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Papers of or relating to Giovanni Battista Viotti, 1798-1905, comprising a manuscript autobiography 'since his entry into the world until 6 Mar 1798'; manuscript by Viotti on the origin of the 'Rans des vaches', the Swiss mountain melody sung or played to summon cows, recording his own experience of hearing it in Switzerland, undated; holograph will of Viotti, 13 Dec 1822; 5 manuscript letters from Viotti to Caroline Chinnery, Baron de la Ferté, Monsieur Cailheux, Madame Simon, and Monsieur Choron, 1798-1822; 9 letters from Adolphus Frederick, Duke of Cambridge (1774-1850), on musical matters, c1813-1817; letter from George Canning to Mrs Chinnery, on the death of George Chinnery, 31 Oct 1825; letter from Samuel Rogers, poet, [to the Chinnery family], undated; portraits, sketches and prints of Viotti and the Chinnery family; article by E van der Straeten on Viotti, from the journal Die Music, 1902; various letters, 1885-1901 to Edward Heron-Allen on the provenance and content of his collection of Viotti material.

Records of the Bursar of the Royal College of Music, including copy of Order in Council for passing Charter of the RCM with related papers, 1883; licences from Commissioners for the 1851 Exhibition for building at RCM, 1905-1976, including copy of original lease of 1891; accounts of donations, 1882-1896; register of subscribers, 1922-1946; RCM General Regulations and Annual Report, 1883-1884; contracts of Directors of the RCM on appointment, 1918-1984; annexes to Council papers (reports Director from RCM departments), 1888-1994; papers relating to conversion of examination room into Parry Opera Theatre, 1919-1923; papers, plans, photographs and correspondence relating to building extensions, 1962-1963; New Building Appeal (1969) papers, 1968-1970; papers relating to purchase of 6-8 Evelyn Gardens from the Royal Society of Musicians, for conversion into student accommodation (Robert Mayer Hall), 1968-1979; report by Norman and Dawbarn on condition of 1894 RCM building interior, 1972; building consultants' meetings minutes, 1982-1983; papers and reports on Opera Theatre, 1984-1988; papers on completion of Library works, 1984; specification for refurbishment of Concert Hall, 1993; Departmental reports to Council and Patron's and Palmer Fund, 1980-1989; Administrative Staff insurance papers, 1936-1979; RCM pensions trust deeds, 1962-1987; Prince Consort Foundation trust deeds, 1983-1999, and accounts, 1982-1994; George Donaldson Gift of instruments trust deeds, 1894; papers relating to the Museum of Instruments, 1968-1970, 1973-1980; lists of RCM stringed instruments, 1943-1993; Patron's Fund trust deeds, 1903-1912; John Astor Fund trust deeds, 1935; agreements between RCM and Royal Academy of Music in regard to development of the Associated Board, 1896-1920; Department of Education and Science, correspondence and accounts, 1973-1986; graduation ceremony programmes, 1995; miscellaneous papers on investments and pensions, 1962-1975, 1980-1985.

Papers of Stephen Moore, 1926-1961, including correspondence on the establishment of the Worcestershire Association of Music Societies, including letters from prospective patrons Sir Hugh Allen, Carice Elgar Blake, Sir Edward Elgar, Sir W H Hadow, Sir Hamilton Harty; correspondence regarding Moore's donation of percussion instruments to the Royal College of Music, 1948; newspaper cuttings and order of service for the unveiling and dedication of the memorial to Elgar in Westminster Abbey, 1 Jun 1972.

Papers of Betty Matthews, 1907-1997 (predominantly 1960-1997), including correspondence, research notes, printed articles, booklets and pamphlets mainly relating to organs and organists, particularly English church organs, and including papers relating to Matthews' research topics, including 18th century concert life in South West England; the organs of Exeter Cathedral, Norwich Cathedral, Buckingham Palace, Eaton Hall (Cheshire), Lulworth Castle, Bath Assembly Rooms, Barnstaple Parish Church, and St James Church, Poole; organ building families, including the Lefflers, the Corfes, the Loosemores, the Gosses, the Harrises and the Dallams; organs built by John Avery, Bernard 'Father' Smith, and Thomas Swarbrick; John Skelton Bumpus and his library; Thomas Norris (1742-1790), organist; Kirckman harpsichords; the research, publication and distribution of Matthews' articles, including 'Mendelssohn and the organ of Crosby Hall' (Musical Times, 1973); 'Samuel Sebastian Wesley, 1810-1876: a centenary memoir' (Kenneth Mummery, 1976); 'Winslade of Winchester' (Musical Times, 1978); 'William Parke and the Royal Society of Musicians' (Musical Times, 1988); 'The Lincoln family' (The Organ, 1989); 'James Hook and his family' (Musical Times, 1990).

Papers of Charles Thornton Lofthouse, 1950s-1970s, comprising correspondence and associated material relating to his role as a music examiner; research papers and related correspondence for lectures and courses, mostly relating to 17th and 18th century music and the harpsichord repertoire; research papers for his Commentaries and Notes on Bach's Two- and Three-Part Inventions (London, 1956); programmes and cuttings of recitals by Lofthouse or in which he participated; music scores annotated by Lofthouse.

Notebook of Liz Karger (née Rosenberg) on lectures made by Wanda Landowska, 1929-1930, including notes on performance of various keyboard pieces by Johann Sebastian Bach, George Frideric Handel, and Wolfgang Amadeus Mozart.

(1) Lease and (2) Release, 19-20 Mar 1770, between Mary Lewis and Jacob Kirkman, concerning land in Walton-upon-Thames.
(3) Presentment, 1771, by Jacob Kirkman against Robert Falkener, for counterfeiting Kirkman's name on harpsichords sold by Falkener.

Volume containing documents relating to a clavichord made by Johann Bohak, Vienna, 1794, belonging to the composer Joseph Haydn, including incomplete keyboard partite in manuscript of Haydn [1766]; letter from Anton Prinster on provenance of the partite, 1835; statement by Anton Richter on the provenance and ownership of the clavichord [1852]; letter from Prinster on same subject, 1852; statement from Prinster's niece, Fanny Elssler, on same; letter to Anton Richter from members of his orchestra in Eisenstadt, Austria, on a performance of his Requiem, undated; English translations of the original German documents; two letters from Hans Richter, on sale of the manuscripts, 1911; article `Haydn's clavichord and a sonata manuscript' from The Musical Times, 1 Apr 1930.

Ledgers of Erard, harp manufacturers of London, c1798-1917, giving details of purchasers, prices, packing, transport, repairs and exchanges

Volume of writings [c1879-1880] by Carl Engel entitled 'Musical Antiquities and Studies', containing manuscript autobiographical preface and list of his works; printed article 'Music of the Gypsies'; printed article 'Some Account of the Clavichord with Historical Notes'; manuscript 'The Music of the Assyrians'; manuscript 'Aeolian Music'; manuscript 'Testimonies to the artistic value of National Music'; manuscript 'English Musical Dictionaries'; manuscript 'The Unknown Great'; manuscript 'The First Attempt'.

Correspondence between John Denison, W H F Blandford and Raymond Bryant on horn technique, particularly in relation to Haydn's Trio in E flat for violin, cello and horn, 1938-1939.

Personal papers of Adrian Francis Cruft, 1933-1990, including diaries, 1936-1968 (missing 1938,1955, 1961); correspondence during his war service, 1945; notebooks on Associated Board trips to Africa, Prague and Malta, 1969-1986; typescript and manuscript notes by Cruft, giving biographical details, letters to the press, thoughts on composition and thoughts of Eugene Cruft (father) on the double bass; articles by others on Cruft; volume of published and typescript articles and talks by Cruft, 1958-1984, on music and other musicians, including Gordon Jacob, Edmund Rubbra, Bernard Stevens, the Royal Society of Musicians, the double bass, the British Music Information Centre; press and magazine cuttings on Cruft and his work; commission payments and contracts, 1948-1982; replies to Cruft from others on performance of his music, including Evelyn Rothwell, Peter Pears and Janet Baker; music certificates and diplomas, 1948-1981; programmes, 1947-1950s of concerts with Cruft as an orchestral player; obituaries on Cruft; mementos of early education, including school reports, certificates, cuttings, programmes and tickets, 1933-1937; reports on Cruft as student at Royal College of Music; letters from friends and colleagues, including Jacob, Rubbra, Adrian Boult and Malcom Arnold; papers relating to the Adrian Cruft Prize at the RCM, 1980s; files relating to particular institutions or subjects, including the World Association and British Association of Symphonic Bands and Ensembles, the British Broadcasting Corporation, Society for the Promotion of New Music, music in rural schools; correspondence of Cruft and Jocelyn Cruft with international contacts and institutions, 1980s-1990; personal and business correspondence, 1980s; copyright and commission statements, 1960s-1990.

Correspondence mainly relating to organ construction and playing, 1896-1949, comprising 7 letters from Sir Walter Alcock, George Cunningham, Basil Harwood, John Ireland and William Murray,all to George Dixon; letter from Henry Willis to F J Livesey; letter from Percy Whitlock to Cecil Clutton.

Records of Bechstein of Berlin and London, piano-makers, 1880-1946, and of the Bechstein Hall and Wigmore Hall, 1901-1951, comprising sales books of Bechstein, giving names of purchaser and details of instruments purchased, 1880-1927; wages book of Bechstein staff, 1890-1912 and stock book, 1946; sales ledger, 1916-1921; instrument hire account book, 1912-1917. Bechstein Hall, day book, 1901-1916 (also includes day book of Arts Council of Great Britain, 1916-1951); hire day book, 1911-1916; cash book, 1912-1916 (and Wigmore Hall, 1934-1916). Wigmore Hall cash book, 1917-1924; daybook, 1930-1946; ledger, 1938-1946.