Showing 32 results

Papers cover Witkowski's writings on medical history (and other areas of history) rather than his medical activities. MSS.5036-5038 comprise press cuttings, publishers' notices, reviews, etc., relating to Witkowski's writings, plus original poems, some photographs, and some letters to him about his work; they span the bulk of his career (1865-1920). MSS.5039-5085 consist of material related closely to various published works on medical history and art history by Witkowski: typescript and holograph drafts, annotated published material, etc. Within this block of material, MSS.5057-5062 consist of a detailed critique of Folie de l'Empereur by Augustin Cabanès (1862-1928), consisting of heavily annotated copies of the published work. Also worth noting are MSS.5063-5064, copies of Witkowski's Comment j'ai appris l'Histoire Sainte, a Rabelaisian and satirical anti-clerical history. Finally, MSS.5086-5088, written under the pseudonym "Docteur Clam", comprise travel writings, recording travels in Italy, Turkey, Romania and Hungary, in 1901 (MS.5086); Egypt, in 1901-1902 (MS.5087); and Italy, in 1905 (MS.5088).

Papers of Johannes Wilde, 1916-1995, comprising files of working papers including notes, (manuscript and typescript), sketches, correspondence, photographs, lectures and slidelists, 1916-1965. Wilde meticulously wrote out the text of his lectures each time he gave them, making it possible to trace the evolution of ideas from the earlier to the later versions of the same piece.

Working papers relating to Michelangelo, 1922-1965, (the largest section of material in the collection) including general life and work, specific works including the Sistine Chapel, the Pieta, Cartonetti, 'Christ before Pilate'; his relationship with other artists, including Leonardo, Vasari, Raphael, Sebastiano; his drawings, including notes for a short survey of drawings, lectures, and a summary catalogue; his work in Florence, notably the façade of the Church of San Lorenzo, including correspondence with James S Ackerman concerning his book, The Architecture of Michelangelo (A Zwemmer, London, 1961), the Medici chapel and tombs, including lecture of Michelangelo's designs for the tombs, the Sagrestia Nuova, including draft chapter of its history, various works in the Palazzo Vecchio, the Hall of the Great Council, the Sala del Consiglio Grande, 'the Battle of Cascina', 'Victory', 'Leda', including correspondence concerning the publication of an essay, 1957; the Papal Tombs in Rome, the Marcus Aurelius statue in the Piazza del Campidoglio, Rome, the Sistine Chapel, Rome, the 'Battle of Angiare'; note and transcripts of Michelangelo's letters [now at the British Museum and Oxford]; notes on Michelangelo's drawing methods and early drawings;
list and notes of Wilde's new students [1948], catalogue entries for the catalogue of drawings at Windsor Castle, 1953;

notes relating to other artists, 1949-1962, notably Giotto, Leonardo da Vinci, Vasari, Masaccio, Pierino da Vinci, Raphael, Giovanni Bellini, Mantegna, Corregio, Parmagianino, Daniele da Volterra, Sebastiano del Piombo, Marcello Venusti, Giorgione, Antonello, Jacopo de' Barbari, Giovanni de Busi Cariani, Domenico Fetti, Jacometto, Domenico Mancini, Jacopo Palma Vecchio, Tiepolo, Tintoretto, Titian, Dutch/ Flemish painting, including Wilde's MA thesis on Rembrandt, 1916; notes on the collection of Archduke Leopold Wilhelm known as the Theatrum Pictorium, teaching notes, miscellaneous articles and notes including Henry VIII monument, landscape painting, Vasari, Fontanellato;

travel journals, 1921-1957, including notes relating to Modena, Uffizi, Rome, and exhibitions;
correspondence, 1937-1970, including letters to Wilde thanking him for the gift of his British Museum catalogue; correspondence with Paola Barocchi, 1962-1963; Kenneth Clark, 1959-1964; James A Crabtree, 1964, relating to a Michelangelo drawing; Brigadier Roy Frank Johnson, 1954, relating to portraits owned by him and Count Antoine Seilern; Arthur Ewart Popham, 1941-1949, covering production of of the catalogue of Italian Drawings at Windsor castle; private matters, and including some of the travel permits Wilde required during the war; Count Seilern, 1964, 1970; Hugh Squire, 1960, relating to a drawing in his collection;
miscellaneous items including photographs of Wilde and colleagues, [1920s-1930s]; Johannes and Julia Wilde, [1960s]; one of Wilde's parties, undated; copies of speeches given by Wilde on his 60th, 65th and 70th birthdays and by Anthony Blunt at a party, 1961; copy of Peter Kidson's lecture 'The Recent Transformation of Art History', 1995; copies of the editorial and obituary of Wilde, from The Burlington Magazine.

Letters to Johannes Wilde, 1920-1968, mostly from his brother Dr Ferenc Wilde in Budapest and other family members. The correspondence mostly relates to personal matters but there are also references to the art world and to political events including the Hungarian revolution of 1956. Also contains a diary of events in Budapest during the Second World War written by Wilde's sister Margit Wilde.

Papers of Roberto Weiss c 1924-1969, including notes, working papers and correspondence. Topics covered include: the Italian Renaissance; humanism; coinage and medals, and antiquarianism.

Papers created and collected privately by Aby Moritz Warburg and members of his family, and administrative records of the Kulturwissenschaftliche Bibliothek Warburg and its successor institution, the Warburg Institute, 1866-2000. Including records of the history of the Warburg Institute from the beginnings of Aby Warburg's private library to the present day in sections under the following headings: Buildings; Administration; Organization and Activities of the Library / Institute; Annual Reports; Visitors' and Address Books; Accession Books; Account Books and 'Scrap' Book. Personal documents and working papers of Aby Warburg, including his bibliographical notes, notebooks, diaries and journals, drafts of lectures and articles; poems and dramatic sketches. Topics covered include: Contemporary Art; Hamburg University; Early Renaissance and Florentine Art and Patronage: Botticelli, Leonardo, Ghirlandaio, Sassetti; Flemish Art; Transformation of Style; Festivals; Psychology of Art; Pueblo Indians; Art and Astrology in Italy and the North: Palazzo Schifanoia, Luther and the Art of the Reformation, Dürer; Rembrandt; Cosmology; Postage Stamps; 'Mnemosyne-Atlas'. Papers collected by Aby Warburg on the following topics: Hamburg University; Hamburg City Affairs; Hamburg Institutions; Art Historical and other Congresses; Kunsthistorisches Institut (Florenz); First World War and Aftermath and Universities. Photographic Material including negatives and prints.

(1) Letter from Randall Carline Swingler of the Left Review, 2 Parton Street, London to Thomas Sturge Moore, c1938. Asking him to contribute an article to the Left Review. Sturge Moore's draft reply appears on the reverse.

(2) Letter from Randall CarlineSwingler of the Left Review to Thomas Sturge Moore, c1938. Enclosing the final proof [missing] of Sturge Moore's article Fashions in art and literature.The article appeared in the April 1938 issue.

(3)Letter from John Edgell Rickword of the Communist Party of Great Britain, Hampstead Branch, 47 South Hill Park to Thomas Sturge Moore, 15 Feb 1938. Asking him to chair a lecture.

Personal Documents and Working Papers of Fritz Saxl, 1896-1948, including bibliographical notes, notebooks, drafts of lectures and articles. Topics covered include: Mithras; Pagan and Jewish Influences on Christian Art; Astrology; Cosmology; Illuminated Astrological and Mythological Manuscripts; Medieval Encyclopaedias; Science and Art; Venetian Art; Spanish Art; Art of the Reformation: Dürer; Holbein, Elsheimer, Rembrandt; Historiography and Aby Warburg.

Visitors' book and list of titles (with Russian titles translated) exhibited at National Book League exhibition entitled "Art books from the Soviet Union", 1978

Notebooks and working papers of the art historian Charles Mitchell, c 1951-1986, on topics including: Ciriaco d'Ancona; Tempio Malatestiano (Temple of the Planets, Rimini, Italy); Antiquarianism and 15th Century Italian Art.

Papers of Alexander Van Millingen on history, architecture and archaeology, c1870s-c1900s (mostly undated), relating mainly to Constantinople and Byzantium but also to Biblical history, Greek and Roman history, history of philosophy and religion, early church history, and history of art, and including manuscript notes (some in notebooks), manuscript and typescript drafts, news cuttings, sketches, transcriptions and rubbings of inscriptions, and a few items of personal material, notably financial accounts and address books; photographs (some labelled as unpublished), plate proofs and sketches of buildings and monuments, and reproductions of inscriptions, including the walls of Constantinople and churches including Saint Eirene, Theodore, Theodosia, Sergios and Bacchos, Peter and Mark, Andrew in Krisis, Ioannes in Troullos, Christos in Chora, and Pantokrator (some items are endorsed with notes); photograph album of people and places in France, Germany, Italy, Austria, England, Montenegro, India, Tunis and Malta, 1889-1895 (where dated); plans of buildings, comprising the Egyptian obelisk in the Hippodrome, Constantinople, and the churches Saint Mary Mouchliotissa, Thekla, Mary Panachrantos, Peter and Mark, Mary Diaconissa, Theodosia, Saviour Pantepoptes, Theodore Thetiro, Mary Pammakaristos, John the Baptist of the Studion, the Church of the Myrelaion, the Monastir Mesjedi, the Refectory of the Monastery of Manuel, the Bogdan Serai, the Sanjakdar Mesjedi, and the Balaban Aga Mesjedi.

Papers of Lord Lee of Fareham, [1878-1954], notably papers relating to Lee's book Letters that Remain, including proofs for letters intended for the book, including from Lloyd-George, 1917, 1920; photographs of individuals for the book;

invitations to events and programmes, [1920s-1930s]; papers relating to speeches, [1915-1930s], comprising notes and texts, including speeches as Minister of Agriculture and Fisheries, [1919-1921]; for exhibition opening at Christie's, 1932; press cuttings and Parliamentary reports relating to speeches, printed copies of speeches, [1909-1936], including 'The Need for National Service', 1915, 'The War and After', 1918, 'Lessons of the War', 1936;

original and copy letters, [1894-1946] includingfrom Neville and Mrs Chamberlain, Stanley Baldwin, Ramsay MacDonald, [1920s-1930s]; Winston and Clementine Churchill, 1945; Micheal Balcon, Kenneth Clark, Osbert Sitwell, [1939-1946], Nancy Astor, A J Balfour, Joseph Duveen, relating to the National Gallery and Courtauld Institute, David and Frances Lloyd-George, Field-Marshall Lord Haig, Rudyard Kipling, Ramsay MacDonald; Graham Sutherland, relating to a painting, 1940;
papers relating to Lee's military career, including reference from Lieutenant Colonel Gerald Kitson, 1897; letter concerning Lee, 1898; letter of introduction to Commanding Officers, 1899; letters of authority as Colonel, 1914; army pass, 1914; requisition for petrol and tyres, 1914; permit, 1915; agenda for artillery conference, 1916;
letters relating to Lee's appointment as Chairman of the Radium Commission, 1929, and copy Charter of Incorporation for the Commission; Declaration of Trust between Lord and Lady Lee and the Massey Foundation, 1940;
personal papers, [1878-1945], including passport, 1889; birth certificate, [1868], anecdotes, jokes, press cuttings, printed books and articles, journal, 1889; correspondence and leases of White Lodge, Richmond Park, 1928-1932; letter from Lloyd-George informing Lee of his viscountcy, 1922; letters of condolence to various people and obituaries, [1940s]; correspondence regarding Lee's will, 1945; obituary of Lord Lee, [1947];
papers relating to Chequers, 1917-1953, including abstract of Chequers Estate Act, 1917; articles, guide, 1921, press cuttings, 1920s; correspondence relating to Chequers, including the library, Chequers Trust, silver dessert service presented by Lee, 1938; cartoons by Sir Mark Sykes [of Chequers], [1917];
correspondence concerning pictures and silver, including sale, purchase, restoration work, and some photographs, [1922-1940], including with the Metropolitan Museum of Art, 1927-1928, British Museum, Victoria and Albert Museum, private dealers;
correspondence with Theodore Roosevelt, 1897-1918, and Edith Roosevelt, 1912-1945, including an album of selected letters, 1898-1906, including one labelled by Lee 'possibly Roosevelt's first letter as President', 1901; correspondence with Ethel Derby, [daughter of Roosevelt], [1917-1951];
photographs, [1890-1946], including of the Roosevelt family, the Lees, film stars taken during the Lees' visit to Hollywood, [1930s];

correspondence regarding the establishment of the Conway Hall, London, 1930-1931; correspondence with Thomas Sherrer Ross Boase; papers of Professor W G Constable; papers relating to the Lee Bequest; Harding Collection; Home House Trust; Wilkinson Bequest; MacColl, Panofsky, Ostrer and Samuel Courtauld correspondence; Pilgrim Trust grant for Corpus of English Medieval Paintings; Scientific Department; Summer course; Lee gift to Hart House; draft scheme for the establishment of art history teaching in UK; insurance papers; press cuttings, 1930-1934; speeches relating to the opening of the Courtauld gallery.

Correspondence between Dr Maurice Laserson and Professor Ernst Cohn-Wiener, art historian, 25 Feb 1924-26 Dec 1938 on topics including Cohn-Wiener's travel experiences and the art treasures and traditions of various countries; Cohn-Wiener's experience in India including comments on the situation of the indigenous Jewish population there; Laserson's activities relating to his involvement with ORT (Organisation for Rehabilitation through Training) and efforts by Laserson, in Australia, to find suitable employment and an entry permit for Cohn-Wiener. Also Curriculum Vitae of Cohn-Wiener, written whilst in India, [1938] and a list of Cohn-Wiener's publications produced by Laserson.

Notes, working papers and correspondence of the art historian Otto Kurz, c 1930-1975. Topics covered include: the Baroque, notably the painters Guido Reni, Carracci; faked art; critical edition of Marco Polo's 'Description of the World'; Christian manuscripts; 'Die Legende vom Künstler' (Historiography); astrological manuscripts; Eastern astrology; cultural history of material goods; costume and Jewish Art.

Papers of Hilde Kurz, art historian, c 1945-1968, including working papers and draft for The Encyclopaedia of Painting. Topics covered include: Costume; Tapestries; Painting in Northern Europe.

Notes and offprints of Betty Kurth, art historian, [1922-1943], on topics including the decorative arts and tapestries.

Papers of Evelyn Mary Jamison, art historian, [1912-1972], including notes and material on the Catalogus Baronum and photographs and transcripts of documents from archives in southern Italy. Topics covered include: Italian Medieval Art; Southern Italian, especially Sicilian, History and Art.

Papers of Herbert Horne, architect and art historian, c 1883-1886, including correspondence with Grace Parkinson and some correspondence with Aby Warburg. Topics covered include: Italian Renaissance Art: Botticelli, Uccello and Piero di Cosimo.

Research papers of John Hayes, [1960]-2005, containing material relating to many of Hayes’ publications or proposed publications principally on Thomas Gainsborough, Joshua Reynolds, Thomas Rowlandson, Graham Sutherland and his unpublished catalogue for the Cincinnati Art Museum. The archive consists of notes, images (photographs, colour transparencies, slides, photocopies), copies and transcripts of original source material, correspondence, press cuttings and publications. There are off-prints of many of his journal articles. The collection includes an earlier gift of a large set of photographic files of Gainsborough’s landscapes, portraits and prints and a smaller set on Gainsborough Dupont.

Photographs of Russian silver, porcelain, glass, ikons, paintings and other objets d'art; also offprint of Russian silver by R G Hare (in Ramsay, L G G "The Connoisseur Complete Encyclopedia of antiques" (New York, 1962, pp 60-65).

Papers of Hans Andreas Hammelmann, comprising working files, compiled [1950]-1969, arranged by artist, containing photographs of pictures, correspondence and articles, for the artists: David Allan, Peter Angelles, P Angier, William Austin, Antonio Baratti, Francis Barlow, Bernard Baron, Francesco Bartolozzi, Basire, Baumgarten, Anthony Benoist, Benoit, Thomas Bewick, George Bickham, Nicholas Blakey, François Boitard, Louis Philippe Boitard, Jacob Bonneau, F Boucher, Bowyer, Edward Francesco Burney, Charles Catton Jnr, Louis Cheron, J B Cipriani, B Cole, William Cole, John Collins, Collyer, Bartholomew Dandridge, Delacroix, John Devoto, Claude Dubosc, John Ellis, Paul Fourdrinier, Alexandre-Evariste Fragonard, Jean Honoré Fragonard, Fuseli (son), Henry Fuseli, John Gilpin, Sawrey Gilpin, Joseph Goupy, Hubert Gravelot, Simon Gribelin, Moses Griffith, Simon Grignion, Joseph Grisoni, Louis Du Guernier, Sir William Hamilton, Jonas Hanway, Francis Hayman, Joseph Highmore, William Hogarth, James Hulett, Walter Jackson, William Kent, Elisha Kirkall, Knapton, Marcellus Laroon, Philippe Jacques de Loutherbourg, Thomas Major, J Marchant, Mercier, Conrad Metz, John Hamilton Mortimer, George Michael Moser, Johann Sebastian Muller, John Nixon, Pietro Antonio Novelli, Piazetta, John Pine, Arthur Pond, Ravenet, William Wynne Ryland, Paul Sandby, T Sandby, G Scotin, Robert Smirke, Stendhal, Thomas Stothard, John Sturt, Tardieu, Isaac Taylor, Sir James Thornhill, John Tinney, John Vanderbank, Van der Gucht family, Vivares, Samuel Wale, Anthony Walker, Antoine Watteau, John Webber, Richard Westall, George M Woodward, John Wootton, Thomas Worlidge;
photographs, photocopies and notes relating to eighteenth century book illustrations, compiled [1950]-1969; correspondence relating to specific artists and general matters, some with photographs and articles, 1950-1969, notably from the National Gallery of Scotland, 1950, Professor Lawrence Gowing, 1953, National Gallery of Ireland, 1969, Ashmolean Museum, 1959, 1966, British Museum, 1966, Bibliotheca Nacional, Madrid, 1968, Nottingham Museum and Art Gallery, 1951, Courtauld Institute, Witt Library, 1952, Bodleian Library, 1952, Royal Library, Windsor, 1967, Ruskin Galleries, Isle of Wight, 1967, Lewis Walpole Library, Connecticut, 1969;
papers of T S R Boase, 1953-[1974], comprising printed articles, exhibition catalogues, correspondence and two card indices, one of eighteenth century artists and illustrators, and one of authors; original prints and autographs, 1740, 1780 and undated, notably six prints of paintings in Vauxhall Gardens by Francis Hayman; three letters with autographs, 1795-1931; miscellaneous items, [1950s-1960s], including card indices on eighteenth century illustrated books and literature, cuttings from catalogues, photographs of Hammelmann 's friends/family, Victorian book illustrations; general articles and publications, 1864-1969, some by Hammelmann.

Papers of Sir Ernst H Gombrich, art historian, c 1956-1999, including notes for the Warburg lecture and lecture invitations, 1962-1964; correspondence, 1956-1976 and obituaries. Topics covered include: Italian Renaissance (15th and 16th Century); Caricature; Art and Psychology; Aby Warburg and 'Festrede anläßlich der Verleihung der Ehrenmitgliedschaft der Akademie der Bildenden Künste an Sir Ernst Gombrich, C.B.E.', 22 Jun 1999.

Research material, manuscripts, and publications of Joshua James Foster, 1880-1935, notably exhibition catalogues, 1880-1881, 1908, 1912; catalogues of miniatures owned by Sir H Stafford Northcote, [1902], and the Duke of Buccleugh (John Charles Montagu-Douglas-Scott) at the Victoria and Albert Museum, 1916-1917; proofs of articles for The Antiquary, [1884]-1889, and other publications, 1899, 1909-1918, with related letters to Foster from Viscount Cobham (Charles George Lyttelton), Earl of Gosford, (Archibald Brabazon Sparrow Acheson), Sir William Hesketh Lever, M H (Marion Harry) Spielmann, Lord Weardale (Philip James Stanhope); transcripts of published articles relating to Richard Crosse, artist, post 1910; published works annotated by Foster, 1916-1917; notes and an article on miniatures in private collections, 1912-[1916]; newspaper cuttings relating to Wessex Worthies, 1921; printed articles written by Foster, relating to miniatures and Giles Hussey, artist, 1923;
correspondence, notably relating to research projects, 1895-1917, including letter relating to the publication of British Miniature Painters, 1898, correspondence concerning the Buccleuch Miniatures, 1916, and a letter from Sir Robert Witt, 1917;
miscellaneous material collected by Foster's children, 1925-1932, notably sales catalogues featuring miniatures, 1925-1932; newspaper cuttings, 1925-1929; sales catalogue including books sold from Foster's library, 1935.

Papers of Alexander Joseph Finberg, 1902-1915, comprising albums of newpaper cuttings, 1902-1920, relating to Finberg's own columns, 1902-1915, and the art world in general, 1903-1912.

Papers of Leopold David Ettlinger, c 1948-1989, including personal documents, notebooks, notes, working papers for lectures, and correspondence. Topics covered include: Art and Theory of Art; German 16th Century Art; Italian Renaissance; Catalogue Raisonné of Pollaiuolo; Greek and Roman Gods; 19th Century Landscape Painting; Self-Portraits; Winckelmann and 'Wien und die Entwicklung der kunsthistorischen Methode'.

Transcript of a work entitled 'Traitté ou sont enseignées toutes les manières de piendre en mignature, avec plusiers exemples des plus excellens peintres de ce siècle', 1746, comprising an account of the different styles of various miniature painters of that era, notably Louis du Guernier, Jean Eckman, Louis van de Bruggen, Jean Petitot, as well as paintings by Sir Anthony Van Dyck, Claude Vignon and Charles Lebrun.

Kenneth Clark was Keeper of the Ashmolean and Director of the National Gallery, a writer, lecturer and broadcaster, and a collector and patron. This collection consists mainly of the professional papers relating to his work as an art historian and writer, but includes material relating to his work as a public servant, an administrator and in other roles during the Second World War. It contains correspondence, subject files, writings, source material, photographs, press cuttings and printed ephemera.

Records of Chelsea School of Art, 1928-2001, later Chelsea College of Art & Design, comprising minutes and agendas of Academic Board meetings, 1975-1991; minutes of the Board of Studies, and related papers, 1991-1993; minutes of the Academic Committee and related papers, 1992-1993; papers of the Advisory Committee of the New School of Art in Chelsea, notably minutes, agendas and papers, 1958-1964, including schedule of accommodation for proposed College, 1958; minutes of the Chelsea School of Art/Hammersmith College of Art and Building (Art Department) Formation Committee, 1974, relating to the merger of the colleges; minutes of the Fine Art Area Committee, 1990-1993; minutes of Library Committee, 1978-1980;

Principal's reports to the Governors, 1959-1965; instrument of Government and draft Articles of Government, 1970; list of former staff and students at the College, 1958 and minutes of H S Williamson presentation committee, 1958 (retiring head of College); summaries of part time teaching staff contracts, 1971-1976;

correspondence with Professor Gowing concerning the administration of the new college, 1958; inventory and papers relating to equipment and furniture for the new college, [1960-1963]; correspondence concerning the building of school, 1963-1964, including furniture catalogues; papers concerning the opening ceremony of the new College building, 1964-1965, including programme for the opening of new building, 1965; correspondence and papers relating to Henry Moore's sculpture Two Piece Reclining Figure no.1, purchased by the College in 1963; photographs of its erection at the College, 1964; survey of accommodation and equipment, 1975;

papers concerning the Academic Development Plan, 1976; report of the Council for National Academic Awards, 1975; papers relating to bursaries and awards, 1975; papers relating to Council for National Academic Awards visit, including review of MA in Fine Art, 1977; papers relating to Quinquennial reviews, 1977-1982; papers concerning the Council for National Academic Awards review visit to Chelsea, 1982; programme for opening of South Park Annexe, 1982; submissions for new course in 3D Design, 1982; proposed MA in History of Modern Art, 1986; papers and circulars relating to ILEA, 1970s-1986;

Chelsea School of Art programmes for end of term plays/entertainments, 1932-1962; copies of The Queel, 1928-1929, Chiaroscuro, 1949, Chelsea College of Art magazines; magazines and works produced by students, including Pump, Chelsea School of Art magazine, 1977-1978; MONTAGE 4, 1984; newsletter, 1977; Chelsea School of Art Graphics magazines, 1977-1982; Insight, 1991, Review, 2000, London Institute magazines; briefing, London Institute newspaper, 2001; Entitled, London Institute students union magazine, 2001;

prospectuses, 1959-2001; publicity leaflet for new courses, 1962; Chelsea College of Science and Technology annual report, 1958-1959; press cuttings, 1970-1991, relating to the College and Government policy; press release concerning the creation of London Institute, 1985; album of photographs of social events and work at the College, 1970s; correspondence, related papers and exhibition catalogues for the school gallery exhibitions, 1965-1973; papers relating to general studies open lectures, 1970-1972; photographs, articles and catalogues for degree shows, 1977-2001; portfolios of prints by students and staff of the Printmaking Department, [1965-1986]; papers relating to the London Institute, [1987]-1991, including course monitoring reports, 1990; annual reports, 1990-1992; student handbooks, 1991;

memoir of Anne Baer, nee Sedgwick, student at Chelsea Art School, 1933-1936; correspondence and papers relating to Frederick Brill's (Principal, Chelsea School of Art) book, Matisse (Paul Hamlyn, London, 1967), 1965-1967;

records of Hammersmith College of Art and Building, comprising Department of Art prospectus, 1973-1974; programme for the opening of the new Hammersmith School of Building and Arts and Crafts, 1930; 35mm slides and photographs of student work, 1960s; publicity leaflets, 1960s.

Records of Camberwell College of Arts, comprising minutes of the Joint Advisory Sub-Committee, 1898-1938; reports of the Joint Advisory Printing Advisory Committee minutes, 1965-1973; minutes of meetings of the Governors, 1980-1981;Sub-Committee, 1917-1949; attendance books, 1898-1951; agenda books, 1906, 1913-1915;

correspondence from London County Council Higher Education Sub-Committee concerning their decision on reports of the Joint Advisory Sub-Committee, 1921-1924;

Secretary's account book, 1899-1901; accounts, including for the Sketch Club, 'Cambians' student association, students' union, exhibitions and examination expenses, 1930-1945; register of staff, [1898-1939]; papers relating to teaching staff, 1914-1962, including correspondence concerning appointments, memorandums; register of students, 1898-1900;

minutes of meeting concerning the extension of the school, 1901, estimates for building alterations, 1903; address on the opening of the school extension, 1904; programme and press cuttings for opening of the new building, 1913; papers relating to the sculpture building extension, 1950-1954, including building plan, 1950; notes and minutes of site meeting, 1950; builders' estimates, 1951; programme for the opening of the new School for Sculpture, correspondence concerning the ceremony, text of speech and list of guests, 1953; press cuttings, 1953;

papers relating to a school war memorial, 1919-1923; correspondence relating to gifts to the school, 1935-1954, including portraits, furniture, books and journals, equipment; plans, notes and invitations relating to exhibitions of students work at the South London Art Gallery, 1913-1914, 1928-1932;

papers relating to Diploma of Art and Design at Camberwell, [1960]-1963; copy instrument of government of the London Institute, [1985]; correspondence and papers concerning proposed changes to Higher Education, 1977, including statement from Camberwell opposed to the changes;

prospectuses, 1898-2002; exhibition catalogues and degree show catalogues, 1989-2002;

press cuttings relating to the school, 1924-1937; students' exhibitions and work of students and staff, 1960-1967; private view cards of staff and students, [1980s-2002]; photographs, 1970s, of students and staff working at Camberwell;

copies of 1st and 2nd editions of the Cambian, 1928, 1930, printed by the School Press containing examples of student work;

ephemera relating to Camberwell School, art and the Camberwell area, 1950s-2002, including press cuttings and programmes for events; typed notes on the history of the School, 1990s.

copies of the London Technical Education Gazette, 1900-1903; London County Council Technical Education Board minutes, 1904; London County Council circulars, 1931-1932.

Lecture notes by Borenius when he was Professor of History of Art at University College London.

Papers of Thomas Sherrer Ross Boase, [1930]-1972, comprising notes and drafts for lectures and essays by Boase, 1963-1972 and undated, including maps and photographs, sketches of buildings, notes on people and places; typescript articles and lectures etc, undated; correspondence, 1938-1939, largely with David Wallace, but also including a letter from Dame Freya Stark; photographs and negatives, mostly taken by David John Wallace, of sites of archaelogical interest of the Crusader period, largely located in Greece and Turkey, but also in Cyprus, Albania, Italy and Yugoslavia, undated [1930s]; photographs and postcards of sculptures, general views, architecture and illuminations, mainly located in Great Britain, Greece and the Middle East (many used as the illustrations to Boase's various books on the Crusader kingdoms and the art and architecture of the period), undated; printed maps and leaflets of the Middle East, Italy and Serbia, 1942-1970, both historical and contemporary; miscellaneous publications and printed matter, 1954-1972.

Papers of Anthony Blunt, 1700-1983, comprising papers relating to Nicolas Poussin, notably files relating to his paintings, drawings and engravings, arranged by subject categories and containing notes, correspondence, articles, sales catalogues and illustrations (photographs, colour transparencies, slides, photocopies, prints, lithographs, engravings) of the named picture, details of the picture, variant versions (usually copies after), and in many cases, plates printed for the Poussin catalogue raisonné, 1824-[1983]; notes and illustrations relating to comparative material relevant to Poussin, including sculpture, 1700-1972; works by the circle of Poussin, [1938-1983]; drawings by the Poussin 'school', [1966-1977]; copies of letters by Poussin, and related notes, including photographs of letters from the Bibliothèque Nationale, Paris, [1964-1967]; notes, transcripts and letters relating to sales of works; correspondence with colleagues relating to Poussin's paintings and drawings, [1940-1982], notably Denis Mahon, 1960-1962, Walter Friedlander, 1944-1966, Erwin Panofsky, 1960-1961; notebooks, [1962-1965] and loose notes relating to Poussin; correspondence with Elizabeth Mackenzie (Lady Margaret Hall, Oxford), 1962-1982; offprints of various authors relating to Poussin; miscellaneous material relating to Poussin, [1940-1982], including a photocopy of his will;
papers relating to French art, notably notes, photographs and articles relating to French paintings, sculpture and architecture of the 16th-19th centuries, [1938-1977]; typescripts, note and correspondence relating to Chantelou's diary, [1980-1983]; papers, articles and illustrations relating to a publication by Ronald Cohen concerning the Le Nain Brothers, [1982]; articles relating to the Louvre, [1978];
papers relating to Italian art, notably notes, illustrations and articles relating to Italian Baroque architecture and sculpture, [1953-1982]; Borromini, [1956-1980]; Pietro da Cortona, [1966-1982]; notes, plans, photographs and papers relating to buildings and sculpture in Naples [1954-1981]; notes relating to Palermo, [1967]; typescripts, photographs, notes, correspondence and reviews relating to Blunt's A Guide to Baroque Rome;
articles by Blunt concerning the Royal Collection, 1972, and colonial architecture; plans, photographs, notes and review relating to a catalogue of Waddesdon Manor, [1974-1982]; correspondence, 1970-1983, largely concerning paintings and publications; articles by various authors, 1975-1982; offprints by Blunt, [1932-1982]; newspaper cuttings, 1929-1983; correspondence with publishers, 1972-1983; photographs, correspondence and articles relating to Blunt's personal collection, [1960-1982]; personal papers, [1932-1978], including appointment diaries, 1972-1978; papers from Blunt's school and university days, 1919-1930, including notes, articles, school and university magazines; papers relating to a trip to Russia, comprising notes on paintings, drawings and architecture,1935, two guidebooks, 1931, 1934.

Papers of Henry Clark Barlow, comprising papers relating to his Dante studies, both published and unpublished work, including manuscripts and notes for unfinished essays and lectures, titled manuscript notebooks, titled manuscripts, notes from codices and other sources, printed matter, and papers relating to the festivals of Dante; papers relating to his other studies, including a few items on geology and theology, and many sketches relating to the history of art, to architecture and to topography; personal papers, including Barlow's diaries and journals in which he wrote his observations on the architecture, art, geology, history and people of the places he visited, travel notes, and correspondence devoted almost entirely to Dante matters; acquired papers, including photographs, pictures, books, maps, plans, printed matter and ephemera.