Mostrar 132 resultados

Records of Camberwell College of Arts, comprising minutes of the Joint Advisory Sub-Committee, 1898-1938; reports of the Joint Advisory Printing Advisory Committee minutes, 1965-1973; minutes of meetings of the Governors, 1980-1981;Sub-Committee, 1917-1949; attendance books, 1898-1951; agenda books, 1906, 1913-1915;

correspondence from London County Council Higher Education Sub-Committee concerning their decision on reports of the Joint Advisory Sub-Committee, 1921-1924;

Secretary's account book, 1899-1901; accounts, including for the Sketch Club, 'Cambians' student association, students' union, exhibitions and examination expenses, 1930-1945; register of staff, [1898-1939]; papers relating to teaching staff, 1914-1962, including correspondence concerning appointments, memorandums; register of students, 1898-1900;

minutes of meeting concerning the extension of the school, 1901, estimates for building alterations, 1903; address on the opening of the school extension, 1904; programme and press cuttings for opening of the new building, 1913; papers relating to the sculpture building extension, 1950-1954, including building plan, 1950; notes and minutes of site meeting, 1950; builders' estimates, 1951; programme for the opening of the new School for Sculpture, correspondence concerning the ceremony, text of speech and list of guests, 1953; press cuttings, 1953;

papers relating to a school war memorial, 1919-1923; correspondence relating to gifts to the school, 1935-1954, including portraits, furniture, books and journals, equipment; plans, notes and invitations relating to exhibitions of students work at the South London Art Gallery, 1913-1914, 1928-1932;

papers relating to Diploma of Art and Design at Camberwell, [1960]-1963; copy instrument of government of the London Institute, [1985]; correspondence and papers concerning proposed changes to Higher Education, 1977, including statement from Camberwell opposed to the changes;

prospectuses, 1898-2002; exhibition catalogues and degree show catalogues, 1989-2002;

press cuttings relating to the school, 1924-1937; students' exhibitions and work of students and staff, 1960-1967; private view cards of staff and students, [1980s-2002]; photographs, 1970s, of students and staff working at Camberwell;

copies of 1st and 2nd editions of the Cambian, 1928, 1930, printed by the School Press containing examples of student work;

ephemera relating to Camberwell School, art and the Camberwell area, 1950s-2002, including press cuttings and programmes for events; typed notes on the history of the School, 1990s.

copies of the London Technical Education Gazette, 1900-1903; London County Council Technical Education Board minutes, 1904; London County Council circulars, 1931-1932.

Papers of Jean Spencer, 1970-2002, comprising the Kleinsassen archive, 1986, consisting of schema, texts, plans, photographs and complete slide archive; Elephant Trust proposal and studies, 1987, including a folder of original drawings; studies for Kemi, comprising black and white photographs and line drawings; 2 sketchbooks of studies for reliefs; exhibition catalogues including Jean Spencer's work, 1972-1990; Study for Double Square Painting, 1992, (oil on linen); group exhibition catalogues, 1972-1990; "Countervail" exhibition publicity cards, Mappin Art Gallery, Sheffield, 1992.

Papers of Sir Erasmus Gower, consisting of a log, 1792 to 1794, with one watercolour sketch; two volumes of 'Nautical Observations on a Voyage to China', illustrated with views of coasts and harbours; a letterbook, 1794 to 1798, and a signal notebook, 1801.

They consist of eleven log books, the first of which was written by Osborn as a Mate, with the rest by him as Master. Ranging between 1853 to 1875, they span the majority of Osborn's career at sea. As well as containing the standard information one would expect, ( bearings, weather details, journal entries, etc), the logs also contain nearly 100 drawings and sketches in ink, pencil and watercolour of various ships, coastline profiles, sea-birds, etc.

Typescript edited and unedited versions of memoirs of Lt Col John Alfred Codrington, [1947] entitled 'Gathering moss', 1898-1944, including account of service with British Mission Allied Armies of the Orient, Smyrna, Turkey, 1920, and as British Liaison Officer to French forces in Syria, 1926-1929. Photographs and papers, including notebook with manuscript notes on Regimental history of the Coldstream Guards, military training and preparations for deployment to France, 1917, eight watercolour paintings of churches in French towns, 1918, and photograph of Gen Sir George Wentworth Alexander Higginson at the unveiling of the Guards Memorial, St James's Park, London, 1926.

Watercolour drawings of the grave monuments of 'celebrated persons' in London, Middlesex, Surrey and Kent, by Thomas Gosden.

Transcript of the manuscript history of the Princes of Wales, from the time of Edward of Caernarvon to the present sovereign of England, by George Perfect Harding, F.S.A., also a description of a series of illustrations to the manuscript history, 1828, with engravings of tombs, portraits, original drawings, and manuscript letters, 1828-51, from royal and distinguished personages.

Papers of Leopold David Ettlinger, c 1948-1989, including personal documents, notebooks, notes, working papers for lectures, and correspondence. Topics covered include: Art and Theory of Art; German 16th Century Art; Italian Renaissance; Catalogue Raisonné of Pollaiuolo; Greek and Roman Gods; 19th Century Landscape Painting; Self-Portraits; Winckelmann and 'Wien und die Entwicklung der kunsthistorischen Methode'.

The papers in this collection consist chiefly of photographs of the work of the sculptor and medallion maker, Fred Kormis, 1913-1987. In addition there is some correspondence mostly relating to his work, including letters of thanks from Lord Mountbatten, Menachem Begin and members of the British War Cabinet during the Second World War, for whom Kormis sculpted medallions.

Notes on an interview with Rachel Whiteread about her proposed design of a concrete bunker to commemorate the Holocaust at the Judenplatz, Vienna by Ernst Eisenmayer.

Two volumes of notes, on medical and chemical books, and on diseases and their treatment, c 1800-1823.

The collection comprises correspondence, writings and administrative material relating to the Jenner family, particularly Dr. Edward Jenner (pioneer of smallpox vaccination) and the associated Black and Davies families, 1680-1877.

The material on Edward Jenner includes papers relating to organisations set up in the aftermath of his vaccination discoveries: the National Vaccine Establishment, the Royal Jennerian Society and the London Vaccine Institution.

Letters written by James Smetham, 1853-1877, mainly to William Davies, concerning his work, schemes to raise money and his religious beliefs. Smetham called his letters "ventilators" and they often took the form of handmade notebooks with their contents resembling diaries or commonplace books. Other correspondents include Rev Thomas Akroyd, Quintin Hogg (1845-1903), Charles Mansford, Charles Gabriel Dante Rossetti (1828-1882), John Ruskin (1819-1900) and Frederic James Shields (1833-1911). Also letters to Sarah Smetham, his widow, from William Davies, 1889-1895.

Papers of Sir Joseph Austen Chamberlain, 1931-1938, relate to his time as Chairman of the Court of Governors and member of the Board of Management of the School of Tropical Medicine, and the aftermath of his death. Correspondence regards Chamberlain's role on the Court of Governors and Board of Management; information on donations and subscriptions; correspondence with his family after his death and on the commissioning of a portrait of him after his death; a note on his relationship with the School and letters to the Chairman of the Chadwick Trust.

Undated manuscript notes on the Staatliches Skulpturensammlung (state sculpture collection), Albertinum, Dresden.

Townsend's journals. Also correspondence, personal files, postcards, art photographs, press cuttings, newspapers, typescripts of poems and articles, and general professional papers concerning colleges and exhibitions in Canada and the UK.

Papers of James Fernandez Clarke, 1829, comprising a volume titled Notes of a Reader Volume I containing information relating to topics including drunkeness; stammering; the nervous system; travels in Turkey and Palestine; classification of the animal kingdom; painters and painting; idiosyncracies; the pursuit of knowledge; poetry; juvenile delinquency; and natural history.

Pencil sketches of views in Rome.

Items belonging to Iris Murdoch presented by Audi Bayley. These items were from Iris Murdoch's former home in Charlbury Road and include letters written by Iris Murdoch to Borys and Audi Villers [later Audi Bayley], a planning notebook for Jackson's Dilemma, and a range of objects. Includes:

1) Large bust of Iris Murdoch mounted on marble

2) Iris Murdoch's teddy bear 'Jimbo'

3) Painting by Iris Murdoch 1941

4) Tapestry by Iris Murdoch of fish with the initials IM and JB

5) Gold edged bowl

6) 5 stones and 9 Asian religious figurines / icons from Murdoch's writing desk

7) Letters from Iris Murdoch to Audi Bayley and her first husband Boris Villiers

8) Green box containing brooch- appears to be enamelled George IV shilling from 1820s

9) 4 replica medieval icons mounted on wood

10) Framed photographs from Iris Murdoch's study of Murdoch as a child and Murdoch's parents

11) 3 Canadian stone figurines depicting an owl, a penguin and a seal

12) 2 stone figurines of a cow and a lion, with painted and gilded details

13) 11 dress necklaces worn by Murdoch and kept in her study

14) A notebook with planning notes by Murdoch for the novel 'Jackson's Dilemma'

Letter from William Ewart Gladstone of Hawarden, North Wales to Sir Joshua Walmsley, 29 Oct 1868. Replying to his request for a portrait of Gladstone. 'I am haunted by the belief that I am under a prior engagement'.

Autograph, with signature.

Letter from Sir Stanley Spencer of 3 Vale Hotel Studios, Hampstead, London to Thomas Sturge Moore, 26 Apr 1926. 'Here at last is the monograph of my works ... The much wanted or unwanted explanation of my pictures will be found in the book of words, so there will be no more trouble now, all is clear at last ... I am doing a big picture of the resurrection ... (18ft x 9ft) and it is going to take years to paint and I love painting it so I am enjoying myself ...'.

Autograph, with signature.

Wash and line drawing.

Small mounted oil painting by Thomas Creswick, of a steam train passing Leighton Buzzard on the London and Birmingham Railway line. A note on the reverse suggests that the work was painted in 1837.

Papers of Evelyn Margaret Shaxson comprising manuscript volume of lecture notes, with diagrams on Anatomy and Physiology, Mar-Apr 1925, also including loose copies of examination question papers, 1925; notebook containing water colour paintings of flowers, each named with a note where seen [1920s].

Papers of John Masefield, 1907-1971. Manuscripts 951 and 952 contain photographs of Masefield, Mrs Ethel Stockdale Ross, theatre productions and HMS Conway (?). B/W and colour photographs and negatives. Manuscript 953 contains watercolours and one ink drawing by Masefield. Manuscript 966 contains a watercolour, 'The Dalgoner', 1920s.

Visitors' book and list of titles (with Russian titles translated) exhibited at National Book League exhibition entitled "Art books from the Soviet Union", 1978

Papers of Lord Lee of Fareham, [1878-1954], notably papers relating to Lee's book Letters that Remain, including proofs for letters intended for the book, including from Lloyd-George, 1917, 1920; photographs of individuals for the book;

invitations to events and programmes, [1920s-1930s]; papers relating to speeches, [1915-1930s], comprising notes and texts, including speeches as Minister of Agriculture and Fisheries, [1919-1921]; for exhibition opening at Christie's, 1932; press cuttings and Parliamentary reports relating to speeches, printed copies of speeches, [1909-1936], including 'The Need for National Service', 1915, 'The War and After', 1918, 'Lessons of the War', 1936;

original and copy letters, [1894-1946] includingfrom Neville and Mrs Chamberlain, Stanley Baldwin, Ramsay MacDonald, [1920s-1930s]; Winston and Clementine Churchill, 1945; Micheal Balcon, Kenneth Clark, Osbert Sitwell, [1939-1946], Nancy Astor, A J Balfour, Joseph Duveen, relating to the National Gallery and Courtauld Institute, David and Frances Lloyd-George, Field-Marshall Lord Haig, Rudyard Kipling, Ramsay MacDonald; Graham Sutherland, relating to a painting, 1940;
papers relating to Lee's military career, including reference from Lieutenant Colonel Gerald Kitson, 1897; letter concerning Lee, 1898; letter of introduction to Commanding Officers, 1899; letters of authority as Colonel, 1914; army pass, 1914; requisition for petrol and tyres, 1914; permit, 1915; agenda for artillery conference, 1916;
letters relating to Lee's appointment as Chairman of the Radium Commission, 1929, and copy Charter of Incorporation for the Commission; Declaration of Trust between Lord and Lady Lee and the Massey Foundation, 1940;
personal papers, [1878-1945], including passport, 1889; birth certificate, [1868], anecdotes, jokes, press cuttings, printed books and articles, journal, 1889; correspondence and leases of White Lodge, Richmond Park, 1928-1932; letter from Lloyd-George informing Lee of his viscountcy, 1922; letters of condolence to various people and obituaries, [1940s]; correspondence regarding Lee's will, 1945; obituary of Lord Lee, [1947];
papers relating to Chequers, 1917-1953, including abstract of Chequers Estate Act, 1917; articles, guide, 1921, press cuttings, 1920s; correspondence relating to Chequers, including the library, Chequers Trust, silver dessert service presented by Lee, 1938; cartoons by Sir Mark Sykes [of Chequers], [1917];
correspondence concerning pictures and silver, including sale, purchase, restoration work, and some photographs, [1922-1940], including with the Metropolitan Museum of Art, 1927-1928, British Museum, Victoria and Albert Museum, private dealers;
correspondence with Theodore Roosevelt, 1897-1918, and Edith Roosevelt, 1912-1945, including an album of selected letters, 1898-1906, including one labelled by Lee 'possibly Roosevelt's first letter as President', 1901; correspondence with Ethel Derby, [daughter of Roosevelt], [1917-1951];
photographs, [1890-1946], including of the Roosevelt family, the Lees, film stars taken during the Lees' visit to Hollywood, [1930s];

correspondence regarding the establishment of the Conway Hall, London, 1930-1931; correspondence with Thomas Sherrer Ross Boase; papers of Professor W G Constable; papers relating to the Lee Bequest; Harding Collection; Home House Trust; Wilkinson Bequest; MacColl, Panofsky, Ostrer and Samuel Courtauld correspondence; Pilgrim Trust grant for Corpus of English Medieval Paintings; Scientific Department; Summer course; Lee gift to Hart House; draft scheme for the establishment of art history teaching in UK; insurance papers; press cuttings, 1930-1934; speeches relating to the opening of the Courtauld gallery.

Papers of Percy Moore Turner, 1905-1952, comprising folders relating to various artists and works of art including John Sell Cotman, John Berney Crome, Honoré Daumier Edgar Degas, Eugène Delacroix, Peter De Wint, Thomas Gainsborough, Francisco de Goya, Rembrandt Harmenszoon van Rijn, Varin and Diego Velazquez, and museums including the Louvre, Paris; catalogues of pictures at Staunton Harold, 1922; an exhibition by Richard Parkes Bonington, 1937; Percy Moore Turner's collection of engravings, etchings, lithographs and other prints, 1951; correspondence relating to gift of pictures to the Louvre, 1947-1948, and P M Turner's estate, 1951-1952; photographs of paintings, undated, from the British Museum, Castle Museum, Norwich, National Gallery, Royal Albert Memorial Museum, Exeter, and the Tate Gallery; newpaper cuttings, 1925-1950, including some relating to the Courtauld.

Papers of Philip Wilson Steer, 1836-1962, comprising personal ephemera, 1860-1917, including his birth certificate, 1860; art examination certificates, 1880-1881; permit book for sketching at Dover, 1917; photographs, 1864-1930s and undated, including Steer at various ages and family members;
original pictures by Steer, comprising charcoal drawing of pollarded stump and wall, undated; monochrome watercolour, 1877; monochrome over pencil drawing of Christ healing the sick / raising Lazarus, undated (described as an early work);
papers relating to dealers, notably lists and statements of accounts for pictures sold, by Barbizon House, 1927, undated, by Goupil Galleries, 1909-1937, by Charles A Jackson, 1919-1926, and by David Sassoon & Co, 1927; lists, comprising list of dates of places where Steer worked from 1884, undated, and list of pigments used by Steer, [1970];
letters, comprising correspondence from or to Steer or his parents, 1836-1942, including relating to Steer's Order of Merit, 1931, letters to his family whilst abroad, 1876, 1882-3; letters relating to Steer's memorial, 1942-1943; letters to Dorothea Hamilton concerning the gift of a Steer watercolour as a wedding present to Princess Elizabeth, 1947, and deposit of material to the British Museum, 1945-1946; letters concerning publications relating to Steer, 1942-1962, Steer's estate 1942-1944; lists of subscibers to the Steer Memorial and addresses given at Steer's memorial service and the unveiling of the memorial slab, 1942-1943; articles by Steer on Impressionism in Art, 1891, and by Dugald Sutherland MacColl, 1939; newspaper and magazine cuttings, 1906-1948, including Steer's obituary and will, 1942, 1944, Steer exhibitions, 1943-1945, reviews of publications relating to Steer, 1944, 1945; sales catalogues containing items (furniture, porcelain, pictures, watercolours, books and silver plate) sold from Steer's estate after his death, 1942; miscellaneous papers including invitation to Steer's Memorial exhibition, 1943, booklet for D S Macoll's memorial service, 1949; list of documents given to the Courtauld by Dorothea Hamilton, undated.

Photographs and pictures of the Royal College of Obstetricians and Gynaecologists, 1633-2001. The majority of photographs depict the membership and social history of the College and include presidential portraits and photographs of Fellows and Members, prominent obstetricians and gynaecologists, visitors to the College, meetings and study groups. There is also a class of photographs of College buildings. Donated and deposited material also includes photographs and slides of clinical disorders and specimens.

Records comprise portraits, pictures and other memorabilia relating to William Blair-Bell, 1920-1996; presidential portraits, 1927-1995; portraits of Fellows, 1935-1991; photographs of Honorary Fellows, 1921-1997; photographs of annual dinners, 1931-1954, 1998; photographs of admission ceremonies, 1931-1992; College buildings, 1930-1991; Royal visits, 1931-1990; Council and officers, 1934-1992; photographs of meetings, members and artefacts of the Gynaecological Visiting Society, 1911-1973; British congresses of obstetrics and gynaecology, 1933-1999; photographs of overseas groups and other photographs relating to the profession overseas, 1935-1997; RCOG study groups and educational courses, 1979-1995; photographs and paintings donated to the College by Professor Preston Maxwell, 1898-1935; presentations, awards and lectures, 1949-1995; Strachan collection of portraits of eminent medical men, c1693-c1847; ceremonial and related paraphernalia and artefacts and gifts to the College, 1931-1992; miscellaneous photographs relating to the history of the College and of obstetrics and gynaecology, 1929-1999; decorative pictures, 1633-1957; photographs of pathological subjects transferred from the College Museum, 1950s-1978; photographs and drawings presented to the College by Professor John Chassar Moir, 1932-1957; photographs of eminent medical men collected by Sir Anthony Alment, transferred from the College Library, 1921; photographs and memorabilia relating to Sir Norman Jeffcoate, 1946-1975;

undated portrait photographs of eminent medical persons; Donald Whatley Roy photographs donated to the College Archives by A D Roy, 1903-1935;

collection of miscellaneous photographs transferred from the College Library, undated.

Notebooks of Emilia Noel, comprising 57 travel journals, 1892-1937, together with a manuscript volume of 'Indian Notes' and two small notebooks with named specimens of seaweeds and British mosses. Journals are quarto manuscript or typescript with many small watercolours, photographs, picture postcards, etc, within the text - they cover Noel's travels throughout the world.

Papers of John Thomas Baines including manuscript descriptions of four lithographs of South Africa; photocopies of two letters to Thornton, one dated 1859; typed list of 288 paintings owned by the RGS; catalogue and booklet of exhibitions of 1975; topographical notes of journey west from Zambesi and diary, May 1869-April 1870, missing since 1968.

Archive, 1754 to date, of the Royal Society of Arts (RSA; formerly the Society for the Encouragement of Arts, Manufactures and Commerce, or Society of Arts), created by the Society in the course of its activities, and comprising records of its administration (Ref: AD), and records of its activities and events (Ref: PR), also including some printed material dating back to 1634.

Administrative records of the Society include:

Records of Miscellaneous Committees to discuss the programme and administration of the Society, including the Committee of Correspondence and Papers and the Committee of Miscellaneous Matters, 1754-1848 (Ref: AD.MA/104).
Records of the Society from 1754, later the Council (established 1845) (Ref: AD.MA/100).

Records concerning Chairmen of Council (from 1846) and Council membership (Ref: AD.MA/102).

Records of Secretaries (administrative head of the Society), after 1994 known as the Director (Ref: AD.MA/101).

Records of Presidents (Ref: AD.MA/103).

Records of Membership/Fellowship, relating to subscribers to the Society, originally termed 'members', referred to as 'Fellows' from 1908 (Ref: AD.MA/900). (The archive does not include extensive biographical information on RSA Fellows, although dates of membership of Fellows are usually recorded.)
Records concerning the Society's House in John Adam Street from its design and construction by the Adam Brothers, including correspondence, papers, notes, leases and other legal documents, relating to administration, management, alteration and repair of the building (Ref: AD.MA/300).

Records of various House Committees set up at different times to look at the building, its use, function, administration and management (Ref: AD.MA/305).

Accounting and financial records produced by various committees including the Accounts Committee and Finance and General Purposes Committee (Ref: AD.MA/400).

Annual Reports recording the Society's activities over the year, initially within the Journal (from 1852), but later as a separate publication (Ref: AD.MA/701).

Records relating to general lectures (developed from the 1850s when the Society ceased the award of premiums for inventions), with correspondence mainly concerning administrative arrangements for speakers and publication of their texts (in the RSA Journal) and suggestions for topics for discussion (Ref: AD.MA/800).

Records relating to the RSA Silver Medal awarded annually for the most interesting lecture over the preceding year (Ref: AD.MA/803).

Records relating to production of the Journal and other publicity, promotion and communication (Ref: AD.MA/203).

Donations and collections, comprising objects and artefacts donated to or bought by the Society (Ref: AD.MA/204).

Records of the Society's activities (such as award schemes, exhibitions, conferences, seminars and lectures), including joint initiatives with a range of other organisations, include:

Guard Books (30 volumes), 1754-1770, containing correspondence and papers about all Society activities and committees, on a range of subjects (Ref: PR.GE/110).

Manuscript versions of the Society's Transactions, comprising draft versions of the printed Transactions, including drawings, plans and diagrams in support of claims for premiums and awards. Also general correspondence to the Society on various 19th century campaigns, conferences and committees, covering subjects including lectures (arrangements for dates, speakers, chairmen, participants; suggestions for subjects, submission of lecture texts, corrections to texts, requests for tickets/programmes, acceptances, apologies for non-attendance etc), examinations (requests for syllabus, copies of certificates, programmes, rules; complaints, arrangements, agreements with colleges, details of examiners etc), membership (requests for information, applications, replies to circulars, notes accompanying subscriptions, resignations, complaints), Council/committee chairmen (intention to attend meetings, acceptances, general arrangements for meetings, requests for information, dates, times etc), Journal (receipt/non-receipt of copies, reciprocal arrangements with other libraries, requests for extra copies, corrections to proofs, advertising, arrangements for making blocks, photogravures etc), House (letters from freeholders, solicitors, contractors; booking of rooms), staff (applications for employment, testimonials, sick notes etc - a very small number of items), general (invitations, letters from bankers, auditors, business circulars, requests for funding, suggestions for campaigns, policies, events etc), and including artistic copyright, uniform musical pitch, domestic economy, art workmanship, musical training, food committees, patent law reform, prevention of fires in theatres and education exhibitions (Ref: PR.GE/118-19, 121).

Records relating to Premium and Programme committees (Ref: PR.GE/112); Albert Medal (founded 1863) (Ref: PR.GE/101); Memorial Tablet (blue plaque) scheme (founded 1866) (PR.GE/122); War Memorials Advisory Council (established 1944, disbanded 1948), concerning memorials of the Second World War (Ref: PR.GE/117); Exhibition of Exhibitions (1951), concurrent with the Festival of Britain, to commemorate earlier ground-breaking Society exhibitions on contemporary art (1760), industrial design (1847-1850), photography (1852), industry (1761), and the first international exhibition (1851) (Ref: PR.GE/102); R B Bennett Commonwealth Prize (endowed 1944) for outstanding contribution to the promotion of the arts, agriculture, industries and commerce of the Overseas Empire (Ref: PR.GE/116); Commonwealth Committee (Ref: PR.GE/113); proposals and planning for the Festival of Britain (1951) (Ref: PR.GE/103); events for the RSA Bicentenary (1954) (Ref: PR.GE/107); Benjamin Franklin Medal (instituted 1956) (Ref: PR.GE/100); Trusts, bequests, fundraising and development (Ref: PR.GE/111).

Records relating to manufacture and commerce, including the Paris Exhibitions (1844-1900) (Ref: PR.MC/109); Great Exhibition (1851) (Ref: PR.MC/107); International Exhibition (1862) (Ref: PR.MC/108); Chicago Exhibition (World's Columbian Exposition, 1893), British Section (Ref: PR.MC/112); Industry Year/Industry Matters (1986) (Ref: PR.MC/100); Tomorrow's Company (begun 1994), concerning the role of business in a changing world (Ref: PR.MC/115); Redefining Work (launched 1995) (Ref: PR.MC/116); Forum for Ethics in the Workplace (1997) (Ref: PR.MC/117); Manufacturing, Wealth Creation and the Economy (1998) (Ref: PR.MC/118).

Records of subject-based standing committees set up by the Society from 1754 to judge awards and premiums in particular areas, including minutes and correspondence about awards and attendance at and structure of committees: Agriculture (Ref: PR.MC/103), Chemistry (Ref: PR.MC/105), Colonies and Trade (Ref: PR.MC/104), Manufactures (Ref: PR.MC/102), Mechanics (Ref: PR.MC/101), and Polite Arts - including prints, drawings and other artwork submitted for award (Ref: PR.AR/103).

Records relating to fine and applied arts, including exhibition of works of Ancient and Medieval Art (1847-1850) (Ref: PR.AR/105); exhibition of the works of William Etty and William Mulready (1848-1849), including general correspondence, printed matter, catalogues, press cuttings, tickets and notices about mounting of exhibitions, and attendance (Ref: PR.AR/112); British Art in Industry Exhibition (1935) to publicise good design in articles of everyday use (Ref: PR.AR/101); Humorous Art Exhibition (1949-1950) (Ref: PR.AR/100); Art for Architecture scheme (from 1990), aiming to enhance the urban environment by encouraging cross disciplinary approaches to building and landscape projects, and associated with the Jerwood Art for Architecture Award (introduced 1994) (Ref: PR.AR/110); Shakespeare in Schools (begun 1992), a pilot project to introduce Shakespeare to children (Ref: PR.AR/108).

Records relating to promotion of design, including the Design Bursaries Board, Design Committee, the Design Board, Design Advisory Group and Design Section (Ref: PR.DE/106-7); Industrial Art Bursaries Competition (started 1924), succeeded by the Design Bursaries Competition, Competition of Industrial Designs and Student Design Awards (Ref: PR.DE/100); Royal Designers for Industry (RDI) scheme (created 1936) to encourage a high standard of industrial design (Ref: PR.DE/101); Bicentenary Medal (instituted 1954) for exceptional influence in promoting art and design in British industry (Ref: PR.DE/102); Presidential Awards for Design Management (instituted 1964) to recognise outstanding design policy (Ref: PR.DE/105).
Records relating to education, including the RSA Examinations Board (PR.ED/100); the Education for Capability programme (initiated 1979) to counteract academic bias in British education and promote practical, organising and co-operative skills (Ref: PR.ED/107); the future of Technological Higher Education in Britain (1982), a study group to consider the problems facing Britain in the development of technological higher education (Ref: PR.ED/118); Home-School links (from 1988) (Ref: PR.ED/108); Parents in a Learning Society, a development project to involve parents in education and assess home-school work (Ref: PR.ED/104); the National Advisory Council for Careers and Educational Guidance (established 1994), to promote and advise on provision of guidance for learning and work (Ref: PR.ED/103); Education Futures (2000) (Ref: PR.ED/116).

Records relating to the environment, including the Campaign for the Preservation of Ancient Cottages (begun 1926) to protect cottage architecture, establishing a fund which purchased or restored cottages near Worthing, at Bibury, Gloucestershire, West Wycombe, Buckinghamshire, Chiddingstone, Kent, and elsewhere (Ref: PR.EN/100); three 'Countryside in 1970' Conferences (1963-1970) (Ref: PR.EN/104); Environment Committee (formed 1971) to identify and anticipate major environmental problems and provide a forum for discussion (Ref: PR.EN/107), which began the Pollution Abatement Technology Award Scheme (PATAS) (1983-1986) (Ref: PR.EN/103), succeeded by the Better Environment for Industry/European Better Environment Awards for Industry (BEAFI/EBEAFI) (1987-1991) (Ref: PR.EN/101); the Environment Committee's sub-committee the RSA-Cubitt Trust Panel (to 1991), devoted to the built environment and working with the Cubitt Trust to convene conferences, seminars and an annual Cubitt Lecture (Ref: PR.EN/106); After the Earth Summit - What Next? (1992) (Ref: PR.EN/128); RSA Environmental Management Awards (begun 1993) (Ref: PR.EN/102).

The Early Library (Ref: SC/EL/1-5), comprising c500 printed works collected by the Society before 1830, including journals and periodicals, and c300 pamphlets and tracts covering broad-ranging topics relating to premiums and awards of the various sectional committees (Agriculture, Polite Arts, Chemistry, Manufactures, Mechanics, and Colonies and Trade), and including extracts from proceedings of other societies and learned institutions.

Collection of photographs of public sculptures including statues, reliefs, fountains and murals in locations including schools, housing estates and old people's homes.

Papers relating to Kurt Schwitters, [1919-1993], comprising catalogues of exhibitions of Schwitters' work, largely in Britain and Germany, 1961-1986; invitations to exhibitions, 1963, 1985; pamphlets concerning Schwitters, 1948-1986; press cuttings relating to Schwitters and his work, 1985-1999; recording of Schwitters reading his poem 'An Anna Blume' and 'Die Sonatein Urlauten', 1943; Lord's Gallery exhibition catalogue, 1958; Private view invitations, Lord's Gallery Exhibition, 1958;
coloured getochromes by Schwitters, including from exhibitions, 1919-[1980]; photographs of Schwitters' work from exhibitions in Europe, 1944-1963, including from Lord's Gallery exhibition, 1958;
invoices, letters and price lists relating to exhibitions, 1958-1960; correspondence with Abbot Hall Art Gallery and Museum concerning Schwitters' work, 1993.

Papers of Stephen Willats, 1960s-1998, comprising documentation relating mainly to his West London Social Resource Project in the Greenford, Hanwell and Osterley area, [1972], including questionnaires, re-modeling books and manuals for Greenford, Hanwell and Osterley, black and white photographs of the areas, audio tape of statement and interviews with project operators, examples of returns from re-modeling books and manuals, participants' sheets, public decision sheets, map of project area, exhibition display mounts; papers relating to his Edinburgh Social Model Construction Project, 1973, including project operators' manuals, problem sheets for project areas, participant project file; advertising posters, photographs; exhibition catalogues, 1968-1998, for exhibitions of Willats' work in the UK, Europe and Toronto.

Papers of Arthur Hale Smith-Dorrien, comprising four volumes of watercolours, photographs, newscuttings and documents covering his career from his schooldays in 1865 until the end of his naval service, together with three volumes of caricatures and sketches.

Papers of Helen Faulkner, 1938-1979, 20 water colour sketchbooks, 3 folders of notes relating to the sketchbooks, 3 boxes of index cards and 1 folder of preparatory notes for index and lists of determinations.

Watercolours and sketches of the North West Frontier Province, India, 1909-1913, by an unknown artist. Views of Himalayan landscapes, forts and outposts including the Landi Kotal Camp, Khargali [Kargil] Heights, Michni Kandao Post, Kabul River, Fort Jamrud, Khyber Pass, Suru fort and Matanni; views of towns, streets and bridges including Sumbal, Bihara, Sopor and the Mar Canal in Srinagar; views of ruins including Takht (Takht-i-Bahi) from the Dal Lake and the Sun Temple, Martand; and landscapes including the Swat River from the Landakai Ridge and the Lower Tochi Valley.

Records of the Fine Art and General Insurance Company Limited comprising Board minute books, Committee minute books and general meeting minute books.

They are held off-site and require 24 hours notice for access.

Records of the Royal Society of Portrait Painters, including minute books, agreements, rules, acceptances of membership, papers relating to annual dinners, press cuttings, and annual exhibiton catalogues. Please note that access to the collection is by written permission from the depositors only.

Records of the Royal Watercolour Society and its predecessors including:

minutes and proceeding of the Society associated for the purpose of establishing an annual exhibition of paintings in water colours 1804-1808; the Society of Painters in Water Colours 1908-1812; the Society of Painters in Oil and Water Colours 1812-1820; and the Society of Painters in Water Colours 1820-2003;

proceedings of the committees, 1805-1896; minutes of the Council, 1896-1989; and correspondence 1938-1975;

administrative papers including laws and regulations, correspondence, deeds, leases, licences, plans, signature collections, menus, photographs, 1823-1980; annual reports 1897-1955; calendar 1939-1959;

letter books 1896-1942;

financial records 1805-1978;

catalogues of exhibitions 1805-1990; catalogues of non-members exhibitions 1939-1968; London Salon of Photography exhibitions, 1935-1972; Society of Portrait Sculptors, 1958-1967; Society of Miniaturists 1943-1970;

Jenkins Papers comprising106 files on individual artists collected by John Joseph Jenkins, containing obituaries, letters, memoranda, catalogues, printed papers, cuttings, and notes;

miscellaneous volumes comprising of laws and rules of the society 1804-1842; photographs of Presidents, Honorary Members, Members and Associates of the Society, c1863; membership book 1878-1985; register of candidates 1904-1967; exhibition statistics 1914-1951; admission revenues 1926-1937; General meeting attendance books, 1895-1923; Council attendance book1908-1968; library catalogue 1885-1890s; inventories of furniture, fittings and works of art 1885-1906; list of members of the first exhibition 1805; private view list 1900-1910; register of visitors 1904-1905; stationary standard books 1901-1938; parcel books 1902-1937; annual dinner invitation lists 1904-1914; Treasurer's reports to Council 1885-1889; Social Evenings Committee minutes 1885; Sub-Committee on the Law of Copyright minutes 1896-1902; agendas 1898-1952; private view signatures 1927-1978;

press cuttings books 1880-1974;

sales records comprising sales books, 1825-1981; artists and buyers daily accounts 1897-1956; ledgers 1897-1937;

Peter De Wint Trust Fund records comprising minutes 1924-1976;
correspondence and papers 1922-1969; financial records 1922-1982;

Art Club minutes and papers 1884-1984; attendance book 1912-1953; letter book 1906-1909; financial records 1884-1976; register of subscriptions, 1931-1936; sales day book, 1959-1984; annual reports, 1936-1938; correspondence 1936-1986; catalogues of exhibitions, 1886-1984 including exhibitions held jointly with the Society of Miniaturists, 1971-1983; membership lists and rules, 1884-1939;

Old Water-Colour Society Club records comprising minutes 1923-1971; draft constitution and rules 1923; correspondence 1937-1985; printed papers and ephemera 1924-1972; financial records 1939-1970; annual dinner menus 1928-1939; plans of table 1926-1939;

John Joseph Jenkins' personal papers including personal letters 1846-1875; notes 1833-1834; society papers 1810-1884; newspaper cutting 1852-1884; miscellaneous papers on artists, 1815-1880; and papers relating to the Society's history 1804-1884;

Items given to the RWS comprising illuminated coat of arms, 1931; miscellaneous letters 1804-1946; papers of Sir Ernest A Waterlow, 1898-1913; sketchbook of Alfred Parsons 1880-1918; Thomas Rooke's memoir of the RWS and its members 1926; sketch, photograph and letters of Roland Bachelor 1979-1980.

Artist files containing cuttings, articles and related papers on members of the RWS (24 boxes); and Artist photographs - collection of photographs of members of the RWS 1852/3- (3 boxes).

Papers of Elizabeth Scott-Moore, comprising correspondence, working papers, scrapbooks and photographs, 1920s-1990s.

Thirty three paintings dating from c1500-1820 with accompanying contextual records. The subject of the paintings ranges from cathedral and church interiors, Rembrandt's father, Venice, biblical scenes including building the Tower of Babel, the Adoration of the Magi and the Madonna and Child, landscapes, ships, portraits, still lifes, flowers, battle scenes and domestic interiors. The mediums used include oil on canvas, oil on copper and oil on panel. The collection includes one triptych, one alter panel and all other paintings are framed wall paintings.

Thirteen photographs of Iris Murdoch at various points of her life, dating from the 1930s until the 1970s. These photographs were collected by Peter Conradi while researching his biography Iris Murdoch: A Life (2001).

Notebooks and working papers of the art historian Charles Mitchell, c 1951-1986, on topics including: Ciriaco d'Ancona; Tempio Malatestiano (Temple of the Planets, Rimini, Italy); Antiquarianism and 15th Century Italian Art.

Notes, working papers and correspondence of the art historian Otto Kurz, c 1930-1975. Topics covered include: the Baroque, notably the painters Guido Reni, Carracci; faked art; critical edition of Marco Polo's 'Description of the World'; Christian manuscripts; 'Die Legende vom Künstler' (Historiography); astrological manuscripts; Eastern astrology; cultural history of material goods; costume and Jewish Art.

PLEASE NOTE: THIS COLLECTION IS NOW HELD BY THE EAST SUSSEX RECORD OFFICE

Papers and designs of Peggy Angus, comprising: Business papers and reference material including correspondence, Angus trade cards, Carter tile catalogues, sketch books and photographs of tiles, painted murals and wallpapers in situ. Printed ephemera, comprising cards (postcards, cigarette cards, greetings, advertising cards); booklets (programmes, guidebooks, exhibition catalogues, leaflets, maps); loose papers (handbills, cuttings, calendars, bookplates, posters). Design examples by Angus and others, including oil paintings, prints, collages; wallpapers and wallpaper samples; tiles and floor designs.

Papers of Mary Edith Durham, comprise water-colours, drawings and photographs from the Balkans, [1900-1912], many of the pictures are annotated, the paintings and drawings are signed M.E. Durham, 1900 and 17 water-colours, 4 black and white drawings and 2 photographs are mounted. Images depicted include Monastery churches at Deèani and Ipek, 'Moslem' peasants at Podgorica and market places at Cetinje and Cattaro.

Archives of the Hayward Gallery (HG) comprising:

Files relating to the HG policy and administration, 1994-2003; files relating to HG exhibitions, 1987-2003; files relating to the Arts Council Collection exhibitions and National Touring Exhibitions, 1994-2003;

printed exhibition leaflets, 1987-2003; printed posters advertising HG exhibitions and National Touring Exhibitions, 1968-2003;

printed private view invitation cards for Arts Council exhibitions (ACGB-1994) (including HG and National Touring Exhibitions), 1968-2003;
printed guides to HG Exhibitions, 1979-2003; printed catalogues for Arts Council Collection Exhibitions, 1950-2003; printed catalogues for HG and National Touring Exhibitions (including some from CEMA) 1942-2003;

HG press releases, 1978-2003; press cuttings relating to exhibitions and the Gallery, 1968-2003;
photographs of Hayward exhibition installations, 1968-2003; and National Touring Exhibitions including the Arts Council Collection, 1975-2003.