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The earliest records of the Charles London Pickering collection were collected during his years as a print student at the London County Council Central School of Arts and spans all his career as a lecturer of Typography and Inspector of Education until the year of his death in 1998.

The collection contains material covering the history of printing, typography and the book trade from the 18th to 20th centuries and some interesting early bindings, which can be found in the University of the Arts library. Most records of the Charles London Pickering collection fall into the time after 1949, when he was appointed as Inspector of Education (HMI). The collection covers Pickering's lifetime involvement in various print societies, as evidenced by his annual membership cards which date from 1926 to 1992, correspondence and photographs.

Most notably records on the Double Crown Club, the Association of Teachers of Printing and Allied Subjects (ATPAS) and the Wynkyn de Worde society can be found. Through print samples, pamphlets and articles on printing and print education the development of the craft of printing, especially print education, in the 20th century can be followed.

The records have been organised by the creating institutions. The clearest starting point for LCC was deemed to be 1949 when the separate founding schools combined, thus London School of Printing and Graphic Arts and the subsequent institutions are their own sub-fonds from LCC/2. LCC/1 contains the organisations and departments in separate subseries. These papers contain items relating to the administrative functions of the College and its non-teaching activities for example, prospectuses, yearbooks and photographs of the College and the local area. Some of these items were created, or collected to document the history of the organisation and its locality. Student work is also included.

In addition to these are materials that were used in teaching: Teaching Aids contains examples of work such as printing blocks, packaging, sample books and advertising that were used to example good practice in printing and design; LCC/* Posters were used both for teaching and for promotion of student and College activities, they have been divided because of this dual purpose and the difficulty in defining the original use. It is also possible that some were used for both purposes but at different times. These items are not yet catalogued.

Papers of Robert George Fenton, 1904-1960, mainly relating to printing composition and typesetting, including City and Guilds of London Institute examination results, 1909-1912; homework while at Aldenham Institute, 1912-1916; scrapbook of London School of Printing (LSP) examination results, 1922-1932; notebooks on LSP class subjects 1927-1952, homework 1947, examinations, 1947-1952; papers relating to War Office correspondence course for compositors, 1940s; selection of LSP student printing specimens, 1928; LSP Year Book, 1938-1939; A survey of LSP inception and work, 1939; plans of LSP Composing Room, 1952, 1958; LSP prospectuses, 1955-1961; photographs of Fenton with staff and students in LSP Composing Room, c1956; photograph of retirement of E E Allen, LSP Vice Principal, 1955; printing type specimen sheets and books, including H W Caslon, 1912, 1920 and 1932, Stephenson, Black and Co Ltd, 1927, and Soldans Ltd, 1936; other papers relating to composing and typesetting including, 1930s-1950s, including LSP typeface books, impositions books for printing layouts, papers on monotype and linotype machinery, stereotyping and electrotyping, photo-composition and colour charts. The collection also includes printing manuals and text books, 1910s-1920s; compositors' sticks, quion keys and metal type samples.