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Papers of the London History Workshop Centre, including; papers and correspondence regarding the origins and formation of the London History Workshop Centre, 1977-1983; minutes and papers of Annual General Meetings and management meetings, 1983-1992; accounts and financial papers, 1983-1991; papers, correspondence and reports regarding projects and publications, 1981-1991; papers, accounts and promotional material of the London History Workshop Centre Sound and Video Archive, 1986-1991; photographs, prints and illustrations covering the late nineteenth century to the mid 1980s and concerning World War One, World War Two, poverty, transport, (railways, cars, buses, trams and the Underground) housing, entertainment, marches and demonstrations, fashion, working life, immigration, the development of London, entertainment, shops and shopping, education, childhood and other areas, c1910-1985; miscellaneous transcripts of oral history interviews conducted by London Weekend Television for the television series, The Making of Modern London, c1985; correspondence and plates for the book Trafalgar Square: Emblem of Empire, published by Lawrence and Wishart, 1975-1976; card backed photographic reproductions used by the London History Workshop for exhibition purposes, c1975.

Correspondence of Frank Howes, 1925-1951, comprising letter from Charles Sanford Terry (to H C Colles), enclosing Terry's edition of Coffee and Cupid (The Coffee Cantata): an Operetta by Johann Sebastian Bach (London, 1925); correspondence with Ernest Irving regarding Ralph Vaughan Williams' score for the film Scott of the Antarctic, and with Edward Joseph Dent on Gluck's Orfeo, and John Church's A Divine Hymn.