Collection GB 1370 WIA, Otto Kurz - KURZ, Otto (1908-1975)

30 boxes

GB 1370 WIA, Otto Kurz c 1930-1975 collection 30 boxes Kurz , Otto , 1908-1975 , art historian and librarian

Otto Kurz was born in Vienna, 1908 and studied Art History at the University there. He was a Research Assistant at the Kulturwissenschaftliche Bibliothek Warburg in Hamburg and the Warburg Institute in London (1933-1943), and subsequently Assistant Librarian (1943-1949) and Librarian (1949-1965) of the Institute, before becoming the Institute's Professor of the History of Classical Tradition (1966-1975). He was also a visting scholar at the Hebrew University, Jerusalem (1964) and Slade Professor of Fine Art at Oxford University (1970-1971). He married Hilde Schüller in 1937. Died 1975.

Received from the family, 1975.

Notes, working papers and correspondence of the art historian Otto Kurz, c 1930-1975. Topics covered include: the Baroque, notably the painters Guido Reni, Carracci; faked art; critical edition of Marco Polo's 'Description of the World'; Christian manuscripts; 'Die Legende vom Künstler' (Historiography); astrological manuscripts; Eastern astrology; cultural history of material goods; costume and Jewish Art.

Arranged in sections as follows: Notes, Working Papers and Correspondence.

Archive material is accessible for the purpose of private study and personal research and within the supervised environment and restrictions of the Archive reading room. Access is with permission from the Institute Director and by prior appointment only. Potential users are advised to browse the Institute website and contact the Archivist, Dr des Claudia Wedepohl, before planning a visit. Access to individual items in the Warburg Institute Archives may be restricted under the Data Protection Act or the Freedom of Information Act.

Photocopies, at the discretion of the archivist, may be provided for research use only (working papers: up to 10% of any archive pressmark; correspondence by authors for whom the department doesn't hold copyright: up to 10% of the institutes holdings). Traditional photography is allowed at the discretion of the archivist, no digital cameras. Scans and digital photographs can be ordered at the discretion of the archivist. Requests to publish original material have to be submitted to the Archivist.
English and German

Collection level description available on-line at the University of London Research Services website

Entry compiled by Sarah Drewery. Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. Apr 2008 Ancient religions Art history Arts Art theory Christianity Cultural heritage Cultural history Culture Customs and traditions Documents Fashion Fine arts Geographical exploration Geography Information sources Kurz , Otto , 1908-1975 , art historian and librarian Manuscripts Mysticism Painting Polo , Marco , 1254-1324 , traveller Religions Reni , Guido , 1575-1642 , Italian painter Spiritualism

Received from the family, 1975.

Notes, working papers and correspondence of the art historian Otto Kurz, c 1930-1975. Topics covered include: the Baroque, notably the painters Guido Reni, Carracci; faked art; critical edition of Marco Polo's 'Description of the World'; Christian manuscripts; 'Die Legende vom Künstler' (Historiography); astrological manuscripts; Eastern astrology; cultural history of material goods; costume and Jewish Art.

Arranged in sections as follows: Notes, Working Papers and Correspondence.

Archive material is accessible for the purpose of private study and personal research and within the supervised environment and restrictions of the Archive reading room. Access is with permission from the Institute Director and by prior appointment only. Potential users are advised to browse the Institute website and contact the Archivist, Dr des Claudia Wedepohl, before planning a visit. Access to individual items in the Warburg Institute Archives may be restricted under the Data Protection Act or the Freedom of Information Act.

Photocopies, at the discretion of the archivist, may be provided for research use only (working papers: up to 10% of any archive pressmark; correspondence by authors for whom the department doesn't hold copyright: up to 10% of the institutes holdings). Traditional photography is allowed at the discretion of the archivist, no digital cameras. Scans and digital photographs can be ordered at the discretion of the archivist. Requests to publish original material have to be submitted to the Archivist.

• English

• Latin

English and German

Collection level description available on-line at the University of London Research Services website

Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

• English