Área de identidad
Código de referencia
Título
Fecha(s)
- 1891-1911 (Creación)
Nivel de descripción
Volumen y soporte
25 items
Área de contexto
Nombre del productor
Historia biográfica
Florence Farr was born in 1860. She was the youngest daughter of Mary Elizabeth Whittal and Dr William Farr, a sanitary reformer and advocator of equal education and professional rights for women. She was educated at Queen's College London (1877-1880), received good reports but had no inclination to prepare for higher education. After an unsuccessful attempt at teaching (1880-1882), Farr gravitated to the theatre, appearing in minor parts and adopting the stage name, Mary Lester. In 1883 her father died, leaving her a sufficient amount to live on modestly. Her first novel The Dancing Fawn was published in 1894. That same year she became theatre producer at the Avenue Theatre, producing modern plays. Farr preached about parity for women in employment, wages etc. amongst her intellectual circle of acquaintances. George Bernard Shaw wrote that she reacted vehemently against Victorian sexual and domestic morality and was dauntless in publicly championing unpopular causes such as campaigning for the welfare of prostitutes. Farr had a fascination for the occult, Egyptology and theosophy. She conducted hermetic studies and belonged to an order of like-minded folk, The Hermetic Order of Isis-Urania Temple of The Golden Dawn of London. She published her first philosophical tracts, A Short Inquiry concerning the Hermetic Art by a Lover of Philatethes in 1894. In 1901, Florence, with a friend of Yeat's, collaborated in the writing and production of two one act plays, both recounting Egyptian magical tales. Farr later quit The Golden Dawn and joined the Theosophical Society of London. Farr cultivated friendships with 'clever men'. Among her friends and correspondents were William and May Morris, George Bernard Shaw, John Quinn, Henry Paget, Dr John Todhunter and W B Yeats. In 1884 she married an actor, Mr Edward Emery (b 1863). They separated in 1888 when Mr Emery immigrated to America, according to Shaw, on account of 'some trouble (not domestic)'. Shaw wrote that Florence (who used her own surname more often than her husband's) was quite content with this situation and considered it of little importance. In 1895 she finally divorced Edward Emery on Shaw's advice. In the 1890s, Yeats used Farr's 'golden voice' as part of his quest to encourage the rebirth of spoken poetry. In 1898 made her the stage manager for his Irish Literary Theatre and she became a regular contributor to the performance of his metrical plays. She was also involved in the performance and musical composition of a number of plays at the Lyceum and Court Theatre and New Century Theatres in London, 1902-1906. In 1912, Farr sailed from England for a life in Ceylon. She had been invited by Sri Ponnambalam Ramanthan, a fellow theosophist, to teach at his newly founded College for Girls in Ceylon. As Lady Principal she supervised the teachers, care of sick children, servants and general administration. In 1917, Florence Farr died in Colombo General Hospital at the age of 56. Her body was cremated at the home of Ramanathan. In 1912 she left some of her correspondence with Clifford Bax in a locked black box only to be opened after her death. They were later published in Florence Farr, Bernard Shaw and W B Yeats by C Bax (ed.), The Cuala Press (1941). In preface to these letters Bax wrote that they 'show that she had too much personality to become a good actress' and were testament to her good humour. He described her as 'a woman who could inspire remarkable men' and predicted that she would be remembered primarily on account of her private friendships with eminent intellectuals of the time.
Institución archivística
Historia archivística
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GB 0096 AL203 1891-1911 fonds 25 items Farr , Florence , 1860-1916 , actress and author
Florence Farr was born in 1860. She was the youngest daughter of Mary Elizabeth Whittal and Dr William Farr, a sanitary reformer and advocator of equal education and professional rights for women. She was educated at Queen's College London (1877-1880), received good reports but had no inclination to prepare for higher education. After an unsuccessful attempt at teaching (1880-1882), Farr gravitated to the theatre, appearing in minor parts and adopting the stage name, Mary Lester. In 1883 her father died, leaving her a sufficient amount to live on modestly. Her first novel The Dancing Fawn was published in 1894. That same year she became theatre producer at the Avenue Theatre, producing modern plays. Farr preached about parity for women in employment, wages etc. amongst her intellectual circle of acquaintances. George Bernard Shaw wrote that she reacted vehemently against Victorian sexual and domestic morality and was dauntless in publicly championing unpopular causes such as campaigning for the welfare of prostitutes. Farr had a fascination for the occult, Egyptology and theosophy. She conducted hermetic studies and belonged to an order of like-minded folk, The Hermetic Order of Isis-Urania Temple of The Golden Dawn of London. She published her first philosophical tracts, A Short Inquiry concerning the Hermetic Art by a Lover of Philatethes in 1894. In 1901, Florence, with a friend of Yeat's, collaborated in the writing and production of two one act plays, both recounting Egyptian magical tales. Farr later quit The Golden Dawn and joined the Theosophical Society of London. Farr cultivated friendships with 'clever men'. Among her friends and correspondents were William and May Morris, George Bernard Shaw, John Quinn, Henry Paget, Dr John Todhunter and W B Yeats. In 1884 she married an actor, Mr Edward Emery (b 1863). They separated in 1888 when Mr Emery immigrated to America, according to Shaw, on account of 'some trouble (not domestic)'. Shaw wrote that Florence (who used her own surname more often than her husband's) was quite content with this situation and considered it of little importance. In 1895 she finally divorced Edward Emery on Shaw's advice. In the 1890s, Yeats used Farr's 'golden voice' as part of his quest to encourage the rebirth of spoken poetry. In 1898 made her the stage manager for his Irish Literary Theatre and she became a regular contributor to the performance of his metrical plays. She was also involved in the performance and musical composition of a number of plays at the Lyceum and Court Theatre and New Century Theatres in London, 1902-1906. In 1912, Farr sailed from England for a life in Ceylon. She had been invited by Sri Ponnambalam Ramanthan, a fellow theosophist, to teach at his newly founded College for Girls in Ceylon. As Lady Principal she supervised the teachers, care of sick children, servants and general administration. In 1917, Florence Farr died in Colombo General Hospital at the age of 56. Her body was cremated at the home of Ramanathan. In 1912 she left some of her correspondence with Clifford Bax in a locked black box only to be opened after her death. They were later published in Florence Farr, Bernard Shaw and W B Yeats by C Bax (ed.), The Cuala Press (1941). In preface to these letters Bax wrote that they 'show that she had too much personality to become a good actress' and were testament to her good humour. He described her as 'a woman who could inspire remarkable men' and predicted that she would be remembered primarily on account of her private friendships with eminent intellectuals of the time.
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Gift from Miss Harriet Cohen CBE.
25 letters, mainly written to Florence Farr/Emery, 1891-1911. Correspondents include: William Archer, J M Barrie, Annie Besant, Edward Carpenter, Arnold Dolmetsch, Richard Le Gallienne, John William Mackail, Edward Martyn, George Robert Stow Mead, Gilbert Aimé Murray, Sir W M Flinders Petrie, Sir Arthur Wing Pinero, the Princess Royal (HRH Princess Louise, Duchess of Fife), Charles Ricketts, Robert Baldwin Ross, Charles Haslewood Shannon, George Bernard Shaw, Arthur Symons, John Todhunter, Sir Herbert Beerbohm Tree, W B Yeats.
All letters are autograph, with signatures. Many of the letters relate to plays, theatrical performances and drama criticism; other topics covered include theosophy, Indian religion and Egyptology.
Chronological, with undated letters filed at the end of the sequence.
Access to this collection is unrestricted for the purpose of private study and personal research within the supervised environment and restrictions of the Library's Palaeography Room. Access to individual items in Senate House Library archives collections may be restricted under the Data Protection Act or the Freedom of Information Act. Please contact the University Archivist for details. 24 hours notice is required for research visits.
Copies may be made, subject to the condition of the original. Copying must be undertaken by the Palaeography Room staff, who will need a minimum of 24 hours to process requests.
English
Typescript catalogue available in the Library's Palaeography Room.
A photostatic copy and a microfilm copy of the text are held by the University of Viriginia.
Compiled by Anya Turner.
Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.
July 2008 Murray , George Gilbert Aimé , 1886-1957 , classical scholar and internationalist Farr , Florence , 1860-1916 , actress and author Dolmetsch , Rudolph Arnold , 1906-1942 , composer, conductor and musician Carpenter , Edward , 1844-1929 , writer on social subjects Besant , Annie , 1847-1933 , theosophist, educationist, journalist and politician Barrie , Sir , James Matthew , 1860-1937 , Knight , author and playwright x Barrie , J M Theology Theosophy Religious belief Literary criticism Literature Dramatic criticism Reviews Theatre reviews Theatre management Theatrical performances Historical periods Ancient history Ancient civilizations Egyptology Petrie , Sir , William Matthew Flinders , 1853-1942 , Knight , Egyptologist x Petrie , Sir , Flinders Pinero , Sir , Arthur Wing , 1855-1934 , Knight , playwright Shaw , George Bernard , 1856-1950 , Irish dramatist, critic and novelist Symons , Arthur William , 1865-1945 , editor and poet Yeats , William Butler , 1865-1939 , poet and playwright India South Asia
Origen del ingreso o transferencia
Gift from Miss Harriet Cohen CBE.
Área de contenido y estructura
Alcance y contenido
25 letters, mainly written to Florence Farr/Emery, 1891-1911. Correspondents include: William Archer, J M Barrie, Annie Besant, Edward Carpenter, Arnold Dolmetsch, Richard Le Gallienne, John William Mackail, Edward Martyn, George Robert Stow Mead, Gilbert Aimé Murray, Sir W M Flinders Petrie, Sir Arthur Wing Pinero, the Princess Royal (HRH Princess Louise, Duchess of Fife), Charles Ricketts, Robert Baldwin Ross, Charles Haslewood Shannon, George Bernard Shaw, Arthur Symons, John Todhunter, Sir Herbert Beerbohm Tree, W B Yeats.
All letters are autograph, with signatures. Many of the letters relate to plays, theatrical performances and drama criticism; other topics covered include theosophy, Indian religion and Egyptology.
Valorización, destrucción y programación
Acumulaciones
Sistema de arreglo
Chronological, with undated letters filed at the end of the sequence.
Área de condiciones de acceso y uso
Condiciones de acceso
Access to this collection is unrestricted for the purpose of private study and personal research within the supervised environment and restrictions of the Library's Palaeography Room. Access to individual items in Senate House Library archives collections may be restricted under the Data Protection Act or the Freedom of Information Act. Please contact the University Archivist for details. 24 hours notice is required for research visits.
Condiciones
Copies may be made, subject to the condition of the original. Copying must be undertaken by the Palaeography Room staff, who will need a minimum of 24 hours to process requests.
Idioma del material
- inglés
Escritura del material
- latín
Notas sobre las lenguas y escrituras
English
Características físicas y requisitos técnicos
Instrumentos de descripción
Typescript catalogue available in the Library's Palaeography Room.
Área de materiales relacionados
Existencia y localización de originales
Existencia y localización de copias
A photostatic copy and a microfilm copy of the text are held by the University of Viriginia.
Unidades de descripción relacionadas
Nota de publicación
Área de notas
Notas
Identificador/es alternativo(os)
Puntos de acceso
Puntos de acceso por materia
- Teología
- Teología » Creencia religiosa
- Literatura » Crítica literaria
- Literatura
- Gestión de teatros
- Gestión de teatros » Obra de teatro
- Período histórico
- Período histórico » Historia antigua
- Período histórico » Historia antigua » Civilización antigua
- Período histórico » Historia antigua » Civilización antigua » Egiptología
Puntos de acceso por lugar
Puntos de acceso por autoridad
Tipo de puntos de acceso
Área de control de la descripción
Identificador de la descripción
Identificador de la institución
Reglas y/o convenciones usadas
Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.
Estado de elaboración
Nivel de detalle
Fechas de creación revisión eliminación
Idioma(s)
- inglés