Hinchliffe , Ian , 1942-2010 , performance artist

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Hinchliffe , Ian , 1942-2010 , performance artist

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        Ian Hinchliffe (1942-2010) was born in 1942 in Huddersfield, and many of his early influences of music hall, vaudeville and jazz originate from this time.

        Following a move to London, Hinchliffe enjoyed his most productive years in the 1970s and 1980s. In 1971, Hinchliffe founded the Matchbox Purveyors, a performance group based at Oval House, whose first show took the form of Hinchliffe and Mark Long (of the People’s Show) selling boxes of matches. Jude Morris joined the same year, and left in 1975, and this set the stage for a combination of solo performances and a sequence of guest performers collaborating with Hinchliffe under the Matchbox Purveyors name, including Dave Stephens, Laura Gilbert and Derek Wilson (Jail Warehouse Co), Lol Coxhill, Rob Con, Diz Willis, Rose Maguire, Jeff Nuttall, Chris and Tim Britton, Phil Minton, Emil Wok, and Alan Porter. His performance work took place in a variety of locations, including art galleries, clubs, pubs, festivals and the street. Hinchliffe also undertook film work, acting in ‘Walter’ (1982), ‘Stormy Monday’ (1988), and ‘Diary of a Sane Man’ (1989).

        Hinchliffe's later career, from the 1990s onwards, represented a distinct phase in his creative output, with a focus on durational performance via projects such as Woodwork and Gargantua. The culmination of this approach came in the form of the 4 week exhibition at Beaconsfield, 'Estate - the Ian Hinchliffe Retrospective' (1998), with an installation that developed through daily performances during gallery hours. Regular collaborators during this time included Tony Green, Hugh Metcalfe and David Crawforth. The venues most commonly frequented in this period were The Water Rats, Nosepaint and Beaconsfield.

        Alongside his performance work, Hinchliffe was also a visual artist, whose sculptures, paintings and collages form part of his artistic output. Further contributions came in the form of his writing, with Hinchliffe's columns 'HINCHLIFFE LASHES OUT' appearing in Performance Magazine.

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