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The Palace of Delights, by Alan Wilson, November 1985. Audio recording on tape and CD.

Where the clocktower stands in the Mile End Road c 2001. Audio recording on CD.

Programme and papers relating to the Christmas concert 2007.

Scores of pieces written by Alan Wilson including 'Ode to Music' for Robert Tong's retirement; Christmas carol arrangement for 'Wish you a Merry Christmas'; QMUL and Westfield College songs; Palace of Delights vocal and orchestral score.

The Palace of Delights correspondence, posters, notes connected to the play; programmes 1979-1999; flyers for events 2013.

Material relating to the work of performance artist, tattooist and piercer, Jon John. Primarily comprises of artefacts in the form of clothing, props and artwork used in or generated by his performance pieces, with photographs and some contextual information such as sketches.

Contains material relating to the following performance events:

• Love to Love (2010)
• The Limit to Your Love (2011)
• ErosThanatos (2011)
• You Never Love Only Once (2011)
• Kataragama (2013)
• For You to Stare at Your Own Blood (2013)
• The 2 of Us - work in progress (2013)
• The 2 of Us (2014), including two oversized blood on canvas/silk artworks
• Love on Me - work in progress (2016)
• Love on Me (2017)
• Mole performance (2017)
• Unrealized Performances (2013-2017)

Also contains material from:

• Photoshoots (2011-2017)
• "St. Sebastian" merchandise - shirt (2017)

Papers concerning the career of performance artist Ian Hinchliffe (1942-2010), primarily comprising of promotional material and photographs capturing performances by Hinchliffe and his collaborators. Includes promotional material relating to Hinchliffe's performance group, the Matchbox Purveyors, founded in 1971.

T
he material covers both Hinchliffe's early to mid career in the 1970s and 1980s, with the focus predominantly on work undertaken under the Matchbox Purveyors, to his later work, concentrating on durational performances with regular collaborators such as Tony Green, Hugh Metcalfe and David Crawforth.

Also contains a smaller volume of material relating to the planning and execution of Hinchliffe's work, including pages from a notebook of illustrated performance plans, annotated scripts, correspondence, and contracts. There is also a small amount of personal material, such as photographs of Hinchliffe as a baby, and illustrated diaries of his fishing trips.