Papers of Hans Andreas Hammelmann, comprising working files, compiled [1950]-1969, arranged by artist, containing photographs of pictures, correspondence and articles, for the artists: David Allan, Peter Angelles, P Angier, William Austin, Antonio Baratti, Francis Barlow, Bernard Baron, Francesco Bartolozzi, Basire, Baumgarten, Anthony Benoist, Benoit, Thomas Bewick, George Bickham, Nicholas Blakey, François Boitard, Louis Philippe Boitard, Jacob Bonneau, F Boucher, Bowyer, Edward Francesco Burney, Charles Catton Jnr, Louis Cheron, J B Cipriani, B Cole, William Cole, John Collins, Collyer, Bartholomew Dandridge, Delacroix, John Devoto, Claude Dubosc, John Ellis, Paul Fourdrinier, Alexandre-Evariste Fragonard, Jean Honoré Fragonard, Fuseli (son), Henry Fuseli, John Gilpin, Sawrey Gilpin, Joseph Goupy, Hubert Gravelot, Simon Gribelin, Moses Griffith, Simon Grignion, Joseph Grisoni, Louis Du Guernier, Sir William Hamilton, Jonas Hanway, Francis Hayman, Joseph Highmore, William Hogarth, James Hulett, Walter Jackson, William Kent, Elisha Kirkall, Knapton, Marcellus Laroon, Philippe Jacques de Loutherbourg, Thomas Major, J Marchant, Mercier, Conrad Metz, John Hamilton Mortimer, George Michael Moser, Johann Sebastian Muller, John Nixon, Pietro Antonio Novelli, Piazetta, John Pine, Arthur Pond, Ravenet, William Wynne Ryland, Paul Sandby, T Sandby, G Scotin, Robert Smirke, Stendhal, Thomas Stothard, John Sturt, Tardieu, Isaac Taylor, Sir James Thornhill, John Tinney, John Vanderbank, Van der Gucht family, Vivares, Samuel Wale, Anthony Walker, Antoine Watteau, John Webber, Richard Westall, George M Woodward, John Wootton, Thomas Worlidge;
photographs, photocopies and notes relating to eighteenth century book illustrations, compiled [1950]-1969; correspondence relating to specific artists and general matters, some with photographs and articles, 1950-1969, notably from the National Gallery of Scotland, 1950, Professor Lawrence Gowing, 1953, National Gallery of Ireland, 1969, Ashmolean Museum, 1959, 1966, British Museum, 1966, Bibliotheca Nacional, Madrid, 1968, Nottingham Museum and Art Gallery, 1951, Courtauld Institute, Witt Library, 1952, Bodleian Library, 1952, Royal Library, Windsor, 1967, Ruskin Galleries, Isle of Wight, 1967, Lewis Walpole Library, Connecticut, 1969;
papers of T S R Boase, 1953-[1974], comprising printed articles, exhibition catalogues, correspondence and two card indices, one of eighteenth century artists and illustrators, and one of authors; original prints and autographs, 1740, 1780 and undated, notably six prints of paintings in Vauxhall Gardens by Francis Hayman; three letters with autographs, 1795-1931; miscellaneous items, [1950s-1960s], including card indices on eighteenth century illustrated books and literature, cuttings from catalogues, photographs of Hammelmann 's friends/family, Victorian book illustrations; general articles and publications, 1864-1969, some by Hammelmann.
Papers of August Closs and his family, comprising:
August Closs: Personal Papers
Correspondence with Hannah and Elizabeth Closs (later Closs-Traugott);
Diaries, 1915-1928;
General Correspondence: correspondents include Stefan Andres, 1960-1972; Anthony Blunt, 1976; Albert Einstein, 1930; T S Eliot, 1953; E M Forster, 1955; Sigmund Freud, 1930; John Galsworthy, 1928-1932; Bernt von Heiseler, 1953-1965; Arno and Anita Holz, 1922-1932; F R Leavis, 1948-1953; Thomas Mann, 1929; Christoph Meckl, 1962; J R R Tolkien, 1955;
Correspondence with UK/US based academics: correspondents include F W Bateson, 1956; Jethro Bithell, 1951-1957; Lord David Cecil, 1955; W E Collinson, 1944-1968; David Duckworth, 1972-1989; H G Fiedler, 1936-1944; Stanley Goodman, 1941-1942; G P Gooch, 1946-1963; Brian Keith-Smith, 1966-1982; Sir John Kingman, 1985-1988; Victor Lange, 1951-1973; Eudo C Mason, 1951-1963; Estelle Morgan, 1953-1987; Irene Morris, 1955-1957; Roy Pascal, 1948-1978; Ronald Peacock, 1945-1959; F P Pickering, 1937-1958; Siegbert and Helga Prawer, 1952-1987; Edna Purdie, 1953-1964; Hans S Reiss, 1964-1989; Hermann Salinger, 1963-1966; Paul and Vivian Salmon; David Scrase, 1964-1989; Ernst Stahl, 1963-1969; Ellisabeth and F J Stopp, 1946-1973; John Joseph Stoudt, 1945-1963; H M Waidson, 1960-1978; L A Willoughby, 1952-1977; Roy A Wisbey, 1980-1988; W E Yuill, 1967-1978; E H Zeydel, 1942-1961;
Correspondence with German/Austrian/Swiss based academics: correspondents include Ernst Alker, 1952-1972; Felix Braun, 1942-1948; Hans Egon Holthusen, 1950-1961; Heinz Kindermann, 1949-1974; Frans Koch, 1946-1957; Manfred Lurker, 1968-1972; Horst Oppel, 1946-1985; Arthur Pfeiffer, 1953-1957; Hans Pyritz, 1933-1956; Kurt Schäfer, 1982-1986;
Correspondence with other European based academics: correspondents include Jan Aler, 1946-1959 and Erik Lunding, 1953-1969;
Correspondence with individual academics, Hans Bähr, Roger Loomis, Eirwen and Idris Parry, Friedrich Heinz and the Humboldt Gesellschaft;
War diaries of Max Closs;
Correspondence with L P Hartley, 1955-1972, and letters between Closs and publishers on the publication of the correspondence;
Corrspondence, photos and papers on Theodor Däubler, 1930-1947 and undated;
Correspondence and articles relating to Herman Pongs, 1946-1978;
Notes, articles and reviews by Closs on German literature, 1915-1990;
Papers relating to Bristol University, including correspondence and papers on award of Honorary D.Litt, 1987;
Correspondence and papers on the Bristol/Hannover Link 1947-1987, particularly 40th anniversary celebrations, 1987;
Correspondence with publishers on royalty payments, 1949-1983;
Robert Preibsch papers, 1899-1934, including correspondence, notes on German literature and palaeography, correspondence about the Priebsch/Closs Collection;
Hannah Closs papers 1934-1952, including correspondence, reviews and articles, writings on art, reviews of her work, obituaries and tributes;
Elizabth Closs-Traugott papers, 1951-1988, including correspondence, notes for lectures, articles and reviews, and press cuttings;
Acquired Papers:
Medieval manuscripts: Das Leiden Christi, mss booklet describing a vision by a nun of the Passion of Christ [15th century], Pseudo-Clemens Romanus, early 9th century west German fragment; Heinrich Seuse: Buch der ewigen Weisheit six loose fragments [14th century], Predigten, by German wandering preacher, in Latin, c 1450; wooden cover with pressed calf leather, bearing arms of Pope Paul III Farinesi;
Sixteenth and Seventeenth Century material: Hexenprozesse three folio booklets - original records of witchcraft trials of Catharina Stroblin, 1617; Appolonia Nueberin, 1623, bill to cover costs of difficulties caused by and rewards offered for executed magical persons during the years 1617, 1628, 1629 by Hans Schölern; title deed to land and farm sold by Nette, servant of Graf Dietrich von Plesse to a nunnery, Low German, 1516;
Autograph letters and mss including poems Bittschrift by Johann Christoph Friedrich von Schiller, [undated], and Friedrich von Bodenstadt [undated]; letters from Wilhelm von Humboldt [c 1799], Theodor Storm, 1867, Friedrich and Caroline de la Motte Fourque, 1814, 1927, Eduard Devrient, 1839, August Heinrich Hoffman von Fallersleben, 1864, Friedrich Schlegrl, [undated], Ludolf Wienbarg, 1839, Christina G Rosetti, 1865, James Martineau - letter to J S Mill on the University of London, 1841, Stefan Zweig, 1909, Henriette Hendel-Schütz, 1807, Friedrich Karl von Savigny, 1856.
Papers of Anthony Blunt, 1700-1983, comprising papers relating to Nicolas Poussin, notably files relating to his paintings, drawings and engravings, arranged by subject categories and containing notes, correspondence, articles, sales catalogues and illustrations (photographs, colour transparencies, slides, photocopies, prints, lithographs, engravings) of the named picture, details of the picture, variant versions (usually copies after), and in many cases, plates printed for the Poussin catalogue raisonné, 1824-[1983]; notes and illustrations relating to comparative material relevant to Poussin, including sculpture, 1700-1972; works by the circle of Poussin, [1938-1983]; drawings by the Poussin 'school', [1966-1977]; copies of letters by Poussin, and related notes, including photographs of letters from the Bibliothèque Nationale, Paris, [1964-1967]; notes, transcripts and letters relating to sales of works; correspondence with colleagues relating to Poussin's paintings and drawings, [1940-1982], notably Denis Mahon, 1960-1962, Walter Friedlander, 1944-1966, Erwin Panofsky, 1960-1961; notebooks, [1962-1965] and loose notes relating to Poussin; correspondence with Elizabeth Mackenzie (Lady Margaret Hall, Oxford), 1962-1982; offprints of various authors relating to Poussin; miscellaneous material relating to Poussin, [1940-1982], including a photocopy of his will;
papers relating to French art, notably notes, photographs and articles relating to French paintings, sculpture and architecture of the 16th-19th centuries, [1938-1977]; typescripts, note and correspondence relating to Chantelou's diary, [1980-1983]; papers, articles and illustrations relating to a publication by Ronald Cohen concerning the Le Nain Brothers, [1982]; articles relating to the Louvre, [1978];
papers relating to Italian art, notably notes, illustrations and articles relating to Italian Baroque architecture and sculpture, [1953-1982]; Borromini, [1956-1980]; Pietro da Cortona, [1966-1982]; notes, plans, photographs and papers relating to buildings and sculpture in Naples [1954-1981]; notes relating to Palermo, [1967]; typescripts, photographs, notes, correspondence and reviews relating to Blunt's A Guide to Baroque Rome;
articles by Blunt concerning the Royal Collection, 1972, and colonial architecture; plans, photographs, notes and review relating to a catalogue of Waddesdon Manor, [1974-1982]; correspondence, 1970-1983, largely concerning paintings and publications; articles by various authors, 1975-1982; offprints by Blunt, [1932-1982]; newspaper cuttings, 1929-1983; correspondence with publishers, 1972-1983; photographs, correspondence and articles relating to Blunt's personal collection, [1960-1982]; personal papers, [1932-1978], including appointment diaries, 1972-1978; papers from Blunt's school and university days, 1919-1930, including notes, articles, school and university magazines; papers relating to a trip to Russia, comprising notes on paintings, drawings and architecture,1935, two guidebooks, 1931, 1934.
Picture postcards showing views of Poland or representations of Polish folk art, mostly commercially produced. The majority of the cards were sent to Monica Gardner from Poland and contain a message, other are blank, 1919-1933.
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