Affichage de 8 résultats

The Runnymede Collection comprises books, pamphlets, journals, newsletters, bulletins, press cuttings and working files. The Trust's original working research files contain correspondence, press releases, reports, journal articles and other documents. Subject areas include immigration, deportation, citizenship and nationality, race and racism, politics and race relations, far-right political groups in Britain and abroad, employment, housing, inner cities, social services, health and the National Health Service, education, policing, crime and racially motivated crime, prisons, ethnic minorities and the legal system, demography and the ethnic population in Britain, migrants and ethnic issues in Europe and the European Community, women from ethnic groups in Britain, the media and ethnic minorities, human rights.

Records of the Hornsey College of Arts and Crafts, 1882-[1996], including signed minute books of the Committee Meeting of the Hornsey School of Art, 1882-1915; a minute book of the governors of the Hornsey School of Art, 1894-1900; picture prospectus, 1900, including examples of student work and views of the School; volume containing the signatures of the Committee members of the Willesden Polytechnic School of Art, given to Frank Swinstead, possibly on his retirement from there in 1907; Swinstead family material, [1880-1920], notably a scrapbook containing letters, cards and invitations, and family photographs; a scrapbook of the Hornsey School of Art Sketch Club, 1900, containing a series of verses by Horace Augustus Mummery about the life of the School entitled Poetical composition to Fine Arts'; memorabilia collected by Sheila MacEwan relating to her teaching work at the School, [1913-1957], notably printed books by MacEwan and others relating to crafts, programmes, press cuttings and photographs of students, staff and teaching methods; various typed reports of the Hornsey School of Arts and Crafts, 1935-1957, including Principal's Reports, Annual Reports and County Council Reports; papers of the Arts and Recreations Committee, 1940s; press cuttings relating to the College, 1960s-1990s; prospectuses, 1947-[1982], including a facsimile of a 1905 prospectus; set of miscellaneous minutes, 1960s; publications of the Advanced Studies Group; material relating to student work, [1960-1980], especially relating to industrial and graphic design, and including photographs, reports, publications and teaching materials; documents relating to students, [1970s-1980s], including photographs, student lists, and notes on subsequent careers; material concerningA century of art education', a centenary exhibition staged at New Gallery, Crouch End, in 1982, including a visitors book and photographs; photographs of the Cat Hill site, [1970s-1980s]; film reels and videotapes, possibly relating to student work, 1990s.

Over 80,000 newspaper and journal cuttings from national and local press, 1930s-1990s, covering all aspects of gay life from the 1930s to the present time. The range of topics covered in the collection is very broad and includes arts and the media (film, television, theatre, literature, and entertainment), censorship and obscenity laws, counselling and sex education, employment, international and British lesbian and gay organisations, sexual law reform, trials, prisons, lesbian and gay politics, "the pink economy", religion, transsexuals, transvestism, sex education, health and biographies. The collection is of prime interest to those studying visual culture and the influence of the media on public and private attitudes, but also to law students, twentieth century historians, psychologists and social scientists. The collection also includes a complete bound set of Gay News and its photograph collection, a nearly complete set of Gay Times, and a collection of banners (including those of OutRage!), badges, T-shirts and other artefacts.

Large collection of original printed advertisements taken from a wide range of magazines, focussing primarily on British and American companies, and dating from the late 19th century to the 1970s. Products represented include clothing, cosmetics, food and drink, dental care, health, shaving, home and office, leisure, services (including armed forces and companies), tobacco and transport.

Collection of publications, documentation and archive material relating to Caribbean Carnival, predominantly focussing on carnival in Trinidad and at London's Notting Hill, and dating from 1956 to 1999. The collection includes books, press cuttings, magazines and journals, extracted articles, programmes from Carnival at Notting Hill and in Trinidad and Tobago, programmes from carnival theatre performances, press releases, newsletters of The Association for a Peoples' Carnival, photographic documentation of Caribbean and diasporic carnivals, costume designs, video recordings, audio recordings of carnival music and interviews with key practitioners, and slides of carnivals, mask making and masquerades.

Large collection of garments and accessories, dating from the late Victorian period to the 1970s, including dresses, shoes, hats, bags, underwear, jewellery, haberdashery and perfume bottles. The majority of the collection dates from the 1920s and 1930s, and is mainly comprised of women's clothing, though there are items of menswear such as uniforms, overcoats and suits.

Collection of corporate and student publications produced from the Hornsey College of Art, Middlesex Polytechnic and Middlesex University, 1956-2001, including prospectuses, 1956-1987; handbooks and diaries, 1980s-2001; publicity produced for art and design shows, 1980s-2001, notably for textiles, fashion and fine art, and including posters, catalogues and invitation cards; and architectural plans of the Cat Hill campus.

Papers of Paul Peter Piech, 1960s-1970s, mainly comprising copies of books produced by the Taurus Press, his private press begun at his home in Bushey Heath. These books include America and Selected poems, both by William Blake; several are very limited editions. There are also copies of books illustrated by Piech using woodcuts and linocuts.