GB-70-tga-20042 - Artist Placement Group (APG): records

Zone d'identification

Cote

GB-70-tga-20042

Titre

Artist Placement Group (APG): records

Date(s)

  • 1960s-1990s (Création/Production)

Niveau de description

Étendue matérielle et support

45 boxes

Zone du contexte

Nom du producteur

Notice biographique

The Artist Placement Group (APG) emerged in London in the 1960s. The idea of artist placements took its focus from the group of UK artists, including John Latham and Barbara Steveni, who were experimenting with new art forms. Initiated and directed by Steveni, the APG pioneered the concept of art in the social context; from the outset her concept of 'placement' directly acknowledged the isolated and marginal position that artists held within society and was an effort to overcome this situation. The APG acting outside the conventional art gallery system, attempted to place artists, through negotiation and agreement, within industry and in government departments. Artists such as Keith Arnatt, Ian Breakwell, Stuart Brisley, and Barry Flanagan, had important placements or early associations with the APG.

Today the organisation exists as Organisation and Imagination (O + I), and describes itself as 'an independent, radical international artist initiative, a network consultancy and research organisation'. Its board of directors, members and specialist advisors include leading artists, senior civil servants, politicians, scientists, and academics from various disciplines. The name was changed in 1989 in order to distinguish the initiative from arts administrative placement schemes set up following the APG example.

Histoire archivistique

GB-70-tga-20042 1960s-1990s Collection (fonds) 45 boxes The Artist Placement Group (APG)

The Artist Placement Group (APG) emerged in London in the 1960s. The idea of artist placements took its focus from the group of UK artists, including John Latham and Barbara Steveni, who were experimenting with new art forms. Initiated and directed by Steveni, the APG pioneered the concept of art in the social context; from the outset her concept of 'placement' directly acknowledged the isolated and marginal position that artists held within society and was an effort to overcome this situation. The APG acting outside the conventional art gallery system, attempted to place artists, through negotiation and agreement, within industry and in government departments. Artists such as Keith Arnatt, Ian Breakwell, Stuart Brisley, and Barry Flanagan, had important placements or early associations with the APG.

Today the organisation exists as Organisation and Imagination (O + I), and describes itself as 'an independent, radical international artist initiative, a network consultancy and research organisation'. Its board of directors, members and specialist advisors include leading artists, senior civil servants, politicians, scientists, and academics from various disciplines. The name was changed in 1989 in order to distinguish the initiative from arts administrative placement schemes set up following the APG example.

Purchased by Tate Archive from Barbara Steveni and the O + I Group, January 2004.

Records of the Artist Placement Group (APG), [1960-1999]. Including files relating to: their approaches and placements within industry and government departments; the APG's involvement with art colleges, galleries, universities and artists' groups; lectures and symposia; correspondence with artists; the day-to-day running of the Group; publications, press and publicity; audiovisual material and photographs.

Arranged as:
1.Correspondence;
2.Artist's Statements;
3.Admin and Constitutional records;

  1. Printed Material;
  2. Press;
    6.Promotional Material;
    7.Photographs;
  3. Audiovisual Material;
    9.Original Artwork;
    10.Ephemeral items

Open. Access to all registered researchers.

Usual copyright restrictions apply.
English

Online and paper catalogue available.
Entry compiled by Suzanne Keyte for AIM25 from the Tate Archive catalogue. Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. 2010 Art Artists Government policy Artist Placement Group (APG) Government

Source immédiate d'acquisition ou de transfert

Purchased by Tate Archive from Barbara Steveni and the O + I Group, January 2004.

Zone du contenu et de la structure

Portée et contenu

Records of the Artist Placement Group (APG), [1960-1999]. Including files relating to: their approaches and placements within industry and government departments; the APG's involvement with art colleges, galleries, universities and artists' groups; lectures and symposia; correspondence with artists; the day-to-day running of the Group; publications, press and publicity; audiovisual material and photographs.

Évaluation, élimination et calendrier de conservation

Accroissements

Mode de classement

Arranged as:
1.Correspondence;
2.Artist's Statements;
3.Admin and Constitutional records;

  1. Printed Material;
  2. Press;
    6.Promotional Material;
    7.Photographs;
  3. Audiovisual Material;
    9.Original Artwork;
    10.Ephemeral items

Zone des conditions d'accès et d'utilisation

Conditions d'accès

Open. Access to all registered researchers.

Conditions de reproduction

Usual copyright restrictions apply.

Langue des documents

  • anglais

Écriture des documents

  • latin

Notes de langue et graphie

English

Caractéristiques matérielle et contraintes techniques

Instruments de recherche

Online and paper catalogue available.

Zone des sources complémentaires

Existence et lieu de conservation des originaux

Existence et lieu de conservation des copies

Unités de description associées

Descriptions associées

Zone des notes

Identifiant(s) alternatif(s)

Mots-clés

Mots-clés - Lieux

Mots-clés - Noms

Mots-clés - Genre

Zone du contrôle de la description

Identifiant de la description

Identifiant du service d'archives

Tate Britain

Règles et/ou conventions utilisées

Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Statut

Niveau de détail

Dates de production, de révision, de suppression

Langue(s)

  • anglais

Écriture(s)

    Sources

    Zone des entrées