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Diary of actor John Pritt Harley, 1858.

Papers of the Actresses' Franchise League including annual reports 1909-1914; annual statements of accounts; leaflets including lists of officers and league's objects and list of members and programme.

The collection contains letters from women involved in the arts concerning their work, business matters, publicity, articles and general social correspondence. Correspondents include Sarah Siddons, Emily Faithfull, Fanny Kemble, Elizabeth Thompson, Isabella Dallas Glyn, Mary Davis, Fanny Stirling, Mrs Morritt, Lady Bancroft, Genevieve Ward, Lucy Kemp-Welch, Madge Kendall, Mrs Steele, Philippa Strachey, Ethel Coffin, Rutland Boughton, Marion Terry, Eva Moore, Sybil Thorndyke, Alys Russell, Lena Ashwell, Marie Tempest, Agnes Hill, Marie Lohr, Dame Ethel Smyth, Irene Vanbrugh, Ruth Draper, Ethel Warwick, Dame Laura Knight, Cicely Courtney, Lilian Braithwaite and Ninette de Valois.

Cary Ellison was a talent spotter who worked for Spotlight. As part of his work from 1953-1980 he went on twice yearly tours around repertory performances across the UK to locate the up and coming performers, directors and plays. The Cary Ellison Theatre Programme Collection consists of the theatre programmes collected by Cary Ellison on these trips, complete with his added notes on the actors, plays and directors he saw. He commented on a number of well known actors in the early stages of their careers, as well as offering his view on several well known plays.

The collection consists of minutes of management meetings, 1974 - 1994; membership lists; internal correspondence; external correspondence concerning the reactions of the public to the productions; correspondence regarding funding; copies of scripts written by members of the company and outside authors; audition notes and CVs; correspondence and accounts relating to tour arrangements; tour reports; posters and programmes for productions; photographs, video cassettes and loose film reel of productions; promotional material; newspaper cuttings relating to specific productions and Gay Sweatshop in general; theses based on Gay theatre.

Papers, 1892-1960, of Sir John Thomas Pratt, largely dating from after 1941, including correspondence concerning his various publications, files on his campaign against British involvement in the Korean War, articles, lecture notes and press cuttings. Also includes correspondence with his brother William (Billy) Pratt (1949-1957), whose stage name was Boris Karloff.

Collection of material relating to the singer and civil rights activist Paul Robeson, including a large number of recordings on tape and vinyl of Paul Robesons' wide repertoire of songs and a series of reel-to-reel tapes including interviews and radio programmes made with Robeson; and letters and photographs and a series of scrapbooks (put together by Ken Goodland) of newspaper cuttings charting the life and career of Paul Robeson.

The archive consists of working, personal and family papers including correspondence, printed material, photographs and other material; textile and other objects; audio-visual material.

Original correspondence between the Polizeipräsident of Berlin and the KBDJ concerning all the activities of the organisation, eg. theatrical performances, engagement of the actors, venues etc, 1933-1935; forbidden Jewish texts including essays, lectures, poems, play scripts, short stories, anecdotes etc; general file containing programs pamphlets, correspondence between KBDJ and Staatskommisar, also Jüdischer Kulturbund, Berlin, 1938-1939; Kulturbund correspondence with groups, members, lawyers, Nazi authorities (Blank and Hinkel), reports and 3 copies of the Monatsblätter, 1933-1935; JKB Orts and Landesgruppe (except Berlin): mainly correspondence, pamphlets, programmes and other documents of the organisation in the different cities viz: Hamburg, Breslau, Frankfurt, Leipzig, Dresden, Hildesheim, Kassel, Bayern, Erfurt, Königsberg, Mecklenburg-Lübeck, Oberschlesien, Ost-Westfalen, Rhein-Ruhr, Schwarzwald, Stettin, Wien.

Papers of the Hackney Empire collection, 1962-2009, comprising:

Material relating to the CAST theatre troupe, 1962-1985, including: papers concerning Roland Muldoon's theatre training, membership of the Unity Theatre, drama classes at the Working Men's College, London, and the foundation of CAST, 1962-1969; correspondence, financial records, publicity material, scripts, press cuttings, tour schedules, photographs and audio recordings regarding CAST productions, 1966-1985, film reels of CAST film 'Planet of the Mugs', [1972];

Material relating to CAST Presentations Ltd, CAST New Variety Ltd and New Variety Performers Agency, 1982-[mid 1990s], including: minutes of management meetings, 1982-1990; correspondence and other administrative material relating to the running of CAST New Variety, [1983]-1986; proposals seeking home venues for the CAST New Variety, 1980-1985; minutes, correspondence, reports and other material relating to Diorama Arts Ltd, 1984-1989; publicity material for comedians, musicians and other cabaret acts either for spots in CAST New Variety shows or representation by New Variety Performers Agency, 1983-[mid 1990s]; posters and flyers advertising CAST New Variety shows, [1983]-1986; financial records, 1980-1991;

Material relating to Hackney Empire Theatre and Hackney New Variety Ltd, 1986-2009, including: minutes of management meetings, 1988-2005 (very incomplete); correspondence, 1988-2004 (very incomplete); press cuttings, 1986-2007; posters and programmes for Hackney Empire productions, 1986-2009; photographs, video recordings and other material relating to New Act of the Year, 1991-[2000] (very incomplete).

The collection spans Kubrick's entire career from his time as a photographer in the 1940s and early 1950s until his last film in 1999 (Eyes Wide Shut). Kubrick died during the editing of Eyes Wide Shut and some items relating to the release/finished version were added by his staff. They have been included because they were held with the main collection, at the creator's home, following the pattern of what he kept and were deposited with the Archive.

The collection covers the film making process from pre until post production and includes: production paperwork [including pre and post production]; letters; props; costumes; publicity materials, both finished posters etc and drafts; production photographs. stills and slides; research paperwork and photographs; plans etc for how to film scenes; books; audiovisuals; drawings and artwork; equipment and press cuttings.

Copies of correspondence and memoranda relating to a dispute between the proprietors of the Theatre Royal at Covent Garden and performers.

The archive consists of a typescript autobiography (about 350 pages, unbound, on 'flimsy' paper).

The papers of Garrick Club comprise one volume containing playbills for the Theatre Royal, Covent Garden between 28 September 1825 and 23 June 1826 with occasional notices of cast changes.

Manuscript copies of one-act plays written by William Poel, newspaper clippings relating to a production of Samson Agonistes and a copy of "Monthly Letters" on performing Shakespeare, collected and published.

Papers and books belonging to the theatre critic Sheridan Morley (1941-2007). Includes correspondence, records relating to his various productions, volumes of press coverings covering his reviews, research notes and transcripts of some of his publications, photographs, records relating to his father Robert Morley and Grandmother Gladys Cooper, records relating to Noel Coward, theatre memorabilia and ephemera and objects.