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Arthur Woodward's papers comprise course notes and examination papers relating to his horticultural training, references and papers relating to job applications, and correspondence, papers and photographs relating to his work as Parks Superintendent.

The archive comprises two volumes relating to work carried out at Gravetye Manor, 227 letters written to William Robinson and his nurse, Mary Gilpin, and a small number of papers collected by William Robinson. The letters reflect Robinson's wide network of friends and acquaintances, and topics represent many aspects of 19th- and early 20th-century society. His correspondents include fellow horticulturalists (E.A. Bowles, Gertrude Jekyll, Frank Crisp, Mrs C.W. Earle, Frances Wolseley, Arthur Bulley, Samuel Reynolds Hole, Robert Marnock, Ellen Willmott, Augustine Henry), botanists (J.D. Hooker, Reginald Farrer, Frederick Hanbury, Arthur Hill, J.T. Boswell, George Maw, Henry Vilmorin), scientists (Charles Darwin, Richard Owen, Oliver Lodge), social reformers (Edwin Chadwick, John Hanham), figures from the art world (Edward Burne-Jones, Frank Miles, John Ruskin, Carolus-Duran, Alfred Parsons), writers and poets (Oliver Wendell Holmes, Francis Newman, Henry Avray Tipping, E.V. Lucas, Alfred Austin, Charles Reade) and other well-known individuals such as Joseph Chamberlain, Viscount Esher, Lord Ronald Gower, Lady Constance Lytton, Heinrich Schliemann, Émile Faguet, William Tegetmeier and Vernon Lushington. While much of the correspondence focuses on gardening and horticultural matters, the letters also reflect Robinson's interest in the promotion of cremation, his protests against new taxes and the Government of the day, and include descriptions of individuals' experiences during the Franco-Prussian War and the Frist World War, and visits to Gravetye Manor, East Grinstead, where Robinson lived from 1883.

The archive comprises original garden plans and drawings for 21 clients during the period 1957-1973, when Cane was in his late 70s to early 90s. Plans range from sketchy outlines to fine, detailed layouts, and two items are most likely impressions of the appearance of a finished project. Many plans are labelled ‘Office copy’. The majority of plans are carefully dated and labelled with the client’s name, but in many instances the name or location of the property is not given, though some have been identified through research. Many plans show planting layouts for beds, with names and positions of plants, and some have lists of plants at the edges. The plans reflect the ideas and work of the final 16 years in the career of one of the most sought-after designers of the 20th century.