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The focus of much of this collection is the academic work published by the British Music Therapy Society, chiefly the scholarly work delivered at Society conferences and published in the Society newsletter, later journal. This work mainly consists of research into possible uses of music in various therapeutic contexts with a variety of different potential patients. Research is mainly of a practical or observational nature, usually consisting of case studies of individuals or groups, though there is some research into the philosophical under-pinnings of music therapy. One of the main committees of the organisation was the Management Board of the Society Journal (LMA/4578/01/02), which deals with the content and editorial direction of the journal.

Other records deal with the administration and decision making of the Society in the form of minutes of the executive committee, which ran the Society, and the minutes of other committees that were formed as required. One of these committees, the Fund Raising Sub-committee, later the Juliette Alvin Music Therapy Fund Sub- committee (LMA/4578/01/03/002), established the Juliette Alvin Trust to provide support for trainee music therapists.

The Administrative Officer files deal with much of the day to day running of the Society, including correspondence records and files that deal with its charitable status.

The collection also includes records of the internal and external communication of the Society (including newsletters for members, and information booklets and press articles to boost their profile).

Records of Cy Grant reflecting his career containing rich material for research themes around multi-ethnic minority arts on a national basis, an iconic career which saw stardom and fame across the world and across ethnic divides, wartime narratives, discourse on Black African Caribbean roots, culture and race relations.

Records consist of correspondence, notes, photographs and audio-visual material. Includes Cy Grant's records relating to his service as navigator in the Second World War, records of Drum Arts Centre Limited, records of Concord Festival Trust; his acting career including theatre and film posters and programmes, correspondence with agents and producers and fan mail; writing career including published books and draft manuscripts, campaigning, spirituality and health and personal papers including copy items from 1910.

Highlights in the collection include Cy Grant's Royal Air Force log book; fan-mail, studio and film stills photographs, and audio-visual material documenting Cy Grant's fame from his acting and singing, 1950s-1970s; minutes and papers of the Drum Arts Centre Limited London, 1970s documenting the establishment of a national centre for the arts of Black people and related Black Theatre Workshop; minutes and printed material documenting the Concord Festival Trust for which Cy Grant was Director overseeing 22 multicultural ethic arts festivals across Britain over four years between 1981-1985. Cy Grant's life is documented in his memoir 'Blackness and the Dreaming Soul' published in 2007 and his original drafts are contained in the collection alongside other writings.

ACKNOWLEDGEMENTS: The collection was catalogued as part of a project funded by Heritage Lottery Fund titled 'Navigating the Dreams of an Icon: Remembering Cy Grant Through His Archive'. £79,800 was awarded by the Heritage Lottery Fund to the Cy Grant Trust. The Trust, London Metropolitan Archives and Windrush Foundation formed a partnership in 2015 to oversee the archive project which ran from April 2016-May 2017 including an exhibition, website and education pack as well as a series of events including a Finale on 18 February 2017 at London Metropolitan Archives.

Diary of actor John Pritt Harley, 1858.

Records of Saint Peter's, Clerkenwell, also known as the Smithfield Martyrs Memorial Church, including registers of baptisms; registers of marriages; Churchwarden's vouchers; papers relating to the church organ; deeds and leases.

Records of the parish of Saint John the Evangelist, Blackheath, including registers of baptisms, marriages, banns, and church services; registers of preachers, readers and collectors; legal documents relating to church properties; Churchwardens' records; papers relating to the maintenance of the church building and fittings including the organ; financial records; Parochial Church Council minute books; parish magazines; and photographs of the church.

Records of the Barbican Committee, Corporation of London, 1954-1998, including papers relating to the development and building of the Barbican complex, speeches, reports, committee papers, brochures, newsletters and concert programmes. Please note that access to some of the reports is restricted.

Records of the Worshipful Company of Musicians, including charter and ordinance books; bye laws; Court minute books; signature book; livery lists; registers of freedom admissions; registers of apprentice bindings; financial accounts including cash books; press cuttings; clerk's correspondence and papers; letters from composers including Richard Strauss, Sir Edward Elgar and Herbert Howells; manuscript music scores including Elgar and Howells; concert and event programmes; photographs; papers relating to scholarships; and papers relating to company property and estates.

IMPORTANT INFORMATION REGARDING ACCESS: These records are stored at the Guildhall Library site rather than the LMA Clerkenwell site. Researchers wishing to access these records should do so at the Guildhall Library Rare Books table. The Library is open Monday to Saturday, 9:30 to 16:45. Researchers will need to have an Archives History Card or a Library Readers Card. An archivist will be available at Guildhall Library on Thursday mornings to answer any queries.

Records of the parish of Saint Luke, Hornsey, including registers of baptisms, marriages, banns of marriage and confirmations; church service registers; correspondence and papers of the incumbent; papers relating to the appointment of church personnel; papers relating to parish boundaries including plans; papers relating to the benefice and tithes; material regarding the church building including faculties, plans, drawings, contracts and specifications, reports and surveys; Vestry and Parochial Church Council minutes; financial accounts; parish magazines and photographs.

Declaration of Trust, 1775, by (2) in (1) who have purchased on behalf of (2) from David Garrick of the Adelphi, Esq., and Willoughby Lacy, otherwise Morris, of Lincoln's Inn Fields, Esq., (administrator of Will of James Lacy, late of St. George Hanover Square) the rent or sum of £4 for every day or night when any theatrical performance publicly takes place at the Theatre Royal, Drury Lane, and also the privilege for 40 persons to be present, free of charge, at such performance, which rent and privilege had been granted to David Garrick and James Lacy on 24th March, 1762 by Honourable Francis Russell, Marquis of Tavistock.

(1) George Garrick of St. Mary le Strand, Esq., Albany Wallis of Norfolk Street, St. Clement Danes, gent.

(2) Thomas Allan of Berners Street, St. Marylebone, Esq.,
Benjamin Aguilar of London Street, City of London, Esq.,
Thomas Leigh Bennett of Soho Square, Esq.,
Edward Barwell of Abingdon Street, Esq.,
Owen Salisbury Bracton of Soho Square, Esq.,
Richard Brown of Golden Square, Esq.,
Anthony Chamier of the War Office, Esq.,
Thomas Coutts of St. Martin in the Fields, Esq.,
Peter Castlefranc of Pall Mall, Esq.,
Monkhouse Davison of Fenchurch Street, London, Esq.,
Robert Darell of Winchester Street, London, Esq.,
Dame Elizabeth Glynn of Whitehall, widow,
Thomas Glynn of Whitehall, Esq.,
John Gazley of Northumberland Street, Esq.,
Rice James of Berners Street, St. Marylebone, Esq.,
Henry Jones of Frith Street, St. Ann Soho, Esq.,
Henry Kendall of Lincoln's Inn Fields, Esq.,
Robert Ladbroke of City of London, Esq.,
Isaac Moses Levy of Lincoln's Inn Fields, Esq.,
Nicholas Lethmere of St. James', Westminster, Esq.,
Joseph Martin of Downing Street, Esq.,
Nathaniel Newnham of Botolph Lane, London, Esq.,
Thomas Nash of Morriss Causeway, Surrey, Esq.,
Thomas Newnham of Hatton Street, Esq.,
Richard Russell of Bermondsey Street, Surrey, Esq.,
Mary Spencer of Newman Street, spinster,
Benjamin Smith of Oxford Street, Esq.,
Isaac Scria of Tokenhouse Yard, London, Esq.,
Elizabeth Turner of Bedford Street, spinster,
Henry Williams of Berwick Street, Esq.,
George Wyatt of Fleet Street, London, Esq.

Records of the Ancient Society of College Youths, including membership books, peal books, minutes, and notes on the history of the Society.

The records were microfilmed in 1985 and 2003. Mss 21656-7A and 33992 are positive copy microfilms and microfiche presented to the Archive by the Society, which has retained the master negatives and the original manuscripts. Permission to take reproductions from the films or to publish extracts from the records should be sought from the Society's Hon. Secretary (please ask staff for further information).

Working papers of the university administrator and scholar Anne Marie Meyer, c 1940-1990, on topics including: Dance; Costume; Opera; Ballet and Aby Warburg, art historian.

British Library music manuscripts, 19th century, comprise manuscript transcriptions of music manuscripts held at the British Library, in several unidentified hands. Contains copies of the following: - Harleian 4664: codex containing a wide variety of liturgical music, principally antiphons, of various dates - Harleian 2954: 15th century Sarum hymnary - Unidentified Harleian ms. - Lansdowne 460: 15th century Gregorian antiphonary - Lansdowne 462: late 14th century Sarum antiphonary - Lansdowne 463: late 14th century Sarum antiphomary and Kalendar - Harleian 978: antiphons for Easter and Saint's Days from mainly English sources.

Papers concerning American theatre and opera scrapbooks, 1875-1892, comprise to scrapbooks containing programmes of plays, concerts and operas performed in the USA, with particular reference to New York and the Metropolitan Opera House, from 1875 to 1892. MS1088/2 includes postcards of members of singers performing in the Metropolitan Opera 1890 to 1891 season, posing in some of their operatic roles. The volumes contained two loose inserts, which have now become MS1088/3 and MS1088/4.

Preaching plans and directories for Methodist circuits including the Ealing and Acton Circuit, 1978; Enfield Circuit, 1975-1976; Finchley and Hendon Circuit, 1973; Finsbury Park Circuit, 1969; Finsbury Park and Southgate Circuit, 1977-1978; Harlesden Circuit, 1973; Harrow Circuit, 1978; Highgate Circuit, 1977-1979; Teddington Circuit, 1977-1978 and Wembley and Golders Green Circuit, 1977-1978.

Brent Black Music History and NARM (Naming and Role Models) Heritage Lottery Funded projects published booklets and DVD recordings (the latter are available by prior appointment). Also African Histories Revisited's published 'Race/Racism Primer' (2014).

Records of The Greene Sisters mainly relating to their professional life: correspondence concerning their working life, organising concerts and issues with their agents Foster's, copies of their wartime contracts as well as examples of publicity material particularly play bills for variety performance they appeared and a few programmes.

There are copies of radio broadcasts including some from the series 'Hi Gang' recorded between 1951-1952.

Included are both professional photographs and family photographs of The Greene Sisters, Jeanette, Gertie and Judy as well as their brother Marcus and youngest sister Sylvia; their parents Jack and Rebecca.

There is a series of papers of Sylvia Greene the youngest sister which include the book, lyrics and music for a musical play 'A Great Guy' written by Sylvia.

Minutes of Trustees' Meetings and related papers, 1919-1949; Treasurer's balance sheets, 1936-1938; Trust accounts, 1939-1940 and 1952-1962; receipts and payments, 1947-1948; cash book, 1898-1904; Treasurer's cash book, 1900-1912; Trustees Treasurer's account book, 1945-1964, including Paddington Circuit, Willesden Circuit and Kilburn and Hampstead Circuit; Trustees Treasurer's statements, cash accounts and other documents, 1923-1937; minutes of Kensal Rise organ trust, 1900-1907; scheme for debt clearing on organ and school building, 1907-1908; papers regarding organ reconstruction and other repairs to the Church, 1947-1960; trust papers, accounts, receipts and correspondence, 1923-1937; correspondence, 1945-1951; minutes of the Manse Trust, 1920-1958; correspondence, accounts, and other papers relating to the Manse trustees, 1922 and 1950-1957; minutes of Leaders' Meetings, 1900-1909; minutes of Leaders' Meetings and minutes of Annual Society Meetings, 1910-1936 and 1947-1965; minutes of Teachers' Meetings, 1894-1906; minutes of Finance Committee, 1935-1941; Class book, 1897-1899.

Items from the Crystal Palace Handel-Mendelssohn Festival including admission ticket, to Orchestra, for Miss M. Bruin, 1909; admission ticket to South Area Stall, 1909; photograph of orchestra and choir, 1909 and label for instrument case, 1912.

Papers of Sir Robert Francis Elkins, comprising Elkin's midshipman's journal, 1921 to 1923, his summaries and reports on Invergordon, 1931, and a later report written in 1967 for Captain Stephen Roskill's (1903- ) use in his History on Naval Policy between the Wars (London, 1968) as well as Elkin's wartime 'Line' books. These include accounts (as well as his official report, (1947) of his escape from St Valery, and of the proceedings for the surrender of the German squadron at Copenhagen. The remainder of this group consists of arrangements for ceremonial Royal occasions, 1948 to 1951, and a selection of sea shanties, arranged for orchestra. The second group, relates to the publication of Len Wincott's book Invergordon mutineer (London, 1974) and the publicity given to his visit to England, also in that year.

This class contains a volume of seventy-three printed songs maninly by Charles Dibdin (1745-1814) and autographed or initialled by him, but also including works by Charles Dibdin the Younger (1768-1833) and Thomas Dibdin (1771-1841); many of these songs have naval subjects such as 'Jervis for Ever', 'The Death of Nelson' and the 'Blind Sailor'. The volume was probably compiled by Thomas Legard whose name it bears with the date 1806. There is also a full score, in manuscripts, of a cantata entitled 'The Sea Engagement' celebrating the Battle of the Nile, August 1798, and composed shortly afterwards. The work, both words and music, is by Adam Kroll. who describes himself as an 'amateur', and is dedicated to Nelson. Arranged for an orchestra of forty-three performers, it consists of an overture, a descriptive instrumental piece, two airs and a duet.

Papers of the Morgan family, 1891-1963, comprising papers, reports, photographs, music and other personal memorabilia of Robert Orlando Morgan, R.G.S.M., Professor of the Guildhall School of Music and Drama 1887-1951, of his second son, Cyril Douglas Morgan, Principal Clerk to the Chamberlain of London 1946-1958 and of his son, M.D. Morgan, the depositor of these documents.

Papers of Dorothea (or Dorothy) Crompton, pupil at the Guildhall School of Music and Drama, 1913-1924. The collection, consisting of concert programmes, advertising posters, professors' reports and correspondence, had been found at the School and had been used in an exhibition there. The exhibition, entitled "Who was Dorothea Crompton?", had been mounted to try to establish some details about Crompton as nothing was known about her. As far as can be gathered, no information about Dorothea Crompton was produced as a result of the exhibition.

Bond discharging the parish of Clerkenwell to provide for the maintenance and upbringing of a child, 1596. Also letter explaining how documents in the parish chest of Saint James Church, Clerkenwell, were being given away ca.1898 to make room when church was being repaired.

Records of the City Glee Club comprise: minutes, accounts, registers of members and performances, and records relating to the centenary.

Letters and papers of and concerning Maria Hackett (of 8 Crosby Square, Bishopsgate, 1783-1874), and letters relating to church music. 1782-[1910]. Compiled and collected early 20th century.

Original correspondence between the Polizeipräsident of Berlin and the KBDJ concerning all the activities of the organisation, eg. theatrical performances, engagement of the actors, venues etc, 1933-1935; forbidden Jewish texts including essays, lectures, poems, play scripts, short stories, anecdotes etc; general file containing programs pamphlets, correspondence between KBDJ and Staatskommisar, also Jüdischer Kulturbund, Berlin, 1938-1939; Kulturbund correspondence with groups, members, lawyers, Nazi authorities (Blank and Hinkel), reports and 3 copies of the Monatsblätter, 1933-1935; JKB Orts and Landesgruppe (except Berlin): mainly correspondence, pamphlets, programmes and other documents of the organisation in the different cities viz: Hamburg, Breslau, Frankfurt, Leipzig, Dresden, Hildesheim, Kassel, Bayern, Erfurt, Königsberg, Mecklenburg-Lübeck, Oberschlesien, Ost-Westfalen, Rhein-Ruhr, Schwarzwald, Stettin, Wien.

Papers of Iris Murdoch, 1962, comprising a letter to Pam Stringer thanking her for remembering to send her the words of a song 'it fills an important blank in my novel...it is supposed to bring tears to the eyes when sung' and expressing pleasure at having seen Stringer recently in Cheltenham.

This collection is divided into two sections. Section one contains material on capital punishment and the death penalty, against which Hewitt campaigned. Section two covers material concerned with obscene publications and other forms of media, including censorship, Obscene Publications Acts and other allied topics. The papers contain many printed examples of C H Rolph's articles and materials by organisation such as the Howard League for Penal Reform and the National League for the Abolition of the Death Penalty. Infamous legal cases such as the obscenity trials in the 1960s relating to 'Oz' magazine and Hubert Selby's novel 'Last Exit to Brooklyn' are discussed.

Papers of Bernarr Rainbow, [1940-1998], including photographs, personalia, music manuscripts, sound recordings, drafts of published and unpublished works, and a small amount of correspondence.

The collection contains administrative papers relating to Company contracts and internal and external correspondence; financial papers relating to budgets and funding, miscellaneous personal papers of the Company's director, Jonathan Holloway; production records including scripts, technical notes, rehearsal and production notes and directions, stage directions, information on casts, and tour and venue information; audiovisual recordings of productions; promotional, marketing and educational-outreach material; press-cuttings and reviews, photographs of named and un-named actors and productions; publications inspiring Red Shift productions; a study of the Company's production of 'The Love Child'; and an untitled script.

Papers of Madeline Payne (1879-1962), concert pianist and former student of the Guildhall School of Music and Drama, including correspondence, photographs, programmes, articles and newspaper cuttings, 1893-1957.

Records of the parish of Christ Church, Barnet, including registers of baptisms, marriages, banns of marriage, and confirmations; registers of church services; working papers of the incumbent; Vestry and Parochial Church Council minutes; financial records; papers of the Sunday School; magazines, publications, newspaper cuttings, historical notes and photographs; papers relating to tithes, glebes and terriers; papers relating to the maintenance of church buildings and fittings, including faculties, correspondence, plans, specifications and architect's reports; and plans of the churchyard.

Collection of ephemera, 1857-1869 and undated {1850s-1860s}, largely printed, including playbills, programmes, song sheets, catalogues and guides, relating to events, including sport, music, fireworks, fountains and illuminations, at the Crystal Palace (Sydenham, Kent); to operas at the Royal English Opera and the Royal Italian Opera, Covent Garden (Westminster); and to theatrical, musical and other recreational events, including comedies, ballets, tableaux, dioramas, exhibitions, and popular scientific events, at various premises including in Westminster, St Marylebone, Paddington, St Pancras, St Giles in the Fields, South Kensington, Kew, and Greenwich.

Papers of the Pye family relating to bell-ringing, including records of performances; notices of peals rung; notebook of the number and weight of bells in towers; composition books; photographs; journals and publications; memoirs and order of service.

Programmes of Dulwich College plays, drama competitions, Commemoration Concerts, and Christmas Concerts; and issues of The Dulwich Scout magazine.

Records of the parish of Saint John the Evangelist, Hammersmith, including registers of baptisms, marriages, banns of marriages and confirmations; registers of church services; correspondence and papers relating to the church building and the organ; Charity Commission schemes and papers relating to the parish school and Parochial Church Council minutes.

Minute book of the Concentores Society, glee club.

Records of the Dorian Singers, comprising concert programmes.

Fleet Street Choir records comprising programmes, newspaper cuttings, song sheets and related papers.

Scrapbook relating to the Enfield Amateur Operatic and Dramatic Society, including theatrical programmes, playbills and newspaper cuttings of reviews for performances by both the Society and other operatic and theatrical societies.

Minute books, peal books, annual reports and newsletters of the Middlesex County Association; leaflets and minutes of the Middlesex Association of Change Ringers and minutes, attendance books, financial accounts and administrative papers of the South and West District, including some papers of Percy Venn; and minutes and financial accounts of the North and East District.

Records of the Shabbaton Choir consisting of scrapbooks containing souvenirs of concerts and tours. Files include arrangements, publicity, photographs, messages of thanks and congratulation, concert programmes, orders of service.

Papers of Reichsverband der Juedischen Kulturbuende in Deutschland, 1936, comprise a concert flyer advertising a performance in Berlin put on by the Reichsverband der Juedischen Kulturbuende in Deutschland.

The Roy Waters Theatre Collection is a privately created collection of theatrical material amassed as a result of forty years of collecting by Roy Waters. The collection primarily comprises of theatrical ephemera, though it also includes the personal papers of Roy Waters, documenting both his career as teacher and later as a school inspector, and his collecting habits and cultural interests.

The nature of the material is diverse, with the printed ephemera including a sizeable collection of programmes from the 19th to the 21st century, collectable items such as cigarette cards, press cuttings collected for their relevance to named individuals and events and photographs reflecting a range of formats including postcards, cartes de visite and cabinet photographs. Toy theatre and juvenile drama are well represented with loose character and scene sheets, tinsel prints and twentieth century stage and script packs forming part of the collection. In addition, the prints series, although primarily consisting of portrait and scene prints of theatrical individuals, also includes a range of topographic and general entertainment prints. Artefacts and commemorative ornaments comprise a series, as do sound recordings relating to the specialisms of the collection in particular productions and well known individuals.

The theatrical ephemera, although initially collected with a broad interest in the theatre in mind, does reflect the specific areas of interest which developed as the collection grew; discreet collections of material relate to specific individuals or events, for instance Noel Coward and Oscar Wilde.

The collection also contains hundreds of individual autograph letters dating from the 18th to the 20th century representing the variety of professions involved in the performing arts, including letters from George Arliss, Sir James Barrie, Phineas Taylor Barnum, Charles Dickens and a sick note for J.S.Grimaldi [Joseph Samuel Grimaldi]. In addition, there are a small number of original art works relating to the theatre.

Records of The Guildhall School of Music and Drama, 1880-1986, including financial accounts; prospectuses; concert programmes, including concerts given by the Guildhall Orchestral Society; scrapbooks including newspaper cuttings and photographs concerning the school's activities, recitals, prize-givings, new staff, successes of pupils past and present and so on; and publications relating to the history of the school.

Correspondence, 1905-1984, of Maurice Cole, pianist and former student of the Guildhall School of Music and Drama, relating to musical matters, particularly concert performances.

Records of the London County Association of Church Bell Ringers, including general committee minutes, Northern District Committee minutes and Southern District Committee minutes; Southern District financial accounts; peal books; steepleage books; annual reports; dinner menus and programmes; photograph and article about the history of the Association.

Programme of Ealing Theatre for performances by Mr. Herbert Sleath's Company of "What happened to Jones" by George H. Broadhurst, preceded by the Comedietta "A Morning Call", with note of forthcoming performances and many advertisements, 1900.

Records of the Alexandra Palace Concert Society of German Internees, including concert programmes, retrospect of the Concert Society including names of musicians, lists and analysis of works performed, and watercolour portrait by a prisoner.

London County Council register of tramway track lengths, recording description and lengths of route, street length, track length and remarks, such as "conversion to trolleybus", "abandoned" and so on, [1912-1952], with enclosures: photocopy of map of tramways in the London County Council area, revised to 1931; and diagrams of track lengths in Leyton and Hammersmith.