Miscellaneous collection of deeds, bonds, indentures, correspondence and legal papers relating to London and the surrounding area, 1597-1774. Includes accounts for the building of 'Icknam Bridge' and for royal gardens, possibly St James's Park, [1650]; a fragmentary list of pictures in the house of Sir Godfrey Copley (d 1709), giving names of painters and dimensions of each work; valuations for work in Enfield Chase, Middlesex, 1728-1729; a rental for Southampton Row, 1731; various manorial documents for Enfield, 1718-1760, Hendon, 1623, Isleworth and Syon, 1662-1716, South Mimms, 1731, and Stanwell, 1670-1774.

Papers concerning the career of performance artist Ian Hinchliffe (1942-2010), primarily comprising of promotional material and photographs capturing performances by Hinchliffe and his collaborators. Includes promotional material relating to Hinchliffe's performance group, the Matchbox Purveyors, founded in 1971.

T
he material covers both Hinchliffe's early to mid career in the 1970s and 1980s, with the focus predominantly on work undertaken under the Matchbox Purveyors, to his later work, concentrating on durational performances with regular collaborators such as Tony Green, Hugh Metcalfe and David Crawforth.

Also contains a smaller volume of material relating to the planning and execution of Hinchliffe's work, including pages from a notebook of illustrated performance plans, annotated scripts, correspondence, and contracts. There is also a small amount of personal material, such as photographs of Hinchliffe as a baby, and illustrated diaries of his fishing trips.

Archives of the Hayward Gallery (HG) comprising:

Files relating to the HG policy and administration, 1994-2003; files relating to HG exhibitions, 1987-2003; files relating to the Arts Council Collection exhibitions and National Touring Exhibitions, 1994-2003;

printed exhibition leaflets, 1987-2003; printed posters advertising HG exhibitions and National Touring Exhibitions, 1968-2003;

printed private view invitation cards for Arts Council exhibitions (ACGB-1994) (including HG and National Touring Exhibitions), 1968-2003;
printed guides to HG Exhibitions, 1979-2003; printed catalogues for Arts Council Collection Exhibitions, 1950-2003; printed catalogues for HG and National Touring Exhibitions (including some from CEMA) 1942-2003;

HG press releases, 1978-2003; press cuttings relating to exhibitions and the Gallery, 1968-2003;
photographs of Hayward exhibition installations, 1968-2003; and National Touring Exhibitions including the Arts Council Collection, 1975-2003.

Research papers of John Hayes, [1960]-2005, containing material relating to many of Hayes’ publications or proposed publications principally on Thomas Gainsborough, Joshua Reynolds, Thomas Rowlandson, Graham Sutherland and his unpublished catalogue for the Cincinnati Art Museum. The archive consists of notes, images (photographs, colour transparencies, slides, photocopies), copies and transcripts of original source material, correspondence, press cuttings and publications. There are off-prints of many of his journal articles. The collection includes an earlier gift of a large set of photographic files of Gainsborough’s landscapes, portraits and prints and a smaller set on Gainsborough Dupont.

Photographs of Russian silver, porcelain, glass, ikons, paintings and other objets d'art; also offprint of Russian silver by R G Hare (in Ramsay, L G G "The Connoisseur Complete Encyclopedia of antiques" (New York, 1962, pp 60-65).

This collection mainly consists of personalia including educational certificates, school reports, examination papers, and notebooks of William Joseph George Hands' mathematical studies at Cambridge. It includes a small amount of ephemera relating to the Board of Education Exhibition which took place in connection with the Imperial Education Conference, 1923 and to the activities of the International Educational Society. Also included are a paper by Hands on 'A simplified curriculum based on occupations', 1925, and papers on experiments with English composition at St Mary's Boys' School, Weymouth and with the topical treatment of history and geography at S. Aldhelm's Girls' School, Branksome, c.1910.

Papers of Hans Andreas Hammelmann, comprising working files, compiled [1950]-1969, arranged by artist, containing photographs of pictures, correspondence and articles, for the artists: David Allan, Peter Angelles, P Angier, William Austin, Antonio Baratti, Francis Barlow, Bernard Baron, Francesco Bartolozzi, Basire, Baumgarten, Anthony Benoist, Benoit, Thomas Bewick, George Bickham, Nicholas Blakey, François Boitard, Louis Philippe Boitard, Jacob Bonneau, F Boucher, Bowyer, Edward Francesco Burney, Charles Catton Jnr, Louis Cheron, J B Cipriani, B Cole, William Cole, John Collins, Collyer, Bartholomew Dandridge, Delacroix, John Devoto, Claude Dubosc, John Ellis, Paul Fourdrinier, Alexandre-Evariste Fragonard, Jean Honoré Fragonard, Fuseli (son), Henry Fuseli, John Gilpin, Sawrey Gilpin, Joseph Goupy, Hubert Gravelot, Simon Gribelin, Moses Griffith, Simon Grignion, Joseph Grisoni, Louis Du Guernier, Sir William Hamilton, Jonas Hanway, Francis Hayman, Joseph Highmore, William Hogarth, James Hulett, Walter Jackson, William Kent, Elisha Kirkall, Knapton, Marcellus Laroon, Philippe Jacques de Loutherbourg, Thomas Major, J Marchant, Mercier, Conrad Metz, John Hamilton Mortimer, George Michael Moser, Johann Sebastian Muller, John Nixon, Pietro Antonio Novelli, Piazetta, John Pine, Arthur Pond, Ravenet, William Wynne Ryland, Paul Sandby, T Sandby, G Scotin, Robert Smirke, Stendhal, Thomas Stothard, John Sturt, Tardieu, Isaac Taylor, Sir James Thornhill, John Tinney, John Vanderbank, Van der Gucht family, Vivares, Samuel Wale, Anthony Walker, Antoine Watteau, John Webber, Richard Westall, George M Woodward, John Wootton, Thomas Worlidge;
photographs, photocopies and notes relating to eighteenth century book illustrations, compiled [1950]-1969; correspondence relating to specific artists and general matters, some with photographs and articles, 1950-1969, notably from the National Gallery of Scotland, 1950, Professor Lawrence Gowing, 1953, National Gallery of Ireland, 1969, Ashmolean Museum, 1959, 1966, British Museum, 1966, Bibliotheca Nacional, Madrid, 1968, Nottingham Museum and Art Gallery, 1951, Courtauld Institute, Witt Library, 1952, Bodleian Library, 1952, Royal Library, Windsor, 1967, Ruskin Galleries, Isle of Wight, 1967, Lewis Walpole Library, Connecticut, 1969;
papers of T S R Boase, 1953-[1974], comprising printed articles, exhibition catalogues, correspondence and two card indices, one of eighteenth century artists and illustrators, and one of authors; original prints and autographs, 1740, 1780 and undated, notably six prints of paintings in Vauxhall Gardens by Francis Hayman; three letters with autographs, 1795-1931; miscellaneous items, [1950s-1960s], including card indices on eighteenth century illustrated books and literature, cuttings from catalogues, photographs of Hammelmann 's friends/family, Victorian book illustrations; general articles and publications, 1864-1969, some by Hammelmann.

This collection consists of letters to and from officials of the Crystal Palace relating to exhibitions, visits and events.

Papers of Adolf Frankl, 1975-1990, relate to an art exhibition of Adolf Frankl's works and consist of correspondence, opening addresses, newspaper reviews and catalogues.

Research material, manuscripts, and publications of Joshua James Foster, 1880-1935, notably exhibition catalogues, 1880-1881, 1908, 1912; catalogues of miniatures owned by Sir H Stafford Northcote, [1902], and the Duke of Buccleugh (John Charles Montagu-Douglas-Scott) at the Victoria and Albert Museum, 1916-1917; proofs of articles for The Antiquary, [1884]-1889, and other publications, 1899, 1909-1918, with related letters to Foster from Viscount Cobham (Charles George Lyttelton), Earl of Gosford, (Archibald Brabazon Sparrow Acheson), Sir William Hesketh Lever, M H (Marion Harry) Spielmann, Lord Weardale (Philip James Stanhope); transcripts of published articles relating to Richard Crosse, artist, post 1910; published works annotated by Foster, 1916-1917; notes and an article on miniatures in private collections, 1912-[1916]; newspaper cuttings relating to Wessex Worthies, 1921; printed articles written by Foster, relating to miniatures and Giles Hussey, artist, 1923;
correspondence, notably relating to research projects, 1895-1917, including letter relating to the publication of British Miniature Painters, 1898, correspondence concerning the Buccleuch Miniatures, 1916, and a letter from Sir Robert Witt, 1917;
miscellaneous material collected by Foster's children, 1925-1932, notably sales catalogues featuring miniatures, 1925-1932; newspaper cuttings, 1925-1929; sales catalogue including books sold from Foster's library, 1935.

The archive consists of copies of information pieces that appeared in art magazines during their media campaign to draw attention to discrimination and inequality in the art world. It also includes an article about Fanny Adams, a bibliography of 'Fanny's moments in the press' and video footage of events, including 'Fanny's Big Ball', 28 Oct 1992.

Records of the Exploring Living Memory project, organised by the London History Workshop Centre. This collection contains files relating to the administration and organisation of the Exploring Living Memory workshops, conferences and exhibitions together with copies of images and sample sections of text used in the displays of participating groups and individuals. There are a variety of images depicting individuals, family groups and war time experiences together with images of London both past and present.

Catalogues of two exhibitions, 1851-1862: the Great Exhibition of 1851 and the London International Exhibition on Industry and Art, May-November 1862.

Papers of the Exhibition Section and the Education Section of the Natural History Museum, 1939-1983, comprising: DF700 Exhibition Section Project Files; DF701 Exhibition Section Internal Administration; and DF702 Education Section Files.

Records of Earls Court Grounds Limited, comprising minutes of Board and General Meetings.

Vote of thanks from the Dickens Fellowship to the Corporation of the City of London for the loan of a medal to the first Dickens exhibition, Memorial Hall, London, 25 to 28 March 1903.

Correspondence and papers, 1882-1939, relating to the pictures in the Royal Holloway College Picture Collection, notably copyright and reproduction, conservation, loans to exhibitions, provenance, and valuations. Picture Gallery Visitors Books, 1936-1977. Sale and Exhibition catalogues, 1881-1968, namely those including pictures from the Royal Holloway College collection. Articles relating to pictures in the Royal Holloway College Collection, 1864-1971.

Papers of Ethel E Cox, 1915-1965, comprising papers compiled as Headmistress of Barrett Street Trade School, namely photographs, programmes and invitations relating to the opening of Barrett Street Trade School extension, 1928; photographs of the 'Roamers' student outings, 1930-1939, including to Hampton Court, Kew Gardens, Windsor and Eton, Greenwich, Royal Holloway College, St Albans, Cambridge; photographs of sports days and exhibitions, 1930-1949;

programmes for evening classes and special lectures, 1915-1940; programmes, flyers, correspondence, press cuttings and photographs relating to London County Council 'Lectures for Distributors', on Gloves, Underwear, China, Glass And Earthenware, Salesmanship, Hosiery, Fashion, Colour, Textiles, given at Barrett Street and organised by the School, [1933-1951]; programmes for Christmas services, 1935-1950; photographs and students' essays of their memories of Coronation Day (coronation of George VI), 1937; correspondence and cards commemorating the 'Silver Jubilee' of Barrett Street, 1940; photographs of Barrett Street Dramatic Society plays, [1917]-1936;

diary of Elsie Thompson on the evacuation of the school to Maidenhead during World War Two, [1941-1945]; evacuation projects by students, containing photographs, correspondence, programmes and press cuttings relating to the evacuation of the School to Maidenhead, [1940-1945];

photographs of retirement luncheon given for Miss Cox, 1950; speech to Miss Cox on her retirement, 1950;

photographs and press cuttings of a Royal Visit, 1965; scrapbook of press cuttings relating to the school, 1950-1959; prospectuses, 1915-1963;

photographs, press cuttings and exhibition programmes of students' work, 1936, 1937; photographs of the annual exhibition and dress parade, 1938; photographs of the fashion show, 'Fashion For Beaux & Belles', 1958; black and white photographs of womenswear and some menswear made by students, interior scenes of the school and classes including dressmaking, embroidery, tailoring, hairdressing, beauty culture and keep-fit, 1915-1960s;

register and subject marks book, containing students' names, 1953-1954;

name and address book, 1946-1953; visitors' book for Open Days, 1953-1965.

Records of the Library and Museum Committee, Court of Common Council, including minutes, 1869-1874 and committee papers, 1869-1875.

Records of the Libraries, Guildhall Art Gallery and Archives Committee, Court of Common Council, comprising journals, 1824-1856; minutes, 1828-1998 (minutes from 1975 onwards are closed); committee papers, 1828-1957 (papers 1939-1940 were destroyed by enemy action) and list of committee, summary of persons and duties, standing orders, rules and regulations and so on, 1930-1931.

Papers of Guildhall Art Gallery, comprising account of several pictures presented to the Corporation by John Boydell, alderman, 1793 and register of works of art, listing paintings, drawings and sculptures, presented donated or deposited at Guildhall, begun 1906, retrospective to 1660, and continued to 1953.

Collection of ephemera, 1857-1869 and undated {1850s-1860s}, largely printed, including playbills, programmes, song sheets, catalogues and guides, relating to events, including sport, music, fireworks, fountains and illuminations, at the Crystal Palace (Sydenham, Kent); to operas at the Royal English Opera and the Royal Italian Opera, Covent Garden (Westminster); and to theatrical, musical and other recreational events, including comedies, ballets, tableaux, dioramas, exhibitions, and popular scientific events, at various premises including in Westminster, St Marylebone, Paddington, St Pancras, St Giles in the Fields, South Kensington, Kew, and Greenwich.

Diary of Henry Cole,1858-1859, during which time he became sole secretary of the Department of Practical Art, established by the Board of Trade to capitalise on the success of the Great Exhibition by promoting the teaching of design for industry.

Kenneth Clark was Keeper of the Ashmolean and Director of the National Gallery, a writer, lecturer and broadcaster, and a collector and patron. This collection consists mainly of the professional papers relating to his work as an art historian and writer, but includes material relating to his work as a public servant, an administrator and in other roles during the Second World War. It contains correspondence, subject files, writings, source material, photographs, press cuttings and printed ephemera.

Records of Chelsea School of Art, 1928-2001, later Chelsea College of Art & Design, comprising minutes and agendas of Academic Board meetings, 1975-1991; minutes of the Board of Studies, and related papers, 1991-1993; minutes of the Academic Committee and related papers, 1992-1993; papers of the Advisory Committee of the New School of Art in Chelsea, notably minutes, agendas and papers, 1958-1964, including schedule of accommodation for proposed College, 1958; minutes of the Chelsea School of Art/Hammersmith College of Art and Building (Art Department) Formation Committee, 1974, relating to the merger of the colleges; minutes of the Fine Art Area Committee, 1990-1993; minutes of Library Committee, 1978-1980;

Principal's reports to the Governors, 1959-1965; instrument of Government and draft Articles of Government, 1970; list of former staff and students at the College, 1958 and minutes of H S Williamson presentation committee, 1958 (retiring head of College); summaries of part time teaching staff contracts, 1971-1976;

correspondence with Professor Gowing concerning the administration of the new college, 1958; inventory and papers relating to equipment and furniture for the new college, [1960-1963]; correspondence concerning the building of school, 1963-1964, including furniture catalogues; papers concerning the opening ceremony of the new College building, 1964-1965, including programme for the opening of new building, 1965; correspondence and papers relating to Henry Moore's sculpture Two Piece Reclining Figure no.1, purchased by the College in 1963; photographs of its erection at the College, 1964; survey of accommodation and equipment, 1975;

papers concerning the Academic Development Plan, 1976; report of the Council for National Academic Awards, 1975; papers relating to bursaries and awards, 1975; papers relating to Council for National Academic Awards visit, including review of MA in Fine Art, 1977; papers relating to Quinquennial reviews, 1977-1982; papers concerning the Council for National Academic Awards review visit to Chelsea, 1982; programme for opening of South Park Annexe, 1982; submissions for new course in 3D Design, 1982; proposed MA in History of Modern Art, 1986; papers and circulars relating to ILEA, 1970s-1986;

Chelsea School of Art programmes for end of term plays/entertainments, 1932-1962; copies of The Queel, 1928-1929, Chiaroscuro, 1949, Chelsea College of Art magazines; magazines and works produced by students, including Pump, Chelsea School of Art magazine, 1977-1978; MONTAGE 4, 1984; newsletter, 1977; Chelsea School of Art Graphics magazines, 1977-1982; Insight, 1991, Review, 2000, London Institute magazines; briefing, London Institute newspaper, 2001; Entitled, London Institute students union magazine, 2001;

prospectuses, 1959-2001; publicity leaflet for new courses, 1962; Chelsea College of Science and Technology annual report, 1958-1959; press cuttings, 1970-1991, relating to the College and Government policy; press release concerning the creation of London Institute, 1985; album of photographs of social events and work at the College, 1970s; correspondence, related papers and exhibition catalogues for the school gallery exhibitions, 1965-1973; papers relating to general studies open lectures, 1970-1972; photographs, articles and catalogues for degree shows, 1977-2001; portfolios of prints by students and staff of the Printmaking Department, [1965-1986]; papers relating to the London Institute, [1987]-1991, including course monitoring reports, 1990; annual reports, 1990-1992; student handbooks, 1991;

memoir of Anne Baer, nee Sedgwick, student at Chelsea Art School, 1933-1936; correspondence and papers relating to Frederick Brill's (Principal, Chelsea School of Art) book, Matisse (Paul Hamlyn, London, 1967), 1965-1967;

records of Hammersmith College of Art and Building, comprising Department of Art prospectus, 1973-1974; programme for the opening of the new Hammersmith School of Building and Arts and Crafts, 1930; 35mm slides and photographs of student work, 1960s; publicity leaflets, 1960s.

South-Western Polytechnic, Chelsea Polytechnic, Chelsea College of Science and Technology, and Chelsea College Lectures, Programmes and other Events Literature, 1905-1983. This collection of ephemera provides an insight into the academic and social events that took place at Chelsea from the early years until the merger of Chelsea with King's in 1985. It notably includes copies of inaugural lectures by newly appointed professors on subjects as diverse as science education, physics in a social context and the science of botany, 1969-1980; public lecture texts on occasions ranging from memorial speeches to the award of prizes, 1905-1974; audio tape recordings of lectures and addresses including on the history of the College and of various inaugural lectures, 1965-1973 (Ref: C/LEC, C/LECT); programmes of events and orders of service covering advertisements for exhibitions, the opening of new buildings, the visit of royalty and open days, 1926-1983; prize-giving programmes, 1930-1976; sporting fixtures and entertainments programmes, 1936-1985 (Ref: C/PRG).

Records of the Central School of Art and Design, [1896]-1987, comprising minutes of the Advisory Council, 1915-1952; minutes and agendas of the Board of Studies, 1919-1937, 1962-1963; minutes of staff meetings, 1930-1932; annual reports of the Principal and Advisory Committee, 1911-1926; report by the Principal on the aims and organisation of the school, 1913; reports of the Advisory Council, 1926-1933; Advisory Council attendance book, 1915-1951; report of inspection of the Central School, 1920; Board of Education inspection reports of the Central School, 1920-1921; papers concerning aims and organisation of the school, including reports and correspondence, 1913-1956; papers concerning school inspections, including reports, 1929-1953; papers and correspondence relating to diplomas and fellowships, 1921-1953; papers concerning industrial art bursaries, 1947-1955; papers and correspondence relating to the Governing Body, including appointment of governors, 1955-1961;

correspondence concerning the book William Richard Lethaby, 1857-1931 by A R N Roberts (published 1957), [1956]; notes concerning a television programme on the School, 1954; notes on W R Lethaby, with some correspondence of Lethaby, [1909-1930]; visitors book, 1914-1984; timetables, 1973-1977;

photographs of Southampton Row building, [1908]-1970s; photographs of bomb damage to the school, [1942]; photographs of students, [1920s-1990s]; photograph album of students' work, [1950s]; photographs of Khartoum Technical College Department of Fine Arts depicting student life and work, 1963; photographs of life models, [1930s]; floor plans of the Central School building, [1950s];

copies of prospectuses, 1896-1987; prospectuses for departments, 1970s; exhibition catalogues for Central School Book Production and lithography, 1912-1913; degree show catalogues, 1950s-1990s; invitation and publicity concerning students' exhibition of work, 1952;

Students Union members' signature book, 1930-1932; rough lists of members of the Students' Society, 1959-1964; Central School of Arts and Crafts student magazines, 1919, 1920, 1923 (hand drawn and written); Book Production Class magazine (journals for the boys of the Day Technical School of Book Production and Silversmithing), 1912-1913; Printing Class Boys Magazine, 1916, 1926; student newspapers, 1970-1980; student handbook, 1974;

sketch books of R B Neal, of interiors of Hatfield House, sketches and photographs of furniture and notes and sketches on historical furniture styles, [1912-1914]; student essays on interior design and etching, 1954; printed examples of typographical work at a summer school for teachers, 1933;

articles and press cuttings relating to the history of Central School, including magazines and articles on the work of students, 1950s-1990s; press cuttings concerning the opening of the Jeanetta Cochrane theatre, [1962]; articles, obituaries, press cuttings, biographical information and papers relating to W R Lethaby, including his house designs, 1932-1980s; articles, press cuttings, exhibition catalogues, relating to Central School artists and designers, photographs and private view cards, compiled from the 1980s; press cuttings, publicity material concerning Central School exhibitions and fashion shows, 1987-1997;

printed London County Council Education Department records, including reports on technical education, 1912, training and employment in the printing trades, 1914, trade and technical education in France and Germany, 1914; handbook on education visits, 1910; annual report of the Council on higher education, 1911; reports on teachers' conferences, 1909-1914; reports on the Education Act, 1918; Staff Gazette, 1900-1903; Technical Education Board minutes, 1908.

Records of Central Saint Martins College of Art & Design, 1989-2002, comprising prospectuses for 1989-2004; postgraduate degree and research directory for 2002-2003; material relating to degree shows, 1989-2002.

Records of Camberwell College of Arts, comprising minutes of the Joint Advisory Sub-Committee, 1898-1938; reports of the Joint Advisory Printing Advisory Committee minutes, 1965-1973; minutes of meetings of the Governors, 1980-1981;Sub-Committee, 1917-1949; attendance books, 1898-1951; agenda books, 1906, 1913-1915;

correspondence from London County Council Higher Education Sub-Committee concerning their decision on reports of the Joint Advisory Sub-Committee, 1921-1924;

Secretary's account book, 1899-1901; accounts, including for the Sketch Club, 'Cambians' student association, students' union, exhibitions and examination expenses, 1930-1945; register of staff, [1898-1939]; papers relating to teaching staff, 1914-1962, including correspondence concerning appointments, memorandums; register of students, 1898-1900;

minutes of meeting concerning the extension of the school, 1901, estimates for building alterations, 1903; address on the opening of the school extension, 1904; programme and press cuttings for opening of the new building, 1913; papers relating to the sculpture building extension, 1950-1954, including building plan, 1950; notes and minutes of site meeting, 1950; builders' estimates, 1951; programme for the opening of the new School for Sculpture, correspondence concerning the ceremony, text of speech and list of guests, 1953; press cuttings, 1953;

papers relating to a school war memorial, 1919-1923; correspondence relating to gifts to the school, 1935-1954, including portraits, furniture, books and journals, equipment; plans, notes and invitations relating to exhibitions of students work at the South London Art Gallery, 1913-1914, 1928-1932;

papers relating to Diploma of Art and Design at Camberwell, [1960]-1963; copy instrument of government of the London Institute, [1985]; correspondence and papers concerning proposed changes to Higher Education, 1977, including statement from Camberwell opposed to the changes;

prospectuses, 1898-2002; exhibition catalogues and degree show catalogues, 1989-2002;

press cuttings relating to the school, 1924-1937; students' exhibitions and work of students and staff, 1960-1967; private view cards of staff and students, [1980s-2002]; photographs, 1970s, of students and staff working at Camberwell;

copies of 1st and 2nd editions of the Cambian, 1928, 1930, printed by the School Press containing examples of student work;

ephemera relating to Camberwell School, art and the Camberwell area, 1950s-2002, including press cuttings and programmes for events; typed notes on the history of the School, 1990s.

copies of the London Technical Education Gazette, 1900-1903; London County Council Technical Education Board minutes, 1904; London County Council circulars, 1931-1932.

Papers of Sir Augustus Wall Callcott, 1786-1837, comprising travel journals and papers largely from Callcott's honeymoon in Europe in 1827-1828, notably including lists, descriptions and sketches of pictures from various art collections visited in Italy, Germany, Austria and Czechoslovakia.

Comprising Library bulletins; Photographs of library buildings (including Uxbridge, Twickenham and Runnymede campuses); Papers on plans for new library buildings, their facilities and decoration; Papers on acquisition of new library management system and OPAC; Library annual reports; Library prospectus entries; Library service standards; Space and building planning.

This collection consists mainly of correspondence received by Harry Brittain. There are also autobiographical notes; speeches, press cuttings and photographs from such events and societies as the Imperial Press Conference (later Commonwealth Press Union), the Pilgrim Society, and various Exhibitions; and correspondence, notes, speeches and diaries relating to Sir Harry's travels to the United States of America, Canada, the Baltic, and South Africa.

Letters concerning the British Empire Exhibition Committee covering the period January to December 1925.

The collection consists of 242 boxes of files relating to the work of the British Council Fine Arts, later Visual Arts, Department. The majority of the files concern the exhibitions created by the department and the touring of exhibitions outside Britain and provide illustrations of the art works included(notably for the Venice and Sao Paulo bienials), press cuttings, correspondence and related papers.

Papers of Anthony Blunt, 1700-1983, comprising papers relating to Nicolas Poussin, notably files relating to his paintings, drawings and engravings, arranged by subject categories and containing notes, correspondence, articles, sales catalogues and illustrations (photographs, colour transparencies, slides, photocopies, prints, lithographs, engravings) of the named picture, details of the picture, variant versions (usually copies after), and in many cases, plates printed for the Poussin catalogue raisonné, 1824-[1983]; notes and illustrations relating to comparative material relevant to Poussin, including sculpture, 1700-1972; works by the circle of Poussin, [1938-1983]; drawings by the Poussin 'school', [1966-1977]; copies of letters by Poussin, and related notes, including photographs of letters from the Bibliothèque Nationale, Paris, [1964-1967]; notes, transcripts and letters relating to sales of works; correspondence with colleagues relating to Poussin's paintings and drawings, [1940-1982], notably Denis Mahon, 1960-1962, Walter Friedlander, 1944-1966, Erwin Panofsky, 1960-1961; notebooks, [1962-1965] and loose notes relating to Poussin; correspondence with Elizabeth Mackenzie (Lady Margaret Hall, Oxford), 1962-1982; offprints of various authors relating to Poussin; miscellaneous material relating to Poussin, [1940-1982], including a photocopy of his will;
papers relating to French art, notably notes, photographs and articles relating to French paintings, sculpture and architecture of the 16th-19th centuries, [1938-1977]; typescripts, note and correspondence relating to Chantelou's diary, [1980-1983]; papers, articles and illustrations relating to a publication by Ronald Cohen concerning the Le Nain Brothers, [1982]; articles relating to the Louvre, [1978];
papers relating to Italian art, notably notes, illustrations and articles relating to Italian Baroque architecture and sculpture, [1953-1982]; Borromini, [1956-1980]; Pietro da Cortona, [1966-1982]; notes, plans, photographs and papers relating to buildings and sculpture in Naples [1954-1981]; notes relating to Palermo, [1967]; typescripts, photographs, notes, correspondence and reviews relating to Blunt's A Guide to Baroque Rome;
articles by Blunt concerning the Royal Collection, 1972, and colonial architecture; plans, photographs, notes and review relating to a catalogue of Waddesdon Manor, [1974-1982]; correspondence, 1970-1983, largely concerning paintings and publications; articles by various authors, 1975-1982; offprints by Blunt, [1932-1982]; newspaper cuttings, 1929-1983; correspondence with publishers, 1972-1983; photographs, correspondence and articles relating to Blunt's personal collection, [1960-1982]; personal papers, [1932-1978], including appointment diaries, 1972-1978; papers from Blunt's school and university days, 1919-1930, including notes, articles, school and university magazines; papers relating to a trip to Russia, comprising notes on paintings, drawings and architecture,1935, two guidebooks, 1931, 1934.

Papers of Edward Bawden comprising correspondence, and scrapbooks, 1920s-1980s.

Records of Barrett Street Technical College, formerly Barrett Street Trade School, [1904]-1966, comprising minutes of the Consultative Committees for Hairdressing, Dressmaking and Ladies' Tailoring, 1915-1950; minutes of the School Consultative Committees on Technical Education for Distributors, 1931-1939; student fees registers, giving names of students, addresses and dates of entry and leaving, 1915-1953, covering the Junior and Senior Technical Schools students; staff register, 1904-1921, giving name, details of previous appointments and starting and leaving dates; prospectuses, [1915-1963];

scrapbooks of press cuttings concerning Barrett Street Technical College, 1915-1966;

note books of a student, Dorothy C M Ludicke, on massage, health and beauty, treatments, [1948].

The collection contains the administrative papers of the Barbican Arts Group Trust including policy documents; minutes of meetings; financial records; property records; and artists' details. In addition, the collection includes a range of visual material showing artists and their work as well as printed publicity material for exhibitions. The Trust's outreach work is represented through a number of school packs and booklets.

Records of the Bankside Gallery comprising: committee minutes, financial records, administrative records, files on exhibitions held at the Gallery, 1980-present; and press cutting collection 1980-2002.

Papers of John Thomas Baines including manuscript descriptions of four lithographs of South Africa; photocopies of two letters to Thornton, one dated 1859; typed list of 288 paintings owned by the RGS; catalogue and booklet of exhibitions of 1975; topographical notes of journey west from Zambesi and diary, May 1869-April 1870, missing since 1968.

Photographic material accumulated by the Association of Anaesthetists of Great Britain and Ireland (AAGBI), relating both to the history of the AAGBI and to the wider history of anaesthesia and associated subjects from 1774 to 1997, largely comprising prints and slides, both colour and black and white, some undated, including some copies. The photographs include a series of portraits of the AAGBI Council, members of staff, and the AAGBI Group of Anaesthetists in Training (GAT) Council, and a large series of photographs used in the AAGBI publication Anaesthesia News. The collection also covers a wide range of subjects in the history of anaesthetics, and includes numerous portraits (including some photographic copies of oil paintings) of individual anaesthetists, including many eminent figures such as John Snow, Joseph Clover and Sir Ivan Magill, and various Presidents of the Association; photographs of anaesthetists at work; photographs of places associated with eminent anaesthetists and the history of anaesthetics, including various hospitals; photographs of anaesthetic apparatus of the 19th and 20th centuries, sometimes in use, and of various related medical procedures, including dentistry, obstetrics, and intensive care; photographs relating to A Charles King and his instrument-making business A Charles King Ltd, including its premises at Devonshire Street, London; photographs of the practice of anaesthesia in wartime, including World War One, World War Two and the Gulf War; photographs of documents relating to the history of anaesthesia, including some relating to Queen Victoria; photographs of events including conferences, award ceremonies and social events; photographs of the Association premises at no 9 Bedford Square, London, including its museum; photographs of exhibitions on the history of anaesthetics at no 9 Bedford Square held annually from 1987.

Archive, 1932-2002, of the Association of Anaesthetists of Great Britain and Ireland (AAGBI), also including some material relating to the history of anaesthesia dating back to 1848:

Council minutes, 1932-1995; Annual General Meeting minutes, 1932-1988, 1997, and various other papers, 1934-1995 (with gaps); Advisory Committee minutes, 1978-1984, and papers, 1987; papers of various other committees, including the Safety Committee, Education and Research Committee, Archives, Library and Museum Committee, International Relations Committee, and Finance Committee.

Records of the Group of Anaesthetists in Training (GAT), including yearbook, 1993, 1995, 1997; GAT committee election papers, 1998-1999; circulated papers concerning 'New Deal Working Patterns', 1997.

List of Linkmen, 1995-1997; Linkmen's newsletter, 1995-1997, 1999.

Papers on constitutional matters, including transcript of grant of arms, 1945; constitution, 1962; amendments to rules, 1971 and undated; report on the constitution of the Council, 1974; printed Memorandum of Association [after 1981] and Memorandum and Articles of Association, 1985; copy of coat of arms, 1991; papers on composition of Council, its sub-committees and working parties, 1992-1993; Standing Committee in the Republic of Ireland constitution, 1997.

Album containing photographs and obituaries of Presidents, 1932-2002; Presidents' newsletters, 1970-1971, 1978; miscellaneous Presidential correspondence, including letters from HRH Princess Margaret (Patron of AAGBI), 1990-1998; list of Presidents (1932-1992), 1993; undated album containing photographs and biographies of officers; papers relating to elections, 1984-1998.

Annual reports, 1933-1999 (with gaps), including lists of members to 1969.

Papers relating to membership, including material on Fellowships, 1946-1949, 1953, honorary membership, 1987-1996, and subscription rates, [1991]-1995; lists of members, 1976-1995 (with gaps).

Accounts, 1983; directors' report and accounts, 1987-1995 (with gaps); financial papers, including charitable donations, 1991, 1995-1996.

Printed or typescript reports of the AAGBI, its Working Parties, or Irish Standing Committee, 1963-1997, on subjects including staffing and manpower, anaesthetists' workload, stress, the Lewin Report (1970) on the organisation and staffing of operating departments, provision of anaesthetic services and accommodation, private fees, dental anaesthetics and anaesthesia in general practice, day case anaesthesia, paediatric anaesthetic practice, management of trauma, intensive care, management of pain, use of drugs, anaphylactic shock, HIV and other viruses, anaesthetic equipment, recovery facilities, standards of monitoring, and other professional techniques and practices.

Publications of AAGBI, comprising guidelines, booklets and leaflets (largely aimed at Anaesthetists), 1975-1998, on subjects including anaesthetists' workloads, career appointments, professional references, fees for and conduct of private anaesthetic practice, anaphylaxis under general anaesthesia, prescription of Noscapine, consent forms, checklist for anaesthetic machines, standards of monitoring, obstetrics, intensive care, AIDS and Hepatitis B, and other professional matters; also including some information leaflets on anaesthesia aimed at the general public.

Programme of the first Scientific Meeting, 1957; papers on the Annual Scientific Meeting (ASM), 1991-1997; papers on the Winter Scientific Meeting (WSM), 1992-1997; papers, including programmes and minutes, relating to various other AAGBI meetings, seminars, training events, lectures, dinners and other events, 1958-1998, including some joint events with other bodies, and some events relating to the history of anaesthesia rather than its current practice. Papers of the GAT ASM and annual Linkman Conference, 1995-1998, including some sound and video recordings, 1997. Ephemera and other material relating to events, including congratulatory address on the silver jubilee from the Finnish Society of Anaesthetists, 1957; historical note on AAGBI for the golden jubilee, 1982; diamond jubilee flag, 1992; ephemera relating to various social events, 1967-1998; menus for AAGBI Ancient Brethren Luncheon, 1995-1997; visitors' books, 1951-1972, 1984.

Various papers relating to honours and prizes awarded by the AAGBI, 1946-1998, including the Sir Ivan Magill Gold Medal and John Snow Silver Medal, John Snow lecture, and Pask Certificate of Honour; undergraduate prize essays, 1987-1997 (with gaps); entries for the AAGBI Safety Prize, 1995, 1997; reports and papers of recipients of travel grants and scholarships, 1997-1998.

Papers, 1984-1987, including correspondence, plans, press cuttings and other printed material, relating to the appeal for funds, acquisition and opening of the new AAGBI headquarters at no 9 Bedford Square, London, including material relating to the earlier history of the premises.

Papers, 1953-1995, relating to the King collection of historic apparatus, including its acquisition, and to the administration of the AAGBI museum, archives and library, including advertisements for museum exhibitions on the history of anaesthesia, 1991-1997 (with gaps), and offprint of K Bryn Thomas's 'The A Charles King collection of early anaesthetic apparatus', Anaesthesia, vol 25 no 4, October 1970.

Papers, 1947-1999, on professional issues accumulated by the AAGBI, relating to anaesthetics but also touching on wider medical issues, including papers of AAGBI working parties on professional topics, and also papers and publications, for instance reports and discussion documents, produced by government bodies (e.g. NHS Executive and Audit Commission) and by other medical organisations, including other professional bodies representing anaesthetists in the UK and overseas, among them papers relating to the implications of the creation of a College of Anaesthetists and the structure of anaesthetic organisation, 1974-1979.

Various papers relating to international conferences, 1978-1999, including joint meetings of the AAGBI.

Papers, 1857-1998, relating to the history of anaesthetics, including material on eminent anaesthetists, such as Sir Ivan Magill, John Snow and Sir Robert Macintosh, and the restoration of graves of some eminent anaesthetists; anniversaries in the history of anaesthesia including the 150th anniversary of the first public administration of ether at Massachusetts General Hospital (1846); the history of anaesthetic apparatus; a letter written at Lucknow, India, concerning an amputation, 1857; memoirs including Vernon Hall's Reminiscences and Anaesthesia in India 1939-1946 (privately published, 1997); published items including copies of articles on chloroform and vinic ether, 1875, and vapour of aether, 1933, and a facsimile edition, 1996, of Allen & Hanburys Ltd catalogue of anaesthetic and oxygen apparatus (1938); material relating to the history of the AAGBI, including its coat of arms.

Miscellaneous printed items relating to other organisations, 1987-1997, including the Pain Society.

Records of the Artists League of Great Britain, formerly the Imperial Arts League. The records relate mainly to the administration of the league. The earliest material are the council minutes from 1909. There are also files of individual members; especially interesting is the file of Sydney Cockerell, bookbinder, which includes samples of hand made end-papers. Also of interest are the subject files on sketching and painting in war time (1915-1942) and a file of newspaper cuttings (1939-1940) concerning exhibitions and bequests during the war.

Records documenting the work of contemporary artists practising in Britain of African-Caribbean, Asian and African descent, 1970-2002, largely comprising exhibition posters, exhibition cards, press releases, press cuttings, videos, audio tapes and slides; records of The Peoples' Gallery, Camden, 1984-1987, comprising publicity flyers, press cuttings.

Archives, [1957]-1996, of Africa95, including material from the festival administrators, producers and participants.

Various deposits, c1980-1996, on individual artists or on planning Africa95 include correspondence, printed material, photographs, and slides of the work of artists from Algeria, Egypt, Ethiopia, Ghana, Ivory Coast, Kenya, Morocco, Nigeria, Senegal, South Africa, Sudan, Uganda, Tanzania, Tunisia, Zambia, Zimbabwe, and the USA.

Records of the central administration, 1991-1996, comprise planning papers and correspondence, 1991-1993; minutes of the Executive Committee, 1993-1995, Board of Trustees, 1995-1996, Funding Committee, 1993-1994, and Annual General Meeting, 1995; Chairman's correspondence, 1993-1996; research materials on non-western arts in Europe; Executive Council records, comprising correspondence, 1992-1995, reports received, 1993, 1995, and Trustees' report and financial statements, 1995; contracts, information and correspondence of the Co-ordinator, 1993-1994; International Council of Artists proposals, contact lists and correspondence, 1993-1994; brochures, 1993-1995; legal papers concerning incorporation, lease of premises, and charitable status, 1993-1995.

Records relating to arts management, 1980-1996, cover funding and sponsorship, 1993-1995; publicity, 1994-1995; press activity, 1994-1996, including cuttings; posters, 1993-1995; general administration, including personnel and finance, 1994-1995; arts organisations and other festivals, 1991-1995; subject files, 1985-1996, including exhibition catalogues on people and places including Algeria, Egypt, Ethiopia, Ghana, Morocco, Nigeria, Senegal, South Africa, Sudan, Tunisia, the USA, and Zimbabwe; videos, 1980-1995, including artists and their work; publications and exhibition catalogues, 1980-1995, for Algeria, Angola, France, Korea, Morocco, Nigeria, Senegal, South Africa, Zimbabwe, and the UK.

Records relating to finance and development, 1991-1996, cover budgets and funding, companies and sponsorship, and Trusts.

Records on receptions and launches, 1993-1995, relate to events in various locations.

Records relating to Africa95 Nigeria, 1994-1995, include correspondence and photographs.

Records relating to arts events across the UK cover visual arts (photography, fine art, sculpture, calligraphy, metalwork, textiles, and architecture), 1991-1996; cinema, 1993-1995; music, including classical, traditional, gospel, world, jazz, reggae, and popular music [1957]-1996 (including videos, sound recordings and scores); performing arts, including dance, theatre, and puppetry, 1989-1996 (including videos); literature, including poetry, 1993-1995.

Records relating to other activities cover conferences on African arts, including events at the School of Oriental and African Studies, Royal African Society, and Courtauld Institute of Art, 1993-1996; education and young peoples' events, 1993-1996; international workshops and residencies, including events in Senegal, Zimbabwe, London, and Yorkshire, 1990-1996; television and radio, 1992-1995 (including sound recordings of programmes on Radios 1, 3 and 4).

Records relating to post-festival administration, 1994-1996, cover evaluation, celebratory concert, finance, and archive arrangements.