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John Bacon (1740-1799) was born in Southwark and apprenticed to a porcelain factory. His skill as a designer and sculptor was recognised and he was encouraged to exhibit with the Society of Arts, and attended the Royal Academy Schools. From designing porcelain for factories including Wedgwood, he became a highly sought after sculptor of monuments and public statues. His work included the monument to Thomas Guy at Guy's Hospital chapel, the monument to William Pitt the Elder at Westminster Abbey, the bust of Dr Johnson in St Paul's Cathedral, and colossal figures at Somerset House. He established a successful studio workshop which produced funerary monuments, garden sculpture and portrait busts for private clients.
Bacon's sons John the younger (1777-1859) and Thomas (b 1773) were apprenticed at their father's studio and then attended the Royal Academy Schools. On Bacon's death John the younger took over the studio, completing his father's commissions and proving just as successful at attracting new civic and imperial commissions. Thomas is recorded as assisting him, but disappears from the documents after 1800. From 1808 John Bacon retired from carrying out public works to focus on architectural and church sculpture. He formed a partnership with Charles Manning (1776-1812) and then his brother Samuel Manning (1788-1842), allowing them to carry on the work of the studio and use the Bacon name.
John Bacon died in 1859. His sons, John and Thomas, were both clergymen who are recorded as trustees of their father's estate (see E/BN/007, 009-010).
Information from Mary Ann Steggles, 'Bacon, John (1740-1799)', Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Jan 2008 and Jason Edwards, 'Bacon, John (1777-1859)', Oxford Dictionary of National Biography, Oxford University Press, 2004.