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The Constance Howard Resource and Research Centre in Textiles contains archives, Materials Collections and a library related to textiles and to the development of textile art. Collections include the archives of the Goldsmiths Textile course 1948-2009, 13, 000 slides of the work of graduates, alumni and staff of the course, teaching notes of the founding team, Constance Howard MBE, Barbara Dawson and Christine Risley. The Materials Collections include items from Constance Howard's personal collection of embroidery and costume; textile samples, a collection of techno-fabric samples from Nuno in Japan; and over 3,000 textiles donated or commissioned for the Centre. Archives include the records of textile artists and groups influenced by the Goldsmiths Textiles course, including the '62 Group' and the 'Fibre Art Group', [1962-2000], both groups of professional textile artists formed to raise the profile of textile art. These archives include slides, photographs, newsletters, correspondence, accounts, reviews and committee minutes. There are over 5,000 books and pamphlets in the specialised library which includes Constance Howard's book collection, and is strong in materials on textiles published in Eastern Europe in the later 20th century.

Papers of Albert Lancaster Lloyd, 1953-[1982], comprising materials relating to traditional folk music from around the world, especially Eastern Europe, notably newspaper cuttings, photographs, typescript notes, drafts of articles, diaries, notebooks, broadcast scripts and texts of lectures on subjects including:
English folk music, including erotic songs, ballads, carols, London songs, Morris dancers, North-East songs and poetry.
Romanian folk music, [1955-1973], including notes on subjects including costume, customs, instruments, proverbs, social life and topography, as well as a large number of photographs depicting native song and dance.
Hungarian folk music, [1946-1970s], including notes on subjects such as art, custom, dance, history and instruments.
Bulgarian folk music, [1954-1960s], including papers, correspondence and photographs on costume, dance, recorded music, and topography.
American folk music, [1949-1967], including materials on cowboys, blues and jazz, spirituals, work songs and vagrants.
Industrial song, [1950s-1970s], including miners, textile workers, political songs, and American work songs.
The collection also includes material on Chinese and Australian traditional music.

A substantial collection on cinema compiled by Deac Rossell, consisting of a collection of published books, pamphlets and ephemera and a collection of manuscripts. The print collection is wholly international in scope, containing predominantly post-1950 material, including many reference works, on the history of motion pictures. The collection has both diversity and depth. There are significant holdings on several topics, including animated films, documentary, studio histories, British cinema, Asian cinemas, Indian cinema, Arab cinema and black films and filmmaking of all types including African-American cinema and African national cinemas. Within these thematic groups, the few English-language histories or director studies are mostly present, sometimes backed up with substantial works in other languages; a feature of most of these themes are monographs on individual filmmakers from small publishers and/or unusual sources. There is also a group of film festival catalogues from the 1980s and 1990s, where there are often significant essays on national cinemas or current productions which have never been published in book form - such as the excellent writing on Hong Kong films and filmmakers from the elaborate catalogues published by the film festival in that city. Extensive filmographies can be found in the collection of directories and festival programmes from around the world. There are more than 850 books in total and around 1,000 pamphlets and programmes. There is a collection of posters included and also 10 manuscripts, including that of Deac Rossell’s work 'Living pictures: origins of the movies', 1996.