Zone d'identification
Cote
Titre
Date(s)
- 1974-1979 (Création/Production)
Niveau de description
Étendue matérielle et support
4 folders
Zone du contexte
Nom du producteur
Notice biographique
Scottish sculptor, graphic artist and poet. Brought up in Scotland, he briefly attended Glasgow School of Art and first made his reputation as a writer, publishing short stories and plays in the 1950s. In 1961 he founded the Wild Hawthorn Press with Jessie McGuffie and within a few years had established himself internationally as Britain's foremost concrete poet. His publications also played an important role in the initial dissemination of his work as a visual artist. As a sculptor, he has worked collaboratively in a wide range of materials, having his designs executed as stone-carvings, as constructed objects and even in the form of neon lighting.
In 1966 Finlay and his wife, Sue, moved to the hillside farm of Stonypath, south-west of Edinburgh, and began to transform the surrounding acres into a unique garden, which he named Little Sparta. He revived the traditional notion of the poet's garden, arranging ponds, trees and vegetation to provide a responsive environment for sundials, inscriptions, columns and garden temples. As the proponent of a rigorous classicism and as the defender of Little Sparta against the intrusions of local bureaucracy, he insisted on the role of the artist as a moralist who comments sharply on cultural affairs. The esteem won by Finlay's artistic stance and style is attested by many important large-scale projects undertaken throughout the world. The ‘Sacred Grove', created between 1980 and 1982 at the heart of the Kröller-Müller Sculpture Park, Otterlo, is one of the most outstanding examples of Finlay's work outside Little Sparta.
Dépôt
Histoire archivistique
GB 0070 TGA 824 1974-1979 Fonds 4 folders
Finlay , Ian Hamilton , 1925-2006 , poet and writer
Scottish sculptor, graphic artist and poet. Brought up in Scotland, he briefly attended Glasgow School of Art and first made his reputation as a writer, publishing short stories and plays in the 1950s. In 1961 he founded the Wild Hawthorn Press with Jessie McGuffie and within a few years had established himself internationally as Britain's foremost concrete poet. His publications also played an important role in the initial dissemination of his work as a visual artist. As a sculptor, he has worked collaboratively in a wide range of materials, having his designs executed as stone-carvings, as constructed objects and even in the form of neon lighting.
In 1966 Finlay and his wife, Sue, moved to the hillside farm of Stonypath, south-west of Edinburgh, and began to transform the surrounding acres into a unique garden, which he named Little Sparta. He revived the traditional notion of the poet's garden, arranging ponds, trees and vegetation to provide a responsive environment for sundials, inscriptions, columns and garden temples. As the proponent of a rigorous classicism and as the defender of Little Sparta against the intrusions of local bureaucracy, he insisted on the role of the artist as a moralist who comments sharply on cultural affairs. The esteem won by Finlay's artistic stance and style is attested by many important large-scale projects undertaken throughout the world. The ‘Sacred Grove', created between 1980 and 1982 at the heart of the Kröller-Müller Sculpture Park, Otterlo, is one of the most outstanding examples of Finlay's work outside Little Sparta.
Photocopies of four folders of correspondence relating to the disputes between Ian Hamilton Finlay and Fulcrum Press and with Coracle Press. In 1974 Ian Hamilton Finlay quarrelled with the Fulcrum Press over their First Edition of his 'The dancers inherit the party', which Finlay did not consider to be a true first edition. During 1976 the relationship between Finlay and Simon Cutts who was then running the Coracle Press and Gallery became strained with Finlay claiming that Coracle Press owed him money for his Wild Hawthorn Press publications which he had supplied to them for sale in their bookshop. He successfully sued them in Lambeth County Court. Part of the dispute also centred on articles and comments made by Ian Gardner in the publication 'Blue Tunnel'.
English
Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. Poetry Literature Finlay , Ian Hamilton , 1925-2006 , poet and writer Fulcrum Press Coracle Press Literary forms and genres
Source immédiate d'acquisition ou de transfert
Zone du contenu et de la structure
Portée et contenu
Photocopies of four folders of correspondence relating to the disputes between Ian Hamilton Finlay and Fulcrum Press and with Coracle Press. In 1974 Ian Hamilton Finlay quarrelled with the Fulcrum Press over their First Edition of his 'The dancers inherit the party', which Finlay did not consider to be a true first edition. During 1976 the relationship between Finlay and Simon Cutts who was then running the Coracle Press and Gallery became strained with Finlay claiming that Coracle Press owed him money for his Wild Hawthorn Press publications which he had supplied to them for sale in their bookshop. He successfully sued them in Lambeth County Court. Part of the dispute also centred on articles and comments made by Ian Gardner in the publication 'Blue Tunnel'.
Évaluation, élimination et calendrier de conservation
Accroissements
Mode de classement
Zone des conditions d'accès et d'utilisation
Conditions d'accès
Conditions de reproduction
Langue des documents
- anglais
Écriture des documents
- latin
Notes de langue et graphie
English
Caractéristiques matérielle et contraintes techniques
Instruments de recherche
Zone des sources complémentaires
Existence et lieu de conservation des originaux
Existence et lieu de conservation des copies
Unités de description associées
Zone des notes
Identifiant(s) alternatif(s)
Mots-clés
Mots-clés - Sujets
Mots-clés - Lieux
Mots-clés - Noms
Mots-clés - Genre
Zone du contrôle de la description
Identifiant de la description
Identifiant du service d'archives
Règles et/ou conventions utilisées
Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.
Statut
Niveau de détail
Dates de production, de révision, de suppression
Langue(s)
- anglais