Mostrando 210 resultados

Papers of James Fernandez Clarke, 1829, comprising a volume titled Notes of a Reader Volume I containing information relating to topics including drunkeness; stammering; the nervous system; travels in Turkey and Palestine; classification of the animal kingdom; painters and painting; idiosyncracies; the pursuit of knowledge; poetry; juvenile delinquency; and natural history.

Correspondence to and from James Sowerby and other family members from naturalists and collectors in Britain and abroad.

The collection consists of member lists and registers; correspondence, notes and publications relating to the building of the new theatre; financial papers relating to loans; financial papers concerning various productions; legal papers relating to the lease of land; applications to the Arts Council of Great Britain and the Greater London Council for funding, including annual reports and accounts; papers and publicity material relating to productions; scripts; programmes and posters for plays; material concerned with the Women's festival of June 1986; publications about fringe theatres and the East End of London; photographs of productions and cast; press cuttings.

Papers of Anthony Blunt, 1700-1983, comprising papers relating to Nicolas Poussin, notably files relating to his paintings, drawings and engravings, arranged by subject categories and containing notes, correspondence, articles, sales catalogues and illustrations (photographs, colour transparencies, slides, photocopies, prints, lithographs, engravings) of the named picture, details of the picture, variant versions (usually copies after), and in many cases, plates printed for the Poussin catalogue raisonné, 1824-[1983]; notes and illustrations relating to comparative material relevant to Poussin, including sculpture, 1700-1972; works by the circle of Poussin, [1938-1983]; drawings by the Poussin 'school', [1966-1977]; copies of letters by Poussin, and related notes, including photographs of letters from the Bibliothèque Nationale, Paris, [1964-1967]; notes, transcripts and letters relating to sales of works; correspondence with colleagues relating to Poussin's paintings and drawings, [1940-1982], notably Denis Mahon, 1960-1962, Walter Friedlander, 1944-1966, Erwin Panofsky, 1960-1961; notebooks, [1962-1965] and loose notes relating to Poussin; correspondence with Elizabeth Mackenzie (Lady Margaret Hall, Oxford), 1962-1982; offprints of various authors relating to Poussin; miscellaneous material relating to Poussin, [1940-1982], including a photocopy of his will;
papers relating to French art, notably notes, photographs and articles relating to French paintings, sculpture and architecture of the 16th-19th centuries, [1938-1977]; typescripts, note and correspondence relating to Chantelou's diary, [1980-1983]; papers, articles and illustrations relating to a publication by Ronald Cohen concerning the Le Nain Brothers, [1982]; articles relating to the Louvre, [1978];
papers relating to Italian art, notably notes, illustrations and articles relating to Italian Baroque architecture and sculpture, [1953-1982]; Borromini, [1956-1980]; Pietro da Cortona, [1966-1982]; notes, plans, photographs and papers relating to buildings and sculpture in Naples [1954-1981]; notes relating to Palermo, [1967]; typescripts, photographs, notes, correspondence and reviews relating to Blunt's A Guide to Baroque Rome;
articles by Blunt concerning the Royal Collection, 1972, and colonial architecture; plans, photographs, notes and review relating to a catalogue of Waddesdon Manor, [1974-1982]; correspondence, 1970-1983, largely concerning paintings and publications; articles by various authors, 1975-1982; offprints by Blunt, [1932-1982]; newspaper cuttings, 1929-1983; correspondence with publishers, 1972-1983; photographs, correspondence and articles relating to Blunt's personal collection, [1960-1982]; personal papers, [1932-1978], including appointment diaries, 1972-1978; papers from Blunt's school and university days, 1919-1930, including notes, articles, school and university magazines; papers relating to a trip to Russia, comprising notes on paintings, drawings and architecture,1935, two guidebooks, 1931, 1934.

Papers of Sir Augustus Wall Callcott, 1786-1837, comprising travel journals and papers largely from Callcott's honeymoon in Europe in 1827-1828, notably including lists, descriptions and sketches of pictures from various art collections visited in Italy, Germany, Austria and Czechoslovakia.

Papers of Hans Andreas Hammelmann, comprising working files, compiled [1950]-1969, arranged by artist, containing photographs of pictures, correspondence and articles, for the artists: David Allan, Peter Angelles, P Angier, William Austin, Antonio Baratti, Francis Barlow, Bernard Baron, Francesco Bartolozzi, Basire, Baumgarten, Anthony Benoist, Benoit, Thomas Bewick, George Bickham, Nicholas Blakey, François Boitard, Louis Philippe Boitard, Jacob Bonneau, F Boucher, Bowyer, Edward Francesco Burney, Charles Catton Jnr, Louis Cheron, J B Cipriani, B Cole, William Cole, John Collins, Collyer, Bartholomew Dandridge, Delacroix, John Devoto, Claude Dubosc, John Ellis, Paul Fourdrinier, Alexandre-Evariste Fragonard, Jean Honoré Fragonard, Fuseli (son), Henry Fuseli, John Gilpin, Sawrey Gilpin, Joseph Goupy, Hubert Gravelot, Simon Gribelin, Moses Griffith, Simon Grignion, Joseph Grisoni, Louis Du Guernier, Sir William Hamilton, Jonas Hanway, Francis Hayman, Joseph Highmore, William Hogarth, James Hulett, Walter Jackson, William Kent, Elisha Kirkall, Knapton, Marcellus Laroon, Philippe Jacques de Loutherbourg, Thomas Major, J Marchant, Mercier, Conrad Metz, John Hamilton Mortimer, George Michael Moser, Johann Sebastian Muller, John Nixon, Pietro Antonio Novelli, Piazetta, John Pine, Arthur Pond, Ravenet, William Wynne Ryland, Paul Sandby, T Sandby, G Scotin, Robert Smirke, Stendhal, Thomas Stothard, John Sturt, Tardieu, Isaac Taylor, Sir James Thornhill, John Tinney, John Vanderbank, Van der Gucht family, Vivares, Samuel Wale, Anthony Walker, Antoine Watteau, John Webber, Richard Westall, George M Woodward, John Wootton, Thomas Worlidge;
photographs, photocopies and notes relating to eighteenth century book illustrations, compiled [1950]-1969; correspondence relating to specific artists and general matters, some with photographs and articles, 1950-1969, notably from the National Gallery of Scotland, 1950, Professor Lawrence Gowing, 1953, National Gallery of Ireland, 1969, Ashmolean Museum, 1959, 1966, British Museum, 1966, Bibliotheca Nacional, Madrid, 1968, Nottingham Museum and Art Gallery, 1951, Courtauld Institute, Witt Library, 1952, Bodleian Library, 1952, Royal Library, Windsor, 1967, Ruskin Galleries, Isle of Wight, 1967, Lewis Walpole Library, Connecticut, 1969;
papers of T S R Boase, 1953-[1974], comprising printed articles, exhibition catalogues, correspondence and two card indices, one of eighteenth century artists and illustrators, and one of authors; original prints and autographs, 1740, 1780 and undated, notably six prints of paintings in Vauxhall Gardens by Francis Hayman; three letters with autographs, 1795-1931; miscellaneous items, [1950s-1960s], including card indices on eighteenth century illustrated books and literature, cuttings from catalogues, photographs of Hammelmann 's friends/family, Victorian book illustrations; general articles and publications, 1864-1969, some by Hammelmann.

Papers of and relating to James Duffield Harding, 1819-1996, comprising annual diaries which include notes on the weather, art lessons given, photography, family birthdays and marriges, financial details, 1828-1861 (not all years are covered);
journals, some including a few sketches, recording journeys to the North of England, 1827, Llandough, Glamorgan 1828, France and Italy, 1830, the Continent, 1832, 1844, 1856; accounts, 1823-1863, including lists of pupils with accounts of fees paid, 1832-1837; lists of subscribers to Sketches at Home and Abroad, 1836; sales of pictures and income from lessons, 1845-1846; daily expenditure diary, 1856;
miscellaneous papers including manuscript entitled Remarks on Water Colouring, 1819; passport to France, 1845; letter offering Harding a teaching post, 1846; poem by Mrs Valentine Bartholomew, inspired by a picture by Harding, 1848; manuscript of the 'Use of the Brush etc', possibly printed (in part) in Lessons in Taste; undated notes on "Objects", their form and function, and art; undated extracts from various items including a paper on Coleridge; an Essay on Taste by Oliver Goldsmith; Locke's Essay on the Human Understanding; items (title page and vignettes) from Harding's book Sketches at Home and Abroad, 1836; lists of the collection, by the Reverend A A Duffield Harding [1953]; James Duffield Harding 1797-1863: A Centenary Memoir, by Charles Skilton, 1963.

Papers of Percy Moore Turner, 1905-1952, comprising folders relating to various artists and works of art including John Sell Cotman, John Berney Crome, Honoré Daumier Edgar Degas, Eugène Delacroix, Peter De Wint, Thomas Gainsborough, Francisco de Goya, Rembrandt Harmenszoon van Rijn, Varin and Diego Velazquez, and museums including the Louvre, Paris; catalogues of pictures at Staunton Harold, 1922; an exhibition by Richard Parkes Bonington, 1937; Percy Moore Turner's collection of engravings, etchings, lithographs and other prints, 1951; correspondence relating to gift of pictures to the Louvre, 1947-1948, and P M Turner's estate, 1951-1952; photographs of paintings, undated, from the British Museum, Castle Museum, Norwich, National Gallery, Royal Albert Memorial Museum, Exeter, and the Tate Gallery; newpaper cuttings, 1925-1950, including some relating to the Courtauld.

Papers, 1892-1960, of Sir John Thomas Pratt, largely dating from after 1941, including correspondence concerning his various publications, files on his campaign against British involvement in the Korean War, articles, lecture notes and press cuttings. Also includes correspondence with his brother William (Billy) Pratt (1949-1957), whose stage name was Boris Karloff.

Records of the Worshipful Company of Musicians, including charter and ordinance books; bye laws; Court minute books; signature book; livery lists; registers of freedom admissions; registers of apprentice bindings; financial accounts including cash books; press cuttings; clerk's correspondence and papers; letters from composers including Richard Strauss, Sir Edward Elgar and Herbert Howells; manuscript music scores including Elgar and Howells; concert and event programmes; photographs; papers relating to scholarships; and papers relating to company property and estates.

IMPORTANT INFORMATION REGARDING ACCESS: These records are stored at the Guildhall Library site rather than the LMA Clerkenwell site. Researchers wishing to access these records should do so at the Guildhall Library Rare Books table. The Library is open Monday to Saturday, 9:30 to 16:45. Researchers will need to have an Archives History Card or a Library Readers Card. An archivist will be available at Guildhall Library on Thursday mornings to answer any queries.

The collection contains the administrative papers of the Barbican Arts Group Trust including policy documents; minutes of meetings; financial records; property records; and artists' details. In addition, the collection includes a range of visual material showing artists and their work as well as printed publicity material for exhibitions. The Trust's outreach work is represented through a number of school packs and booklets.

Diary of actor John Pritt Harley, 1858.

Records of architects Cubitt Nichols, Sons and Chuter, comprising plans and drawings of shops and offices, mainly on Glasshouse Street, Brewer Street and Air Street, 1902-1918.

Plans and drawings for the proposed redevelopment of the area of Paddington north of the Great Western Railway and south of the Grand Junction Canal and dissected by the Harrow Road. The proposals are for replacement of narrow congested streets and small houses with a dual carriage speedway and blocks of flats with open ground in-between them.

Records of the City Glee Club comprise: minutes, accounts, registers of members and performances, and records relating to the centenary.

Records of the Dorian Singers, comprising concert programmes.

Records of the Artists' Annuity and Benevolent Fund, including records relating to the establishment of the fund, and joint records of both branches; records of the Annuity Fund; records of the Benevolent Fund; and records relating to John Pye, a founder member of the fund.

Letters and papers of and concerning Maria Hackett (of 8 Crosby Square, Bishopsgate, 1783-1874), and letters relating to church music. 1782-[1910]. Compiled and collected early 20th century.

Proposals prepared by the County Engineer and County Architect, Middlesex County Council, including:

proposed extensions to Willesden Polytechnic, 1902

estimate for a new bridge across the River Colne near the Upper Mill, Stanwell Moor, 1904

alterations to Town Hall, Feltham, 1905

estimate for Magistrates' Court House, Uxbridge, 1906

specification for reconstruction of Colham Bridge over the Grand Junction Canal at Yiewsley, 1906.

Papers relating to the estate of John Bacon the younger, sculptor, including title deeds and documents relating to the purchase, ownership and sale of properties in the City of London, Bethnal Green, Paddington, Marylebone, Hoxton, Shoreditch, Stepney, Knightsbridge, Westminster and Kent; correspondence; articles of co-partnership with Charles Manning; and lists of sculptural works underway.

Collection of material relating to the singer and civil rights activist Paul Robeson, including a large number of recordings on tape and vinyl of Paul Robesons' wide repertoire of songs and a series of reel-to-reel tapes including interviews and radio programmes made with Robeson; and letters and photographs and a series of scrapbooks (put together by Ken Goodland) of newspaper cuttings charting the life and career of Paul Robeson.

Photographs and sketches of the Clerkenwell area by Sylvia Turtle, showing the development of the area including images of storm damage in Charterhouse Square in 1987 and a poster produced during office developments in the 1990's showing a skull formed out of buildings and the words 'Death by Development'.

The collection also includes a letter written in 1941 to Sylvia Turtle's aunt from Simpkin Marshall Book Centre regarding their old fashioned service and their 'Dickensian Staff' and displaying War time spirit '... to show the Germans that they cannot part old friends with their bombs, and fires, and bloody murder.'

The collection contains committee minutes from its foundation until 1925, minutes of the annual general meetings from 1902 to 1937, agendas and notes for meetings between 1905 and 1910, press cuttings (mainly reviewing the Society's exhibitions) and printed material relating to exhibitions.

Items from the Crystal Palace Handel-Mendelssohn Festival including admission ticket, to Orchestra, for Miss M. Bruin, 1909; admission ticket to South Area Stall, 1909; photograph of orchestra and choir, 1909 and label for instrument case, 1912.

Letters written by James Smetham, 1853-1877, mainly to William Davies, concerning his work, schemes to raise money and his religious beliefs. Smetham called his letters "ventilators" and they often took the form of handmade notebooks with their contents resembling diaries or commonplace books. Other correspondents include Rev Thomas Akroyd, Quintin Hogg (1845-1903), Charles Mansford, Charles Gabriel Dante Rossetti (1828-1882), John Ruskin (1819-1900) and Frederic James Shields (1833-1911). Also letters to Sarah Smetham, his widow, from William Davies, 1889-1895.

The collection contains material written by Cecil Tudor Davis, Librarian of Wandsworth, including material on the history of Wandsworth, the River Wandle, industry in Wandsworth and other local interest topics. Additionally there is material of local interest collected by Davis, such as manuscripts belonging to the writer A M W Stirling, a diary of the portrait painter George Richmond, as well as various maps, plans and other papers.

Records documenting the work of contemporary artists practising in Britain of African-Caribbean, Asian and African descent, 1970-2002, largely comprising exhibition posters, exhibition cards, press releases, press cuttings, videos, audio tapes and slides; records of The Peoples' Gallery, Camden, 1984-1987, comprising publicity flyers, press cuttings.

Material relating to the production of Inventory magazine, [1995-2000], comprising flyers, private view cards, christmas cards and letters.

Records of the Royal Watercolour Society and its predecessors including:

minutes and proceeding of the Society associated for the purpose of establishing an annual exhibition of paintings in water colours 1804-1808; the Society of Painters in Water Colours 1908-1812; the Society of Painters in Oil and Water Colours 1812-1820; and the Society of Painters in Water Colours 1820-2003;

proceedings of the committees, 1805-1896; minutes of the Council, 1896-1989; and correspondence 1938-1975;

administrative papers including laws and regulations, correspondence, deeds, leases, licences, plans, signature collections, menus, photographs, 1823-1980; annual reports 1897-1955; calendar 1939-1959;

letter books 1896-1942;

financial records 1805-1978;

catalogues of exhibitions 1805-1990; catalogues of non-members exhibitions 1939-1968; London Salon of Photography exhibitions, 1935-1972; Society of Portrait Sculptors, 1958-1967; Society of Miniaturists 1943-1970;

Jenkins Papers comprising106 files on individual artists collected by John Joseph Jenkins, containing obituaries, letters, memoranda, catalogues, printed papers, cuttings, and notes;

miscellaneous volumes comprising of laws and rules of the society 1804-1842; photographs of Presidents, Honorary Members, Members and Associates of the Society, c1863; membership book 1878-1985; register of candidates 1904-1967; exhibition statistics 1914-1951; admission revenues 1926-1937; General meeting attendance books, 1895-1923; Council attendance book1908-1968; library catalogue 1885-1890s; inventories of furniture, fittings and works of art 1885-1906; list of members of the first exhibition 1805; private view list 1900-1910; register of visitors 1904-1905; stationary standard books 1901-1938; parcel books 1902-1937; annual dinner invitation lists 1904-1914; Treasurer's reports to Council 1885-1889; Social Evenings Committee minutes 1885; Sub-Committee on the Law of Copyright minutes 1896-1902; agendas 1898-1952; private view signatures 1927-1978;

press cuttings books 1880-1974;

sales records comprising sales books, 1825-1981; artists and buyers daily accounts 1897-1956; ledgers 1897-1937;

Peter De Wint Trust Fund records comprising minutes 1924-1976;
correspondence and papers 1922-1969; financial records 1922-1982;

Art Club minutes and papers 1884-1984; attendance book 1912-1953; letter book 1906-1909; financial records 1884-1976; register of subscriptions, 1931-1936; sales day book, 1959-1984; annual reports, 1936-1938; correspondence 1936-1986; catalogues of exhibitions, 1886-1984 including exhibitions held jointly with the Society of Miniaturists, 1971-1983; membership lists and rules, 1884-1939;

Old Water-Colour Society Club records comprising minutes 1923-1971; draft constitution and rules 1923; correspondence 1937-1985; printed papers and ephemera 1924-1972; financial records 1939-1970; annual dinner menus 1928-1939; plans of table 1926-1939;

John Joseph Jenkins' personal papers including personal letters 1846-1875; notes 1833-1834; society papers 1810-1884; newspaper cutting 1852-1884; miscellaneous papers on artists, 1815-1880; and papers relating to the Society's history 1804-1884;

Items given to the RWS comprising illuminated coat of arms, 1931; miscellaneous letters 1804-1946; papers of Sir Ernest A Waterlow, 1898-1913; sketchbook of Alfred Parsons 1880-1918; Thomas Rooke's memoir of the RWS and its members 1926; sketch, photograph and letters of Roland Bachelor 1979-1980.

Artist files containing cuttings, articles and related papers on members of the RWS (24 boxes); and Artist photographs - collection of photographs of members of the RWS 1852/3- (3 boxes).

Estates and buildings records of City University and predecessors, including papers regarding the competition for the first building of the Northampton Institute, its erection and furnishing, 1892-1897, including correspondence with the architect, Edward W Mountford; site and building plans, 1892-1894; correspondence regarding sale of forecourts in Myddleton Street, 1939-1940; correspondence regarding building extension schemes, 1933-1956, including correspondence with architects and London County Council, 1954-1959; war damage repairs correspondence, 1948-1956; papers regarding Palmers Green Playing Fields, 1945-1964; records relating to sports equipment, grounds, events and facilities, 1970s-1990s; plans, 1950s-1960s; buildings and services papers relating to extension schemes and new buildings, with reports and plans, 1930s-1970s.

Papers of Oleg Prokofiev, including material relating to the life and work of his father, Serge Prokofiev, notably copies of letters from Serge Prokofiev to various correspondents, 1920-1945, including Fatima Samoilenko, 1920-1936; extracts from articles and letters of Prokofiev; material relating to Prokofiev's Diary, comprising photocopies of the text, transcripts and a typescript article relating to it; copies of music manuscripts (scores) of Prokofiev; photographs of Prokofiev and his family; pamphlets, press cuttings and articles relating to Prokofiev's life and work, and to performances of his music, [1946-1996]; texts of interviews given by Oleg on his father's life and work, [1989-1991], and articles written by him about Prokofiev, [1993]; various published scores of Prokofiev's music, including Peter and the Wolf and the Fiery Angel; and published works relating to Russian culture and Prokofiev. Further material concerning performances of Serge Prokofiev's work include articles and scores of Vladimir Blok relating to Prokofiev, [1990-1995], as well as a tape of an interview at a concert at the Hungary Centre, Moscow, 1995; and correspondence with and cuttings from articles on Frederic Chiu, 1992-1996, relating to his recordings of Prokofiev's music. Personal papers of Oleg comprise material relating to his own literary work; photocopies of stories written by Prokofiev in 1917-1918, with Oleg's translation into English; a draft of an article on Shostakovich; a manuscript notebook entitled 'My father, his music and me'; and a draft by Oleg of a biography of Robert Falk (1886-1958). There is also family correspondence.

Papers of the Hackney Empire collection, 1962-2009, comprising:

Material relating to the CAST theatre troupe, 1962-1985, including: papers concerning Roland Muldoon's theatre training, membership of the Unity Theatre, drama classes at the Working Men's College, London, and the foundation of CAST, 1962-1969; correspondence, financial records, publicity material, scripts, press cuttings, tour schedules, photographs and audio recordings regarding CAST productions, 1966-1985, film reels of CAST film 'Planet of the Mugs', [1972];

Material relating to CAST Presentations Ltd, CAST New Variety Ltd and New Variety Performers Agency, 1982-[mid 1990s], including: minutes of management meetings, 1982-1990; correspondence and other administrative material relating to the running of CAST New Variety, [1983]-1986; proposals seeking home venues for the CAST New Variety, 1980-1985; minutes, correspondence, reports and other material relating to Diorama Arts Ltd, 1984-1989; publicity material for comedians, musicians and other cabaret acts either for spots in CAST New Variety shows or representation by New Variety Performers Agency, 1983-[mid 1990s]; posters and flyers advertising CAST New Variety shows, [1983]-1986; financial records, 1980-1991;

Material relating to Hackney Empire Theatre and Hackney New Variety Ltd, 1986-2009, including: minutes of management meetings, 1988-2005 (very incomplete); correspondence, 1988-2004 (very incomplete); press cuttings, 1986-2007; posters and programmes for Hackney Empire productions, 1986-2009; photographs, video recordings and other material relating to New Act of the Year, 1991-[2000] (very incomplete).

The Library holds a collection of Bank Exhibition Announcements (1991-2000) which is a collection of flyers, cards and press releases produced by the artists' group Bank, to announce their exhibitions.

Papers of Alfred Schnittke including photographs, personalia, music manuscripts, published scores, sound and video recordings, drafts of published and unpublished works, and a small amount of correspondence.

Papers of the Actresses' Franchise League including annual reports 1909-1914; annual statements of accounts; leaflets including lists of officers and league's objects and list of members and programme.

The archive consists of a typescript autobiography (about 350 pages, unbound, on 'flimsy' paper).

The archive consists of reminiscences of May Greenup about St. Gabriel's College, Camberwell, 1922-1924, written by Angela Raby in 1998 and illustrated with original photographs; transcript biographical notes relating to May Greenup, Joseph Greenup and Elizabeth Bridge, compiled by Angela Raby and illustrated with original photographs.

12 letters from E Somerville Tattersall to 'Audrey' concerning the young violinist Yehudi Menuhin, 1932-1939.

Papers of Herbert Kennedy (H K) Andrews, 1950-1965, comprising typescript and proofs of his The Technique of Byrd's Vocal Polyphony (Oxford University Press, London, 1966); papers, 1957, relating to 'Fourteenth-Century Polyphony in a Fountains Abbey MS Book', Music and Letters, 39 (1958) by Andrews and Robert Thurston Dart, with offprints of article, correspondence between Andrews, Dart and Eric Blom, editor of Music and Letters, and including photographs of Fountains Abbey Ms 23; typescript notes and correspondence, 1963-1965, regarding the music publications of William Byrd and library sources of the same, with offprints and notes relating to Andrews' article, 'Printed Sources of William Byrd's ''Psalmes, Sonets and Songs''', Music and Letters, 44 (1963), and including a photocopy of the superius part book of Cantiones sacrae by Thomas Tallis and William Byrd (1575); notes and correspondence with Dart, 1960, regarding A ballet on the death of the cardynall', manuscript in Ripon Cathedral Library, with transcriptions and photographs of the manuscript; typescript of his articleCounterpoint, harmony and tonality' for the Oxford Junior Encyclopaedia, with related correspondence on the withdrawal by Andrews on its publication, 1953; typescript of his The formation, fulfilment and decline of the classical language of music', Cramb lectures, University of Glasgow, 1954; manuscript of hisThe interpretation of 16th century polyphony', Crees lectures, 1963; manuscript and typescript of `The editing and perfomrance of English vocal polyphony of the late 16th century and early 17th century, first chapter only of an unpublished book.

Papers of Augusta Bönten, 1882-1907, including two scrapbooks containing cuttings and printed ephemera relating to the musical activities and death of her father Sir August Manns, 1882-1907; her commonplace book, containing mainly late 19th century German poety; her Memoirs, proof copy published posthumously by her daughter Louise Bönten [1930]; Catalogue of the principal instrumental and vocal works performed at the Saturday concerts from 1855 to 1876 (Charles Dickens and Evans, Crystal Palace, 1876), with inscription by Manns, 1877; Catalogue of the principal instrumental and choral works performed at the Crystal Palace Saturday concerts from October 1855 to May 1895 (F M Evans, Crystal Palace, [1895]), two copies, one with numerous annotations [some by Manns]; The Bournemouth Municipal Orchestra, twenty-one years of municipal music, 1893-1914 by Hadley Watkins (Bournemouth, 1914). Letters (8) to Augusta Bönten, 1913-1914, mostly relating to her father's work: correspondents include Dr Frederick G Shinn, in regard to his lecture 'What the Crystal Palace has done for music in England' and Sophie Campbell, in regard to the recent death of her husband Sir Francis Joseph Campbell, former Principal of the Royal Normal College for the Blind.

Papers of Henry Cope Colles, 1938-1939, as editor of the Fourth edition of Grove's Dictionary of Music and Musicians (Macmillans, London, 1940), comprising correspondence with contributors of articles and subjects of articles, including particular accumulations of correspondence with Eric Blom: Alfredo Casella: Sir Henry Walford Davies; Richard Capell; Alfred Einstein; Edwin Evans; Arthur Henry Fox Strangways; Francis William Galpin; Anselm Hughes; Macario Santiago Kastner; Alfred Loewenberg; Gustave Reese; Percy Alfred Scholes; Marion Margaret Scott; John Brande Trend.

Autograph book of Sir Charles Villiers Stanford, early 19th century-c1918 (predominantly 1880s-1890s), mostly comprising short letters addressed to Stanford on musical or personal matters, with a few poems and fragments of manuscript music. The collection also includes a few autographs only, and some fragments not contemporary with Stanford. Correspondents include: Emma Albani; Albert Edward, Prince of Wales; Matthew Arnold; Arthur Balfour; W Sterndale Bennett; Edward W Benson, Archbishop of Canterbury; Arrigo Boito; Hans von Bronsart; J Brahms; Robert Bridges; John Bright MP; Robert Browning; Max Bruch; Alfred Bruneau; John Burns; Joseph Chamberlain; D M Crack; K Crowe; Anton Dvorak; George Eliot; G J Elwey; Franco Faccio; Robert Franz; Alexander Glazunov; John Glover; Arabella Goddard; Jenny Lind-Goldschmidt; Otto Goldschmidt; Edward Grieg; Madge Kendel Grimstone; Eugen Gura; H Rider Haggard; Charles Hallé; Ferdinand Heller; F Halévy; J L Hatton; Henry Irving; Jean Ingelow; Joseph Joachim; Friedrich Kiel; Charles Kingsley; Rudyard Kipling; Marie Krebs; Lord Leighton; Franz Liszt; Henry Longfellow; Felix Mendelssohn Bartholdy; G Macfarren; A C Mackenzie; Herbert Mackinnon; Norma Mare; Hubert Parry; Adelina Patti; Guido Papini; Alfred Piatti; Maria Piccolomini; Giacomo Puccini; Carl Reinecke; Brinley Richards; Hans Richter; Earl Roberts of Kandahar and Pretoria; Carl Rosa; Christina Rossetti; Dante Gabriel Rossetti; Anton Rubenstein; Camille Saint Saens; Prosper Sainton; Charles Santley; Clara Schumann; Robert Schumann; J Palgrave Simpson; Camillo Sivori; Robert Louis Stevenson; Richard Strauss; Arthur Sullivan; Lawrence Alma-Tadema; D Tagliafino; Sigismond Thalberg; Tom Taylor; John Tenniel; Alfred Tennyson; Ellen Terry; P Tchaikovsky; Giuseppe Verdi; Pauline Viardot; Richard Wagner; Walt Whitman; Charles Marie Widor; August Wilhelmj; W G Wills; H F Wilson; Edmund Yates.

Autograph album of H F Thornton and his daughter Mrs Elsie Holliwell, featuring signatures of musicians, 1904-1971, including Hamish MacCunn, August Manns, Walter Parratt, Serge Rachmaninoff, Edna Thornton, Henry J Wood; correspondence of Elsie Holliwell relating to her gift of the book to the Royal College of Music, 1974.

Papers of Muriel Smith, 1915-1968, comprising letters and postcards from performers and speakers to the Lewes Music Club, including Jelly d'Aranyi (3), Fanny Davies (8), Robina Friskin, Léon Gossens, Marjorie Hayward, Myra Hess, Frank Howes (4), Norman Notley (2), Arnold Trowell, Steuart Wilson.

Papers of the Society of Women Musicians (SWM), 1911-1972, including annual reports, 1914-1972; minutes, 1967-1973; book of members elected and resigning, 1920-1960; fixture cards, 1915-1971; memorandum and articles of association, 1930; programmes and handbills of concerts, recitals and lectures organised by the SWM, 1912-1972; notices to members, 1911-1972; programmes of Ivimey Concerts, 1966-1971; papers relating to the foundation of the society in 1911, its constitution and initial membership, comprising correspondence, minutes, notes; correspondence on engagement of women with professional orchestras, 1920, 1928-1929; correspondence with speakers for lectures, 1933-1971; correspondence relating to BBC women's conference, 1936; correspondence with the Associated Board of the Royal Schools of Music regarding the appointment of women examiners,1937-1956; various correspondence relating to the SWM presidency, membership, SWM library accessions, celebrations of SWM golden jubilee, 1961 and diamond jubilee 1971; news cuttings on the deaths of K Dorothy Fox, 1934, Marion Margaret Scott, 1953, and Katharine Emily Eggar, 1961, with related correspondence; printed material including The Music Student: special number devoted to the subject of women's work in music, May 1918; pamphlet of meeting in commemoration of Marion Margaret Scott, Jun 1954; press cuttings books relating to women musicians and the SWM, 1892-1964; correspondence relating to the dissolution of the SWM and donation of its records to the Royal College of Music, 1973-1974.

Papers and photographs, 1975-1983, concerning the placing of a memorial sculpture of victims of war on their way to work camps/concentration camps, called 'Marchers', by Fred I Kormis, at King's College London, in 1975, comprising brochure, 1975, of Fieldborne Galleries, London, containing 'Sculpture, Fred Kormis'; photograph of 'Marchers', [1975]; press cutting, 1975, detailing 'Marchers' acquisition and presentation to the Department of Philosophy, King's College London; correspondence, 1975, between Kormis and Professor Peter Winch, Department of Philosophy, King's College London, and other departments of King's College London, about the unveiling ceremony of the 'Marchers' plaque; correspondence between Professor Winch and Bernard Sternfield of Fieldborne Galleries, London, 1975, concerning photographs taken of 'Marchers'; list of invitees to the ceremony, 1975; article by Professor Winch about 'Marchers', for the College magazine 'Viewpoint', 1975; correspondence, 1979-1983, between Professor Winch and the Decorations and Amenities Committee, King's College London, about the conditions under which 'Marchers' was displayed and its possible relocation.

The collection spans Kubrick's entire career from his time as a photographer in the 1940s and early 1950s until his last film in 1999 (Eyes Wide Shut). Kubrick died during the editing of Eyes Wide Shut and some items relating to the release/finished version were added by his staff. They have been included because they were held with the main collection, at the creator's home, following the pattern of what he kept and were deposited with the Archive.

The collection covers the film making process from pre until post production and includes: production paperwork [including pre and post production]; letters; props; costumes; publicity materials, both finished posters etc and drafts; production photographs. stills and slides; research paperwork and photographs; plans etc for how to film scenes; books; audiovisuals; drawings and artwork; equipment and press cuttings.

Five letters of John Ruskin to the Rev Walter Lucas Brown on watercolour painting; letter to Miss Brown.

Compositions by Stephen and George Elvey as well as Highmore Skeats, the younger and the elder, c1815-1840?

The papers of Garrick Club comprise one volume containing playbills for the Theatre Royal, Covent Garden between 28 September 1825 and 23 June 1826 with occasional notices of cast changes.