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The archive consists of correspondence (1903-1949); printed and typescript copies (including corrections) of plays (1913-1938); diaries including one written by her companion Fanny Laming (1922-1952), drawings, leaflets, albums containing sketches, verse, programmes of entertainment, photographs, receipts, press cuttings, etc (1893-1952); biographical notes (1930s); verse (1915-1953); drawings; papers related to the National Federation of Women's Institutes (1917-54); papers related to her activities in the First World War; materials concerning the death of Williams (1957-9).

The archive consists of letters to Mrs Vernon relating to a biography of Philippa Fawcett, the daughter of Millicent, which she wrote in May 1957 and sent in typescript to Miss Douie, the then Librarian of the Fawcett Society and to Miss Philippa Strachey, Secretary of the Fawcett Society for many years, also to Dame Margaret Cole.

Autobiographical writings by Catherine Thackray collated by her daughter Rebecca Thackray into an autobiography; copies of published articles and poetry by Catherine Thackray; copies of obituaries of Catherine Thackray.

The archive consists of: literary papers and lecture notes on French literature (including work on Lamartine, Madame de Sevigne, Chateaubriand, Montaigne, Racine and an article on the Women's movement in France which originated as the Fawcett Lecture of 1942) and Newnham College-related papers and correspondence (1944-1951).

The archive consists of two scrapbooks of manuscript poems, reviews and press cuttings. The volumes contain items relating to the suffrage movement and general news items about politics, art, literature and theatre. There are many press cuttings from 'The Freethinker' and manuscript poems by Simmons. The archive also includes a photocopied surrogate version of parts of the scrapbooks and an index.

The archive consists of a typescript illustrated biography entitled 'The World of an Insignificant Woman' and biographical note, both by Catherine Thackray.

This scrapbook consists of press cuttings relating to concerts, entertainments, recitals, dramatic performances, fetes, bazaars, charitable and fund-raising events, many taken from women's magazines, such as The Lady; also includes profiles of women notable for a wide range of specialisms ranging from botany to tapestry painting.

The catalogued Pamphlet Collection comprises over 12,000 titles dating from approximately 1830 to the present. The Pamphlet Collection consists of printed material less than 60 pages in length and includes government policies, reports, annual reports and campaigning material, primary law, including Bills and Acts. The subject material of the collection reflects and enriches the wide range of topics held elsewhere in the Women's Library.The topics covered include: English fiction, children's stories, poetry, women's organisations, feminism, role of women in society - UK and abroad, nursing, sex discrimination law, divorce law, employment, occupations, careers, equal opportunities, labour law, pension law, social security, taxation, housing, health, pregnancy, abortion, birth control, domestic violence, mothers, one-parent families, children, family life, housekeeping, religion, ordination, arts, costume, suffrage. Organisations include Equal Opportunities Commission, Elizabeth Garrett Anderson Hospital, National Union of Suffragettes, National Society for Women's Suffrage, US Women's Bureau, American National Red Cross, Union of Jewish Women, National Union of Townswomen's Guilds, National Federation of Women's Institutes, Fawcett Society, National Council for the Unmarried Mother and Her Child, British Federation of University Women, Association of University Women Teachers, Divorce Law Reform Union. Most of the material is in English, but there are also pamphlets in other languages, such as Italian, German and French.The pamphlets are arranged in two sections - one for standard sized pamphlets and one for oversized pamphlets.

The 'UDC Pamphlet Collection' [Universal Dewey Decimal Classification]: In addition to the main Pamphlet Collection is the 'UDC Pamphlet Collection.' The UDC collection was the first pamphlet collection created by the Library and consists of approximately 10,000 pamphlets dating from mid nineteenth to mid twentieth centuries, covering all subjects. As the collection was gradually acquired during the Library's first 20 years of life, it was arranged by subject, using the Universal Decimal Classification system. The pamphlets were primarily deposited by organisations and individuals, although some purchases were made. There is a finding aid kept with the collection but the collection was never catalogued and therefore remained a hidden resource within the Library for more than 80 years. Unsurprisingly other libraries did not collect most of these pamphlets. In 2007 as part of a cataloguing funding bid preliminary sampling of the collection against Copac (the merged online catalogues of 24 university research libraries in the UK, plus the British Library and the National Library of Scotland) found that over 60% of the UDC pamphlets were not listed in these major research collections. This is a very significant level of unique printed material.Cataloguing of the UDC collection started in 2007 and as the pamphlets are catatogued, they are transferred to the main pamphlet collection described above. As at 2009 the collection was partially catalogued and The Library was seeking additional funds to complete the project.

The archive consists of an illustrated typescript autobiography of Mollie Prendergast spanning the greater part of the twentieth century. Includes accounts of her family history and background; her rural childhood and her time in service; the education and working lives of herself and of other family members; her life in London, including during the Blitz; her work as a civil servant; holidays and trips abroad; and her involvement with left wing political and social action.

The archive consists of a typescript autobiography, covering the years 1886-1975. The typescript is a transcript of a tape recording dictated by Dorothy Foster Place to her four children. The autobiography includes accounts of her early life and education in New Brighton; her studies in Chemistry at the University of Liverpool and King's College, London; her studies in Agriculture at Studley Agricultural College, Warwickshire; her agricultural work during the First World War and eventually work on her own farm in Wensleydale, North Yorkshire. It covers her interest and activities in the suffrage movement; her marriage; the birth of her children and her extensive holiday travels in Europe and North Africa.

The archive consists of a photocopy of a typescript autobiographical essay by Kay Pilpel entitled, 'Growing up in the 1930s' in which she describes her family background, the Jewish community in London from the 1890s onwards, and her daily life as a child and schoolgirl at Tottenham High School for Girls, including her experience of evacuation during the Second World War. The essay is illustrated with family trees and includes copies of family photographs.

The collection compromises background material for a book on May Morris written by Elizabeth Masterman, titled May Morris: some notes for book collectors, published in 1984 by Book Collector, London. The archive consists of notes, filed alphabetically, covering personalities and subjects referred to in the book, correspondence, a copy of an illustrated catalogue of embroidery designs, a copy of William Morris material in the collection of H Buxton Forman, in possession of the Hammersmith Public Library, a hand list of documents and manuscripts of William Morris and papers and a manuscript text of a lecture about May Morris given by E Masterman at Royal College of Arlon in 1883. Includes details of the Arts and Crafts movement.

The collection contains letters and some papers of Hannah More, 'Rhapsody on Friendship' by More, 1774; letter to Cadell (publisher), 1793; letter to Messers Cadell and Davies, 1799; Rev Jarrett, 1801; Mrs Bright, 1801; John S Harford, 1807; to Mr Bird (representative of Cadell and Davies), 1807; to unnamed man, 1807; Miss Topping, 1807; Mrs Hoare, 1808; John S Harford Jr, 1811; Miss Scott, 1812 (fragment); Mr Z MacAuley, 1818; to Rev Thomas Biddulph, 1818; poem addressed to Master John MacGregor, 1825; to Dr Carrick, 1825; Mrs Balgin, 1827; series of letters between 1827 and 1833 to: unnamed man, Miss Roberts, John Harford Jr, Dr Lovell, and two unnamed men; letter from Rev Henry Thompson to Mr Hall regarding a visit to More's home at Barley Wood.

The archive consists of a transcript of film; article on film by Hogben; handout for film with photograph of Miss Goodfellow; two letters from Hogben concerning the production of the film; 2 photographs of Hogben and Miss Goodfellow.

The collection contains correspondence that discusses social visits, works of a literary nature, invitational offers to engagements, provision of books for book sale organised by Mrs Alys Russell. The collection also includes extensive communication from Beatrice Harraden to Daisy Solomon and various autograph signatures.

The archive consists of material relating to a memoir of Harriet Shaw Weaver that Lidderdale was invited by the family to write in 1962. These two files contain Lidderdale's correspondence with the authors Margaret Storm Jameson and Dame Rebecca West, whom she approached while writing the book. Jameson recollected only an invitation in 1914 from Harriet Shaw Weaver to work for the magazine 'The Egoist' (which she could not accept) and brief contact with the author and publisher Dora Marsden. West was more closely involved with Dora, as she worked on the latter's journal 'The New Freewoman' and introduced to it various contributions of literary fame, including Ezra Pound and Richard Aldington. On receiving Miss Lidderdale's drafts of the relevant sections of her memoir, Dame Rebecca sent detailed comments and suggestions which provide interesting information on Dora Marsden and various contributors to 'The New Freewoman'. Included with her papers is a photograph of Dame Rebecca taken in about 1935 and presented to Miss Lidderdale in 1969.

The archive consists of letters from Lees to agent (1982-4); letters from agent to Sheba Publishers and The Women's Press (1984); typed draft of chapter one of autobiography with annotations by Sheba (1984).

The archive consists of a photocopy of a typescript memoir (28 pages). In 1985 Lois Lang-Sims wrote this memoir about her aunt, Agnes Maude Royden (see also 7AMR) the suffragist and campaigner for the ordination of women.

The archive consists of birth and marriage certificates (1876-1880); film, theatre and publishers' contracts for EM Hull's works (1919-1956); one photograph thought to be EM Hull in her wedding dress (one of the only known photographs of the author) (c.1900); one copy of Sir Walter Scott's Poetical Works (1865) that belonged to EM Hull's father James Henderson; an article by Cecil Hull 'Six Weeks in Southern Algeria' (1930); Edith Maud Hull's suitcase; the following eight books by Edith Maud Hull inscribed to her daughter Cecil Winstanley Hull:

*E M Hull, The Sheik, 1921, Small Maynard and Co

*E M Hull, The Shadow of the East, 1921, Eveleigh Nash and Grayson

*E M Hull, The Desert Healer, 1923, Eveleigh Nash and Grayson

*E M Hull, Camping in the Sahara, 1926, Eveleigh Nash and Grayson

*E M Hull, The Sons of the Sheik, 1926, Eveleigh Nash and Grayson

*E M Hull, The Lion Tamer, 1928, Eveleigh Nash and Grayson

*E M Hull, The Captive of the Saharah, 1931, Dodd, Mead and Co

*E M Hull, The Forest of Terrible Things, 1939, Hutchinson and Company

These were popularly known as 'Desert Romances' and in 2005 were still classed by many booksellers as 'Erotic Fiction'. The archive provides an insight into the contractual and financial affairs of a popular female novelist of the early 20th century.

The archive consists of a bibliography and list of sources (held in international repositories) about Carrie Chapman Catt, founder and President of the International Alliance of Women, and founder of the League of Women Voters. It also includes a short typescript biography of Catt and a photocopy of a press cutting photograph of Catt (from Time magazine, 14 Jun 1926).

Papers of Katie Gliddon, 1900-1965, comprising Gliddon's original prison diary written during her imprisonment in Holloway for the suffrage cause, autobiographical accounts of her arrest and imprisonment, correspondence (including letters from prison), drawings, press cuttings and Women's Social and Politicial Union (WSPU) ephemera.

The archive consists of correspondence, background biographical material relating to Margaret Bondfield, press cuttings and working papers of Ross Davies relating to the biography of Margaret Bondfield.

The archive consists of a typescript autobiography by Cartland and a pamphlet about her publications. The autobiography describes her work as a campaigner and in local government as well as her work as a romantic novelist. It includes accounts of her work to provide wartime brides with white wedding dresses and her campaigns to enable traveller children to attend school. She also writes about her romances, marriages and social life.

The archive consists of biographical publications on Louie Burrell and postcard reproductions of her work:

• 13 postcard reproductions of the following paintings by Louie Burrell: Life Class (1900-1903); Girl at Writing Box (c 1895); A Model (1900-1903); Old Sales - a model (1900-1903); Making Marmalade (1890-1900); Philippa (1917); A Model (1900-1903); The Forge (1890-1900); Julia (1889); A Child Seated (1904); Mrs Stanley Baldwin (1924); Nurse and Philippa (1908); Philip Burrell (1904-1907)

• 1 postcard reproduction of a painting by Ada (Margetts) Luker (mother of Louie Burrell): Still Life (c 1857)

• 'The Saratoga Trunk and The Last Door' (Jul 1997), Philippa Burrell. Booklet memoir relating to her own and her mother's artistic life.

• 'Louie Burrell - A Woman Painter', (The University of Hull Art Collection, c 1990). A short biography compiled from the letters and writings of Philippa Burrell and Jim Murrell.

• 'Louie Burrell Woman and Artist 1873-1971' (c 1990). Leaflet by Philippa Burrell.

The archive consists of two parts.

Part 1 consists of records collated during Billington-Grieg's membership of a large number of international women's organisations, associated correspondence, drafts of papers presented at conferences, as well as publications received from the organisations. In addition there are papers related to her unpublished biography of Charlotte Despard.

Billington Grieg was a keen suffrage historian, and her historical writings on suffrage (as well as papers reflecting her own suffrage activism) are represented in her archive.

Subjects covered include: women's suffrage, post-suffrage campaign period, status of women, equal pay, women workers, women's education, war and peace, sex and prostitution, international women's activism.

Formats include: correspondence, drafts and notes of speeches and articles, photographs and printed material (press cuttings, newspapers, leaflets, pamphlets, journals and books).

Part 2 contains leaflets, circulars, election papers and reports of meetings of the Central Women's Electoral Committee established by the Women's Freedom League (1937-1939); papers of the Women's Freedom League itself including incomplete executive committee minutes (1937-1941), papers of conferences (1937, 1938, 1952, 1953, 1955), publications and circulars; files, publications, committee papers and other official papers of the Women for Westminster group and Teresa Billington Greig's notes and related correspondence (1938-1950); minutes, related correspondence and official papers of the Married Women's Association (1937-1961); publications of the Fawcett Society (1937-1961); publications, notices of meetings and agendas of the Women's Council (1948-1959); publications and papers of the Six Point Group (1959-1961); the Women's Publicity Planning Association (1942-1949); the International Alliance of Women (1946-1961); the British Commonwealth League (1947-1961), periodicals, invitations and news sheets (1950-1960); minutes, conference agendas, correspondence and papers of the National Women Citizen's Association (1939-1961); notes and quotations for articles, miscellaneous leaflets, pamphlets and government publications (1905-1961); notes and press cuttings related to the Commonwealth and the 'Third World' (1949-1961); and materials collected by Teresa Billington Greig for articles and a biography of Charlotte Despard including notes, a draft memoir and essays, list of interview questions and replies, pamphlets by Despard, correspondence and photographs.

The archive consists of a typescript transcription of dictated autobiography: At some point Mrs Andrews decided to dictate her autobiography, which is called 'The Story of my Life by Granny Campbell'. The typescript was written down between 1904-1905 by one of her daughters who added a postscript in 1920 and another undated postscript later.

Barbara Andrews (nee Campbell) was the Wife of Canon Andrews of St Peter's Cathedral Adelaide.

Born on 8 Nov 1829 near Ben Nevis, she relates her early memories in Scotland, how her mother and father married and details of lineage of the Campbells, and other family members. Her mother died of small pox and later her father lost his fortune through a boating accident. There was no insurance to cover any of the loss, so he decided that they would make a fresh start in Australia. She relates the long journey, where many people caught typhus on board ship and died. During this voyage Barbara's father died (Feb 1842) and then Barbara herself also became very ill. However, her and her sister Alice recovered and upon arrival in Australia stayed for a while with their Cousin Mac and brother John who had also come over on the ship. A second cousin of their father's Duncan Smith had come too and when he recovered from typhus, he went to stay with his brother in Tasmania as well as the ship's Doctor. Soon after an invitation came from Archibald Smith (Duncan's brother) for Alice and Barbara to stay with them. Instead of going back to England, Alice decided they should stay in Tasmania; only because Barbara realised Alice had a girls fancy for the ships Doctor. However, Alice married John Wallace and moved to Victoria. Archibald Smith died, and thereafter Barbara went to Launceston to stay with another second cousin of her father's Colin Nicol Campbell, when she was 16. She stayed for 9 months when John Wallace asked Barbara to stay with her sister and him in Victoria as their new house was built. The first baby Alice had only survived for four months, but later she had two more children. Barbara describes her staying with other relations during the following years. She also relates her feelings for Mr Edward White, whom she met whilst he was surveying the boundary line between Southern Australia and Victoria. Eventually he moved when the job was completed, but they met up later at a dinner party. However Barbara realised that William Wallace (John's brother) had schemed against Barbara seeing Edward White again because he wanted to marry her himself. Barbara decided then to live with her brother John away from the Wallace's. Eventually Barbara tried to see Edward White, but he died before she was able. On this day however, Canon Andrews travelled to Australia where she met him and eventually married him.

The archive consists of manuscript diaries (1912-1914, 1950-1956), manuscript notebooks which include some of her own poetry (1900-1922), publications by Adams and photographs of visits to Paris (1906, 1915).