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Records of W Barnett and Company, including letter from Messrs Dale and Stretton, Gray's Inn Square, inviting applications for debenture stock of the London Bridge Land Company, Ltd. secured on the freehold estate of the Company at London Bridge, 1865; sales particulars of 9 Fleet Street with rear premises abutting on Hare Court, Temple, 1878; poster and handbill issued by W. Barnett and Company, advertising passages to Australia and other destinations, c 1850-1860.

The Stephen Sondheim Society Archive documents the life and work of musical theatre composer and lyricist Stephen Sondheim. The core of the collection was collected by antiquarian bookseller and Sondheim enthusiast Peter Wood- his collection later passed to the Society. Additional material has been added since, filling in gaps in the Peter Wood collection and documenting productions and publications that have occurred since it was transferred to the Society.

Both parts of the Collection contain a range of material on Stephen Sondheim and his work- notably programmes, leaflets, posters and press cuttings. There are also journals, books, audio visual material and collectables. The Collection dates from Sondheim's earliest work to the present and will continue to be added to as his works continue to be performed. There are also documents relating to the work of the Society itself, notably the Stephen Sondheim Society Student Performer of the Year awards (SSSSPOTY).

Papers and designs of the Silver Studio design practice, comprising:
Personal correspondence and papers of the Silver family, photographs and family albums, personal cards (Christmas, visiting etc).

Business correspondence, business diaries and time books, staff records, studio trade cards, letter heads, order forms, notes and studio inventories, day books and financial records.

Books, magazines and other printed ephemera collected as visual reference material by Silver Studio employees.

Photographic records (glass plate negatives, reference photographs of designs etc); sketch books; printed ephemera, comprising cards (postcards, cigarette cards, greetings, advertising cards), booklets (programmes, guidebooks, exhibition catalogues, leaflets, maps), loose papers (handbills, cuttings, calendars, bookplates, posters).

Silver Studio designs on paper (c40,000 designs for wallpapers, textiles carpets and other domestic furnishings); 5,000 textile samples (both of the Silver Studio and other designers/manufacturers); 5,000 wallpaper samples (loose sheets and albums, both of the Silver Studio and other designers/manufacturers).

Studio objects (door plaque, lamp, paint boxes etc).

The archive consists of papers relating to the activities and members of See Red Women's Workshop, 1974-1984. It includes correspondence; notebooks containing minutes; press cuttings; poster catalogues and photographs showing members at work in the screen-print workshop.

Recruitment and fundraising posters, World War One, 1914-1916, including Parliamentary Recruiting Committee posters and Parliamentary War Savings Committee posters. The posters are full colour and are designed as postive and negative propaganda to aid recruitment and encourage donation to the war effort and were aimed at domestic civilian audiences. Highlights include posters referring to the sinking of the liner, the Lusitania, appeals to assist in the defence of Belgium, examples of alleged German atrocities, and representations of Britain, British families and the British way of life thought to be under threat.

Poster Literature Collection of Camberwell College of Arts, [1920s-2000], comprising British and international posters, [1920s-2000], including many produced for exhibitions, including by Camberwell College, British museums such as the Tate; exhibition catalogues, articles and press cuttings, [1970s], relating to billboard and poster design of the 19th and 20th centuries.

Posters relating to the 'Free George Davis' campaign and campaigns by Islington Tenants against estate agents Prebble and Company.

PLEASE NOTE: THIS COLLECTION IS NOW HELD BY THE EAST SUSSEX RECORD OFFICE

Papers and designs of Peggy Angus, comprising: Business papers and reference material including correspondence, Angus trade cards, Carter tile catalogues, sketch books and photographs of tiles, painted murals and wallpapers in situ. Printed ephemera, comprising cards (postcards, cigarette cards, greetings, advertising cards); booklets (programmes, guidebooks, exhibition catalogues, leaflets, maps); loose papers (handbills, cuttings, calendars, bookplates, posters). Design examples by Angus and others, including oil paintings, prints, collages; wallpapers and wallpaper samples; tiles and floor designs.

W North collection, 1874-[1926], comprising a Leeds parliamentary election poster titled "Reaction versus Disunion", 1874; a report on potato disease by Robert Veitch and Son with sketches of vegetables, possibly by Veitch, 1892; and a children's poster titled "A Pageant of London", c 1926.

Records relating to the School of Music at Kingston University dating 1998-2010. Includes posters, programmes and leaflets for Kingston University Music Concerts; school of music staff and student handbooks from early 2000s; programmes for graduation ceremonies; and other general documents relating to the history of Kingston University.

Records created or held by Dennis Berry while he was the Head of the Architecture department at Kingston School of Art/ Kingston College of Art/ Kingston Polytechnic (now Kingston University). Includes photographs, scrap books, notes on town plan exhibitions and projects, notes on curriculum and examinations, meeting minutes, diaries, leaflets and publications from the Architecture department, and posters for an Architecture talk 1959.

A collection of exhibition guides, leaflets, and posters, for exhibitions by Kingston Polytechnic Arts and archaeology students dating from 1970s and 1980s.

Documents relating to Exhibitions and Displays at Kingston Polytechnic from 1975-1986. Includes display programmes, leaflets, photographs and press cuttings. Also with a photograph of the staff of the Business School in 1982, and a Kingston Polytechnic Diary newsletter dated 05 May 1986.

Papers of Joan Gili, 1844-1997, comprise Catalonia: press-cuttings, leaflets regarding cultural events; some minutes, circulars of the Anglo-Catalan society, 1976-1995; leaflets by British-based exiles protesting against Spanish government; Monserrat manifesto, 1970; memoranda on Catalonia to international organizations, 1950s; posters from Barcelona, 1844-c 1933.

The papers of Garrick Club comprise one volume containing playbills for the Theatre Royal, Covent Garden between 28 September 1825 and 23 June 1826 with occasional notices of cast changes.

Records relating to Clapham Labour Party. The collection includes minutes of Clapham Labour Party's executive committee and general management committee as well as information on borough and LCC elections. The correspondence referring to Dr MacGregor Reid (President of the Clapham Labour Party in 1926, d 1946), his alleged attack on other Labour and Socialist Parties and ensuing enquiry is especially engaging. However, the records also mention the Battersea Division and contain correspondence of the London Labour Party and national Labour Party. Of particular note are the official Labour Party posters reflecting policy on topics such as farming, coal strikes and the family and its publications about issues such as refugees, Soviet wartime policy and Palestinians in Israel.

The Charles Hasler collection is comprised of printed ephemera, including greetings cards, cigarette cards, journals, invitations, books, exhibition catalogues, sales catalogues, prints, packaging, articles, books, business records, photographs, photocopies, manuscripts, slides, colour transparencies, newspaper clippings and journals and trade literature. There are also defined groupings of material, including designs and artwork, which usually relate to specific projects including: typography (contemporary and historical; particularly monotype), printing techniques (particularly colour), transport, Greenwich, architecture, wine, fashion, watercolour painting, book binding and photography. In addition, the collection includes material from the Ministry of Information campaigns during World War Two, including "Dig for Victory" and "Careless Talk Costs Lives" and material relating to the Festival of Britain, 1951.

Papers of The Centre for Sexual and Reproductive Health Research comprise posters and ephemera relating to sexual and reproductive health, and evaluation and campaign material, 1980s-1990s. Posters notably concern AIDS prevention and originate from countries across Europe including Norway, Greece, Switzerland and UK. Posters use strong imagery including condoms and syringes to illustrate the importance of sexual health, for example a Swedish poster includes an image of man and woman with condoms as halos, the caption reads 'Var din egen skyddsangel' or 'Be your own guardian angel'. Ephemera includes badges, bags, leaflets and tapes and videos from various countries concerning AIDS and sexual health campaigns.

Evaluation and campaign material relates to work carried out in 1980s and 1990s concerning AIDS and notably includes pamphlets and leaflets from campaigns carried out across Europe, AIDS Strategic Monitor publications and surveys and research collated by various market research companies. The material was presumably collected from and hence relates to Sweden, Switzerland, Spain, Netherlands, Poland, Austria, Italy, Luxemburg, UK, Germany, Belgium, Denmark, France, Ireland, Hungary, Czechoslovakia, Norway and Greece.

Papers of William Budd, 1829-1869, notably include publications by Budd on various diseases including cholera, typhoid and cattle-plague, 1852-1866; correspondence on cholera and typhoid, 1854-1869; certificates from medical institutions, 1829-1837; posters and public information on vaccination, [1829-1869] and an original lithograph portrait of Budd, published by A B Black, 1862.