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Born, Dublin, 1856; attended a Weslyan school, but was largely self educated through visits to the National Gallery of Ireland and wide reading; worked as a cashier, 1872-1876; moved to London in 1876 to join his mother and sister; wrote but failed to publish five novels, 1878-1883; strongly influenced by Karl Marx's Das Kapital; joined and became a leading member of the Fabian Society, 1884, and edited Fabian Essays in Socialism, 1889; worked as a book, drama and music critic for the Pall Mall Gazette, 1885-1888, the World, 1886-1889, the Star, 1888-1890, and the Saturday Review, 1895-1898; published The quintessence of Ibsenism, 1891; wrote Widowers' Houses for performance by Independent Theatre, 1892, attacking slum landlords and allying Shaw with a realistic and political movement in the theatre; this was followed by The Philanderer (1893), Mrs Warren's Profession (1893, concerning prostitution and banned until 1902), Arms and the Man (1894), Candida (1897) and You Never Can Tell (1899); obtained first successful production of a play with The Devil's Disciple, New York, 1897; married Charlotte Payne-Townshend, 1898; wrote Captain Brassbound's Conversion for Ellen Terry, 1900; completed Caesar and Cleopatra, 1899, which was produced by Mrs Patrick Campbell in 1901; established as a playwright of international importance, with the completion and performance of Man and Superman (1901-1903), John Bull's Other Island (1904), Major Barbara (1905) and The Doctor's Dilemma (1906), which were produced by Harley Granville-Barker for the Royal Court Theatre; wrote his most popular play, Pygmalion, in 1913 (he later adapted it for the screen, winning an Academy Award in the process); during World War One, made numerous anti-war speeches; his postwar plays include Heartbreak House (1920), Back to Methuselah (1922), and St Joan (1923); won the Nobel Prize for Literature, 1925, but refused the award; established the Anglo-Swedish Literary Foundation for the translation of Swedish literature into English; wrote extensively on social, economic and political issues, notably The Intelligent Woman's Guide to Socialism and Capitalism (1928), and Everybody's Political What's What? (1944); his later plays, produced at the Malvern Festivals, included The Apple Cart (1929), Too True to be Good (1932) and Geneva (1939); retired, 1943; left residue of his estate to institute a British alphabet of at least 40 letters; died 1950.
Publications: include: The Intelligent Woman's Guide to Socialism and Capitalism (Constable & Co, London, 1928); The Adventures of the Black Girl in Her Search for God (Constable and Co, London, 1932); Everybody's Political What's What? (Constable & Co, London, 1944).