Fonds GB 0070 TGA 824 - Correspondence concerning the disputes between Ian Hamilton Finlay and the Fulrum and Coracle Presses

Zone d'identification

Cote

GB 0070 TGA 824

Titre

Correspondence concerning the disputes between Ian Hamilton Finlay and the Fulrum and Coracle Presses

Date(s)

  • 1974-1979 (Création/Production)

Niveau de description

Fonds

Étendue matérielle et support

4 folders

Zone du contexte

Nom du producteur

Notice biographique

Scottish sculptor, graphic artist and poet. Brought up in Scotland, he briefly attended Glasgow School of Art and first made his reputation as a writer, publishing short stories and plays in the 1950s. In 1961 he founded the Wild Hawthorn Press with Jessie McGuffie and within a few years had established himself internationally as Britain's foremost concrete poet. His publications also played an important role in the initial dissemination of his work as a visual artist. As a sculptor, he has worked collaboratively in a wide range of materials, having his designs executed as stone-carvings, as constructed objects and even in the form of neon lighting.

In 1966 Finlay and his wife, Sue, moved to the hillside farm of Stonypath, south-west of Edinburgh, and began to transform the surrounding acres into a unique garden, which he named Little Sparta. He revived the traditional notion of the poet's garden, arranging ponds, trees and vegetation to provide a responsive environment for sundials, inscriptions, columns and garden temples. As the proponent of a rigorous classicism and as the defender of Little Sparta against the intrusions of local bureaucracy, he insisted on the role of the artist as a moralist who comments sharply on cultural affairs. The esteem won by Finlay's artistic stance and style is attested by many important large-scale projects undertaken throughout the world. The ‘Sacred Grove', created between 1980 and 1982 at the heart of the Kröller-Müller Sculpture Park, Otterlo, is one of the most outstanding examples of Finlay's work outside Little Sparta.

Histoire archivistique

GB 0070 TGA 824 1974-1979 Fonds 4 folders

Finlay , Ian Hamilton , 1925-2006 , poet and writer

Scottish sculptor, graphic artist and poet. Brought up in Scotland, he briefly attended Glasgow School of Art and first made his reputation as a writer, publishing short stories and plays in the 1950s. In 1961 he founded the Wild Hawthorn Press with Jessie McGuffie and within a few years had established himself internationally as Britain's foremost concrete poet. His publications also played an important role in the initial dissemination of his work as a visual artist. As a sculptor, he has worked collaboratively in a wide range of materials, having his designs executed as stone-carvings, as constructed objects and even in the form of neon lighting.

In 1966 Finlay and his wife, Sue, moved to the hillside farm of Stonypath, south-west of Edinburgh, and began to transform the surrounding acres into a unique garden, which he named Little Sparta. He revived the traditional notion of the poet's garden, arranging ponds, trees and vegetation to provide a responsive environment for sundials, inscriptions, columns and garden temples. As the proponent of a rigorous classicism and as the defender of Little Sparta against the intrusions of local bureaucracy, he insisted on the role of the artist as a moralist who comments sharply on cultural affairs. The esteem won by Finlay's artistic stance and style is attested by many important large-scale projects undertaken throughout the world. The ‘Sacred Grove', created between 1980 and 1982 at the heart of the Kröller-Müller Sculpture Park, Otterlo, is one of the most outstanding examples of Finlay's work outside Little Sparta.

Photocopies of four folders of correspondence relating to the disputes between Ian Hamilton Finlay and Fulcrum Press and with Coracle Press. In 1974 Ian Hamilton Finlay quarrelled with the Fulcrum Press over their First Edition of his 'The dancers inherit the party', which Finlay did not consider to be a true first edition. During 1976 the relationship between Finlay and Simon Cutts who was then running the Coracle Press and Gallery became strained with Finlay claiming that Coracle Press owed him money for his Wild Hawthorn Press publications which he had supplied to them for sale in their bookshop. He successfully sued them in Lambeth County Court. Part of the dispute also centred on articles and comments made by Ian Gardner in the publication 'Blue Tunnel'.

English

Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. Poetry Literature Finlay , Ian Hamilton , 1925-2006 , poet and writer Fulcrum Press Coracle Press Literary forms and genres

Source immédiate d'acquisition ou de transfert

Zone du contenu et de la structure

Portée et contenu

Photocopies of four folders of correspondence relating to the disputes between Ian Hamilton Finlay and Fulcrum Press and with Coracle Press. In 1974 Ian Hamilton Finlay quarrelled with the Fulcrum Press over their First Edition of his 'The dancers inherit the party', which Finlay did not consider to be a true first edition. During 1976 the relationship between Finlay and Simon Cutts who was then running the Coracle Press and Gallery became strained with Finlay claiming that Coracle Press owed him money for his Wild Hawthorn Press publications which he had supplied to them for sale in their bookshop. He successfully sued them in Lambeth County Court. Part of the dispute also centred on articles and comments made by Ian Gardner in the publication 'Blue Tunnel'.

Évaluation, élimination et calendrier de conservation

Accroissements

Mode de classement

Zone des conditions d'accès et d'utilisation

Conditions d'accès

Conditions de reproduction

Langue des documents

  • anglais

Écriture des documents

  • latin

Notes de langue et graphie

English

Caractéristiques matérielle et contraintes techniques

Instruments de recherche

Zone des sources complémentaires

Existence et lieu de conservation des originaux

Existence et lieu de conservation des copies

Unités de description associées

Descriptions associées

Zone des notes

Identifiant(s) alternatif(s)

Mots-clés

Mots-clés - Lieux

Mots-clés - Noms

Mots-clés - Genre

Zone du contrôle de la description

Identifiant de la description

Identifiant du service d'archives

Tate Britain

Règles et/ou conventions utilisées

Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Statut

Niveau de détail

Dates de production, de révision, de suppression

Langue(s)

  • anglais

Écriture(s)

    Sources

    Zone des entrées