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Records of Cy Grant reflecting his career containing rich material for research themes around multi-ethnic minority arts on a national basis, an iconic career which saw stardom and fame across the world and across ethnic divides, wartime narratives, discourse on Black African Caribbean roots, culture and race relations.

Records consist of correspondence, notes, photographs and audio-visual material. Includes Cy Grant's records relating to his service as navigator in the Second World War, records of Drum Arts Centre Limited, records of Concord Festival Trust; his acting career including theatre and film posters and programmes, correspondence with agents and producers and fan mail; writing career including published books and draft manuscripts, campaigning, spirituality and health and personal papers including copy items from 1910.

Highlights in the collection include Cy Grant's Royal Air Force log book; fan-mail, studio and film stills photographs, and audio-visual material documenting Cy Grant's fame from his acting and singing, 1950s-1970s; minutes and papers of the Drum Arts Centre Limited London, 1970s documenting the establishment of a national centre for the arts of Black people and related Black Theatre Workshop; minutes and printed material documenting the Concord Festival Trust for which Cy Grant was Director overseeing 22 multicultural ethic arts festivals across Britain over four years between 1981-1985. Cy Grant's life is documented in his memoir 'Blackness and the Dreaming Soul' published in 2007 and his original drafts are contained in the collection alongside other writings.

ACKNOWLEDGEMENTS: The collection was catalogued as part of a project funded by Heritage Lottery Fund titled 'Navigating the Dreams of an Icon: Remembering Cy Grant Through His Archive'. £79,800 was awarded by the Heritage Lottery Fund to the Cy Grant Trust. The Trust, London Metropolitan Archives and Windrush Foundation formed a partnership in 2015 to oversee the archive project which ran from April 2016-May 2017 including an exhibition, website and education pack as well as a series of events including a Finale on 18 February 2017 at London Metropolitan Archives.

Diaries of Anthony Heap, 1928-1985. The intention of the diarist does not seem to have been to record all the details of his life nor of the world around him. Some major world events are noted, and it is possible to derive some idea of life in London during the Second World War though not of the progress of that war. He recorded the deaths of statesmen and of people connected with the theatre of whom he wrote brief obituaries. He also recorded strikes and similar national events. From the 1960s the increasing cost of living receives frequent comment. Local and national elections are noted.

On the personal side the events which the diarist recorded, apart from reviews of performances and books, fall into a few main categories. He recorded expenditure and savings; his physical ailments (including the near-fatal attack of peritonitis which led to him being in hospital at the outbreak of war and which, with a later rupture, rendered him unfit for military service); the scouting and outdoor activities which he pursued as a youth and young man; his friendships, both male and (far fewer) female, and his family; and the weather.

From 1937 (Acc 2243/10) the diaries are kept in bound notebooks which the diarist paginated. The diarist recorded his attempts to secure a supply of these. The first diary is a pocket diary (Acc 2243/1) issued by Henekys Ltd., wine merchants, and the Sound and third (Acc 2243/2-3) Boy Scouts pocket diaries. Those for 1931-1932 are bound notebooks (Acc 2243/4-5) and those for 1933-1936 (Acc 2243/6-9) are Letts's office desk diaries. The first and second diaries are written in pencil, the third in ink, and the fourth and fifth in ink and indelible pencil. All the others are in ink. Every diary has been covered in brown paper by the diarist. All are in very good condition. There is evidence that the diarist corrected some entries throughout (usually spelling) but it is not known when.