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Notes on an interview with Rachel Whiteread about her proposed design of a concrete bunker to commemorate the Holocaust at the Judenplatz, Vienna by Ernst Eisenmayer.

Papers relating to Peter Kien, 1943-1995, including original and copies of manuscripts and transcriptions of Kien's writings, personal documentation and sketches; publicity material relating to the performance of the Der Kaiser von Atlantis oder der Tod dankt ab, for which Peter Kien wrote a libretto; articles about his life and work and transcript of Petra Kiener's radio programme 'Peter Kien nicht vergessen'.

Original correspondence between the Polizeipräsident of Berlin and the KBDJ concerning all the activities of the organisation, eg. theatrical performances, engagement of the actors, venues etc, 1933-1935; forbidden Jewish texts including essays, lectures, poems, play scripts, short stories, anecdotes etc; general file containing programs pamphlets, correspondence between KBDJ and Staatskommisar, also Jüdischer Kulturbund, Berlin, 1938-1939; Kulturbund correspondence with groups, members, lawyers, Nazi authorities (Blank and Hinkel), reports and 3 copies of the Monatsblätter, 1933-1935; JKB Orts and Landesgruppe (except Berlin): mainly correspondence, pamphlets, programmes and other documents of the organisation in the different cities viz: Hamburg, Breslau, Frankfurt, Leipzig, Dresden, Hildesheim, Kassel, Bayern, Erfurt, Königsberg, Mecklenburg-Lübeck, Oberschlesien, Ost-Westfalen, Rhein-Ruhr, Schwarzwald, Stettin, Wien.

Responses to a questionnaire by Paul Plaut, designed as research for Die Psychologie der produktiven Persönlichkeit, from prominent scientists and artists in Germany and Austria on their views about science and creativity. There are some interesting responses from outside the German speaking countries (Miguel de Unamuno, John Galsworthy), but the bulk of the contributions represent the views of German-speaking academics and artists. Responses to the scientific questionnaire include Albert Einstein, Fritz Haber and Erwin Finlay Freundlich as well as lay figures such as Gustav Radbrüch and Wilhelm Hellpach. Communications from writers range from letters by Heinrich and Franziska Mann to a postcard from Elsa Laska-Schüler. Architects write about their work and new ideas (Erich Mendelsohn) and some of the painters give insights into their creative development, notably Wassily Kandinsky, Otto Dix and Max Pechstein.