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Tony Arnell is a casting director, who worked for well known television companies including LWT. Prior to this he worked at Spotlight, alongside talent spotter Cary Ellison, to encourage actors and actresses to sign up to be included in the publication. Throughout his career, Mr Arnell visited theatre productions to spot actors to either encourage to join Spotlight, or that he might want to cast in the shows he was working on. The Tony Arnell Theatre Programme Collection consists of programmes for theatrical productions seen by Tony Arnell from 1960s- 1980s, with his notes inside detailing his thoughts on the cast, production and play. The programmes are predominantly for shows in the South-East of England, and also include annotated programmes for performances by Drama School and as part of the London Fringe Festival. The collection also includes some from programmes from the 1990s and 2000s, although these are not annotated.

Also included in the collection are items related to the '12' group- founded in 1958 by Cary Ellison as a gathering of casting directors, theatrical agents and other leading figures in the theatre industry. Tony Arnell took over as president in 1988 and continued to run the group until its closure in 2004. Items in the collection include a history of the group, and albums of photographs of 12 members taken at their annual garden parties from 1988 onwards.

Cary Ellison was a talent spotter who worked for Spotlight. As part of his work from 1953-1980 he went on twice yearly tours around repertory performances across the UK to locate the up and coming performers, directors and plays. The Cary Ellison Theatre Programme Collection consists of the theatre programmes collected by Cary Ellison on these trips, complete with his added notes on the actors, plays and directors he saw. He commented on a number of well known actors in the early stages of their careers, as well as offering his view on several well known plays.

Three files of material relating to the work of musical theatre composer David Heneker, presented by Stewart Nicholls. Includes:

1) Publicity material for 'The Biograph Girl' including press articles and reviews, posters and programmes

2) File of original and copies of David Heneker’s handwritten music for songs from ‘The Biograph Girl’

3) File of original and copies of David Heneker’s handwritten music for songs from ‘Peg’, with some published music and typed lyrics.

The David Heneker Archive contains the working papers of musical theatre composer David Heneker, who wrote or contributed to several well known musicals incluing 'Half a Sixpence' and 'Charlie Girl'. The Archive contains materials relating to each of the shows David Heneker worked on including drafts of songs and scripts, musicals scores, correspondence and publicity. There is also material relating to his work as a songwriter in the 1930s and 1940s (including the Second World War), and his work for films and advertising. There are also materials relating to shows and films that David Heneker worked on that never reached the final production stage.

Records relating to the School of Music at Kingston University dating 1998-2010. Includes posters, programmes and leaflets for Kingston University Music Concerts; school of music staff and student handbooks from early 2000s; programmes for graduation ceremonies; and other general documents relating to the history of Kingston University.

Papers and books belonging to the theatre critic Sheridan Morley (1941-2007). Includes correspondence, records relating to his various productions, volumes of press coverings covering his reviews, research notes and transcripts of some of his publications, photographs, records relating to his father Robert Morley and Grandmother Gladys Cooper, records relating to Noel Coward, theatre memorabilia and ephemera and objects.

Papers of Iris Murdoch, 1962, comprising a letter to Pam Stringer thanking her for remembering to send her the words of a song 'it fills an important blank in my novel...it is supposed to bring tears to the eyes when sung' and expressing pleasure at having seen Stringer recently in Cheltenham.

First editions of some of Iris Murdoch's novels, and other rare texts- 13 volumes in total. Consists of:

KUAS25/1 Limited edition playscript for The One Alone (Colophon Press, 1995)

KUAS25/2 Copy of A Year of Birds poems by Iris Murdoch, engravings by Reynolds Stone (Compton Press, 1978)

KUAS25/3 Unrevised proof copy of The Time of the Angels (Viking Press, 1966)

KUAS25/4 Copies of Sartre; Romantic Rationalist by Iris Murdoch (Bowes and Borwes, 1953)

KUAS25/5 Playscript of The Italian Girl: A Play,/i> by Iris Murdoch and James Saunders (Samuel French, 1968)

KUAS25/6 Unrevised proof copy of The Italin Girl the novel (Viking Press, 1964)

KUAS25/7 Reprint of Existentialists and Mystics by Iris Murdoch (Delos Press, 1993)

KUAS25/8 Programme for the play The Black Prince adapted by Iris Murdoch's from her novel The Black Prince (1973)

KUAS25/9 First edition of Iris Murdoch's first novel, Under the Net (London, Chatto and Windus 1954). With original dust jacket.

KUAS25/10 First edition of Iris Murdoch's novel, The Sandcastle (London, Chatto and Windus 1957). With original dust jacket.

KUAS25/11 First edition of Iris Murdoch's novel, The Good Apprentice (London, Chatto and Windus - The Hogarth Press 1985). With original dust jacket.

KUAS25/12 First edition of Iris Murdoch's novel, The Book and the Brotherhood, (London, Chatto and Windus 1987). With original dust jacket.

KUAS25/13 First edition of Iris Murdoch's novel, The Message to the Planet, (London, Chatto and Windus 1989). With original dust jacket.

Items related to musical theatre collected by scholar and musician Alan Poulton. Includes programmes, books, research and other items relating to the work of Stephen Sondheim, and other items relating more widely to the world of musical theatre including journals, books and recordings.

Brian Smith's collection of theatre programmes, compiled over several decades of visiting a range of theatrical productions in London and the surrounding area. The programmes date from 1954 up until the 2000s and as well as covering productions at theatres all over London’s West End there are some from New York, Paris, Sydney and Cape Town. Brian enjoyed a wide range of theatre including plays, musicals and variety shows. There is also a large collection of opera, ballet and concert programmes.

The Stephen Sondheim Society Archive documents the life and work of musical theatre composer and lyricist Stephen Sondheim. The core of the collection was collected by antiquarian bookseller and Sondheim enthusiast Peter Wood- his collection later passed to the Society. Additional material has been added since, filling in gaps in the Peter Wood collection and documenting productions and publications that have occurred since it was transferred to the Society.

Both parts of the Collection contain a range of material on Stephen Sondheim and his work- notably programmes, leaflets, posters and press cuttings. There are also journals, books, audio visual material and collectables. The Collection dates from Sondheim's earliest work to the present and will continue to be added to as his works continue to be performed. There are also documents relating to the work of the Society itself, notably the Stephen Sondheim Society Student Performer of the Year awards (SSSSPOTY).