Affichage de 25 résultats

Papers of Herbert Howells, 1899-1978, including notes, manuscript drafts and typescripts of BBC talks and broadcasts (box B), including 'Music and the ordinary listener' (1937), 'Music and everyday life' (1938), 'The Three Choirs Festival in Elgar's time' (1960), tributes to Malcom Sargent (1965) and Sir William Harris (1973); manuscript notes for Royal College of Music (RCM) and University of London lectures (boxes C and D), 1940s-1950s, including talks on his work Sine Nomine (1922), Ivor Gurney (c1939), Hubert Parry (1968), Ralph Vaughan Williams (1972); notes and transcripts for his speeches to various organisations including the Incorporated Society of Musicians (1953), Worshipful Company of Musicians (1957), Royal College of Organists (1959); book of poetry copied on first anniversary of the death of his son Michael Howells, 1936; cuttings of articles by Howells in newspapers and journals, and by others on Howells' music and performances (boxes E and H); papers relating to the Sir James Caird Travelling Scholarships, and notebooks containing Howell's adjudications with draft reports (box F); appointment diaries, 1955,1956 and 1973, address books of Herbert and Dorothy Howells, and printed concert programmes with notes written by Howells (box G), RCM student essays on Howells' music; letters received by Howells from over 260 correspondents, 1915-1978, with particular accumulations from Charles Bathurst Viscount Bledisloe, Sir Arthur and Trudy Bliss, Sir Adrian Boult, Robert Thurston Dart, Sybil Eaton, Gerald and Joy Finzi, Harry Plunket Greene, Walter de la Mare, Sir Hubert Parry, William Rothenstein, Marion Scott, Ralph Vaughan Williams, and others including Sir John Barbirolli, Arnold Bax, Nadia Boulanger, Benjamin Britten, Neville Cardus, Aaron Copland, Sir Henry Walford Davies, Thomas Frederick Dunhill, Keith Falkner, Guido Gatti, Edward Health, Gustav Holst, Joseph Horovitz, Zoltán Kodály, Cecil Day-Lewis, Yehudi Menuhin, Peter Pears, Edmund Rubbra, Harold Watkins Shaw, Sir Charles Villiers Stanford, Sybil Thorndike and Michael Tippett; correspondence relating to his medical condition (1917), with Oxford colleges, with publishers and commissioning bodies, on his Cambridge Doctorate; photocopies of letters from Howells to 30 correspondents, including those already mentioned and to the Carnegie UK Trust; family correspondence (box A).

Papers of Frederic Cliffe, comprising cuttings and correspondence, Feb 1908, regarding Cliffe's letter to The Daily Telegraph, advocating the performance of opera in the English language, and the establishment of a national opera house, 11 Feb 1908; Cliffe's reports as examiner on compositions of students at the Royal College of Music, 1907-1908; agreement with Novello & Co for publication of his 'Ode to the North East Wind', 1905; marriage certificate, 1897; Freemason's certificates, 1895 (MS 6870). Letters (c25) to Cliffe, 1889-1929, including from Sir George Grove and August Manns on performance of Cliffe's symphony for Crystal Palace, 1889; from C V Stanford, regarding submission of Cliffe's work for the Leeds Festival, 1901; from Hubert H Parry recommending Cliffe for appointment as Principal of the Guildhall School of Music, 1910; from Sir Hugh Allen, on Cliffe's retirement from the RCM, 1929 (MS 6871).

Notebook of Jack Meredith Tatton in relation to singing studies at the Royal College of Music, 1926.

Papers of Sir Charles Hubert Hastings Parry, comprising:
Manuscripts of Parry's lectures on various musical subjects at the Royal College of Music, the Royal Institution, Oxford, Birmingham and Leeds, c1891-c1915 (MS 4305-4338, 4811-4812).
15 letters from Parry to Charles Stuart-Wortley, 1876-1907, the earlier letters relating mainly to social matters and containing advice from Parry on points of composition, the later letters relating to the business of the Council of the RCM (Stuart-Wortley was a member of the Council), particularly to appointments of staff and finances (MS 4764).
'History essays', rough examination notes on student's work, undated (MS 6937).
Letter from Parry to [R S] Thatcher, regarding a setting for ['Arthur'], 1910 (MS 6967).
Correspondence with Robert Bridges, 1895, concerning 'Invocation to Music' (MS 7278).
Manuscript draft of Parry's address as Director of the RCM, Jan 1901 (MS 7279).
DMus citations for Elgar and Glazunov [1907] and papers concerning RCM Patron's Fund [1904-1905], (MS 7280).
Correspondence with J F Bridge concerning 'I was glad', 1901-1902 (MS 7281).
Papers and correspondence with Kegan Paul Trench Trubner & Co. concerning Parry's book The art of music, 1896-1911 (MS 7282).
Correspondence with James Murray, editor of the Oxford English Dictionary, 1902, regarding musical information for the dictionary (MS 7283).
4 letters from Hugh P Allen (mostly undated), including letters relating to Parry's election as an honorary member of the Cambridge University Musical Society, and to Parry's election to the Music Board of the RCM (MS 7284).
Correspondence between RCM, Repton School and Novello, publishers, concerning Repton School's use of a hymn tune from Parry's Judith, 1924 (MS 7285).
Miscellaneous drafts, letters and papers, 1898-1931, including various copies of Parry's letters as Director of the RCM, mainly in regard to honours, and correspondence with A P Watt, literary agent, 1916, regarding setting of Rudyard Kipling's poem 'For all we have and are' to music by Parry (MS 7286).
Letters concerning wills, properties and other legal matters, 1907-1924 (MS 7287).
Agreement with Pitman to print The aims and limits of musical education (MS 7288).

Records of the Registrar of the Royal College of Music, 1883-1977, comprising registers of scholars, 1883-1944; registers of students, 1883-1977; registers of student studies, recording students' courses and names of their teachers, 1921-1976; register of teachers' training courses, 1926-1937; register of Scholarship applications, 1935-1957; registers of student applications, 1883-1960; register of Graduates of the Royal Schools of Music (GRSM) students, 1940-1945; papers relating to weekly teaching hours by professors, 1950-1961; examination requirements for Associateship of RCM, 1918-1942.

Records of the Vice Director of the Royal College of Music, 1959-1984, comprising minutes of the Keyboard Faculty, 1981-1984; Singing Faculty, 1982-1984; Wind Faculty, 1982-1984; Strings Faculty, 1982-1984; Theory and Composition Faculty, 1981-1984; Associated Board, 1984; general correspondence relating to the Associated Board of the Royal Schools of Music, 1974-1982; minutes of the correspondence relating to the Finance Committee of the Associated Board, 1978-1980; papers relating to the degree of Bachelor of Music, comprising degree results, 1959-1979, and general notices and past examination papers, 1973-1979; entrance and scholarship examinations, 1977-1982; Graduate of the Royal Schools of Music (GRSM) results, 1959-1979; papers relating to the upgrading of the GRSM by the RCM and the Royal Academy of Music, 1975-1979; papers relating to the Junior Department: appeal and jubilee, 1977-1979, and Bursary Committee, 1980-1988; papers relating to Douglas Craig and Jack Forsyth in regard to the Opera School 1978-1980; Orchestral Board papers, 1976-1981; papers relating to the Students' Association, 1976-1983; Exhibitions, 1966-1984; scholarships, 1962-1984; graduation, 1974-1984; professors, 1979-1984; Department of Education and Science, 1977-1984.

Records of the Director of the Royal College of Music RCM), 1884-1990, including minutes of the Board of Professors, 1894-1993; reports of annual examinations, 1884-1908; Certificate of Proficiency examinations minute book (recording exam regulations and marks awarded), 1886-1899; correspondence to Sir George Grove, Director of the RCM, from the Office of the Prince of Wales, 1884-1888, with material relating to the building of the RCM funded by Samson Fox and opened in 1894; correspondence from Sir Ernest Palmer in regard to aim of the Palmer Fund for Opera Study, 1924; RCM Emergency Concerts Society: correspondence, notices and programmes, 1939; curricula of the Graduate of the Royal Schools of Music (GRSM), 1961-1979.

Papers of Charles Thornton Lofthouse, 1950s-1970s, comprising correspondence and associated material relating to his role as a music examiner; research papers and related correspondence for lectures and courses, mostly relating to 17th and 18th century music and the harpsichord repertoire; research papers for his Commentaries and Notes on Bach's Two- and Three-Part Inventions (London, 1956); programmes and cuttings of recitals by Lofthouse or in which he participated; music scores annotated by Lofthouse.

Letters (193) from Mrs Anne Oldham to her daughter Edith Oldham, 1880-1888 (MS 6863); letters (514) from Sir George Grove to Edith Oldham, 1883-1899 (MS 6864).

Letters (6) to Charles Santley, 1882-1894, including invitation to participate in the Duke of Edinburgh's concert in aid of funds for the Royal College of Music (with Santley's draft letter of declining), Apr 1882; invitation from George Grove for Santley to teach male vocalists at the RCM, Aug 1882; from Arthur Sullivan, requesting a score, Nov 1885; from W S Gilbert, advising that Santley's son be appraised by Sullivan rather than himself in regard to a part at the Savoy Theatre, London, Feb 1894. The collection also includes a contract for John Benje at the Theatre Royal, Covent Garden, London, Apr 1842.

Termly reports (12), 1894-1898, of the Royal College of Music on Thomas Haigh, student in organ and piano.

Records of the National Training School for Music, 1873-1882, comprising minutes of the Committee of Management, 1873-1882, including proposed charter of the School, concert programmes, accounts, and correspondence; register of scholars, 1876-1882 (indexed).

Papers of Henry Thring, 1st Baron Thring, relating to the establishment and constitution of the Royal College of Music (RCM), 1877-1883, mostly comprising correspondence of Thring (mainly his office copies) and members of the Committee of Management of the National Training School for Music, Prince Christian's Executive Committee of the Royal and National College of Music and the Council of the RCM, particularly in regard to the drafting and granting of the royal charter to the RCM, with manuscript and printed drafts of the charter of the RCM and regulations of the RCM. The papers also include a small quantity of material relating to Thring's RCM Building's Sub Committee to report on the heating, ventilation and drainage of the new RCM building, 1889; the minute of condolence of the Council of the RCM on the death of Lord Thring, 14 Mar 1907; correspondence relating to the donation of the Thring papers to the RCM, 1951.

Records of the Bursar of the Royal College of Music, including copy of Order in Council for passing Charter of the RCM with related papers, 1883; licences from Commissioners for the 1851 Exhibition for building at RCM, 1905-1976, including copy of original lease of 1891; accounts of donations, 1882-1896; register of subscribers, 1922-1946; RCM General Regulations and Annual Report, 1883-1884; contracts of Directors of the RCM on appointment, 1918-1984; annexes to Council papers (reports Director from RCM departments), 1888-1994; papers relating to conversion of examination room into Parry Opera Theatre, 1919-1923; papers, plans, photographs and correspondence relating to building extensions, 1962-1963; New Building Appeal (1969) papers, 1968-1970; papers relating to purchase of 6-8 Evelyn Gardens from the Royal Society of Musicians, for conversion into student accommodation (Robert Mayer Hall), 1968-1979; report by Norman and Dawbarn on condition of 1894 RCM building interior, 1972; building consultants' meetings minutes, 1982-1983; papers and reports on Opera Theatre, 1984-1988; papers on completion of Library works, 1984; specification for refurbishment of Concert Hall, 1993; Departmental reports to Council and Patron's and Palmer Fund, 1980-1989; Administrative Staff insurance papers, 1936-1979; RCM pensions trust deeds, 1962-1987; Prince Consort Foundation trust deeds, 1983-1999, and accounts, 1982-1994; George Donaldson Gift of instruments trust deeds, 1894; papers relating to the Museum of Instruments, 1968-1970, 1973-1980; lists of RCM stringed instruments, 1943-1993; Patron's Fund trust deeds, 1903-1912; John Astor Fund trust deeds, 1935; agreements between RCM and Royal Academy of Music in regard to development of the Associated Board, 1896-1920; Department of Education and Science, correspondence and accounts, 1973-1986; graduation ceremony programmes, 1995; miscellaneous papers on investments and pensions, 1962-1975, 1980-1985.

Papers of Sir Henry Walford Davies, 1890-1969, including correspondence on his music and career (correspondents include Dean Albert Baillie, Robert Bridges, Henry Colles, Sir George Grove, August Jaeger, Charles Parry, Sir Walter Parratt, Sir Charles Stanford), 1891-1937; engagement diaries, 1890-1941; notebooks, c1917-1931; music note and sketch books, c1891-1927; manuscript music of arrangements compiled as a student at the Royal College of Music, 1890s; lists of published musical works; copyright and royalty correspondence, 1895-1954; correspondence relating to publications and proposed publications, including 'New Fellowship Song Book', 'Music and Worship', First steps in music and A four years' course in music, 1930-1934; manuscript music for a proposed song book for schools, 1938-1939; typescripts, correspondence relating to 'The Psalter newly printed', 1933, the BBC hymn book, 1938-1939, and the Army hymn book, 1940; letters and papers relating to the School of Church Music and the College of St Nicolas, 1933-1936; manuscript notes and printed programmes of lectures by Davies, 1909-1938, including Royal Institution lectures 'Music in relation to other arts' (1910) and 'To untrained listeners' (1915), and Gresham music lectures, 1924-1938; typescripts of Davies' BBC radio broadcasts to schools on music with printed scholars' manuals, 1924-1938; typescripts of Davies' BBC radio broadcasts `Music and the ordinary listener', 1926-1939; associated correspondence and printed material relating to BBC radio broadcasts, 1924-1941; typescripts and notes for 'Keyboard talks', 1933-1935; manuscript music, notes and typescripts of Davies BBC radio broadcasts 'Melodies of Christendom' and Empire Day talks, 1934-1939; private correspondence relating to his work for radio, 1933-1937; letters from BBC listeners, 1936-1937; letters to Lady Davies on Davies death, 1941; biographical material on Davies compiled for Walford Davies: a Biography by H C Colles (London, 1942), including published material on Davies, 1919-1943; papers relating to commemoration of centenary of Davies' birth, 1969.

Records of the Junior Department of the Royal College of Music, 1897-1976, comprising register of student applications for Junior Dept, 1897-1944; register of Junior Dept students, 1897-1921; student fees journals (gives personal and academic records of students), 1961-1976; student fees ledger, 1970-1976.

Papers of Lucy Jane Gibbons comprising notebook containing manuscript copies of her letters, giving details of her student life at the Royal College of Music, 1908-1909; letters testimonial (5) from her teachers at the RCM, 1909-1910; letter from Yehudi Menuhin to Miss M H Gibbons [sister of Lucy Gibbons], with thanks for her gift to his school, 1963.

Papers of the Society of Women Musicians (SWM), 1911-1972, including annual reports, 1914-1972; minutes, 1967-1973; book of members elected and resigning, 1920-1960; fixture cards, 1915-1971; memorandum and articles of association, 1930; programmes and handbills of concerts, recitals and lectures organised by the SWM, 1912-1972; notices to members, 1911-1972; programmes of Ivimey Concerts, 1966-1971; papers relating to the foundation of the society in 1911, its constitution and initial membership, comprising correspondence, minutes, notes; correspondence on engagement of women with professional orchestras, 1920, 1928-1929; correspondence with speakers for lectures, 1933-1971; correspondence relating to BBC women's conference, 1936; correspondence with the Associated Board of the Royal Schools of Music regarding the appointment of women examiners,1937-1956; various correspondence relating to the SWM presidency, membership, SWM library accessions, celebrations of SWM golden jubilee, 1961 and diamond jubilee 1971; news cuttings on the deaths of K Dorothy Fox, 1934, Marion Margaret Scott, 1953, and Katharine Emily Eggar, 1961, with related correspondence; printed material including The Music Student: special number devoted to the subject of women's work in music, May 1918; pamphlet of meeting in commemoration of Marion Margaret Scott, Jun 1954; press cuttings books relating to women musicians and the SWM, 1892-1964; correspondence relating to the dissolution of the SWM and donation of its records to the Royal College of Music, 1973-1974.

Records of the Council of the Royal College of Music, 1873-1995, including minute books, 1883-1978; agendas of Council, Corporation and sub-committees, 1887-1966, 1978-1979; attendance records of Council, Corporation and Committees, 1885-1958; Annual Reports of the RCM, 1884-1990; Executive and Finance Committee minutes, 1883-1991; financial statements of account, 1887-1974; reports to the Corporation and balance sheets, 1884-1991; RCM Ladies and Visiting Committee minutes, 1885-1887; RCM Building Committee minutes, 1888-1894, 1981-1986; Canteen sub-committee minutes, 1982-1983; RCM Institutional Reviews and Strategic Plans, 1994-1995; Financial regulations and terms of reference for Committees, 1993; RCM submission in response to the Gowrie Report, proposing a merger with the Royal Academy of Music, 1990; Bristol Scholarship minutes, 1882-1937; minutes, financial papers and reports of the Patron's Fund and Ernest Palmer Fund for Opera Study, 1903-1989; Patron's and Ernest Palmer Fund Committee minutes, 1977-1988; events book (including National Training School for Music), 1873-1913.

Papers of Edward George Dannreuther, 1900-1904, including manuscript of 'Bach's chamber music', undated; typescript and manuscript notes of 'The Romantic movement from Weber to Wagner', published as 'The Romantic period', volume 6 of the Oxford History of Music (1905); manuscripts by Dannreuther of various works by Franz Liszt and part of 'L'enfance du Christ' by Hector Berlioz; manuscript music by James Friskin (1886-1967), student of Dannreuther; notebook of Edward Dannreuther, recording names of his pupils and pieces of music each was studying, 1900-1904 (MS 1083).

Records of the Finance Office of the Royal College of Music, 1880-1988, including account ledgers, 1882-1977; nominal ledgers, 1977-1985; accounts of students' fees, 1949-1975; unpaid student fees, 1940-1966; examination fees, 1936-1977; cash books, 1882-1963; petty cash books, 1930-1987; Director's Fund cash books, 1882-1958; capital account stock certificates and accounts, 1880-1975; RCM Revenue Accounts and balance sheets, 1924-1977; Revenue Account cash books, 1882-1963; RCM Union members' cash book (with names of members and dates of subscription) and accounts, 1905-1935; opera equipment account books, 1926-1934; Parry Room account books, 1922-1977; staff pension ledger and cash books, 1924-1975; payments cash books, 1968-1977; temporary disbursements cash books, 1940-1966; transfer account books, 1925-1965; Miscellaneous Trust Fund Account papers, 1928-1975; Air Raid Staff Cover Insurance policies, 1918, 1962; Building and Maintenance Fund cash book, 1922-1975; Special Purposes Fund ledger, 1924-1939; National Relief Fund ledger, 1920-1932; Subscribers' Register ledger, 1952-1973; 'establishment and guide' books (recording names of staff, positions, pay), 1884-1938; Professors' tuition fees books, 1884-1946; Graduate of the Royal Schools of Music (GRSM) cash book and ledger, 1930-1942; New Building and Development Fund Appeal accounts, 1969-1976; liabilities ledger, 1896-1928; general accounts , 1984-1985; student fees accounts, 1979-1988; professors' payroll and related papers, 1983-1986; administration payroll and related papers, 1958-1988; Junior Department bursaries correspondence, 1974-1981; investment account papers, 1980-1987; Prince Consort Foundation, Trustees' cash book, 1981-1983.

Two reports on Ivor L Foster as a student of the Royal College of Music, 1898-1900, signed by Sir Hubert Parry, with covering letter from James Spooner, Foster's grandson.

Notebook of Liz Karger (née Rosenberg) on lectures made by Wanda Landowska, 1929-1930, including notes on performance of various keyboard pieces by Johann Sebastian Bach, George Frideric Handel, and Wolfgang Amadeus Mozart.

Letters and cards to Joan Stocker, comprising a reference from W H Reed, 8 Feb 1935; 4 letters and Christmas cards from W H Reed, 1938-1941; order of Service, 'In Memoriam Dr. William Henry Reed', 18 Jul 1942; reference from S P Waddington, 5 Feb 1935; letter from Charles Thornton Lofthouse, 18 Jan 1937; typed circular letter with autograph signature from Sir Hugh Allen, Jul 1933; Diploma exam papers 1 and 2: Joint Graduate Course of the Royal Academy of Music and Royal College of Music, Jul 1935.

Records of the Council of the Royal College of Music, 1894-1990, including floor plans of College c1894; plans of Concert Hall organ by Harrison and Harrison, 1958; Concert Hall (existing), 1960; extensions to the college, 1962; floor plans of College (existing), 1963; lifts, kitchen, squash court [proposed but never built], fire alarms and emergency lighting, electrical installations, 1961-1985; Opera School and Students' Recreation Room, 1970-1973; additional vault Practice Rooms, 1972; alterations to the Parry Theatre, 1973; Opera School staircase, 1979; Dining Room, 1982-1983; Library, 1984; Britten Opera Theatre, 1984-1986; Concert Hall refurbishment, 1990.