Identity area
Reference code
Title
Date(s)
- c 1948-1989 (Creation)
Level of description
Extent and medium
16 boxes
Context area
Name of creator
Biographical history
Leopold David Ettlinger was born in Königsberg (now Kaliningrad, Russia), where his father was the university librarian, 1913. He studied at the Universities of Halle and Marburg, receiving his doctorate in 1937. He left Germany in 1938 because of his Jewish background and settled in England, working at the Warburg Institute under Fritz Saxl. With other Warburg staff, he was briefly interned on the Isle of Man in 1940 and became a member of the Institute on his release. During 1941-1948 Ettlinger worked as a schoolteacher in Birmingham, before returning to the Warburg Institute as Assistant to the Curator of the Photographic Collection (1948-1950); subsequently he was Assistant Curator (1950-1953) and Curator (1953-1956) of the Photographic Collection, and then a Lecturer at the Institute (1956-1964). From 1959 he was also a Professor at the Slade School of Art, becoming chair of the department in 1966. In 1970 Ettlinger left England for the University of California at Berkeley, where he remained until his retirement in 1980. He died in 1989. His research covered many aspects of art history.
Repository
Archival history
GB 1370 WIA, Leopold D Ettlinger c 1948-1989 collection 16 boxes Ettlinger , Leopold David , 1913-1989 , art historian and curator
Leopold David Ettlinger was born in Königsberg (now Kaliningrad, Russia), where his father was the university librarian, 1913. He studied at the Universities of Halle and Marburg, receiving his doctorate in 1937. He left Germany in 1938 because of his Jewish background and settled in England, working at the Warburg Institute under Fritz Saxl. With other Warburg staff, he was briefly interned on the Isle of Man in 1940 and became a member of the Institute on his release. During 1941-1948 Ettlinger worked as a schoolteacher in Birmingham, before returning to the Warburg Institute as Assistant to the Curator of the Photographic Collection (1948-1950); subsequently he was Assistant Curator (1950-1953) and Curator (1953-1956) of the Photographic Collection, and then a Lecturer at the Institute (1956-1964). From 1959 he was also a Professor at the Slade School of Art, becoming chair of the department in 1966. In 1970 Ettlinger left England for the University of California at Berkeley, where he remained until his retirement in 1980. He died in 1989. His research covered many aspects of art history.
Received from his literary executor, 1991.
Papers of Leopold David Ettlinger, c 1948-1989, including personal documents, notebooks, notes, working papers for lectures, and correspondence. Topics covered include: Art and Theory of Art; German 16th Century Art; Italian Renaissance; Catalogue Raisonné of Pollaiuolo; Greek and Roman Gods; 19th Century Landscape Painting; Self-Portraits; Winckelmann and 'Wien und die Entwicklung der kunsthistorischen Methode'.
Arranged in sections as follows: Personal Documents, Notebooks, Notes, Working Papers for lectures, Correspondence.
Archive material is accessible for the purpose of private study and personal research and within the supervised environment and restrictions of the Archive reading room. Access is with permission from the Institute Director and by prior appointment only. Potential users are advised to browse the Institute website and contact the Archivist, Dr des Claudia Wedepohl, before planning a visit. Access to individual items in the Warburg Institute Archives may be restricted under the Data Protection Act or the Freedom of Information Act.
Photocopies, at the discretion of the archivist, may be provided for research use only (working papers: up to 10% of any archive pressmark; correspondence by authors for whom the department doesn't hold copyright: up to 10% of the institutes holdings). Traditional photography is allowed at the discretion of the archivist, no digital cameras. Scans and digital photographs can be ordered at the discretion of the archivist. Requests to publish original material have to be submitted to the Archivist.
Collection level description available on-line at the University of London Research Services website
Entry compiled by Sarah Drewery. Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. Apr 2008 Art history Arts Art theory Ettlinger , Leopold David , 1913-1989 , art historian and curator European history Fine arts Greek history National history Painting Roman history Winckelmann , Johann Joachim , 1717-1768 , German art historian and archaeologist Works of art Movable cultural property Cultural property Cultural heritage
Immediate source of acquisition or transfer
Received from his literary executor, 1991.
Content and structure area
Scope and content
Papers of Leopold David Ettlinger, c 1948-1989, including personal documents, notebooks, notes, working papers for lectures, and correspondence. Topics covered include: Art and Theory of Art; German 16th Century Art; Italian Renaissance; Catalogue Raisonné of Pollaiuolo; Greek and Roman Gods; 19th Century Landscape Painting; Self-Portraits; Winckelmann and 'Wien und die Entwicklung der kunsthistorischen Methode'.
Appraisal, destruction and scheduling
Accruals
System of arrangement
Arranged in sections as follows: Personal Documents, Notebooks, Notes, Working Papers for lectures, Correspondence.
Conditions of access and use area
Conditions governing access
Archive material is accessible for the purpose of private study and personal research and within the supervised environment and restrictions of the Archive reading room. Access is with permission from the Institute Director and by prior appointment only. Potential users are advised to browse the Institute website and contact the Archivist, Dr des Claudia Wedepohl, before planning a visit. Access to individual items in the Warburg Institute Archives may be restricted under the Data Protection Act or the Freedom of Information Act.
Conditions governing reproduction
Photocopies, at the discretion of the archivist, may be provided for research use only (working papers: up to 10% of any archive pressmark; correspondence by authors for whom the department doesn't hold copyright: up to 10% of the institutes holdings). Traditional photography is allowed at the discretion of the archivist, no digital cameras. Scans and digital photographs can be ordered at the discretion of the archivist. Requests to publish original material have to be submitted to the Archivist.
Language of material
- English
Script of material
- Latin
Language and script notes
Physical characteristics and technical requirements
Finding aids
Collection level description available on-line at the University of London Research Services website
Allied materials area
Existence and location of originals
Existence and location of copies
Related units of description
Publication note
Notes area
Note
Alternative identifier(s)
Access points
Place access points
Name access points
Genre access points
Description control area
Description identifier
Institution identifier
Rules and/or conventions used
Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.
Status
Level of detail
Dates of creation revision deletion
Language(s)
- English