

Letter from William Humphries Budden of Newcastle upon Tyne to Charles Manby, 28 Oct 1859. 'I am glad you are going to write a memoir of our dear Chief'.

Holograph poem writeen by Ebenezer Elliott entitled 'William Cobbett. By the author of Corn Law Rhymes', and dated 23 Jun 1835. In addition there is a letter written from Sheffield by Elliott to Samuel Carter Hall at 4 Piccadilly, London, offering him the poem for publication: 'The poem I now send you is very unworthy of the Amulet, and infinitely so of the subject. But I have done my very best, as I always do...'.
This poem, inspired by the burial of Cobbett (he had died on 18 June 1835), was first published in The New Monthly Magazine, Vol 44 (1835), and reprinted (with the addition of a final verse) as 'Elegy on William Cobbett' in The Poetical Works of Ebenezer Elliott, the Corn-Law Rhymer (1840). A portrait of the poet is enclosed.

Commonplace book, written in the early 19th century, containing copies of poems by various authors, including Mrs. R. Wilmot, the Reverend John Chetwood, and Eward Wilmot. The poems include 'To Miss Wilmot, now Mrs. Bradford, on her arrival from Russia' by F.S.I. (p.135), and 'Prologue written for the opening of the Lyceum at Madras 1782, spoken by Major Maule, by Eyles Irwin, Esq.' (p.245). A few poems are dated, 1782, 1788, 1802-1816.

Index of passages in the diaries of Charles Cavendish Fulke Greville which were suppressed in the published memoirs. The compiler of this index is unknown, but it was probably undertaken soon after the publication of the last volumes of the incomplete edition of the Memoirs in 1887.

Papers of William Paton Ker including letters written to and by Ker, 1892-1923, some of Kerr's poems and other miscellany. Also papers relating to John Henry Pyle Pafford's bibliography of Ker, 1939-1955. Letter from W.P. Ker to Dororthy Stoppard, 1915, enclosed in a copy of "Epic and Romance", 1908.

Diary of Sir Charles Stewart Loch. It concerns chiefly his work as Secretary to the Council of the London Charity Organisation Society from September 1876 to November 1887.

An unpublished typescript of an anthology of verse and prose on wild flowers written by Eric Edward Mockler-Ferryman in 1973.

Poems and related papers of Frances Khan, 1992-1995.

The material comprises correspondence between Thomas Sturge Moore (TSM) and various members of the Moore, Sturge and Appia families, friends, literary colleagues, including R.C Trevelyan, A.H Fisher, W.B Yeats, Robert Ross, Wyndham Lewis, George Bernard Shaw and Charles Ricketts, publishers and various others; diaries, notebooks and journals; drafts, proofs and published copies of his poems, articles, speeches and lectures; sketches and designs for costumes, book covers and bookplates for both his own work and that of others, most notably W.B Yeats; personal and family papers and photographs. Also included are copies of correspondence between the artist Charles Ricketts and friends, colleagues and various others; copies of his journals and diaries; material relating to his work and art collection; draft notes for a biography of Ricketts by Ursula Bridge and personal papers of the artist Charles Shannon.

Letter from Benjamin Heywood Bright to Philip Bliss, [1820-1840?], relating to Shakespeare and Ben Johnson.

The collection contains notebooks of sketches and drawings, 1838-1841; levelling books, 1840-1880; and Henry Rastrick's diary for 1884.