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Papers of Augusta Bönten, 1882-1907, including two scrapbooks containing cuttings and printed ephemera relating to the musical activities and death of her father Sir August Manns, 1882-1907; her commonplace book, containing mainly late 19th century German poety; her Memoirs, proof copy published posthumously by her daughter Louise Bönten [1930]; Catalogue of the principal instrumental and vocal works performed at the Saturday concerts from 1855 to 1876 (Charles Dickens and Evans, Crystal Palace, 1876), with inscription by Manns, 1877; Catalogue of the principal instrumental and choral works performed at the Crystal Palace Saturday concerts from October 1855 to May 1895 (F M Evans, Crystal Palace, [1895]), two copies, one with numerous annotations [some by Manns]; The Bournemouth Municipal Orchestra, twenty-one years of municipal music, 1893-1914 by Hadley Watkins (Bournemouth, 1914). Letters (8) to Augusta Bönten, 1913-1914, mostly relating to her father's work: correspondents include Dr Frederick G Shinn, in regard to his lecture 'What the Crystal Palace has done for music in England' and Sophie Campbell, in regard to the recent death of her husband Sir Francis Joseph Campbell, former Principal of the Royal Normal College for the Blind.

Papers of Henry Cope Colles, 1938-1939, as editor of the Fourth edition of Grove's Dictionary of Music and Musicians (Macmillans, London, 1940), comprising correspondence with contributors of articles and subjects of articles, including particular accumulations of correspondence with Eric Blom: Alfredo Casella: Sir Henry Walford Davies; Richard Capell; Alfred Einstein; Edwin Evans; Arthur Henry Fox Strangways; Francis William Galpin; Anselm Hughes; Macario Santiago Kastner; Alfred Loewenberg; Gustave Reese; Percy Alfred Scholes; Marion Margaret Scott; John Brande Trend.

Material relating to the literary activity of Charles and Mary Cowden-Clarke and other members of the Novello family, comprising: a. Items related to Mrs Cowden Clarke and her relations in the possession of F H Haines, and memoranda. Typescript. b. Thomas James Serle, Bohun of Sheenly: a tale in verse. Galley proofs. c. Thomas James Serle, A Day Dream in 5 Books (privately printed, 1865). d. Photograph of Thomas James Serle (1979 copy), with accompanying letter from Geoffrey Larken. e. William Shakespeare, Touchstone's part from As you like it. Charles Cowden-Clarke's manuscript copy, with the addition made to his first lecture on Molière and an addition to his third lecture on Molière. f. Frederick Haselfoot Haines: List of material made available to Professor Richard Altick. g. Richard Altick: 5 typescript letters to F H Haines (with some replies) about the loan of Clarke family material, 1943-1945. h. Joseph Alfred Novello, O for the Songs of the Past: a greeting to the Musical Societies of Great Britain (privately printed, 1873). i. Novello, Ewer & Co., Catalogue of Shakespeare Music, 1893. j. Mary Cowden-Clarke, letter to the Illustrated London News on John Keats, 15 Feb 1896. k. Il Secolo XIX. Issues of 9-10 Feb 1893, 12-13 Feb 1893 (including reviews of the first two performances of Verdi's Falstaff).

Papers of Herbert Howells, 1899-1978, including notes, manuscript drafts and typescripts of BBC talks and broadcasts (box B), including 'Music and the ordinary listener' (1937), 'Music and everyday life' (1938), 'The Three Choirs Festival in Elgar's time' (1960), tributes to Malcom Sargent (1965) and Sir William Harris (1973); manuscript notes for Royal College of Music (RCM) and University of London lectures (boxes C and D), 1940s-1950s, including talks on his work Sine Nomine (1922), Ivor Gurney (c1939), Hubert Parry (1968), Ralph Vaughan Williams (1972); notes and transcripts for his speeches to various organisations including the Incorporated Society of Musicians (1953), Worshipful Company of Musicians (1957), Royal College of Organists (1959); book of poetry copied on first anniversary of the death of his son Michael Howells, 1936; cuttings of articles by Howells in newspapers and journals, and by others on Howells' music and performances (boxes E and H); papers relating to the Sir James Caird Travelling Scholarships, and notebooks containing Howell's adjudications with draft reports (box F); appointment diaries, 1955,1956 and 1973, address books of Herbert and Dorothy Howells, and printed concert programmes with notes written by Howells (box G), RCM student essays on Howells' music; letters received by Howells from over 260 correspondents, 1915-1978, with particular accumulations from Charles Bathurst Viscount Bledisloe, Sir Arthur and Trudy Bliss, Sir Adrian Boult, Robert Thurston Dart, Sybil Eaton, Gerald and Joy Finzi, Harry Plunket Greene, Walter de la Mare, Sir Hubert Parry, William Rothenstein, Marion Scott, Ralph Vaughan Williams, and others including Sir John Barbirolli, Arnold Bax, Nadia Boulanger, Benjamin Britten, Neville Cardus, Aaron Copland, Sir Henry Walford Davies, Thomas Frederick Dunhill, Keith Falkner, Guido Gatti, Edward Health, Gustav Holst, Joseph Horovitz, Zoltán Kodály, Cecil Day-Lewis, Yehudi Menuhin, Peter Pears, Edmund Rubbra, Harold Watkins Shaw, Sir Charles Villiers Stanford, Sybil Thorndike and Michael Tippett; correspondence relating to his medical condition (1917), with Oxford colleges, with publishers and commissioning bodies, on his Cambridge Doctorate; photocopies of letters from Howells to 30 correspondents, including those already mentioned and to the Carnegie UK Trust; family correspondence (box A).

Correspondence of Constant Lambert (personal and business in relation to music), 1930-1950; papers relating to a proposed biography of Constant Lambert by Angus Morrison, comprising unfinished drafts for the book and related correspondence from Angus Morrison, Dora Foss, Edward Sackville-West, J McKay Martin, Maurice Lambert, Kit Lambert, George G Harrap & Co, 1953-1955; notes on Constant Lambert by Angus Morrison; letters from friends, acquaintances and musical organisations about Constant Lambert, principally to Angus Morrison in response to Morrison's requests in the national press for information on Lambert, 1954-1955; miscellaneous biographical notes, sketches and articles on Constant Lambert (articles etc), 1929-1951; Constant Lambert: various verses and poetry.

Personal notebook of member of the Palmer family, listing details (artists, conductors and composers) of musical works performed under the auspices of the Royal College of Music Patron's Fund, 1919-1939.

Letters to Adelaide Parker, Bruno d'Arba and Joan McLeod, 1910-1959, including letters and postcards to Adelaide Parker regarding her performances from, Joseph Bonnet, Basil Harwood, Wanda Landowska, C Hubert H Parry, Ethel Smyth, Ralph Vaughan Williams, Charles-Marie Widor; letters to Bruno d'Arba from Francis Jackson; letters to Joan d'Arba from George W Russell (`AE'); letters to Joan Mcleod in relation to submission of her poetry for publication, including 8 from Walter de la Mare; letter from W B Yeats on setting of his poetry to music, undated.

Papers of Sir Charles Hubert Hastings Parry, comprising:
Manuscripts of Parry's lectures on various musical subjects at the Royal College of Music, the Royal Institution, Oxford, Birmingham and Leeds, c1891-c1915 (MS 4305-4338, 4811-4812).
15 letters from Parry to Charles Stuart-Wortley, 1876-1907, the earlier letters relating mainly to social matters and containing advice from Parry on points of composition, the later letters relating to the business of the Council of the RCM (Stuart-Wortley was a member of the Council), particularly to appointments of staff and finances (MS 4764).
'History essays', rough examination notes on student's work, undated (MS 6937).
Letter from Parry to [R S] Thatcher, regarding a setting for ['Arthur'], 1910 (MS 6967).
Correspondence with Robert Bridges, 1895, concerning 'Invocation to Music' (MS 7278).
Manuscript draft of Parry's address as Director of the RCM, Jan 1901 (MS 7279).
DMus citations for Elgar and Glazunov [1907] and papers concerning RCM Patron's Fund [1904-1905], (MS 7280).
Correspondence with J F Bridge concerning 'I was glad', 1901-1902 (MS 7281).
Papers and correspondence with Kegan Paul Trench Trubner & Co. concerning Parry's book The art of music, 1896-1911 (MS 7282).
Correspondence with James Murray, editor of the Oxford English Dictionary, 1902, regarding musical information for the dictionary (MS 7283).
4 letters from Hugh P Allen (mostly undated), including letters relating to Parry's election as an honorary member of the Cambridge University Musical Society, and to Parry's election to the Music Board of the RCM (MS 7284).
Correspondence between RCM, Repton School and Novello, publishers, concerning Repton School's use of a hymn tune from Parry's Judith, 1924 (MS 7285).
Miscellaneous drafts, letters and papers, 1898-1931, including various copies of Parry's letters as Director of the RCM, mainly in regard to honours, and correspondence with A P Watt, literary agent, 1916, regarding setting of Rudyard Kipling's poem 'For all we have and are' to music by Parry (MS 7286).
Letters concerning wills, properties and other legal matters, 1907-1924 (MS 7287).
Agreement with Pitman to print The aims and limits of musical education (MS 7288).

Papers of Marion Margaret Scott, 1910-1952, mainly comprising correspondence and papers, 1932-1952, relating to Scott's research on the music of Joseph Haydn, particularly in regard to Haydn's string quartets, and his associations with England, including manuscripts and typescripts of articles on Hadyn by Scott, with three chapters of an unfinished book on Haydn; manuscripts of Scott's edition of Haydn's Quartet Opus 1; correspondence and cuttings regarding research of the musicologist Professor Adolf Sandberger on Haydn's music, 1932-1933; other papers, including manuscripts of vocal and instrumental compositions by Scott; a small amount of other personal and business correspondence, including correspondence relating to the Society of Women Musicians; correspondence with Fanny Davies, pianist, 1927-1931; correspondence relating to the financial affairs and estate of Davies, 1932-1936; two letters from Ivor Gurney [1922-1924], with manuscript and typescript article on Gurney, and correspondence related to her editions of Gurney's songs, including correspondence with the Gurney family, 1949-1951; volume of manuscript poetry by Scott, undated; manuscripts and typescripts of programme notes and articles on London concerts, 1923-1939; manuscripts and typsescripts of unpublished articles and lectures including 'Beethoven today', 'William Hurlstone' and 'Benjamin Britten and Peter Grimes', undated; typescripts of lectures delivered to the Women's Institute, including 'The evolution of English music', 'Musical form - its basis and evolution', 'Musical form, expression and design' and 'Folk songs of four races', 1910; press cuttings on Scott, 1931-1944; autograph book of Fanny Davies at Leipzig and Frankfurt, Germany, including signatures of Salomon Jadassohn, Carl Reinecke and Clara Schumann, 1881-1884; notebook of Sir John Stainer entitled 'The mode of synagogue music' by J Singer, undated.

Papers of or relating to Giovanni Battista Viotti, 1798-1905, comprising a manuscript autobiography 'since his entry into the world until 6 Mar 1798'; manuscript by Viotti on the origin of the 'Rans des vaches', the Swiss mountain melody sung or played to summon cows, recording his own experience of hearing it in Switzerland, undated; holograph will of Viotti, 13 Dec 1822; 5 manuscript letters from Viotti to Caroline Chinnery, Baron de la Ferté, Monsieur Cailheux, Madame Simon, and Monsieur Choron, 1798-1822; 9 letters from Adolphus Frederick, Duke of Cambridge (1774-1850), on musical matters, c1813-1817; letter from George Canning to Mrs Chinnery, on the death of George Chinnery, 31 Oct 1825; letter from Samuel Rogers, poet, [to the Chinnery family], undated; portraits, sketches and prints of Viotti and the Chinnery family; article by E van der Straeten on Viotti, from the journal Die Music, 1902; various letters, 1885-1901 to Edward Heron-Allen on the provenance and content of his collection of Viotti material.